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Secret Story Kindle Edition
You're an underpaid civil servant who dreams of chucking it all to become a famous author. You live with your overbearing mother who always seems to interrupt when you're writing a key scene. Who always wants to know why you haven't brought home a nice girl.
What you really are is a writer. A brilliant one, too, though like any writer, you sometimes have a dry spell. Your imagination is dark, your inspiration the terrible things that can happen to a young woman traveling alone . . . .
Suddenly, success! You win a magazine contest—first prize is publication for your terrifying short story about a horrible murder on an underground train. A director wants to make a movie of your award-winning story and wants your input on the script. A pretty young journalist seems to be taking a personal interest in you and your career.
Except.
The family of a girl murdered on the underground threatens to sue you and the magazine for glorifying the grisly details of their daughter's death, despite your insistence that you didn't read the news coverage of the murder. The magazine asks you to supply a different story.
The film director wants you to make a few changes in your story. Especially with the lawsuit hanging over everyone's head.
The journalist's interest turns out to merely be professional.
You've been fired.
And, worst of all, your imagination has run dry. You don't have another story in you.
You'll just have to kill someone new . . .
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Books
- Publication dateApril 1, 2007
- File size1.2 MB
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Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"For more than forty years, Ramsey Campbell has been one of the premier horror writers of the English-speaking world. His latest novel is a creepy, sometimes blackly funny account of a haunted bookshop, and it shows Campbell at the top of his considerable form."--The Washington Post Book World on The Overnight
"[A] horror tour de force. His rich and evocative prose serves to wrap scenes in a dense miasma of disturbing images and shadowy shapes. A high water mark of horror."--Publishers Weekly (starred review) on The Overnight
"A sense of impending doom lingers around the edges of this story, and as the incidents escalate, it becomes more palpable. Psychologically intense, this well-crafted horror tale isn't for the faint of heart."--Romantic Times BookClub Magazine on The Overnight
"Campbell draws the reader into the story slowly, accumulating a wealth of detail and family dynamics. One of the most unsettling voices in horror literature, back in fine, eerie form with The Darkest Part of the Woods."--Fangoria
"Pure dark magic."--Cemetery Dance on The Darkest Part of the Woods
"Campbell's masterpiece. Magically fresh and memorable."--Kirkus Reviews on The Darkest Part of the Woods
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
"Dudley, there's something I haven't been telling you," she said, and at once he was terrified that she knew.
Chapter Two
Her first mistake was thinking he was mad.
As the train left the station he started to talk in a low passionate voice. They were alone in the carriage farthest from the driver, except for two beer bottles rolling about in their own stains and bumping together as if they were trying to mate on the unswept floor. Greta pretended she was moving away from them and not from the young man crouched low on his seat. She sat close to the doors into the next carriage and was taking the latest prize-winning bestseller by Dudley Smith out of her handbag when she saw he was talking to a mobile phone. "I don't know what you want," she could just hear. "I thought you said I gave you what you asked for. If that's not love I don't know what is."
She moved to sit with her back to him in case she embarrassed him. When the train pulled into Birkenhead Park she glanced over her shoulder--she could have been looking for someone on the platform. He'd slipped the phone into his discreetly elegant suit jacket and was staring straight ahead. Even at that distance she saw the unused intelligence in eyes blue as a summer sky; he looked mature beyond his years. His hair was neatly cropped, his nose straight, lips firm, chin square. She turned away before he caught her watching. Then four men in track suits stampeded over the pedestrian bridge.
They made for the front carriage. She let out a breath of relief and wished she'd taken the opportunity to make some remark to the young man. As the train gathered speed she opened her book. She was anxious to find out what happened next, but she hadn't finished a paragraph when she heard a door slam. The men were coming up the train.
She felt trapped by the overgrown embankments that were tarred with dark. Then an underground tunnel chased those away and closed with a roar around the train. The first man flung the door between the carriages wide, and the four of them strutted down the aisle. There was room for one of them next to her, and three on the facing seat. Before she could move closer to the young man with the phone, they boxed her in.
The man beside her put his feet up, blocking her escape. He smelled of sweat and tobacco smoke and too much aftershave--perhaps he'd slapped it on his bald grey scalp. The man opposite her gave her a loose wet grin with yellow teeth and a bloody gap in them under his broken nose. "On your own, love?"
"Must be," said the man in the middle and spat across the aisle. "She's got to read a book."
The man he'd spat past rolled up his purple sleeve and scratched a hairy tattoo of a skull inside a heart. "What's it about?"
Greta never liked to be rude. "Someone everybody thinks is ordinary," she said, "but really he's a master criminal."
"Sounds great," bloody-mouth seemed to think. "Give us a read of it."
He opened the paperback so wide she winced, and stuck his finger in. She would have asked him to be gentle, but the tattooed man took out a packet of cigarettes. "You can't smoke on the train," she said.
"We can do what we like, love," said the man with his legs up. "Plenty's said we can't and learned different."
"And plenty can't say much any more," the tattooed man said.
Gap-teeth crumpled a page out of his way. "This twat in your book's useless. Hasn't got a car and doesn't even nick one."
The train had stopped at Conway Park, where the lines were open to the sky. Greta always imagined the station was raising its roof to her. "May I have it back now, please?" she said.
"I've not had a read yet," said the man who'd spat.
"Me neither," said the tattooed man.
She didn't want to leave it with them--but as the train moved off, the reader threw the book to the man with his feet up, who bent it in half and ripped the spine apart. "Here, you have that bit and I'll have this."
Greta felt as if they'd torn her open. She could buy another copy--they were everywhere--but it was like having some precious part of herself damaged beyond repair. She restrained her tears and faced the tattooed man, who'd stuck a cigarette between his sneering lips. "The sign says no smoking," she said loud enough to be heard down the carriage. "It's dangerous."
"So are we," said spitter. "Who're you shouting for? Your friend's hiding. He'd better stay hid."
Greta twisted her head around to look. The young man must be crouching out of sight for fear of the gang, unless he'd left the train. The clunk of a lighter reclaimed her attention. The tattooed man lit his cigarette with a page of her book, then sailed it at her legs. "Don't do that," she said, trying to steady her voice as she brushed the paper to the floor and stamped on it. "That's just stupid."
"We say what's stupid," gap-teeth said, wiping a red trickle from the corner of his mouth. "You are for saying that."
"Shouldn't have," the tattooed man told her, setting fire to another page and poking it at her face.
"You can scream if you want," said the man with his legs up.
"We like it when they scream," spitter said.
Greta's eyes and nose stung with smoke. She knocked the burning page aside, showering the man next to her with sparks. "Watch what you're doing, love," he sniggered at saying.
The train was slowing. Had the driver seen her plight? Perhaps he was only getting ready for the station--Hamilton Square. "Excuse me, please," Greta said loudly. "This is my stop."
"Show us your ticket," the tattooed man said.
"It's not our stop, so it can't be yours," said the man with ash on his legs.
Greta was about to stand up when gap-teeth shoved a knee between hers and pulled out a knife. He flicked the blade free and rested it against the inside of her thigh. "Don't shout or you'll be no good to your boyfriend."
She had none just now. She could have sat with the young man behind her, too far away. As the train reached the platform, cold sharp metal inched up her thigh. The doors of the carriage opened as if they were gaping on her behalf. There was nobody to board the train, but she heard a shout. "Anybody here?"
"It's your friend," said the man with the knife. "He wants reinforcements."
Greta's heart leapt and sank. Nobody was coming to help. Why didn't the young man call the driver or go to him? Her forehead grew clammy with wondering as the doors shut tight. The train jerked forward and the knife nicked her thigh, and she thought she would do anything to make the man put it away. Then a voice behind her said, "Do you all know one another?"
"We don't know you," the man with his feet up said.
"Don't want to neither," said the tattooed man around his cigarette.
The young man sat across the aisle, planting his feet on either side of the sputum on the floor. "How about her?"
"She's with us," said the man with the knife.
Greta couldn't speak. She felt the blade advance another inch, and backed against the seat, but there was nowhere she could go. She almost didn't hear the young man say, "I'm surprised."
"Think we aren't good enough for her?"
"The other way round. I'd say you're lowering yourselves."
"She'll do for now," said the man with the knife, stroking her thigh with it under her skirt.
"I wouldn't want to be seen with her."
Greta thought his contempt was the worst of all. "Why not?" said the tattooed man, clanking and unclanking his lighter.
"I expect she's a virgin for a start."
"We'd like that."
"Or maybe she isn't. Did you see that look?" The young man peered at her. "Well, are you?"
"That's my business and nobody else's."
"Sounds like she isn't or she'd be boasting. Sounds as if she hasn't got a boyfriend either. You can see why, can't you?"
The four men were growing visibly uncomfortable. "We don't want to be her boyfriends," said the man next to her, closing a hand over her breast.
"On your way to meet some friends, are you?" the young man asked her. "I bet you work with them."
How could he know about her? Hearing him tell the gang felt like being raped. "If you had more friends," he said, "you wouldn't be reading a book."
"Can't you see what they did? They tore it up and he's been burning it."
"About all books are good for, do we think, gents? So can I join in the fun?"
"He's something, this character," the tattooed man said with an incredulous admiring laugh.
"Here's James Street," the man with the knife announced. "Time you fucked off, pal."
"How are you going to get me to do that?"
"With this," Greta's captor said, snatching out the knife.
She thought he'd cut her on the way to slashing the hem of her skirt, but the cold that ran down her thigh was only metal. The blade gleamed in the light from the station. "Off or I'll do her with it," he said. "And don't call anyone or she gets it."
"I keep telling you she's not worth it. You should listen," said the young man, but stood up.
At least he'd kept them talking and distracted them from doing worse to Greta. He stepped onto the deserted platform and hurried alongside the window. Greta's captor brandished the knife in front of her to remind him. The young man hesitated, and she felt as if her nose and mouth were stuffed with charred paper. Then he pointed at the gang, stubbing both forefingers on the glass.
"Bastard!" the man with...
Product details
- ASIN : B003G93YKK
- Publisher : Tor Books (April 1, 2007)
- Publication date : April 1, 2007
- Language : English
- File size : 1.2 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 400 pages
- Best Sellers Rank: #2,913,198 in Kindle Store (See Top 100 in Kindle Store)
- #6,854 in Horror Suspense
- #59,130 in Horror (Kindle Store)
- #130,432 in Suspense Thrillers
- Customer Reviews:
About the author

Ramsey Campbell (born 4 January 1946 in Liverpool) is an English horror fiction writer, editor and critic who has been writing for well over fifty years. Two of his novels have been filmed, both for non-English-speaking markets.
Since he first came to prominence in the mid-1960s, critics have cited Campbell as one of the leading writers in his field: T. E. D. Klein has written that "Campbell reigns supreme in the field today", and Robert Hadji has described him as "perhaps the finest living exponent of the British weird fiction tradition", while S. T. Joshi stated, "future generations will regard him as the leading horror writer of our generation, every bit the equal of Lovecraft or Blackwood."
Bio from Wikipedia, the free encyclopedia. Photo by Jamiespilsbury (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons.
Customer reviews
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- Reviewed in the United States on October 6, 2006The "star" of Secret Story is Dudley, a man relegated to a tedious civil servant position and who still lives with his meddling somewhat busybody mother. Secret Story is gritty and real in away that makes for slightly uncomfortable reading...we feel slightly sorry for him, even slightly embarrassed for who he is, yet there is something darker and more menacing underneath Dudley's seemingly bland exterior. As we are introduced to Dudley, he's done something quite unspeakable, but is never traced back to him (and it's apparently not he first time), unfortunately for Dudley, his mum is always meddling, pushing and prodding him to be something more, convinced that the world just doesn't recognize him for the genius he is and feeling that if he just asserted himself a bit he'd get the recognition he deserves...we all know a mother and son like this pair, but they are stereotypically delicious in the details of Dudley's dreary life that we can recognize and understand...even if we don't particularly like it. It is his mother's meddling that starts him on the long road to hell and we all get to watch in uncomfortable silence as Dudley wins a literary competition (which his mother entered him into without his knowledge or consent) and his secret stories suddenly become publicly known...and what happens as Dudley spirals out of control is both chilling and hard to watch.
What makes Secret Story a success is that he's rather an everyman...he could be anybody...anybody could be a Dudley he's that dull guy in the office who no one really notices, yet he's something darker and more malevolent! This tale is well written and realistic in way that'll make you think twice before getting to close to that train platform or wonder if that guy behind you IS following you! Wonderful late night reading! You'll love and hate this story and before you're done; your skin will be crawling! I give it a solid A, it's suitably bleak, drab and depressingly british (which strongly evokes the flavor of Dudley's life) while also managing to be creepy, uncomfortable, and down right inhuman.
- Reviewed in the United States on June 2, 2006Amazon CustomerCivil servant Dudley Smith writes a short story based on a true crime murder that occurred on an underground train. He entered his work in a Mersey Mouth magazine contest and won. However, the parents of a real victim of an identical homicide threaten to sue Mersey Mouth and Dudley.
Instead of being upset editor Patricia Martingale is euphoric that they found a local talent and encourages Dudley to write more such tales starring "Mr. Killogram". A movie director is also interested. However, unbeknownst to Patricia or her cohorts at Mersey Mouth or perhaps they are just not interested since the bottom line is all that counts, Dudley can only write what he has performed; thus when the movie director asks for script revisions, Dudley needs real life victims to rewrite; when Patricia asks for a magazine article, Dudley needs real victims to write about. At the rate Dudley is going he might win an Oscar for screenwriting and an Agatha in the same year; that is if he is not caught for his realism.
This is a terrific crime thriller that showcases in cleverly restrained ways how Ramsey Campbell believes what the author's obligation is to his reader, his cast especially the lead character and to him or herself. Dudley keeps the tale together as a psychopath willing to exploit the avarice of the film and publications industries while symbiotically, the film director and the magazine editor are willing to exploit Dudley as they do not want to know the truth. The shock to SECRET STORY is the seemingly mundane mutual exploitation of the lead characters that leads to a great behind the scenes thriller.
Harriet Klausner
Top reviews from other countries
- R T TwinemReviewed in the United Kingdom on November 25, 2008
1.0 out of 5 stars I just don't get it!
Campbell's books appear to be made for the American market and this book is well reviewed on the amazon.com site.....but I just dont' get it!! this is not horror, this is not thriller...it's just an oddity and I for one could not get into or enjoy it....I am a great horror fan....but I just don't get this book........