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How To Read A Poem: And Fall in Love with Poetry (Harvest Book) Kindle Edition
How to Read a Poem is an unprecedented exploration of poetry and feeling. In language at once acute and emotional, National Book Critics Circle award-winning distinguished poet and critic Edward Hirsch describes why poetry matters and how we can open up our imaginations so that its message can make a difference. In a marvelous reading of verse from around the world, including work by Pablo Neruda, Elizabeth Bishop, Wallace Stevens, and Sylvia Plath, among many others, Hirsch discovers the true meaning of their words and ideas and brings their sublime message home into our hearts.
"The answer Hirsch gives to the question of how to read as poem is: Ecstatically."—Boston Book Review
- LanguageEnglish
- PublisherEcco
- Publication dateMarch 22, 1999
- Reading age14 years and up
- File size4508 KB
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Editorial Reviews
Amazon.com Review
For a drink of written water from a spring
whose surface will xerox her soft muzzle?
Why does she lift her head; does she hear something?
Perched on four slim legs borrowed from the truth,
she pricks up her ears beneath my fingertips. Elsewhere, Hirsch's section on Sterling Brown's redefinitions of African American work songs should put this neglected poet back on the map. And his introductions to Eastern European poets such as Jirí Orten, Attila József, and Miklós Radnóti will make you want to ferret out their hard-to-find work. (Perhaps his publisher should put out a companion anthology...)
Hirsch manages to cram entire worlds and lives into 258 pages of text (which he follows up with a huge glossary and extended reading list). His two paragraphs on Juan Gelman, whose son was murdered and pregnant daughter-in-law disappeared during Argentina's "Dirty War," bring this man's art into clear, tragic focus. But even here, the compulsively generous author is compelled to enshrine the words of other critics, foregrounding Eduardo Galeano and Julio Cortázar, who describes Gelman's art as "a permanent caress of words on unknown tombs." What a pleasure it is to be inside Hirsch's head! He seems to have read everything and absorbed most of it, and he wears his considerable scholarship lightly. Many of his fellow poets have suffered for their art, have been imprisoned and killed--but above all, Hirsch makes us realize that, no matter what the artist's circumstances, subject, or theme, "the stakes are always high" in this game that writer and reader alike must keep playing. --Kerry Fried
From Library Journal
Copyright 1999 Reed Business Information, Inc.
Review
"Hirsch's contribution is significant, [grounded] in the obvious pleasure he has experienced through words. . . . Who could resist the wiles of this poetry-broker-a writer rapidly becoming the baby boomers' preeminent man of letters?"-Detroit Free Press
"Laudable . . . The answer Hirsch gives to the question of how to read a poem is: Ecstatically."-The Boston Book Review
About the Author
Product details
- ASIN : B004KZOWEQ
- Publisher : Ecco; First edition (March 22, 1999)
- Publication date : March 22, 1999
- Language : English
- File size : 4508 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 374 pages
- Best Sellers Rank: #214,307 in Kindle Store (See Top 100 in Kindle Store)
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While my reaction to the poems in the book is not even on the same scale as the author's very visceral, emotional responses, I feel like I nevertheless grasped enough of his reaction to know what he was feeling, and what he was getting at in his description. But I'll admit that some of the poems I read over and over again trying to detect some of *his* response in *me*, and I rarely did. I think this has more to do with my naivete, and I sort of envied the author's obvious depth of feeling in response to these poems.
Anyway - it's a great read and if you're a lover of poetry or even just curious about it, I recommend this book highly.
As the book proceeded, some of the descriptions become a bit tedious and repetitive (this is incantatory, that is incantatory) and I started to notice a bit of a pattern of soft analysis coupled with flowery praise for each poem. When it came to the chapter on dramatic poetry I started flipping through pages due to the absence of the poems referenced in the text. I considered seeking out some of the titles, but then it began to feel like work. As I continued through the text it seemed less like a friendly introduction to new fans and more of a scholarly work aiming to weave a diverse field of poets together through common themes. Hirsch's velocity of references and names increases dramatically during the course of the book and I found myself getting lost.
This is not a book about the the basics, the how, or the why of poetry. This is closer to a series of reviews of great poetry that is meant to spark interest in the reader to the art form.
Too often readers learn the "rules of verse", for example, that a sonnet has fourteen lines and rhymes a certain way, but they're not inspired, they don't know why they should care and they don't understand why anyone would bother to write a sonnet. As a result, they may memorize those rules but never want to read a sonnet again. The inspiration they need is right here in _How to Read a Poem_. This is the only book you need, along with the Reading List offered at the back, which will send you off to the library to explore for a lifetime.
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Je le recommande aux personnes qui rêvent de pouvoir rentrer dans un poème comme Mary Poppins rentrait dans les dessins que Bert dessinait sur les trottoirs. Ce livre ouvre une porte qui donne sur une nouvelle dimension. Là, la magie s'opère et les mots deviennent comme les ''Daffodils'' de Wordsworth et s'animent devant nos yeux dans une ronde joyeuse...
The glossary is especially helpful but is in very small print, not good for my senior eyes.
Try Molly Peacock's book on how to read poetry if Hirsch's topic interests you.