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The Philosophy of Literature: Contemporary and Classic Readings - An Anthology (Blackwell Philosophy Anthologies Book 4) 1st Edition, Kindle Edition
- Contains forty-five substantial and carefully chosen essays and extracts
- Provides a balanced and coherent overview of developments in the field during the past thirty years, including influential work on fiction, interpretation, metaphor, literary value, and the definition and ontology of literature
- Includes an additional historical section featuring generous selections of the writings of early pioneers such as Plato, Aristotle, Nietzsche, and Hume
- Serves as an ideal introduction to the philosophy of literature or the philosophy of art, as well as a handy compilation of contributions to the field by its leading figures
- ISBN-13978-1405112086
- Edition1st
- PublisherWiley-Blackwell
- Publication dateJune 9, 2008
- LanguageEnglish
- File size6274 KB
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Editorial Reviews
Review
"These essays, taken together, constitute a serious and probing exploration of several of the most fundamental philosophical puzzles about literature. They are also accessible, engaging, and frequently a lot of fun. A superb collection!" Kendall Walton, University of Michigan
From the Inside Flap
This authoritative volume offers a handy compilation of contributions to the field by its leading figures. It is an indispensable resource for anyone interested in the philosophy of literature or the philosophy of art.
From the Back Cover
This authoritative volume offers a handy compilation of contributions to the field by its leading figures. It is an indispensable resource for anyone interested in the philosophy of literature or the philosophy of art.
About the Author
Dominic McIver Lopes is Associate Professor of Philosophy at the University of British Columbia. He is the author of Understanding Pictures (1996) and co-editor of the Routledge Companion to Aesthetics (2000) and Imagination, Philosophy, and the Arts (2003). He is also co-editor, with Berys Gaut, of the Blackwell series New Directions in Aesthetics.
Product details
- ASIN : B000VZQTTK
- Publisher : Wiley-Blackwell; 1st edition (June 9, 2008)
- Publication date : June 9, 2008
- Language : English
- File size : 6274 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : Not Enabled
- Print length : 384 pages
- Best Sellers Rank: #2,421,079 in Kindle Store (See Top 100 in Kindle Store)
- #581 in Philosophy Criticism (Kindle Store)
- #724 in Aesthetics (Kindle Store)
- #795 in Semiotics & Theory Literary Criticism
- Customer Reviews:
About the author
Dominic Lopes teaches philosophy at the University of British Columbia and writes on images and their value, computer art, and the nature and value of art. His work builds on the premise that works of art should be understood as artifacts of the human mind as well as of human culture.
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It's also a rather significant volume, with a great deal of different texts. I could see it being used as a catch-all reference for beginning and intermediate students of the field. It gives you the foundation you need to advance to more specialized books related to your interest or academic focus. Since it's clearly marketed as an anthology, I am not going to insult the editors by pointing out minutia I would have liked to seen included. Frankly, I am nowhere near the level of expertise necessary to do so. I would prefer a general overview to obscure and narrowly-targeted pieces that were frankly never intended for mass audiences, and woud lose their intricacy if given a fleeting treatment.
The font is readable and definitely aided by the two-column layout. Once again, the presentational approach foregrounds the content and gives it the attention it deserves. The book, because of its readability and core value, has deepened my interest in the field. I see reason for average people - especially those who value the arts in their daily lives - to pick this one up. It's thorough and comprehensive. It begs important questions about fiction, characterization, criticism, and more. Take a look, and think critically about what you read - in this volume, and everywhere else.
I have never read or owned this book, nor do I plan to.
It is April, 1979. I have not been born yet, and statistically, neither have you (Paine). Nobody could have predicted the monumental event that was to come. I am not referring to the Soviet invasion of Afghanistan, nor do I allude to the underground lizard person coup of the early 80s (Grognak et al.). I am of course, talking about the publication of "The Philosophy of Literature: Contemporary and Classic Readings - An Anthology". While the original has been overshadowed in every aspect by "The Philosophy of Literature 2: 2 Contemporary, 2 Classic - The Revenge of the Anthology", it is all the more relevant in today's political climate for reasons that need no explanation. As the great contemporary philosophist Lil Pump says, "your momma still live in a tent, so let us delve into this excellent edited collection of essays" (Pump).
John starts the monograph with an anecdote about her children who write satirical reviews of her books on Amazon. While this is an overdone trope, John subverts all expectations of the genre in a stunning tour de force of her introductory prowess. I don't want to ruin the surprise for you, but I will give a concise evocation of my emotional response: [REDACTED].
Clearly, Dr. John is a master of her craft, the last of the old breed of philosophy and literature professionals who once composed the backbone of our republic's defenses against the ravenous hordes of Proust worshiping troglodytes. While some may find Dr. John's scathing indictment of SOCIETY distasteful, I think it's pretty neat.
But the question on your lips surely is thus: Should I buy this book?
My answer: No. You should not simply buy this book and perpetuate Amazon's monopoly of excellent philosophy of literature books. Instead I implore that you embrace this book and everything it has to offer.
A bientot.
The articles in this anthology are almost all by philosophers who have only a passing knowledge of literature. The results are sophistic and at time sophomoric.
Missing also are some famous contributions to the field, such as Sartre's What is Literature? a book which raises some serious problems for literature. Also, the work of John M. Ellis.
If you can afford it, buy all four books. If not, you're better off with A Book Worth Reading.