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The Sound and the Fury: The Complete, Definitive Edition (Vintage International) Kindle Edition

4.2 out of 5 stars 2,656 ratings

NOBEL PRIZE WINNER One of the greatest novels of the twentieth century is the story of a family of Southern aristocrats on the brink of personal and financial ruin.  •  The definitive corrected text, including Faulkner's Appendix

One of The Atlantic’s Great American Novels of the Past 100 Years

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and  one of the greatest novels of the twentieth century.

“I give you the mausoleum of all hope and desire.... I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.” —from
The Sound and the Fury
Popular Highlights in this book

From the Publisher

From Nobel Prize in Literature Winner, 1949

One of The Atlantic's Great American Novels of teh Past 100 Years

The Definitive Edition

Editorial Reviews

Review

“I am in awe of Faulkner’s Benjy, James’s Maisie, Flaubert’s Emma, Melville’s Pip, Mary Shelley’s Frankenstein—each of us can extend the list.... I am interested in what prompts and makes possible this process of entering what one is estranged from.” —Toni Morrison
 
“No man ever put more of his heart and soul into the written word than did William Faulkner. If you want to know all you can about that heart and soul, the fiction where he put it is still right there.” —Eudora Welty

From the Inside Flap

hed in 1929, Faulkner created his "heart's darling," the beautiful and tragic Caddy Compson, whose story Faulkner told through separate monologues by her three brothers--the idiot Benjy, the neurotic suicidal Quentin and the monstrous Jason.


From the Trade Paperback edition.

Product details

  • ASIN ‏ : ‎ B004JHYRT0
  • Publisher ‏ : ‎ Vintage; 1st edition (May 18, 2011)
  • Publication date ‏ : ‎ May 18, 2011
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2.4 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 386 pages
  • Customer Reviews:
    4.2 out of 5 stars 2,656 ratings

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4.2 out of 5 stars
2,656 global ratings

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Customers say

Customers consider this book a classic, praising its brilliance with the English language and complex narrative that opens up new secrets with each reading. The storyline receives mixed reactions, with some finding it fascinating while others struggle to follow the plot. Customers have mixed opinions about the readability, with some finding it easy to read while others describe it as difficult to understand. The emotional content and character development also receive mixed reviews, with some appreciating the stream of consciousness style while others find it convoluted, and while some get a sense of the characters, others find the relationships hard to follow. Customers find the book unentertaining.

AI-generated from the text of customer reviews

18 customers mention "Complexity"18 positive0 negative

Customers appreciate the book's complexity, with one noting how it opens up new secrets with each reading, while another mentions its many interesting subtle clues.

"...of such action, the psychology of it, the nature of family attachment and family values, the nature of goodness and evil, the richness and..." Read more

"This is among the greatest, most mentally challenging, emotionally arresting novel I have ever read...." Read more

"...all is an incredible, sad and moving story that is unveiled little by little...." Read more

"...reader will still not know what is going on, but there are many interesting subtle clues about what might be going on that a very alert reader might..." Read more

6 customers mention "Classic content"6 positive0 negative

Customers appreciate the book's classic status.

"A classic, but I prefer "As I Lay Dying"...." Read more

"Adore the original. It's a difficult but extremely rewarding journey...." Read more

"Does anyone really have to review this amazing ground-breaking classic?..." Read more

"Book is a classic and this print version is excellent size and easy to read" Read more

126 customers mention "Readability"42 positive84 negative

Customers have mixed opinions about the book's readability, with some finding it well written and appreciating its brilliance with the English language, while others describe it as a big difficult read that is hard to understand.

"...Benji has a limited vocabulary, but does respond to certain words, such as “caddie,” and also seems to understand elementary language...." Read more

"...Gratefully, there was enough linear narration that I grasped what was going on, and when reading it I employed an old high school trick: when I..." Read more

"...Perhaps this is the way the mind works, but it is tiresome to struggle through...." Read more

"...I had absolutely no clue what the heck was going on, the sentences were disjunctive, the thoughts scrambled, the characters were dropping in then..." Read more

28 customers mention "Emotional content"16 positive12 negative

Customers have mixed reactions to the emotional content of the book, with some finding it poignant and feeling various emotions, while others find the stream of consciousness style convoluted.

"...members of the Compson family—the good and faithful servant, compassionate, not sentimental, a woman who preserves her dignity despite the vicious..." Read more

"...thought before finishing the previous one has the effect of mental incoherence...." Read more

"...What touched me most about Faulkner is his talent for understanding the workings of the human psyche...." Read more

"...what the heck was going on, the sentences were disjunctive, the thoughts scrambled, the characters were dropping in then disappearing, it seemed to..." Read more

18 customers mention "Character development"9 positive9 negative

Customers have mixed opinions about the character development in the book, with some appreciating how they develop throughout the story, while others find them almost pointlessly odd and difficult to follow.

"...How on earth he was able to craft a fully credible, sympathetic character in Benjy (as opposed to a one-dimensional idiot) I'll never understand...." Read more

"...were disjunctive, the thoughts scrambled, the characters were dropping in then disappearing, it seemed to change time frames without any..." Read more

"...of no family in literature, American or otherwise, where the characters are more real...." Read more

"...The characters are veiled, shadowy and obscure. &#..." Read more

18 customers mention "Storyline"12 positive6 negative

Customers have mixed opinions about the storyline of the book, with some finding it fascinating while others say it's hard to follow.

"...planted and cultivated in later chapters, but the foundation of the story is fairly well cemented...." Read more

"...have not spent any money or read this book if I knew what a depressing and awful novel it would turn out to be...." Read more

"...It is in Dilsey's section that the story finally comes together...." Read more

"...Still, underneath all is an incredible, sad and moving story that is unveiled little by little...." Read more

9 customers mention "Read pace"4 positive5 negative

Customers have mixed opinions about the reading pace of the book, with some finding it slow to read, while one customer notes that it should be read slowly to understand the time shifts.

"slow read." Read more

"It is a recognized American masterpiece, but it should be read slowly to understand time shifts...." Read more

"...Read this slowly. Every scene is filled with symbolism." Read more

"...It is, by all accounts, very confusing with the jumps in time...." Read more

16 customers mention "Enjoyment"0 positive16 negative

Customers find the book unentertaining and not worth their time.

"...Those thoughts and lives disorienting, desperate, hopeless and filled with dread...." Read more

"...but at a certain point it loses it's stylistic flare and becomes utter garbage. Here is a paragraph: "..." Read more

"...It's artsy I suppose but not an enjoyable read. I remember a Cormac McCarthy book with no punctuation, that was fun [sarc]" Read more

"...It's a fraud and a waste of time, and you almost have to pity the deluded mind that came up with it and had so little idea what they were doing...." Read more

I'm sure the book is great..
1 out of 5 stars
I'm sure the book is great..
I'm sure the book is great... but I received a beat up copy with writing on almost every page. I picked this up for a book club so I won't be returning it as I need to get to reading. The book cover is not the one shown in pictures. I may have over looked the description but it was not clear I'd be receiving such a poorly copy of the book.
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Top reviews from the United States

  • Reviewed in the United States on September 12, 2022
    The title of this work is taken from Shakespeare’s MACBETH:
    “Life’s but a walking shadow,
    It is a tale told by an idiot, full of sound and fury….”
    ___________
    Who, When, Where?
    The “who” of the story is the once prominent Compson family of Faulkner’s imagined Yoknapatawpha County in the state of Mississippi. The “when,” three consecutive days in April, 1928, culminating on Easter Sunday, 1928, and then June 2, 1910, the day of Quentin Compson’s suicide. The four sections of the novel are not sequential. That is, the first section is April 7, 1928, the second June 2, 1910, the third April 6, 1928, and the last section April 8, 1928. The 1928 action is all centered in Jefferson, Mississippi, while the June 2, 1910 section is set in Cambridge, Mass. and environs, where Quentin Compson would be finishing his first year at Harvard.
    The last section is author observant (not omniscient). The other three sections are first person accounts. Faulkner employs the stream of consciousness technique for these three sections. Time, therefore, flows back and forth in the minds of the first-person informants. Much of the puzzlement this work produces results from the discontinuity of time and the switches in settings that result from “listening in” on the thoughts of the informants. The puzzlement is most trying in the first section, April 7, 1928, as the informant for the action is Benjamin “Benji” Compson, the family’s severely retarded, re-named, and nearly 33-year-old son. Benji has a limited vocabulary, but does respond to certain words, such as “caddie,” and also seems to understand elementary language. He appears not to articulate speech. He often focuses on colors, lights, smells, etc., and he is obviously very attached to his absent sister Caddy.
    Besides Benji, the Compson family is populated by an alcoholic lawyer father, a neurotic self-centered and feckless mother, a villainous, sadistic and money-grubbing brother, the “fallen woman,” Caddy, Quentin the mentally ill brother (in love with his sister and perhaps the ideal of Southern womanhood, but who would not touch her himself and who cannot defend her from those who would take advantage), Quentin, the illegitimate daughter of Caddy whose father is unknown, and who absconds with a carnival man in the 1928 sections of the story, after having stolen money rightly belonging to her from her Uncle Jason. Finally, there is Damuddy, the maternal grandmother who dies in the Compson house as recollected in the first section of the story, and the in-and-out Maury, the maternal uncle who seems to live off the Compson family. The cast of characters also includes Negro servants, the most prominent being Dilsey, the matronly, dutiful “protectress” of all the weaker members of the Compson family—the good and faithful servant, compassionate, not sentimental, a woman who preserves her dignity despite the vicious racism that clearly lurks beneath the social surface. I see her as the only heroic individual in the story.

    A funeral, a suicide, an assignation, a theft a marriage—much of the big action of this novel takes place in the background. Faulkner seems not to want that kind of action as a focus. Rather, he looks at consequences of such action, the psychology of it, the nature of family attachment and family values, the nature of goodness and evil, the richness and complexity of everyday life. Perhaps surprisingly, this novel is filled with subtle humor—amidst all the distress. Still there are many questions left unanswered in my mind. Perhaps I need another read.
    Another read? That would be my third. I first read The Sound and the Fury as a college senior, in a class called The Experimental Novel—my last semester before going on to medical school. It was too much for me at that time. It didn’t stick. Perhaps one more read in my lifetime is in order. Because this is a classic.

    lwl
    26 people found this helpful
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  • Reviewed in the United States on December 2, 2010
    The Sound and the Fury has been sitting on my bookshelf for some months now. I've always wanted to dip my toe into the pool of Faulkner, but have been intimidated by the unilateral criticisms that he's difficult to follow...that's an understatement; he's incredibly challenging. But his writing, when he's writing linear passages...the language is beautiful, sensual and heartbreaking. And even when he's throwing irregular timeframes around...the payoff is worth the initial confusion.

    I agree with other reviewers that it helps to equip yourself with a 'cast of characters' for Sound and the Fury. I read every page of Benjy's section THREE TIMES (which, I've never done before) in order to grip fully what was happening. I also referred to Sparknotes (highly recommend) in-between re-readings for some insight into what I might've missed. Once you have the 'key' to unlocking the working of Benjy's mind, it is so much easier to follow.

    The genius of the Benjy chapter, and why I believe Faulkner chose to lead with it (risking alienating many readers...which only makes him more of a literary giant in my book) is that events and characters are presented with almost absolute objectivity. Seeds are planted and cultivated in later chapters, but the foundation of the story is fairly well cemented. But also, because Benjy's general understanding of everything is so limited, there are plenty of surprises to come when other narrators allude to the same events and people. This detached glimpse into the life of the family over these decades makes it possible to feel more deeply about them later on.

    The second chapter (Quentin) is the more confusing of the two, I believe, because of the heavy use of stream-of-consciousness. I'm not a fan of that device, with any writer. Gratefully, there was enough linear narration that I grasped what was going on, and when reading it I employed an old high school trick: when I come across passages in Shakespeare that I'm not understanding, I read through them quickly, refusing to dwell on the words, and usually come away with an understanding at least of the action. If that sounds pedestrian, well, maybe it is, but it works! (And liberates me to appreciate other passages of lyrical beauty which I CAN understand, not to mention the work as a whole).

    The final two chapters are far more approachable, and I found Jason's character to be deliciously villainous and tragic.

    What touched me most about Faulkner is his talent for understanding the workings of the human psyche. How on earth he was able to craft a fully credible, sympathetic character in Benjy (as opposed to a one-dimensional idiot) I'll never understand. His treatment of the black characters in the book, based on their speech patterns alone and heavy use of the "N" word could easily have thrown their characters into Uncle Tom territory. Instead, he treats them with respect, allowing some to be dignified and noble (Dilsey) and others simple and flawed (Luster), just as he does with the white characters (the juxtaposition between Caddy's empathy and her mother's narcissism...amazing).

    There are some who believe a book should stand alone on its merits without the need for companion materials in order to understand it. For me, if having some "help" with a book empowers me to squeeze out the most juice, to come away from it with a richer understanding of its themes and appreciation for its complexity and beauty, I am all for it.

    I probably won't be jumping headlong into "The Bear" anytime soon, because this was an intellectually exhausting read! But someday I'll return to Faulkner, because he's written what is now one of my favorite books of all time. It's truly a masterpiece.
    23 people found this helpful
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  • Reviewed in the United States on July 1, 2024
    The Sound and the Fury is hailed as an American Classic. I’m no judge on which books are deemed a Classic and which ones aren’t ….but, I was thoroughly confused when I began reading it and in my humble opinion, it’s not a Classic. Lucky, in this day of computers, I was able to search and find out what the hell Faulkner was talking about. I gave it four stars because it is an excellent book, just prepare yourself before hand on the writing style which is very unique.
    One person found this helpful
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Top reviews from other countries

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  • Antonio Calò
    5.0 out of 5 stars FANTASTICO
    Reviewed in Italy on June 21, 2024
    Storia fantastica
    Report
  • viorela hoff
    5.0 out of 5 stars Buch
    Reviewed in Germany on January 22, 2025
    Die „Geschichte“ mit die Uhr ist die schönste
  • Client d'Amazon
    5.0 out of 5 stars Merci
    Reviewed in France on February 6, 2020
    Parfait comme neuf
  • Erwin
    5.0 out of 5 stars amazing
    Reviewed in Japan on April 11, 2025
    The packaging and design of this book are amazing. It strongly evokes a desire to read.
  • book lover
    5.0 out of 5 stars It is really best to go with the flow as another reviewer has ...
    Reviewed in the United Kingdom on November 20, 2014
    This is actually a testing narrative, or a series of narratives, particularly the second by Quentin I found, with the continual movement in time frames, but it is without doubt worth the effort to persevere as the book is a piece of creative genius the likes that one seldom has the privilege to read, and relates much to the sentiments of the passage from Macbeth from where the title of the book is taken. It is really best to go with the flow as another reviewer has suggested and appreciate the different narratives from three brothers caught up in one family's fall from grace in the American south with the ever present racial intolerance and the shame of one of the brother's mental incapacity and a sister's promiscuity - made more remarkable by the first narrative being the inward voice/observations of Ben, the brother with mental incapacity and the second narrative by Quentin, whose depression leads to suicide. The third narrative is by the more volatile brother who seeks redress for his lot in the family downfall and the events that unfold when his niece steals his ill begotten savings in the final part that moves from the individual's subjective perspective.

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