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Fugitives of Chaos (The Chronicles of Chaos Book 2) Kindle Edition

4.4 out of 5 stars 87 ratings

Wright's new fantasy, which began with Orphans of Chaos, and continues in Fugitives of Chaos, is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger.

The five have made sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can?

The children must experiment with and learn to control their strange abilities in order to escape their captors. Something very important must be at stake in their imprisonment.

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Editorial Reviews

From Publishers Weekly

Five unusual students at an isolated English boarding school—Amelia, Vanity, Colin, Quentin and Victor—fought to uncover their true secret identities in Orphans of Chaos (2005), only to have their memories stolen (again) by their teachers, who are really their jailers. In this exciting sequel, Amelia remembers enough to convince her friends of their shared trouble, and together the five students set out to escape the school, regain their memories, rediscover their individual powers and remain free. Wright keeps the tension high as the students struggle to outwit the teachers and their minions, but never lets us forget his characters are teenagers, prone to all the usual teen troubles as well as the problems posed by their secret "higher" identities. With its focus on Golden Age genre tropes and quirky teenage romance, this fantasy adventure reads a bit like J.K. Rowling meets Roger Zelazny, and should be of particular interest to youthful fans looking for something less predictable than the usual YA fare. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

"Wright's myth-infused fantasy looks like something older Harry Potter fans might enjoy with its creaky British boarding school setting and its five ageless orphans--Colin, Quentin, Victor, Vanity, and Amelia each with a supernatural gift." -Publishers Weekly on Orphans of Chaos "Wright's Orphans of Chaos is a stylish roller-coaster ride through the best loops and swerves of science fiction and fantasy. Zelazny lovers in particular ought to love this book as much as I did." -Sherwood Smith

"A bit like C.S. Lewis's Chronicles of Narnia updated by half a century, but with more gusto." -
Locus on Orphans of Chaos "I don't know if John Wright's intent for Orphans of Chaos was to write a Harry Potter for grownups. But that's what he's accomplished. . . .highly enjoyable." --SFsite

"An exciting, unusual, and very satisfying ride through the author's imagination, and the results are certainly going to make Wright even more of a hot property." --
Chronicle on Orphans of Chaos

"Start of a complex mythology-based series from the author of the astonishing far-future Golden Age trilogy . . . . Fascinatingly, dazzlingly…erudite fantasy that trends inexorably toward science fiction; addicts will pounce." -
Kirkus, starred review on Orphans of Chaos

Product details

  • ASIN ‏ : ‎ B004M8SR4M
  • Publisher ‏ : ‎ Tor Books (November 14, 2006)
  • Publication date ‏ : ‎ November 14, 2006
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 3.9 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 368 pages
  • Customer Reviews:
    4.4 out of 5 stars 87 ratings

About the author

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John C. Wright
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John C. Wright is a retired attorney, newspaperman and newspaper editor, who was only once on the lam and forced to hide from the police who did not admire his newspaper.

In 1984, Graduated from St. John's College in Annapolis, home of the "Great Books" program. In 1987, he graduated from the College and William and Mary's Law School (going from the third oldest to the second oldest school in continuous use in the United States), and was admitted to the practice of law in three jurisdictions (New York, May 1989; Maryland December 1990; DC January 1994). His law practice was unsuccessful enough to drive him into bankruptcy soon thereafter. His stint as a newspaperman for the St. Mary's Today was more rewarding spiritually, but, alas, also a failure financially. He presently works (successfully) as a writer in Virginia, where he lives in fairy-tale-like happiness with his wife, the authoress L. Jagi Lamplighter, and their four children: Pingping, Orville, Wilbur, and Just Wright.

Customer reviews

4.4 out of 5 stars
87 global ratings

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Customers say

Customers find the book worth the read, with one noting it's as good as the first book in the series. Moreover, the story receives positive feedback for its grandiose imagination, with one customer highlighting the detailed plots of John C. Wright. Additionally, the pacing is appreciated, with one customer noting it's brimming with pertinent dialogue.

AI-generated from the text of customer reviews

10 customers mention "Value for money"10 positive0 negative

Customers find the book worth the read and consider it good as the first book in the series, with one customer noting its readable prose.

"...Definitely worth the read, five stars with no reservations." Read more

"...'s interest in physics, I found the cosmology of these books to be compelling and fascinating...." Read more

"The Chronicles of Chaos is one of my favorite series. Definitely worth the read if you're into mythology, sci-fi, and fantasy in general." Read more

"...NO. The series is awesome, if you love the florid yet readable prose, grandiose imagination, deep characters, and captivating yet detailed plots of..." Read more

8 customers mention "Story quality"6 positive2 negative

Customers praise the book's grandiose imagination, with one customer highlighting its detailed plots, while another mentions its fantastical realms.

"...I thought the evolution of the five in part two was terrifcally well done, and the cliffhanger ending is making me totally nuts...." Read more

"...physics, I found the cosmology of these books to be compelling and fascinating...." Read more

"...if inhuman characters with clear and sympathetic if not entirely lovable motivations...." Read more

"...Definitely worth the read if you're into mythology, sci-fi, and fantasy in general." Read more

3 customers mention "Pacing"3 positive0 negative

Customers appreciate the pacing of the book, with one review noting it is brimming with pertinent dialogue and draws on varied philosophical elements.

"...John C. Wright's prose is clean and brisk and brimming with pertinent dialogue, so you'll be oriented soon enough...." Read more

"...ideas that were very fresh (for fantasy literature, at least) and very intelligent...." Read more

"...Maybe 14 to 80. Maybe 18 and up. It's a work of art that draws on varied philosophical, scientific, mythological and fantastical realms, with depths..." Read more

Top reviews from the United States

  • Reviewed in the United States on November 20, 2006
    SPOILERS FOR THE FIRST BOOK IN THE TRILOGY--ORPHANS OF CHAOS-- AHEAD:

    If you read part one, Orphans of Chaos, then you already have an idea of what mythy delights, brainy goings on, teenage angst, sea monster & Colin sex-on-the-brain subplots, super suspense, life-and-death battling awaits you in part two of the Chaos Trilogy: Fugitives of Chaos...

    When last we left our intrepid orphans-who-are-not-orphans, or even human, for that matter, they had been foiled in their daring and delicious attempt to escape from the British boarding school-that-is-no-mere-school and the menacing staff-who-are-also-not-made-up-of-humans. We got to follow the youth-who-are-but-are-not-really-young through the sometimes humorous, sometimes scary, always fascinating discovery of their identities and powers.

    But, having been foiled, they have had their memories of the previous weeks erased.

    Fortunately, our plucky and fast-thinking narrator, Amelia, who is really Phaethusa (daughter of Helios and Neaera), and who can see and pass into the fourth dimension--and see such things that will blow your reading wee mind--well, Amelia is not long for the land of amnesia. And good thing, too. Because it wouldn't do to have her forget all the amazing stuff she found out in part one.

    To catch you up to speed: The headmaster Boggins is really Boreas, the North Wind, who, when he spreads his wings in his pirate pants is something of a sexy bad boy. The staff includes a siren, a witch, a Cyclopes, an Atlantean, and Grendel (yeah, that Grendel, as in BEOWULF). And they are all keeping the "orphans" as hostages, pawns in a Cold War of sorts between Olympians and Titans. As long as the Olympians hold the kids hostage, the Titans do not make a move on Earth or Olympus.

    But the kids are sick of being hostages. They want to go home.

    If they go home, all heavens and hells and dimensions break loose.

    Oh, isn't your mouth just watering?

    Note: A review of the Greek mythological stuff you learned in school--or that I hope you learned in school--would not be amiss, particularly the stories relating to the Titanomachy, the war of the Titans. The names comes fast and furious in part one, and if you have forgotten your Hesiod or Homer or Bullfinch's or Hamilton or etc, you may have to read slowly to get your bearings. But once you do, part two is a snap. John C. Wright's prose is clean and brisk and brimming with pertinent dialogue, so you'll be oriented soon enough.

    So, our brave and gifted would-be-aviatrix Amelia, at the close of book one, manipulates the chemical with which she's about to be injected so that it has free will. Yes, the chemical intended to blank her memory of knowledge and escape and capture is now able to decide what it will do within Amelia's body.

    ENTER BOOK TWO, wihch for some reason doesn't have the glossy cover like book one. What up with that?

    "I was dead for about half a day."

    Amelia reawakens, memory gone, so much that it's quite suspicious.

    Then, "Her arm liked her. Her arm was friendly. A warm, tail-wagging, puppy-like, unabashed friendliness radiated from one motionless spot above her elbow."

    The chemical doesn't act against Amelia and the memories return.

    The orphans now proceed, in their usual ingenious and fun-to-follow fashion (with all attendant subterfuge and danger), to find ways to break the blocks one each of them, one by one, so that they can recapture their knowledge and powers. It's not a simple process. As the story unwinds, Amelia finds herself once more at the mercy of Grendel, who is in some serious me-wanna-her-for-missus groove and carries Amelia to his lair. You get to find out more than you may want to about the life of a man-eating sea-dwelling groom. Heroic feats gain them freedom. As fugitives, on the run across Britain, across the world, they must grow in their skills, and fast and remember promises made and oaths taken. They become crucial as they face tough decisions while evading eavesdropping winds and spirits. And they must survive the deadly fury of a terrifying sea monster, because if they don't survive, the whole Earth is doomed.

    War is coming, again. Titans and Olympians. And five kids-who-are-not kids are smack in the middle of the power plays. Good thing they are formidable kids.

    I was actually breathless during one part of their daring escape scene--where they attempt to recover the items of power discovered in Orphans--and would just start reading aloud to my husband. And those discussions about who trumps whose powers, the dialogues about paradigms? Superb!

    I found only one scene uncomfortable. And those of you who've read it can probably guess which one. (Hint: Sappho might have approved.) Seemed a tad on the gratuitous side. But, that's my only quibble. I thought the evolution of the five in part two was terrifcally well done, and the cliffhanger ending is making me totally nuts.

    Which is good. Means I want more. And I don't always want more.

    Gosh, do I really have to wait FIVE MONTHS for the conclusion? :::biting nails:::
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  • Reviewed in the United States on December 13, 2006
    ORPHANS OF CHAOS introduced five boarding school students who discovered, beneath a physical and conditional facade, they were far greater beings than the awkward human teenagers they thought themselves. They were actually gods (as in Greek; as in thought to be mythical and thus unreal by twenty-first century earth dwellers; as in not unreal at all in this John C. Wright universe) taken hostage in a Titanic war! Spying on their "elders," the band of five learned of the Machiavellian motives for their forced confinement and amnesia. They fought their captors valiantly but appeared vanquished as Part One cliffhung.

    FUGITIVES OF CHAOS portrays the fives' struggle to regain lost memory and powers, escape their god-too jailers, and penetrate the maze of politics and strategy underpinning the cataclysmic struggle between Cosmos and Chaos that holds the key to their fate.

    Or perhaps it is the reverse, and the five "young people" hold the true key to the fate of the struggle between Chaos and Cosmos? They may also be mankind's and all life's only hope for survival!

    Victor, the "robot" man; Amelia, the dimension-crosser; Vanity, the dream tunneler; Colin, the psychic; and Quentin, the witch (he may really be a she), all risk life and limb to breach the boundaries of the only place they remembered as home -- the old-fashioned school by a fishing village called Abertwyi. Believing themselves freed, they experience bits of the world such as hitchhiking, "Jerry's Fine Cafe" on Christmas, Paris stores, Vanity's magic sea craft, and luxury on "The Queen Elizabeth II" sailing for New York.

    As in ORPHANS, FUGITIVES serves up a cornucopia of sci-fi/fantasy ideas. Since all five "teenagers" interpret the world from their own separate paradigms, they describe their perceptions differently. Amelia, for instance, is the geometrician of the group, while Colin reckons through the psychic's angle of personal responsibility. These differences require a great deal of group communication to enable understanding and cooperation.

    Indeed, a large component of both CHAOS books published thus far is talk; the old writer's saw about showing rather than explaining isn't always observed. Not only "must" the five engage in long discussions with each other, but the sheer complexity of Wright's theme relegates other gods besides the teens to protracted explications. Although Amelia is the primary first-person narrator throughout the novels (so far anyway), other characters tell of adventures they had away from Amelia. Vanity, for instance, tells her companions about overhearing two Cosmos-camp gods -- Boreas and a Centurion Infantophage -- speculate at length about which Chaos god might try to seize the throne of "the entire sidereal universe." This dialogue means to enlighten the readers, along with the five, about the cast of potential threats in and the direction of the third volume of CHAOS. It does, but keeping track of all those gods (a single entity is often referred to by several monikers) is a bit mind-spinning for readers less conversant than Wright with mythology.

    And since the young heroes of this trilogy are ostensibly teenagers, they retain that maturity level by and large. So, there is a lot of adolescent ribald ribbing and sexual innuendo (though serious sexual aggression is left to the "adults" and even then is more threat than act), as well as general silliness and cluelessness. Usually, this banter is welcome, but at certain crises stages where the five waste precious time debating and smart-mouthing, one wonders why their adversaries don't press full advantage to smartly subdue them! One wants to cuff the kids into faster action. At least, I did.

    The concluding threat in FUGITIVES OF CHAOS is a beaut! The five do engage in a bit of their usual fumbling and arguing, but they spring to action pretty fast. And what action. Kudos to the author for a riveting springboard into TITANS OF CHAOS. I can't wait. April 2007 isn't that far away.
    8 people found this helpful
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  • Amazon Customer
    4.0 out of 5 stars Was worried it wasn't going to show but happy it came
    Reviewed in Canada on September 10, 2016
    The product that i ordered came however 2 days late. Was worried it wasn't going to show but happy it came.

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