Possibly one of the most talked about books of the year, Meg Rosoff's novel for young adults is the winner of the Guardian Children's Fiction Prize 2004. Heralded by some as the next best adult crossover novel since Mark Haddon's The Curious Incident of the Dog in the Night-Time, who himself has given the book a thunderously good quote, this author's debut is undoubtedly stylish, readable and fascinating. Rosoff's story begins in modern day London, slightly in the future, and as its heroine has a 15-year-old Manhattanite called Daisy. She's picked up at the airport by Edmond, her English cousin, a boy in whose life she is destined to become intricately entwined. Daisy stays at her Aunt Penn's country farmhouse for the summer with Edmond and her other cousins. They spend some idyllic weeks together--often alone with Aunt Penn away travelling in Norway. Daisy's cousins seem to have an almost telepathic bond, and Daisy is mesmerized by Edmond and soon falls in love with him.
But their world changes forever when an unnamed aggressor invades England and begins a years-long occupation. Daisy and Edmond are separated when soldiers take over their home, and Daisy and Piper, her younger cousin, must travel to another place to work. Their experiences of occupation are never kind and Daisy's pain, living without Edmond, is tangible.
Rosoff's writing style is both brilliant and frustrating. Her descriptions are wonderful, as is her ability to portray the emotions of her characters. However, her long sentences and total lack of punctuation for dialogue can be exhausting. Her narrative is deeply engaging and yet a bit unbelievable. The end of the book is dramatic, but too sudden. The book has a raw, unfinished feel about it, yet that somehow adds to the experience of reading it. (Age 14 and over) --John McLay
From School Library Journal
Grade 8 Up–Impending war, parental rejection, and anorexia are Daisy's concerns as she steps off the plane in England where she's been sent to stay with her Aunt Pen and her four cousins. The 15-year-old has landed in a chaotic but supportive country household where she is immediately intrigued by her cousin, Edmund. In this novel (Wendy Lamb Books, 2004), Meg Rosoff explores what happens when war leaves these five youngsters to fend for themselves. There are the hardships of finding food and the loss of their mother, but there is also freedom and unexpected tenderness that evolves into an intense physical relationship between Daisy and Edmund. When the two are parted, Daisy takes charge of her youngest cousin, Piper, and the two young women set off to find Edmund and his twin Isaac. What they discover is a brutal massacre but not their kin. Finally returning to the family home, the two girls spend every waking minute trying to survive until Daisy's dad forcibly extricates her from England. It's many years before all of them are reunited. Kim Mai Guest reads with a light, slightly saucy tone which is just right for a New Yorker like Daisy. Though the novel has disturbing elements, Rosoff handles the harshness of war and the taboo of incest with honest introspection. This Printz award winner is a good choice for book discussions as it considers the disruption of war both physically and emotionally and should be on every high school and public library shelf.–Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
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*Starred Review* Gr. 8-11. A 15-year-old, contemporary urbanite named Daisy, sent to England to summer with relatives, falls in love with her aunt's "oldy worldy" farm and her soulful cousins--especially Edmond, with whom she forms "the world's most inappropriate case of sexual obsession." Matters veer in a startling direction when terrorists strike while Daisy's aunt is out of the country, war erupts, and soldiers divide the cousins by gender between two guardians. Determined to rejoin Edmond, Daisy and her youngest cousin embark upon a dangerous journey that brings them face to face with horrific violence and undreamt-of deprivation. Just prior to the hopeful conclusion, Rosoff introduces a jolting leap forward in time accompanied by an evocative graphic device that will undoubtedly spark lively discussions. As for the incestuous romance, Daisy and Edmond's separation for most of the novel and the obvious emotional sustenance Daisy draws from their bond sensitively shift the focus away from the relationship's implicit (and potentially discomfiting) physical dimension. More central to the potency of Rosoff's debut, though, is the ominous prognostication of what a third world war might look like, and the opportunity it provides for teens to imagine themselves, like Daisy, exhibiting courage and resilience in roles traditionally occupied by earlier generations. Jennifer Mattson
Copyright © American Library Association. All rights reserved
Review
"A daring, wise, and sensitive look at the complexities of being young in a world teetering on chaos, Rosoff's poignant exploration of perseverance in the face of the unknown is a timely lesson for us all." - People Magazine
"This riveting first novel paints a frighteningly realistic picture of a world war breaking out in the 21st century . . . Readers will emerge from the rubble much shaken, a little wiser, and with perhaps a greater sense of humanity." - Publishers Weekly, Starred
“That rare, rare thing, a first novel with a sustained, magical and utterly faultless voice. After five pages, I knew she could persuade me to believe anything.” —Mark Haddon, author of The Curious Incident of the Dog in the Night-Time
“Readers will remain absorbed to the very end by this unforgettable and original story.”—The Bulletin, Starred
“A winning combination of acerbic commentary, innocence, and sober vision. . . . Hilarious, lyrical, and compassionate.”—The Horn Book, Starred
“A fantastic treat . . . Daisy is an unforgettable heroine.”—Kliatt, Starred
“Powerful and engaging . . . a likely future classic.”—The Observer (U.K.)
“A crunchily perfect knock-out of a debut novel.”—The Guardian (U.K.)
From the Hardcover edition.
From the Back Cover
""EVERY WAR HAS turning points and every person too."
Fifteen-year-old Daisy is sent from Manhattan to England to visit her aunt and cousins she's never met: three boys near her age, and their little sister. Her aunt goes away on business soon after Daisy arrives. The next day bombs go off as London is attacked and occupied by an unnamed enemy.
As power fails, and systems fail, the farm becomes more isolated. Despite the war, it's a kind of Eden, with no adults in charge and no rules, a place where Daisy's uncanny bond with her cousins grows into something rare and extraordinary. But the war is everywhere, and Daisy and her cousins must lead each other into a world that is unknown in the scariest, most elemental way.
A riveting and astonishing story.
About the Author
This is Meg Rosoff’s first novel. The author lives in London.
Excerpt. © Reprinted by permission. All rights reserved.
1
My name is Elizabeth but no one’s ever called me that. My father took one look at me when I was born and must have thought I had the face of someone dignified and sad like an old-fashioned queen or a dead person, but what I turned out like is plain, not much there to notice. Even my life so far has been plain. More Daisy than Elizabeth from the word go.
But the summer I went to England to stay with my cousins everything changed. Part of that was because of the war, which supposedly changed lots of things, but I can’t remember much about life before the war anyway so it doesn’t count in my book, which this is.
Mostly everything changed because of Edmond.
And so here’s what happened.
2
I’m coming off this plane, and I’ll tell you why that is later, and landing at London airport and I’m looking around for a middle-aged kind of woman who I’ve seen in pictures who’s my Aunt Penn. The photographs are out of date, but she looked like the type who would wear a big necklace and flat shoes, and maybe some kind of narrow dress in black or gray. But I’m just guessing since the pictures only showed her face.
Anyway, I’m looking and looking and everyone’s leaving and there’s no signal on my phone and I’m thinking Oh great, I’m going to be abandoned at the airport so that’s two countries they don’t want me in, when I notice everyone’s gone except this kid who comes up to me and says You must be Daisy. And when I look relieved he does too and says I’m Edmond.
Hello Edmond, I said, nice to meet you, and I look at him hard to try to get a feel for what my new life with my cousins might be like.
Now let me tell you what he looks like before I forget because it’s not exactly what you’d expect from your average fourteen-year-old what with the CIGARETTE and hair that looked like he cut it himself with a hatchet in the dead of night, but aside from that he’s exactly like some kind of mutt, you know the ones you see at the dog shelter who are kind of hopeful and sweet and put their nose straight into your hand when they meet you with a certain kind of dignity and you know from that second that you’re going to take him home? Well that’s him.
Only he took me home.
I’ll take your bag, he said, and even though he’s about half a mile shorter than me and has arms about as thick as a dog leg, he grabs my bag, and I grab it back and say Where’s your mom, is she in the car?
And he smiles and takes a drag on his cigarette, which even though I know smoking kills and all that, I think is a little bit cool, but maybe all the kids in England smoke cigarettes? I don’t say anything in case it’s a well-known fact that the smoking age in England is something like twelve and by making a big thing about it I’ll end up looking like an idiot when I’ve barely been here five minutes. Anyway, he says Mum couldn’t come to the airport cause she’s working and it’s not worth anyone’s life to interrupt her while she’s working, and everyone else seemed to be somewhere else, so I drove here myself.
I looked at him funny then.
You drove here yourself? You DROVE HERE yourself? Yeah well and I’M the Duchess of Panama’s Private Secretary.
And then he gave a little shrug and a little dog-shelter-dog kind of tilt of his head and he pointed at a falling-apart black jeep and he opened the door by reaching in through the window which was open, and pulling the handle up and yanking. He threw my bag in the back, though more like pushed it in, because it was pretty heavy, and then said Get in Cousin Daisy, and there was nothing else I could think of to do so I got in.
I’m still trying to get my head around all this when instead of following the signs that say Exit he turns the car up onto this grass and then drives across to a sign that says Do Not Enter and of course he Enters and then he jogs left across a ditch and suddenly we’re out on the highway.
Can you believe they charge £13.50 just to park there for an hour? he says to me.
Well to be fair, there is no way I’m believing any of this, being driven along on the wrong side of the road by this skinny kid dragging on a cigarette and let’s face it who wouldn’t be thinking what a weird place England is.
And then he looked at me again in his funny doggy way, and he said You’ll get used to it. Which was strange too, because I hadn’t said anything out loud.
This is a mesmerizing production of a much-discussed young adult novel. Set in the very near future, the story involves unhappy, anorexic 15-year-old Daisy as she arrives in England to visit her cousins. As soon as she arrives, her aunt must depart for a short trip, leaving Daisy and her three cousins alone in their rural farmhouse. Very soon thereafter, an unnamed aggressor invades England. Kim Mai Guest seems to channel teenaged Daisy while making her actually listenable. She also excels with very young cousin Piper without resorting to a high-pitched little kid voice. For that matter, her rural British men are quite believable. Her pacing is particularly lovely, and while the book has received some criticism for its unique punctuation, it's never a problem in Guest's reading. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine
