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Plunder Squad: A Parker Novel (Parker Novels Book 15) Kindle Edition
“Hearing the click behind him, Parker threw his glass straight back over his right shoulder, and dove off his chair to the left.” When a job looks like amateur hour, Parker walks away. But even a squad of seasoned professionals can’t guarantee against human error in a high-risk scam. Can an art dealer with issues unload a truck of paintings with Parker’s aid? Or will the heist end up too much of a human interest story, as luck runs out before Parker can get in on the score?
- LanguageEnglish
- PublisherThe University of Chicago Press
- Publication dateSeptember 15, 2010
- File size3.7 MB
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Editorial Reviews
Review
"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."
-- Luc Sante ― New York Review of Books
"If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for."
-- John McNally ― Virginia Quarterly Review
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”
― Washington Post
“Fiercely distracting . . . . Westlake is an expert plotter; and while Parker is a blunt instrument of a human being depicted in rudimentary short grunts of sentences, his take on other characters reveals a writer of great humor and human understanding.” -- John Hodgman ― "Parade"
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
-- William Grimes ― New York Times
“Parker is refreshingly amoral, a thief who always gets away with the swag.”
-- Stephen King ― Entertainment Weekly
"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it."
-- Josef Braun ― Vue Weekly
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”
― Los Angeles Times
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”
-- Elmore Leonard
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”
-- Lawrence Block
“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.”
-- Anthony Boucher ― New York Times Book Review
"I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written."
-- Terry Teachout ― Commentary
“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”
-- Marilyn Stasio ― New York Times Book Review
“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”
-- John Banville ― Bookforum
"Whether early or late, the Parker novels are all superlative literary entertainments."
-- Terry Teachout ― Commentary
“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.”
-- H. J. Kirchoff ― Globe and Mail
About the Author
Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933–2008), a prolific author of noir crime fiction. In 1993, the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.
Excerpt. © Reprinted by permission. All rights reserved.
Plunder Squad
A Parker Novel
By Richard StarkThe University of Chicago Press
Copyright © 1972 Richard StarkAll rights reserved.
ISBN: 978-0-226-77093-2
CHAPTER 1
Hearing the click behind him, Parker threw his glass straight back over his right shoulder, and dove off his chair to the left. The bullet furrowed a line through the plans on the table, the sound of the shot echoed loud and long in the closed room, and Parker rolled amid suddenly scrambling feet, his arms folded in tight over his chest. He didn't have a gun on him, and the first thing to do was get away from the guy who did.
There was no second shot. An armchair was in the corner of the room to Parker's left, with a drum table beside it, and it was in that direction that he rolled. He banged his shoulder blades into the edge of the chair, spun around behind it, came up to his knees, grabbed the heavy glass ashtray from the table, and flung it at the doorway without pausing to look.
But there was some kind of struggle going on in the doorway, two men in the indistinct darkness of the hall. Parker got to his feet, swept the lamp off the drum table, picked up the table, and ran forward. The other three men who'd been sitting at the table with him were all still on the floor.
The struggle was over before he reached the doorway. The guy sitting on the floor, his eyes dazed, blood on his forehead and more running down from a cut over his left ear, was Ducasse, the one who'd left the room a minute ago and gone to the front of the house to answer the ringing of the doorbell. He had no gun in his hand, he had no grievance against Parker, and the other one was running away through the house toward the front door.
Parker turned that way, but it was stupid to go after a gun with empty hands. He spun back into the room, throwing the table away, shouting, "Give me a gun! Somebody give me a gun!"
Kirwan was their host, and most likely to be armed, but from the expression on his face as he sat there on the floor he was too rattled to make any fast moves. Before he'd figured out any kind of response at all, Parker had crossed to him, patted his torso, found the .38 Special Colt Cobra tucked away in its shoulder holster on his left side, and was moving away toward the door again. Then Kirwan called something, in an urgent voice, but Parker didn't pause to listen to it.
The front door had already slammed. Parker ran down the hall, past the entranceway to the living room, and out onto the sagging front porch. Somebody was just getting into a car across the street, his torso silhouetted for a moment by the car's interior light; Parker braced his body against a porch column and fired two shots before the car door slammed and the light went out. But a Cobra is a defense gun, meant for close-in work; its two-inch barrel makes it as accurate as a tennis ball thrown cross-wind in a hurricane. Both bullets were probably somewhere in the car, but neither of them was in the driver.
Parker leaped down to the lawn and raced for the street. Across the way, the driver was grinding his starter, trying to get the damn car to come to life. It did, and jolted forward, but then it stalled again, and he ground it some more.
Parker was at the curb, and still running. This was a working-class residential street, not quite a slum, with a few of its rattier houses rented on a monthly or even weekly basis. It was now two o'clock on a weekday morning and there were neither moving cars nor pedestrians anywhere in sight. Nor was this a neighborhood where people would jump to call the police at the first unusual sound in the night.
The car started again, with Parker coming out from the curb. As it moved forward, he dropped to one knee, braced his elbow, and fired through the driver's side window twice more. As the car kept moving, he took his fifth shot at the front left tire, but that one also went wide, and then the gun was empty.
Parker straightened and watched the car travel away, steadily accelerating. The rear license plate was brightly lighted, but there was no point memorizing it; the car would be either rented or stolen. Parker stood there, his arms at his sides, the empty gun hanging from his right hand, and the car tore away in a straight line down the street. The last hope was that it was a poor driver, or one in too much of a panic to handle the speed he was trying for, so that he'd rack it up before getting too far away. But five or six blocks along, his brake lights went on, and the car slewed around a corner and out of sight, the corner having been taken at just about the maximum usable speed.
Parker turned and walked back into the house, closing the front door behind him. Kirwan was coming down the hall, looking frightened and angry, and they met by the living-room entranceway, where light spill from the lamps in there made it possible for them to read one another's faces.
Kirwan was very upset. "What the hell is going on? Parker? What's going on?" "You tell me," Parker said. "This is your party."
"You go around shooting up every—That's my gun, for Christ's sake! What if you killed somebody?"
"Don't be stupid," Parker said. "I was shot at first."
"But for Christ's sake! Right out there in the middle of the street!"
Ducasse, the one who'd let the guy in and then struggled with him and then been hit on the head by him, came shakily down the hallway, saying, "Did you get the son of a bitch?" "No, he took off. Who was he?"
Kirwan said, "You don't even know? He tried to kill you, and you don't even know who it is?"
"I didn't see his face."
"Uhl," Ducasse said. "His name is Uhl."
Parker frowned. "George Uhl?"
"That's right," Kirwan said. "You do know him, huh?"
"Yeah, I know him."
Ducasse said, "What the hell's he got against you?"
"I left him alive once," Parker said.
Ducasse said, "Never leave a guy alive who'd like to see you dead."
"I know," Parker said. It had been a mistake, and he'd known it at the time, but had done it anyway. Now he'd have to correct it. He said, "Who brought Uhl into this?"
Kirwan said, "Ashby."
"Let's go talk to him," Parker said, and the three of them walked back down the hallway toward the room where they'd been discussing the robbery.
The idea of the robbery was a particular department store just before Mother's Day. The lady of the house is the one with the charge account, so Mother's Day gifts tend to be mostly cash sales, which meant that the Saturday before Mother's Day would be almost the best day in the year to find the store full of cash.
Kirwan, their host, had organized the robbery and decided how many men it would take to do the job. The number he'd come up with was six. Unfortunately, two of the six were Parker and Uhl, Parker having been recruited by Kirwan himself, Uhl by a man named Ashby, after Ashby had been brought in by Kirwan.
Kirwan was the one who had arranged for the rental house, and had put together this organizational meeting to describe the setup to the others and find out if all five wanted to be in on it. Parker had been the next to last to arrive, which was why he'd been seated with his back to the door; the only two empty chairs when he'd gotten here had both been on the side of the table nearest the hall.
In a way, though, the seating had worked out to his advantage. Having his back to the door, he'd automatically been more alert, he'd paid more attention to small sounds from behind him—like the click before the firing of a double-action revolver.
Had Uhl come here planning this? It seemed unlikely. As the three of them walked down the hall, Parker said to Ducasse, "Did Uhl ask who was here?"
"Yeah, he did."
"You told him my name?"
"Sure. Naturally." Ducasse was a little defensive.
Parker nodded. "All right," he said.
They walked back into the room, and Stokes, the fifth man, was back in his chair at the table, lighting a cigar. Between puffs, and through little clouds of smoke, he said, "Ashby's hit."
Ashby had been sitting directly opposite Parker. The bullet had skimmed a groove through the papers on the table and the tabletop, and had punched into Ashby's torso about two inches above the belt. Ashby was now lying face up on the floor beyond the table, his eyes closed, his breath labored and heavy as though he were snoring.
"God damn it!" Kirwan said.
Parker went around the table and dropped to one knee beside Ashby. He said the unconscious man's name twice and slapped his face lightly on both sides. Then he pinched his cheeks, hard, twisting the loose flesh back and forth, saying, "Ashby. Ashby, wake up."
Kirwan was still being upset. Coming around the table, he said, "For Christ's sake, what are you doing?"
Ashby wasn't going to wake up. Parker abandoned the try and got to his feet again. Ignoring Kirwan, he said, "Anybody else know how he got in touch with Uhl?"
None of them did. As they were shaking their heads, Kirwan said, "The main thing is, what do we do with him?"
Stokes, a heavy and phlegmatic man, a professional driver, said, "You got a doctor around here? A safe one?"
"No," Kirwan said. "I picked a place where I was a stranger. Who expected anything like this?"
Ducasse had come over to stand by Ashby's head and look down at him, his expression thoughtful. Now he said, "If we leave him there, he looks like he won't make it."
"We've got to get him out of here," Kirwan said. "Dead or alive, he's got to go. We've all left prints all over the house, there wasn't supposed to be anything happening here."
Parker said to Kirwan, "Go get a blanket. A big one."
"Right," Kirwan said, and hurried away.
Stokes took the cigar out of his mouth and said to Parker, "You mind if I ask what that was all about?"
Parker told him a sentence or two about his background with Uhl, and Ducasse repeated his remark about not leaving enemies alive. Then Kirwan came back with a green blanket from a double bed. Parker took it from him and told him, "Go start your car."
"Why my car?"
"Because it's a station wagon."
Kirwan went out, still upset, and Parker and Ducasse spread the blanket on the floor beside Ashby. They rolled Ashby over slowly onto the blanket, and then folded the blanket over him. Stokes put his cigar back in the corner of his mouth, got to his feet, and helped the other two pick up the blanket and carry it out of the room and down the hall and out of the house.
The house had no garage, but it did have a driveway on the right side. Kirwan had backed his wagon out even with the lawn, and was now around opening the tailgate. The four of them slid the blanket into the rear of the wagon with a couple of toolboxes and a pair of coveralls and a bunch of oily rags, and then Kirwan shut the tailgate and all four got into the car, Parker in front with Kirwan.
"Try to take it easy," Ducasse said. "He's still alive."
Kirwan said, "Where do I go?"
"A different neighborhood," Parker said.
Kirwan backed out to the street, and they drove for about five minutes, twice crossing major streets still with some late-night traffic. Then Parker said, "Stop. We'll leave him there."
It was a small modern church building: an A-frame, with a stylized cross on the top. A well-kept lawn fronted the church, neatly dotted with shrubbery. The four of them pulled the blanket out of the car and carried it up over the curb and across the sidewalk and set it down on the lawn. They rolled Ashby gently off the blanket, and then Parker and Stokes folded the blanket while Ducasse checked Ashby's pulse.
Kirwan said, complainingly, "There's blood on the blanket."
"Burn it," Parker said.
"Or wash it," Stokes said. "Who knows, maybe you had a virgin."
"He's still alive," Ducasse said, straightening.
"Or your girl had her period," Stokes said.
"Let's go," Parker said.
As they walked back to the car, Stokes said, "Women make a wonderful alibi for bloodstains."
Kirwan threw the blanket in back, and they all got in the car. As they started away from the curb, Ducasse said, "Find a pay phone."
Kirwan frowned at him in the rear-view mirror. "How come?"
"Anonymous call to the cops."
"What for?"
"The longer he lies out there," Ducasse said, "the worse his chances get."
"Christ," Kirwan said. But two blocks later he stopped by a phone booth at a closed gas station. They waited in the car while Ducasse made the call, and then drove back to the house.
Everything was as they'd left it. Kirwan went away for a minute to dispose of the blanket, and Parker and Ducasse and Stokes went back to the room where they'd been talking about the robbery. The papers were still on the table there, with a foot-long narrow line cut through the blueprint of the department store's sixth floor, where the safe was. There were no bloodstains on the floor.
Stokes patted the papers on the table. Around the cigar, he said, "Too bad. It looked like a good one."
"Maybe we can pick it up again later," Ducasse said.
"Mother's Day comes once a year," Stokes said.
"Next year, then."
"The year I need money is this year," Stokes said.
Ducasse gave a sour grin. "Don't we all," he said.
Kirwan came in, looking more upset than ever. "It's screwed up, isn't it?" he said. He glared at the papers on the table as though they'd just told him a message he didn't want to hear.
"At least until next year," Ducasse said. "But it's still a good idea."
"Damn good," Stokes said.
Parker said, "Anybody got another potential?"
"Don't I wish I had," Stokes said.
Ducasse said, "We'll keep each other in mind."
"This was my baby," Kirwan said, his expression now gloomy as he stared at the papers. "I put this together with loving care, it was gonna carry me for a year."
Parker said, "I'd also appreciate news about George Uhl."
Sounding interested, Ducasse said, "You going looking for him?"
Parker shook his head. "What I'm looking for is work. But if I find out where he is I'll take care of things."
"By Christ," Kirwan said, "I'll come along and help. That son of a bitch screwed me up good." He gave the papers a wistful look and said, "I don't suppose there's any way we could ..." His voice trailed off.
"No," Parker said. "First, there isn't time. Second, they've got Ashby."
"He wouldn't talk," Kirwan said. "He might even be dead."
"He doesn't have to talk. He just has to be there, a known heistman with a bullet in him in their city."
Stokes said, "The first minute there's trouble, walk away. That's my golden rule, and that's why I never yet took a fall in my entire life." He rapped his knuckles against the tabletop.
"We'll be in touch," Parker said.
They shook hands all around. When they left, Kirwan was crumpling the papers together to take them out and burn them.
CHAPTER 2Parker walked through the house and saw Claire out by the lake, sunning herself. She was wearing a two-piece white bathing suit, and she was lying on a dark blue towel. It was still only June, but she already had a good tan, accented by the white suit.
He slid open the glass door between the dining room and the back porch, crossed the porch, went down the stoop, and walked over the just-trimmed lawn toward where she was lying. She had turned her head at the sound of the door sliding, and now smiled in his direction as he approached. She was wearing sunglasses, large blue ovals with white frames. Through the blue glass, her eyes were level and bright. She said, "You're back sooner than I thought."
"It fell through." He squatted beside her and placed one palm on her stomach, just above the white trunks. Her flesh was warm, almost hot, and covered with a butter-like suntan lotion.
"I'm all oily," she said. But she smiled, and reached up to touch his other arm.
"You're hot," he said. "You don't want to overdo." He shifted his hand to her near thigh, cupping his fingers down along the side of her leg, so that his knuckles brushed softly against the skin of her other thigh. The flesh under his palm was hot, but down between her legs it was cooler.
"I'm used to it now," she said. Then she sat up and said, "I'll shower. Don't kiss me, I'll just make you all slippery."
He straightened and gave her a hand to help her up. They walked back into the house together and he said, "I have a phone call to make."
"All right."
(Continues...)Excerpted from Plunder Squad by Richard Stark. Copyright © 1972 Richard Stark. Excerpted by permission of The University of Chicago Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B004ELAHD6
- Publisher : The University of Chicago Press (September 15, 2010)
- Publication date : September 15, 2010
- Language : English
- File size : 3.7 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 198 pages
- Page numbers source ISBN : 0226770931
- Best Sellers Rank: #76,139 in Kindle Store (See Top 100 in Kindle Store)
- #63 in Heist Crime
- #337 in Hard-Boiled Mysteries (Kindle Store)
- #397 in Heist Thrillers
- Customer Reviews:
About the author

Donald Edwin Westlake (July 12, 1933 – December 31, 2008) was an American writer, with over a hundred novels and non-fiction books to his credit. He specialized in crime fiction, especially comic capers, with an occasional foray into science fiction or other genres. He was a three-time Edgar Award winner, one of only three writers (the others are Joe Gores and William L. DeAndrea) to win Edgars in three different categories (1968, Best Novel, God Save the Mark; 1990, Best Short Story, "Too Many Crooks"; 1991, Best Motion Picture Screenplay, The Grifters). In 1993, the Mystery Writers of America named Westlake a Grand Master, the highest honor bestowed by the society.
Richard Stark: Westlake's best-known continuing pseudonym was that of Richard Stark. Stark debuted in 1959, with a story in Mystery Digest. Four other Stark short stories followed through 1961, including "The Curious Facts Preceding My Execution", later the title story in Westlake's first short-story collection. Then, from 1962 to 1974, sixteen novels about the relentless and remorseless professional thief Parker and his accomplices (including larcenous actor Alan Grofield) appeared and were credited to Richard Stark. "Stark" was then inactive until 1997, when Westlake once again began writing and publishing Parker novels under Stark's name. The University of Chicago began republishing the Richard Stark novels in 2008. When Stephen King wrote the novel The Dark Half in 1989, he named the central villain George Stark as an homage to Westlake.
Bio from Wikipedia, the free encyclopedia. Photo by Jean-Marie David [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY-SA 2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/2.5-2.0-1.0)], via Wikimedia Commons.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book enjoyable and well-written, with varied and interesting characters. The plot is intriguing, and one customer notes it features frequent plot twists. They appreciate the pacing, with one review describing it as fast-paced action, while another mentions the vivid scene descriptions.
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Customers find the book enjoyable and worth the time, describing it as a fun-to-read Parker novel.
"...The denouement and the action leading up to it are quite good...." Read more
"...The execution of the art theft is impressive and flawless. I recommend this story for mystery lovers." Read more
"Always a pleasure to read a Parker novel. Poor guy has horrible luck. There always seems to be a problem somewhere that makes his life difficlt." Read more
"...Ultimately it has more depth and is more satisfying." Read more
Customers appreciate the character development in the book, finding the characters varied and interesting, with one customer noting how the dialogue matches the voices of different characters.
"...Parker comes in contact with well drawn and varied characters, both his confederates in the third heist, as well as some of the side characters..." Read more
"...They are tightly plotted with dialogue fitted to the voices of the different characters...." Read more
"Topic line says it for me. This Parker novel had a special place in the series according to the experts, glad I read it, but it wasn't a 'grabber'." Read more
"...Westlake is a wonderful writer; his characters are varied and interesting. If you like Parker, try the Dortmunder novels for a change of pace." Read more
Customers enjoy the plot twists in the book, with one customer highlighting the frequent surprises and another noting the steady suspense throughout the narrative.
"...Thrown into the mix of this short, but action and plot packed book is Parker's attempt to track down a guy he needs to kill and should have killed..." Read more
"...This is book 15 in the 24 book series. These stories are about bad guys. They rob. They kill. They're smart. Most don't go to jail...." Read more
"...Overall the quality of the stories is very high. They are tightly plotted with dialogue fitted to the voices of the different characters...." Read more
"...The story is so intriguing that I couldn't put it down. Parker's plan for robbing the art collection is dangerous, and complex but believable...." Read more
Customers appreciate the pacing of the book, with one mentioning its fast-paced action and another noting its more leisurely flow.
"...Richard Stark fills the pages of this novel with continual action, re-occurring danger, steady suspense and frequent plot twists...." Read more
"...This novel moves with a more leisurely pace. With the return of some previous characters, the book is more complex than most in the series...." Read more
"Good read with fast paced action. Worth the time. Interesting to see how Westlake moved with the times. As all Parker books he has a real hard edge." Read more
"...Both are tough as nails and move fast. If you like crime novels and action, Parker will entertain every time." Read more
Customers praise the writing quality of the book, with one customer highlighting its vivid scene descriptions and another noting its great detail.
"...Parker comes in contact with well drawn and varied characters, both his confederates in the third heist, as well as some of the side characters..." Read more
"...The descriptions of places and objects are brief but clear and connected to the characters' perceptions...." Read more
"...Westlake is a wonderful writer; his characters are varied and interesting. If you like Parker, try the Dortmunder novels for a change of pace." Read more
"Stark offers wonderful characters and writes in great detail...." Read more
Top reviews from the United States
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- Reviewed in the United States on March 9, 2016This is the best of the Parker mysteries that I have read to date.
Parker gets involved in three increasingly complex art heists, each one with the typical parabola. The first two fail to come off because Parker is too smart to get involved in shaky plans with unreliable people. The third caper, the hijacking of a truckload of modern paintings under the noses (literally) of Illinois State Police, is intricately planned, but anyone familiar with the great Robert Burns poem on the theme of best laid plans can predict in general what happens. I won't spoil things more than that. The denouement and the action leading up to it are quite good.
Thrown into the mix of this short, but action and plot packed book is Parker's attempt to track down a guy he needs to kill and should have killed years and books earlier. Both story lines are very well written, with vivid scene descriptions and some really excellent character depictions. Parker comes in contact with well drawn and varied characters, both his confederates in the third heist, as well as some of the side characters in the revenge meme.
There is more psychological depth here than in some of the other Parker tomes. The concluding pages of the revenge subplot are striking in that regard. Additionally, for once Parker is not dealing with an anonymous "city" somewhere--nowhere--in the USA. Anyone who has spent any time in Indianapolis will see that Stark/Westlake has done his research and actually has a feel for what Indy looks like. Similar good writing depicts lower Manhattan in the final pages.
Stark really upped his game in this book. Very enjoyable
- Reviewed in the United States on September 4, 2013PLUNDER SQUAD by Richard. Stark.
Interesting the way Parker has no normal social interaction with others. A married woman knocks on Parker's motel door, hoping to get something going with Parker. He won't even answer the door. And then he packs and leaves the job. He won't be part of a group that includes a woman like her.
The ending action scene was good - how he got out of a bad situation where he was outnumbered. There were two other good scenes where Parker reacted to someone trying to kill him.
THE SERIES:
This is book 15 in the 24 book series. These stories are about bad guys. They rob. They kill. They're smart. Most don't go to jail. Parker is the main bad guy, a brilliant strategist. He partners with different guys for different jobs in each book.
If you are new to the series, I suggest reading the first three and then choose among the rest. A few should be read in order since characters continue in a sequel fashion. Those are listed below (with my star ratings). The rest can be read as stand alones.
The first three books in order:
4 stars. The Hunter (Point Blank movie with Lee Marvin 1967) (Payback movie with Mel Gibson)
3 ½ stars. The Man with the Getaway Face (The Steel Hit)
4 stars. The Outfit.
Read these two in order:
5 stars. Slayground (Bk #14)
5 stars. Butcher's Moon (Bk #16)
Read these four in order:
4 ½ stars. The Sour Lemon Score (Bk #12)
2 ½ stars. Firebreak (Bk #20)
(not read) Nobody Runs Forever (Bk #22)
2 ½ stars. Dirty Money (Bk #24)
Others that I gave 4 or more stars to:
The Jugger (Bk #6), The Seventh (Bk#7), The Handle (Bk #8), Deadly Edge (Bk#13), Flashfire (Bk#19)
DATA:
Narrative mode: 3rd person. Kindle count length: 2,812 (283 KB) 198 pages. Swearing language: moderate including religious swear words. Sexual language: none. Number of sex scenes: two referred to with no details. Setting: around 1972 various U.S. locations. Book copyright: 1972. Genre: noir crime fiction.
- Reviewed in the United States on February 8, 2018This is a standard review for the University of Chicago published Parker series by Richard Stark. Overall the quality of the stories is very high. They are tightly plotted with dialogue fitted to the voices of the different characters. The descriptions of places and objects are brief but clear and connected to the characters' perceptions.
Now the negatives: These stories average about $9.99, and I expect that some editing must have been done to warrant so high a price for what are rather short novels. There are egregious editing errors in every book in the series, some with only a few, most noticeably the first four books in the series. The rest have over a dozen spelling and grammar errors that were no doubt due to the OCR scanning process on the original books/manuscripts. The software just can't identify certain words and doesn't always fix hyphenated words back to whole words. Having the choice all over again, I would look for the paper backs and read those. The books just aren't worth the $9.99 average price.
*****
Much like the book "The Score" this one has a large crew, and I loved it, especially due to the almost non-existant OCR scanning errors.
Top reviews from other countries
- Neil TReviewed in the United Kingdom on September 25, 2024
4.0 out of 5 stars Good
Parker is back, as tough and uncompromising as ever. He's looking for a good score and trying to deal with an old enemy at the same time.
Well written and nicely paced. A solid plot and lots of hurdles for Parker and his accomplices. Not the best of outcomes and an abrupt ending but still well worth reading.
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中村 一孝Reviewed in Japan on May 21, 2014
4.0 out of 5 stars いつものようにすっきりした文体に満足。
さまざまな事態にパーカーがどのように対応するのかを、例によって
簡潔な文体で記しているのがとても心地よいものです。
- SordelReviewed in the United Kingdom on November 14, 2022
3.0 out of 5 stars Bad Blood
After two of the best Parker novels (Deadly Edge & Slayground) Plunder Squad is frustrating in the length of time it takes to get to the point. It seems interested in tying up some some loose ends (not least, an important loose end from The Sour Lemon Score) before Parker gets to business. And when he gets to business, the plot is fairly routine, without a well-defined adversary or intriguing hook. Part Three (normally the part in these novels where we discover what has been happening what has been going on behind the scenes) is weaker than usual, and the pay-off at the end somewhat anticlimactic.