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The Elements of Style (4th Edition) 4th Edition

by William Strunk (Author), E. B. White (Author), Roger Angell (Foreword)
4.7 4.7 out of 5 stars 8,343 ratings
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You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. A new Foreword by Roger Angell reminds readers that the advice of Strunk & White is as valuable today as when it was first offered.This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing.
Previous page
  1. ISBN-10
    9780205313426
  2. ISBN-13
    978-0205313426
  3. Edition
    4th
  4. Publisher
    Pearson
  5. Publication date
    August 24, 1999
  6. Language
    English
  7. Dimensions
    8.28 x 5.28 x 0.6 inches
  8. Print length
    128 pages
  9. See all details
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Editorial Reviews

From the Back Cover

"You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. A new Foreword by Roger Angell reminds readers that the advice of Strunk & White is as valuable today as when it was first offered.This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing. "

About the Author

William Strunk, Jr. first used his own book, The Elements of Style, in 1919 for his English 8 course at Cornell University. The book was published in 1935 by Oliver Strunk.

E. B. White was a student in Professor Strunk's class at Cornell, and used "the little book" for himself. Commissioned by Macmillan to revise Strunk's book, White edited the 1959 and 1972 editions of The Elements of Style.

Product details

  • ASIN ‏ : ‎ 0205313426
  • Publisher ‏ : ‎ Pearson; 4th edition (August 24, 1999)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 128 pages
  • ISBN-10 ‏ : ‎ 9780205313426
  • ISBN-13 ‏ : ‎ 978-0205313426
  • Item Weight ‏ : ‎ 8.8 ounces
  • Dimensions ‏ : ‎ 8.28 x 5.28 x 0.6 inches
  • Customer Reviews:
    4.7 4.7 out of 5 stars 8,343 ratings

About the author

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William Strunk Jr.

William Strunk Jr.

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William Strunk Jr. (1 July 1869 – 26 September 1946), was a professor of English at Cornell University and author of the The Elements of Style (1918). After revision and enlargement by his former student E. B. White, it became a highly influential guide to English usage during the late 20th century, commonly called Strunk & White.

Bio from Wikipedia, the free encyclopedia.

Customer reviews

4.7 out of 5 stars
4.7 out of 5
8,343 global ratings
A little (yes, little!) book
4 Stars
A little (yes, little!) book
I’m not sure why a lot of recent buyers received a giant photocopy version of this book - I received the proper paperback. I did double-check the listed dimensions before purchasing, just in case, and the book I ordered was shipped and sold through Amazon.As for the book, it’s a spunky little guide to grammar and style that any writer can appreciate. Definitely small enough to carry with you.
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Top reviews from the United States

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5.0 out of 5 stars Best handbook for writing you'll find
Reviewed in the United States on May 25, 2007
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I should have had this book during my grad student years while I taught a technical writing course for engineers. The full time instructor spontaneously vanished, so myself and another teaching assistant were left to teach the class with only a syllabus and a lame textbook. For about a year and a half I taught that course and was convinced it was impossible to teach grammar - but I didn't have the right tool. I changed the syllabus repeatedly, whittling away and some larger goal that I couldn't define. I just couldn't get the difference between active and passive speech through their heads (among other things), so I settled for the tried and true Intro-Body-Conclusion ten pager essay and graded them on format and execution. I tried to use context to pull them out of poor habits, but I still had paper titles like "The Internet in the United State's" (sic).

Some time later, when I was doing research, writing papers, and beginning my thesis work, a light went off in my head. I remembered an internship I had where my mentor told me to pick up a copy of a writing handbook, and for some reason I kept thinking "Charlotte's Web?" in my head. I Googled the book and eventually found Strunk and White. The day I got it I instantly recognized its value.

Tucked away in this short and concise little book are gold nuggets of information. Besides the well known tips about prepositions and run ons, there are well-written examples of commonly misused words, such as "comprise" and "effectual". The examples are hilarious and perfectly suited for instruction. The book is not a disorganized lump of opinions about writing style, rather it is well sorted with bold and italics to set off rules and lists about certain elements of style that should be considered by any writer.

I give this book as a gift to anybody taking on a writing endeavor, and I keep my own copy on my bookshelf at work. I was tempted to put "As a matter of fact (comma)" at the beginning of the previous sentence, but Strunk would slap my hand for that. It is a useless phrase that adds no value to the sentence.

At work, we are constantly writing technical reports and proposals and I often reach for this book when I'm attempting to clean up my mental-fatigued ramblings. I should have had this book in my teaching years, and if I could go back, I'd pay for all of the books myself if it meant the kids would keep their copy for their personal collection.

On a practical note, buy this book in addition to "The Little, Brown Handbook" by Fowler. Between the two of them you will be well equipped to tackle the complexities of technical or descriptive writing.
21 people found this helpful
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Dr. C.H.E. Sadaphal
5.0 out of 5 stars (4.75) Get rescued out of writing trouble. And, learn how to write with vigor and clarity.
Reviewed in the United States on May 17, 2021
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This classic style manuscript is only a few dollars but is worth its weight in gold. Why is that? Because it teaches you how to use words to form proper sentences. The result is writing that communicates a clear, robust and precise message. Good writing never leaves the reader bewildered. Instead, good writing arouses and holds the reader’s attention; it calls up mental pictures whose size exceeds the writing itself. Accordingly, Elements of Style equips the writer with greater technical skill and is overflowing with best practices. It also benefits your reader, who will no longer flounder in the sea of ambiguity. After reading this book, I now realize how bankrupt modern writing is; this includes my own writing.

Elements has five parts: (I) Elementary Rules of Usage (II) Elementary Principles of Compositions (III) A Few Matters of Form (IV) Misused Words and Expressions (V) An Approach to Style. Parts I-IV deal with the science of writing. Part V deals with the art of writing. It is in parts I and II that you will find the famous “22 Rules.” These commandments provide timeless lessons such as (#16) “Use definite, specific, concrete language” and (#17) “Omit needless words.” Under each heading, the author gives a few examples of sentences that can be improved by application of the rule along with a one-page summary.

As a bonus, the author has a style of writing that is sharp and witty. This creates a read that is both informative and entertaining. Overall, this small book can be finished quickly, but you will likely return to mine nuggets of literary wisdom many times. For any writer, this book is the type that you buy and keep in a permanent spot in your library.
5 people found this helpful
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Oxford
5.0 out of 5 stars Critical Review: Whether it is still valid for today
Reviewed in the United States on April 15, 2013
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How does one account for authoritative advice on writing style? While styles of writing vary according to each writer's own preference some guidelines are inevitable to enhance writing clearer for readers. William Strunk's The Elements of Styles has been loved and considered to be one of authoritative manual for writers on this regard. Now deceased former English professor of Cornell University, Strunk provided writers eleven rules of usage (chapter one) and eleven principles of composition (chapter two) along with few other tips and reminders in the rest of the book. Thus Strunk's central claim for clarity of writing comes from concision and precision. However since it has been more than fifty years it was first published, should Strunk's assertions considered to be still valid? Has it praised with sacrifice of creativity? Beginning with a brief summary this review will examine several critical issues addressed in the book such as "should passive voice indicative verb be avoided at all cost?"

[Summary]
"Vigorous writing is concise...., but that every word tell" E.B. White who became the coauthor who expanded Strunk's work called this as "master[ly] Strunkian elaboration" (xv). The authors of Element of Style not only obsessed with words but also pleaded writers not to waste any word. Their calling of writers to concise and precise writing has been appealing for half century. They begin Style from specific rules of guidance to broad and thematic traits for composition. Readers learn about how to use commas for listings, how to write dates and common abbreviations, use of restrictive clauses, when to break clauses--and how to break them--, why one should not use `s (apostrophe s) when related to Moses and Jesus but use it in other cases even if the word ends in -s.
Then in the second chapter the authors toned down a little dealing with principles of English composition. Unlike the first chapter, which originally had seven rules but expanded into eleven, this chapter preserved its original eleven principles from Strunk. He suggested principles that many of them now became a kind of norm for most academic writings: begin a paragraph with a topic sentence; use positive language; use definite, specific, and concrete language if available; avoid a successive loose construction; group conjunctions in similar tone; keep related word together, and also keep the same tense throughout if possible; push your emphasis toward the end of a sentence.

In the next three chapters White tried to catch time by supplementing recent and relevant materials to consider for modern writers. Few matters of form (chapter 3) is a culmination of writing tips that can only be found in fragments in various sources. Chapter four "Misused Words and Expressions" so useful that even Grammar Girl often makes reference to some of them. What could have been lacking for a clear writing in 1950s has been supplemented by these last three chapters through White's revision, and even critical readers cannot deny their usefulness to find information in one book.

[Critical Evaluation]
The unseen success of Style motivated many similar works to follow. Probably three more well-known classics followed its success would be John R. Trimble's Writing with Style, William Zinsser's On Writing Well: The Classic Guide to Writing Nonfiction, and Joseph M. Williams' (or Williams's) Style: The Basics of Clarity and Grace. Tremble began stressing that writing is a simple conversation between author and his reader. He emphasized, unless Strunk, importance of personal characteristic and creative style of the author which readers appreciate more than rigid style. Giving more authority to readership seemed to continue in the field of giving advice for writing, as if some writers were unhappy with Strunk, with a new book from Zinsser writing is something that cannot be contained in rules and principles but endless craftsmanship. Nevertheless, next two decades from 1980s toward the beginning of the new millennium more students became incompetent in their writing styles and such a tendency called for more strict guidelines. Another huge success of Style by Joseph Williams questions if writing is another discipline to be learned and followed under certain equations like mathematics or it is a privileged realm of some people naturally know how to write well.

Strunk and other authors do not necessarily compete each other to push across their thesis, but writers--who are main readers of their works--still struggle to find clear advice on their writings. It is only a matter of degree whether this confusion would be greater without works like Strunk or even with it. Overall in many ways Strunk's work cannot be avoided or neglected for any serious writer, because he not only proposed a specific way to a better writing. It was a bold--if not audacious--thesis that he brought into discussion in the first place. It has been useful to students, publishers, editors, and other professional writers, and now with lack of literary competency of new generation of students its need seems to be imperative again. With wide spread of Internet usage someone, like Strunk, must tell students "do's and don'ts" for their poor writings for Internet totally substituted personalized jargons with words with concision and precision.

That said, I think that few things suggested in the book should be scrutinized more critically such as use of the first person pronoun (e.g., "I" in this sentence), passive voice indicative verb (e.g., "be scrutinized"), gender-neutral pronouns, and splitting of infinitives. Especially the use of an active voice verb seems imperative in writing for it is preferred and suggested by all writers discussed above. Strunk and White asserted, "The active voice is usually more direct and vigorous than the passive." Their central claim for Style seems to cohere with this point as well. However, if readers seems to deserve more elaborated description about the passive, because these authors are not arguing for all writings but from general perspective. Such as writing for the field of science, legal, politics, history and any disciplines require unbiased and rational fact-report should allow passive voice, if not even prefer it, to be equal option for composition. And (by the way this would be another strike for common rules of writing to begin with a conjunction "and") the Bible has this strong passive called theological passive that whenever the agent is God the Scripture uses passive even omitting the subject. For example, the beatitudes in Matthew 5 are all in this theological passive yet no one ever complains it weaker than active. Readers tend to consider it warranted that Strunk's Style lists absolute rules, but authors do not seem to profess that. Therefore, readers should read Style critically just like any other books they read thus.
Conclusion

"Little book" as Style is first called even through revisions it remains little in size, but its impact and challenge have grown to be undeniable in many excellent writings. The unexpected harmony and partnership of Strunk and White's have fulfilled their central claim successfully, namely clarity of writing still comes from concision and precision. However, it is readers's (or readers') duty to read everything, even Style critically, and henceforth rather than considering their rules and principles as rigid laws they should follow them as accompanying guidelines for their writings. And that is what I do whenever I write something with desire to fully craft for it to be recognized with excellence.
30 people found this helpful
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Top reviews from other countries

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Wentai
5.0 out of 5 stars Great book.
Reviewed in Canada on April 1, 2022
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I used to use bad grammar and now I don't. Buy this book and you got the power of good grammar too.
I love this book because it helps me to appear intelligent.
A harder task than it sounds.
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Alfredo Viana
5.0 out of 5 stars Boa ferramenta para comunicação de negócios
Reviewed in Brazil on December 31, 2021
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O livro tem me ajudado muito na comunicação com as diversas áreas da empresa e nos relatórios que elaboro para a matriz nos EUA. Tem boas dicas de comunicação que servem para qualquer idioma.
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Alfredo Viana
5.0 out of 5 stars Boa ferramenta para comunicação de negócios
Reviewed in Brazil on December 31, 2021
O livro tem me ajudado muito na comunicação com as diversas áreas da empresa e nos relatórios que elaboro para a matriz nos EUA. Tem boas dicas de comunicação que servem para qualquer idioma.
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6 people found this helpful
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EMMANUELOLUSOLA ADEBAYO
5.0 out of 5 stars It is a good reminder of the importance of writing according to the rules of the language.
Reviewed in the United Kingdom on April 8, 2024
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There is nothing to dislike in this book.
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Christine K.
5.0 out of 5 stars Rend la grammaire moins barbante !!!
Reviewed in France on March 3, 2023
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La reliure pourrait être plus haut de gamme pour des consultations multiples sur une longue durée…
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5.0 out of 5 stars E-Book and Hardcover
Reviewed in Germany on December 1, 2021
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Let's jump right in.

E-BOOK
I bought the E-book first and cannot recommend it. Unless you are keen on feasting your eyes on poor formatting, do not buy the E-Book version. The author makes examples side by side to show what a false sentence and a correct sentence look like, easy for the reader to differentiate. In the E-book, these sentences get jumbled and thrown together, creating a self-repeating monstrosity of unsalvagable caliber.

Tl;dr: Do not buy the E-book.

HARDCOVER
After my experience with the Ebook, I bought the hardcover. Lo and behold, sentences started to make sense again.
In 21 chapters the book manages to effectively and succinctly describe rules of grammarian conduct rules such as the use of possessive singulars, serial commas, the relationship between conjunctions, adverbs, and commas, when and when not to use a colon, semi-colon, or a dash, etc.
Furthermore, the book contains information about composition of paragraphs and sentences and a list of common errors that are to be avoided.

To summarise: The book is a small bible for grammarian conduct rules for writers and the grammatically inclined.

Tl;dr: Buy the Hardcover. The book is fantastic.
4 people found this helpful
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