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For Us, the Living: A Comedy of Customs Kindle Edition

4.2 4.2 out of 5 stars 365 ratings

A man awakens to a changed world in the long-lost first novel by the author of Starship Troopers—“a major contribution to the history of the genre” (The New York Times Book Review).

From the author of
Stranger in a Strange Land, The Moon is a Harsh Mistress, and other masterpieces of science fiction, this never-before-published debut novel, written in 1939, introduces ideas and themes that would shape his career and define the genre that is synonymous with his name.

July 12, 1939: Perry Nelson is driving along the palisades when suddenly another vehicle swerves into his lane, a tire blows out, and his car careens over a bluff. The last thing he sees before his head connects with the boulders below is a girl in a green bathing suit, prancing along the shore. . . .

When he wakes, the girl in green is a woman dressed in furs and the sun-drenched shore has transformed into snowcapped mountains. The woman, Diana, rescues Perry from the bitter cold and takes him inside her home to rest and recuperate.

Later they debate the cause of the accident, for Diana is unfamiliar with the concept of a tire blowout and Perry cannot comprehend snowfall in mid-July. Then Diana shares with him a vital piece of information: The date is now January 7. The year . . . 2086.

When his shock subsides, Perry begins an exhaustive study of global evolution over the past 150 years. He learns, among other things, that a United Europe was formed and led by Edward, Duke of Windsor; former New York mayor LaGuardia served two terms as US president; the military draft was completely reconceived; banks became publicly owned and operated; and in the year 2003, two helicopters destroyed the island of Manhattan in a galvanizing act of war. This education in the ways of the modern world emboldens Perry to assimilate to life in the twenty-first century. It is an adjustment that will test his mental and emotional resolve. Yet it is precisely his knowledge of a bygone era that will serve Perry best, as the man from 1939 seems destined to lead his newfound peers even further into the future than they could have imagined . . .

Heinlein could not have known in 1939 how the world would change over the course of one and a half centuries, but we have our own true world history to compare with his brilliant imaginings, rendering
For Us, The Living not merely a novel, but a time capsule view into our past, our present, and perhaps our future.

“A neat discovery for Heinlein and utopia fans.” —
Booklist

Includes an introduction by Spider Robinson and an afterword by Professor Robert James of the Heinlein Society
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Editorial Reviews

From Publishers Weekly

Heinlein fans can rejoice-the SF master's lost first novel, composed between 1938 and 1939, has been found! In 1939, Perry Nelson suffers a bad car accident, but when he wakes up, it's 2086. A beautiful girl, Diana, takes the confused man under her wing, and naturally, they fall in love, but when Diana's ex shows up and flirts with her, Perry hauls off and hits him. Next thing Perry knows, he's being deprogrammed to get rid of his irrational sexual possession and jealousy. As Perry learns about the new world around him, he receives lectures about economic systems, aircars, rockets, U.S. history, religion and more-and these, of course, are the point of the story. Heinlein creates a utopian world of unparalleled prosperity and personal freedom and sketches out, through Perry's teachers, exactly why it all works. Since Heinlein mined ideas from this novel for all his other works, much is familiar, from the frankly free sexual mores to the active role of women to the rolling roads. Although this book can't stand alone on its own merits as a novel, it's a harbinger of later themes, best read critically and in conjunction with Heinlein's more mature fiction.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Heinlein's later novels were often accused of sermonizing rather than storytelling. His previously unpublished first novel shows that he started out preaching, too. It's a utopia, however; hence, it belongs to a didactic genre with roots in Plato's dialogues, especially The Republic. A young army flyer blacks out in a car crash in 1939 and starts coming to in 2086. A lovely young woman finds and brings him home to recuperate. When he fully awakens, he discovers just how lovely she is, for clothing is optional in 2086. The taboo on nudity, and also sexual fidelity, blue laws, unemployment, poverty, victimless crimes, and political campaigning as 1939 knows it no longer exist. Much of the text is spent explaining how Depression America became a utopia, and if the history lesson is intriguing, the economic one, based on C. A. Douglas' Social Credit system (Ezra Pound's hobbyhorse in the Cantos), is soporific. Heinlein is clearly no Plato, but the future he depicts is no Cloud-Cuckoo-Land, either. A neat discovery for Heinlein and utopia fans. Ray Olson
Copyright © American Library Association. All rights reserved

Product details

  • ASIN ‏ : ‎ B000FC0X9Q
  • Publisher ‏ : ‎ Scribner; Reprint edition (January 6, 2004)
  • Publication date ‏ : ‎ January 6, 2004
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1029 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 352 pages
  • Page numbers source ISBN ‏ : ‎ 0743491548
  • Customer Reviews:
    4.2 4.2 out of 5 stars 365 ratings

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Customer reviews

4.2 out of 5 stars
4.2 out of 5
365 global ratings

Top reviews from the United States

Reviewed in the United States on April 8, 2024
Interesting book showing the formation of many of Heinlein's ideas in human relations, economics, and science fiction. Flawed in some ways, but an interesting read for those of us who have read all his works and wished there were more.
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Reviewed in the United States on December 6, 2003
As Spider Robinson says in his introduction, this book is basically a collection of lectures about utopian political and economic theories, joined in a narrative framework. Heinlein's utopia is not merely libertarian, it's specifically Libertarian. (He wasn't referring to the political party, which is 40 years younger than this book, but he might as well have been.)
It's a good book. I wouldn't say it's a good novel, in the normal sense, but I've certainly read many worse examples of this type of story. Where the typical first libertarian novel is based on an unsophisticated understanding of political theory and even weaker writing skills, _For Us, The Living_ presents mature and well-considered theory and top-notch writing.
What it lacks is a compelling story-- another point made well by Robinson. The book is 283 pages, of which 235 are the novel. About 41 pages of this comprise a single expository scene, a conversation among three characters in which Heinlein gives a history of the US from 1939 to 2085. Most of this history is only weakly relevant to the themes of the novel, though it's interesting in itself. There are numerous other lectures that also do little to advance the plot.
Now, Atlas Shrugged has far longer expository scenes, but then, my hardcover edition has 1,168 pages, each of which has about 2.25 times as many words on average as the pages of _For Us, The Living_. Rand's exposition is not out of place in its context, but Heinlein's is.
Of the actual story itself-- well, there isn't much. I count about 100 pages of text that directly or indirectly support the plot, but if the indirect support was boiled down, all of this would add up to only maybe 30 pages out of 235. Like I said, it isn't much.
Though there isn't a lot of plot, there's a good deal of specific political and economic advice in this book. Heinlein trots out an authority figure to speak approvingly of a law that requires a public referendum on declarations of war in the absence of foreign aggression, for example. Voting would be open only to those eligible for military service, and those who vote for war would be immediately inducted. An interesting idea, anyway. :-)
Heinlein even refers to a whole new Constitution for the United States of 2085, summarized by this passage:
"Every citizen is free to perform any act which does not hamper the equal freedom of another. No law shall forbid the performance of any act, which does not damage the physical or economic welfare of any other person. No act shall constitute a violation of a law valid under this provision unless there is such damage, or immediate present danger of such damage resulting from that act."
Though I think this proposal is not particularly well expressed, the notion behind it is good orthodox Libertarianism. There are some economic prescriptions that are neither Libertarian nor practical, but Heinlein obviously believed them necessary. Heinlein never did figure out the missing element of political theory needed to make Libertarianism practical, but then, the Libertarians never did either. (I have, but this is not that essay. :-)
It doesn't bother me that the economic conclusions in this book are wrong. Heinlein's economic theory appears to be based on an honest study of the conditions of 1939, it was intelligently and independently developed, and it is well presented here. It contains many elements of truth that are not typically presented even in economics classes. They probably shouldn't be presented in a novel, either, but we've already established that this isn't your usual novel. It stimulates thought, which is a good enough reason for me to enjoy it.
I doubt _For Us, The Living_ would have had a favorable effect on 1939 society if it had been published then. For one thing, society would have reacted badly to Heinlein's description of it:
"But most of all he came to despise the almost universal deceit, half lies and downright falsehood that had vitiated the life of 1939. He realized that it had been a land of hokum and cheat. The political speeches, the advertising slogans, the spitlicking, prostituted preachers, the billboards, the ballyhoo, the kept press, the pussy-footing professors, the incredible papier-mache idol of 'society', the yawping Neanderthal 100% Americanism, paving contracts, special concessions and other grafts, the purchased Senators and hired attorneys, the corrupt judges and cynical politicians, and over and through it all the poor desiccated spirit of the American peasant, the 'wise guy' whose motto was 'Cheat first, lest ye be cheated' and 'Never give a sucker a break.' ...The whole tribe, lying, lied to and lied about, who had been taught to admire success, even in a scoundrel, and despite failure, even in a hero."
I suppose Heinlein learned the Swiftian lesson one book too late-- it's much better to be critical of an obviously fictional population, far separated in time and space from his audience. On the other hand, I found it interesting to see Heinlein writing about his own people and not the Brobdingnagians; there was no need to try to figure out how much of the message was aimed specifically at the reader. (Of course, I don't face the worry that Heinlein might be talking about ME. :-)
Overall, I like this book. It may not have the usual virtues of a novel, but if you like Heinlein, future histories, or theories of politics, economics, or semantics, you might like it too. I'm happy it was found and published.
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Reviewed in the United States on May 4, 2024
Once you’ve read enough of Heinlein’s ouvre, read this to see how early his ideas first appeared. The economic discussions are quite dry and I just skimmed them, but the concepts are radical and fascinating to consider.
Reviewed in the United States on December 7, 2003
When I first heard the news that this, Heinlein's first and thought to be lost novel, had been discovered and would soon be published, I was ecstatic. Having read everything ever published by him, the thought of having new words from the master of science fiction was a great lift to my spirits. Now having this work in my hands, my happiness has not diminished, even though this 'novel' is fraught with flaws. This work is not the place to start reading Heinlein; its place in his pantheon can only really be appreciated after having read many of his other works.

In some ways, this work is something like H.G. Wells When the Sleeper Wakes, with its major plot line of Perry, a normal 1939 engineer, reviving after a car accident in the year 2086. With this as a starting point, much of the book focuses on the changes and events that have occurred during the intervening years. Presented here is a fascinating set of prognostications, from a united Europe (quite different from today's attempt at unification), to an America that took a brief fling with a religious autocracy. Hitler's final fate, and the duration of WWII, is eerily foretold. Some of the foreseen advances in technology are startling: advanced cooking methods, personal air-cars, rolling roads, even a primitive form of the internet - some of which have actually come to pass, others seem just as far away as when this was written. A significant (and highly atypical) failure in prediction, though, is that by 2086, man had still not traveled to the moon.

It is very clear that this was some of Heinlein's earliest attempts at writing, as just about all the above is presented as expository blocks of dialog by one or another of those people who have undertaken the task of bringing Perry up to date, rather than being material presented as part of the story, a trick he later mastered possibly better than any other science fiction writer. For those who have read some of Heinlein's other works, though, this material, even though it interrupts the story and is presented in large, nearly indigestible blocks, is fascinating. Here we see that Heinlein, in 1938, had already laid out most of the significant events of what would become his 'Future History', and several stories he would later write were directly mined from this material, including Beyond this Horizon, "If This Goes On", "Coventry", and "The Roads Must Roll".

The story itself, which really only comprises about fifty pages of this work, deals with several items that would become the major subject material for many of his late-life works: the proper role of government versus private actions, economics, religion, what is love and jealousy, and alternative marriage forms. Perry falls in love with Diana, the person who first aided him, and runs afoul of the customs of the day when he takes a swing at one of Diane's former partners. His treatment for this infraction allows Heinlein to present many of his views on society and personal interactions. From this it can be seen that his focus on such material in books like Stranger in a Strange Land, Friday, and I Will Fear No Evil was not an aberration, but rather a continuation of thoughts and feelings he had always had, but couldn't publish during the forties and fifties due to various taboos. This was also probably at least one reason (besides its clumsy technique) why this book could not find a publisher in 1939, as its advocacy of free love and casual nudity would have certainly raised some hackles.

As would always be typical of Heinlein's work, he presents some ideas that will challenge your own assumptions of how things should and do work, most especially in this work with his presentation on economics, banking, and taxation. Some additional reading from other sources about these economic ideas is recommended, as I think such reading in conjunction with what is presented here will provide a clearer picture of just how the world works today and how things might be modified for the better.

As a novel, this book doesn't work very well, as it is essentially a short story bulked up with all of Heinlein's ideas about the future world. But those ideas scintillate and provide a great perspective from which to view all of his other work. Perhaps it is an irony that his first book should end up being his last published, but I for one am glad that I have had this opportunity to read this and see the genesis of so much that I greatly enjoyed.

--- Reviewed by Patrick Shepherd (hyperpat)
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Top reviews from other countries

Reggie Drax
5.0 out of 5 stars Unmissable - for a Heinlein Fan
Reviewed in the United Kingdom on January 16, 2011
I read this book and did not stop smiling all the way through - it is an absolute pleasure to read if you've been reading Heinlein since you were 12, like me.

This is the book to read when you've read everything else by and about Heinlein that you can find. For instance: In "Grumbles From the Grave" Heinlein tells the very nicely rounded story of writing and selling his first short story and how he's (understandably) proud of having sold everything he's ever written. However... It turns out that whilst this story is composed of mostly true elements that "For Us, the Living" was actually the first thing he wrote and he wasn't able to get it published - oh and that he did his level best to make sure it never came to light, even to the extent of burning his own copy of the manuscript.

Priceless stuff basically, inept, fascinating and a bit short on actual story... Don't miss out the introduction etc. with all the bits about how the book was finally published. Most importantly though it's stuffed full of the ideas a master novelist will return to over and over throughout his writing career. As you read it you'll be simultaneously smiling at the ideas and cringing at the mistakes, rolling roads is the idea and the two page footnote telling the backstory of a major character is the mistake that springs to mind. No, you didn't misread that, a two page footnote describing a character.

In-between the smiles and winces you will catch glimpes of why we've all read this author's work for so long.

You HAVE to read this book if you love Heinlein.
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Gordon M
5.0 out of 5 stars An Interesting Read
Reviewed in the United Kingdom on March 31, 2017
Although not an up-to date book by this author who is now deceased, it is a publication of thoughts and story lines that appear in many of the books he eventually wrote - most of which became big sellers in the SF genre. The astonishing thing is that this book was written around the beginning of World War 2 (1939-1945) and yet he identifies inventions, cultural trends and human behaviour many years before there was substance his thoughts. Have enjoyed reading it.

My only quibble is that I selected the supplier as it was British, but waited nearly a month for it to be delivered from America
simon brown
2.0 out of 5 stars Very VERY early Heinlein
Reviewed in the United Kingdom on July 2, 2021
Heinlein before he became Heinlein- the themes are there but not the technique or the humour, and the “hero” is just irritating. Kind of interesting, but not fun to read.
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