Learn more
These promotions will be applied to this item:
Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.
Your Memberships & Subscriptions

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
The King's Name (Sulien Book 2) Kindle Edition
The warrior Sulien ap Gwien and her lord King Urdo have finally united the land of Tir Tanagiri into a kingdom ruled by justice under a single code of law. But where many see a hopeful future for the land, others believe they sense the seeds of a new tyranny. Soon Tir Tanagiri faces the blight of civil war, and Sulien ap Gwien must take up arms against former comrades and loved ones, fighting harder and harder to hold on to Urdo's shining dream.
Continuing the epic begun in The King's Peace, this new novel brings the story of Sulien ap Gwien to a rousing and moving conclusion.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Shop this series
See full series- Kindle Price:$29.97By placing your order, you're purchasing a license to the content and you agree to the Kindle Store Terms of Use.
Shop this series
This option includes 3 books.
Customers also bought or read
- The Witness for the Dead: The Chronicles of Osreth: The Cemeteries of Amalo Trilogy, Book 1Kindle Edition$12.99$12.99
- The Wizard Hunters: The Fall of Ile-Rien (The Fall of Ile-Rien Trilogy Book 1)Kindle Edition$9.49$9.49
- The Grief of Stones: The Chronicles of Osreth: The Cemeteries of Amalo Trilogy, Book 2Kindle Edition$12.99$12.99
- How to Become the Dark Lord and Die Trying (Dark Lord Davi Book 1)Editors' pickKindle Edition$9.99$9.99
- The Mimicking of Known Successes (The Investigations of Mossa and Pleiti Book 1)Kindle Edition$11.99$11.99
Customers who bought this item also bought
Editorial Reviews
From Publishers Weekly
Copyright 2001 Cahners Business Information, Inc.
From Booklist
Copyright © American Library Association. All rights reserved
Review
From the Back Cover
Continuing the epic begun in The King’s Peace, this new novel brings the story of Sulien ap Gwien to a rousing and moving conclusion.
“War is a tough subject to do well, but in this gritty, moving second and final book in the saga of Tir Tanagiri, British author Walton makes the strife of civil war not only believable but understandable . . . . Fine work.” —Publishers Weekly (starred review) on The King’s Name
“The King’s Peace beautifully and thought-provokingly tells a story set in a world and a history almost like ours, but different enough to be in itself a kind of elvenland. It’s good to know that there will be more.”—Poul Anderson on The King’s Peace
“Proof that no matter how mined-out a subject may seen, a dedicated writer can dig down to a true vein of legend and hammer out gold.”—Robin Hobb on The King’s Peace
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The swallows fly low tonight,
swooping and soaring,
soon the rain come.
I trudge uphill to the dun,
children run past me.
My breath comes slowly.
They all held me mighty, then,
blood on the spearblade,
death in bright sunlight.
Better the spear had caught me,
in my youth, my pride.
Before my defeat.
It brings me grief, not comfort,
he died long ago
upright, like a man.
Very few care for me now.
Rain makes my bones ache.
My deeds forgotten.
The swallows recall to mind
time gone, chances missed,
and my only son.
--"The Lament of Atha ap Gren"
The first I knew about the civil war was when my sister Aurien poisoned me.
* * *
I was in her hall in Magor. I spent most of my time at Derwen, but half the ala were stationed a day's ride away at Magor and I rode down to see them and exchange troops quite regularly. I enjoyed going, it made a break in my routine. I had nothing to do there but the work of a praefecto. Aurien needed no help running Magor. She was always cool and polite toward me but never more. Her boys, however, were always pleased to see me. She did have the decency to wait until they had gone to bed before poisoning me, which probably saved my life. It meant she had to put it into the cider, not the food, where anyone would have just thought she had been heavy-handed with the spices. It was the very end of spring, never a good time for meat, and she four extra mouths to feet.
I had brought Conal Fishface and Emlin with me and Emer was there, too, on her way back from a visit to Caer Tanaga. As soon as I saw her there I thought that Conal had known she would be and felt angry with him for using me like that. He did not eat with us, of course, but he joined us in the eating alcove afterward. I was saying good night to the boys. Galbian, the fifteen-year-old Duke of Magor, bowed like the adult he almost was. Thirteen-year-old Gwien, the heir to Derwen, was still young enough to go off reluctantly, begging for rides and stories tomorrow. Aurien over-protected them. If I said anything to her about it she would reply by saying she would bear in mind all my experience of childrearing But the consequence of her fussing was that they ran off to the barracks when they Galbian would be in the ala next year; both the discipline and the training would do him good. Aurien set her lips and said nothing when they talked about winning glory at war.
Conal sat down beside me, and Aurien poured out the cider. She had brought out a board set with beakers and a heavy stone jug. She poured for Emer first, then for me, then Emlin, Conal, and for herself last. None of her people were sitting with us that night, not even Father Cinwil who was usually her constant companion. She raised her beaker to me, and drank. I drank in return. I noticed the bitterness almost at once, but I had still in politeness drained almost half the cup before I set it down. I could feel my tongue thickening in my mouth.
"What news from Caer Tanaga?" Aurien asked Emer.
"Very little," Emer said. "Some of the allied kings are late sending their taxes this year, it seems."
"And how are Undo and your sister?" Aurien asked.
I learned forward to pick up my beaker to drink some more and see if it would clear the strangeness in my mouth and throat. As I did so I realized that my body wasn't responding the way it should. "I don't feel well--" I began, but the words came out slurred.
"I think the cider has been too much for Sulien," Aurien said, and laughed. "She went off drinking with the armigers before dinner, and that cup has set her over the edge."
I tried to protest that I had taken no strong drink since the night before, but instead I slid down toward the table. My eyes were half open. I could see, but I had lost control of my body. Conal leaned toward me and deftly sniffed at my cup while his body shielded him from Aurien. He lifted me so I was sitting up again. "It wasn't with the armigers she was drinking but with me," he said. "We were having a contest and it seems I have won." again I tried to protest that there wasn't a word of truth in it, but my mouth wouldn't obey me. My mind was working slowly, because it was only now I knew I'd been poisoned. Being poisoned at meat at my own sister's table was something that I had never feared.
"These soldiers, I don't know how they put up with each other," Aurien said to Emer. Emer laughed politely. I couldn't see her. She must have known Conal was lying. "I'll call for some water," Aurien went on.
"I think, as it is my fault she's in this condition, I'd better take the praefecto to bed," Conal said, heaving me to my feet. "She can walk, the legs are always the last to go. Perhaps you'll give me a hand, ap Trivan?"
"Just put her straight to bed, she'll be all right," Aurien said. "She often does this, and it always passes off by morning."
I couldn't speak to deny this. I felt Emlin heave up my other shoulder, but I couldn't feel my legs at all. "My apologies, Lady," he said to Aurien.
"Really, it isn't you who needs to apologize," she said. "No doubt I'll hear enough excuses from my sister in the morning. I'll send some water to her room, but I don't expect she'll recover consciousness tonight now; she never does."
"It must be very hard on her to drink so much," Emer was saying as Conal and Emlin half carried and half dragged me out of the hall. As soon as we were outside I felt as if I was being pulled in half.
"It's this way," Emlin said
"The midden first," Conal said. "She has to be sick."
"If she's had that much to drink--" Emilin began, when Conal interrupted him in a savage whisper.
"She hasn't had anything beyond that half cup. I was lying to give myself a reason to take charge of her in time. She's been poisoned and we need to get it out of her."
"Poisoned?" Emlin echoed. "Poisoned? Why?" They started to drag me again, this time out toward the midden. It was twilight outside. A chill wind was blowing. I tried to breathe deeply but couldn't even manage that. I wasn't sure if I was breathing at all, I couldn't feel it.
"Why, I can't think; it's ridiculous to poison someone at your own table but I know who, and what. It was henbane. I could smell it. From the look of her it was a strong dose--it doesn't usually act quite that fast. Water given after that would finish her off; it would take it right through her system, and she was twice offered it." My head lolled back against my shoulder. I wondered how Conal had come to know so much about poison.
"But why would Galba's lady poison her won sister?" Emiln asked.
"Because she wants her dead for some good reason," Conal suggested.
"Why should I trust you?" Emlin asked.
"What is the worst that can happen if you do?" Conal asked. He sounded furious. "Your praefecto, with a sore head, will be angry you did too much. Have you ever seen her in this condition, by the way? I thought not. If you don't, well, she'll be dead. She'll also be disgraced. Dead of drinking is no fit end for a hero's story." We had reached the midden. I could barely smell it. "Now, stick your finger down her throat."
"Why me?" Emlin asked, but he took hold of my jaw and did as Conal told him. As his finger went down I retched and the cider came back out, and my dinner with it, splashing Emlin's boots.
"That's why," Conal said, holding me as far forward as he could. As I retched I began to feel a little better.
"Do it again," I said, but it came out as gargle.
"What's that?" Emlin asked eagerly. I tried again, but nothing happened.
"See if there's any more that can come out," Conal suggested. Emlin did, and I managed to empty myself. Then Conal wiped my face with his sleeve and pinched my cheek, frowning. I could see his hand but I could barely feel the touch. "We'd better get her out of here," he said.
"Why?" Emlin asked. "How would that help?"
"Partly because the lady of Magor may well try again," Conal said. "And partly because Sulien may yet die of this if it spreads so she stops breathing. Worse, she could live but like this, paralyzed or part paralyzed." I jerked and twitched in his hands, trying desperately to move. He was right, I had rather be dead. "We need to get her home to Derwen. The land will help her there."
"How can we do that?" Emlin asked. "She's in no state to ride."
"Tie her on the horse like a sack of meal," Conal suggested. "I know. I'll take her room, in case anyone comes checking. You saddle up horses for you and for her, and bring them around under the window. I'll lower her down to you when I hear you coming, then you can ride for Derwen."
"I--" Emlin hesitated. He looked at me. "Praefecto?"
I tried to speak, to tell him to do what Conal said, but I couldn't say anything but inarticulate grunts. With all the strength I had I concentrated on my right hand, and managed to make the ala hand signal to tell Emlin he should take Conal's orders. It was the best I could do.
"Understood," he said. He looked worried. As he went out of sight he was chewing on his beard.
Conal lifted me over his shoulder and went back through the house toward my room. We passed some servants who looked baffled but said nothing. When we got inside Conal propped me against the wall in a slumped position. "Breathe as deep as you can," he said. "Water wouldn't be a good idea yet." I sat and breathed. He took my armor off the armor stand by the bed. "I'm going to see if I can get this on you," he said. "It's more sensible for riding, and safer in case of arrows. I wish I knew what was happening; she can't have hoped to get away with that. There must be something going on."
I grunted agreement. Conal hauled me up and unwound my drape, dropping it on the floor. He put one of my arms into the armor and stared confused at the breast strapping. I would have liked to laugh; but I would have liked to be able to move my arms even more. Just then there came a tap at the door. In one swift movement Conal picked me up, dropped me on the bed, and dropped my cloak on top of me. I couldn't turn my head, so I could see nothing but my armor stand and beyond it the arched Vincan window and, outside, the darkening sky and one branch of a sycamore, the trefoil leaves very dark against the twilight blue.
"Yes?" Conal said, somewhere I couldn't see him. "My lady?" I wished I felt more confident in his ability to stop Aurien from politely poisoning me again. I couldn't think what I had done to her recently to make her hate me so much. It was twelve years since I had brought Galba home after Foreth.
"It's me," Emer's voice said. I heard the door open and someone come in. "What game are you two playing?" she asked, and then, "Conal!"
Conal laughed, and shut the door, still laughing. "Do you doubt me so much?" he gasped, between gales of merriment. "No, I am not sneaking off to betray you with Sulien ap Gwien, dreadful as it seems to see me alone here in her room and her drape thrown on the floor."
"What then?" Emer sounded impatient. "Sulien?"
"She can't talk," Conal said. I flopped my head a little and made a noise that was supposed to be agreement. I was drooling; it disgusted me to feel it. "She's been poisoned. Ap Trivan and I are going to get her out of here. You can help me get her into her armor. You probably have a better idea of how the confounded fastenings work."
At that Emer gurgled with laughter, and came around into my field of vision. She was carrying a jug of water. She set it down on the floor and pulled down the cloak, and she and Conal began to dress me. I felt terrible, and worse, I felt sleepy. I knew if I slept, the drug would take me. "Where are you going to take her?" Emer asked.
"Ap Trivan's going to take her home to Derwen," Conal said.
"Ah, yes. The land will help," Emer said, fastening the straps. I felt like a large, ungainly baby as she forced my legs in.
"You don't seem surprised that the lady of Magor would do such a thing," Conal said.
Emer glanced at me, sighed, then looked up at him. "I have quarreled with my sister. She knows about you, and she has cast me off. A red-cloak came to Aurien this morning with letters."
Conal drew in his breath sharply. "That's nonsense," he said, very gently. He took one of Emer's hands and held it for a moment. "Elenn may well wish you dead, and certainly me, but why Sulien? She was her champion. She is Urdo's friend, and his praefecto and the mother of his son. Death is disgrace would not serve the High King."
"Elenn is not Urdo," Emer said, still looking up at him. "Elenn is an Isarnagan and a woman. Poison is a woman's weapon."
"Aurien is a woman," Conal said. "If Elenn wanted anyone dead it would include me, and probably you as well if she knows. It would be too good a chance for her to miss when we were all together, but none of the other cups were touched. In any case Aurien is no particular friend to Elenn that I have ever heard. Who are her friends?"
"Thansethan," Emer said, unhesitatingly. "That could mean Elenn. Kerys ap Uthbad and her brother Cinvar, the lord of Tathal. Veniva and the people of Derwen, but why would any of them want Sulien dead? Beyond that I do not know."
"Thansethan could mean more than Elenn," Conal said. I was dressed; he walked over to the window and looked out. "But it is not a thing the Pale often do, poisoning their families. I know the White God gives a shield against a great many dangers, but surely not against kin-murder?"
Emer turned to look at him. A strand of her hair was straggling loose down her back. "I think it gives a shield against any perils encountered in their cause," she said. "And they have never been friends to Sulien."
I tried to speak, but it was pointless. I found it hard to imagine Father Gerthmol poisoning me. It would be an act of war against Derwen, and that would break Urdo's Peace. Whoever killed me he would avenge me, and so would Darien. Darien was a signifer now. I was more inclined to believe that Aurien had done it to stop Gwien coming to Derwen to spend the summer with me. It was disproportionate, but it was a comprehensible reason.
They both turned to me. "What is it?" Emer asked. She looked at Conal. He raised his eyebrows.
"Do you know why Aurien did it? Do you think Thansethan would poison you?" he asked. I rolled my eyes; it was about all I could manage. Conal snorted. "I don't think so either."
"What are we going to do in the morning when she's gone?" Emer asked, practically.
"Assume she's eloped with ap Trivan and sympathize with Aurien for the scandal of having a sister who drinks so much and shares blankets with her subordinates," Conal said. I rolled my eyes again.
"Should we leave tonight as well?" Emer asked. "Are we in danger here? If she wanted to poison us she's missed her best chance."
"Not if she wanted to get away with it. That story about drinking too much could easily have worked if she'd died in the night. An ignominious end for Urdo's praefecto, but not incredible. Less convincing if it was all three of us, don't you think?"
"It wouldn't have worked on Veniva," Emer said. "Veniva knows how much Sulien drinks, who better? It wouldn't have worked on Urdo either, though Aurien might have thought it would. I suppose if she suspected me she wouldn't have let me bring the water up."
"She can't have been expecting us either," Conal said. "Maybe she only had one dose prepared? I only decided to come on the flick of a wing. I came to Dun Morr with messages to Lew, and as I was bored waiting for you I rode to Derwen, and when I heard Sulien was coming here I came with her. And she must have known you'd be coming through, but not when. You know how surprised I was to see you, my heart." He smiled very deliberately.
"She is awake and listening," Emer said, glancing at me, embarrassed. "I think it would be safer if we all leave tonight."
"I shall have to send ap Trivan for more horses," Conal said. He leaned out of the window. "This is a very convenient tree. Ah, here he comes."
I forced my hand to move, to give the hand signal that meant the whole ala. Emer saw, but of course she didn't understand. I couldn't leave them here in danger. Then there were the boys--but I knew Aurien would never hurt her boys, even if she had gone quite mad.
Conal came around behind me and heaved me to my feet. My balance was terrible. I couldn't have stood without being held but my legs seemed to move of themselves. He walked me to the window. I looked down and saw two armed and mounted men, and Beauty. I was glad it wasn't Glimmer. He hadn't been happy with anything that wasn't routine since the time we met Turth. One of the riders was Emlin, the other was Garian. I wished I had been practicing belly flopping onto horses from a height, though it would have done me little good if I had. Conal lowered me down, and Emlin caught hold of me and steadied me into the saddle. I fell forward over Beauty's neck at once. Garian tied my legs to the saddle so I couldn't fall off completely. I caught Emlin's eye, and made the hand signal again. "The ala," I signaled. "To Derwen. At dawn." Moving them now would probably be more dangerous than staying the night; a dawn move wouldn't seem so suspicious that anyone would go and wake Aurien. Or so I hoped. Emlin looked puzzled.
"But how can I move the ala at dawn if I go with you now?" he asked.
He couldn't, of course. "You stay and move the ala," Conal said. "We'll go with her. Could you get another horse for me? The queen of Dun Morr can ride yours."
I had told him to obey Conal. Conal, for all his faults, was quick-witted and good in an emergency. Emlin dismounted hesitantly, looking at me and up at Conal. Conal lowered Emer out of the window into the saddle of Emlin's horse. Garian steadied her. She muttered something under her breath that included the word "greathorses," then straightened in the saddle. Emlin went back toward the stables. He came back much more quickly than he had the first time, when he must have had to wake Garian. It still seemed like a long time, slumped and still on Beauty's broad back. The night air seemed to be doing me good. I was breathing more easily. I struggled to straighten myself but I still couldn't manage it. Beauty stood without complaint. He was too good-mannered to object if I'd decided to sit on his back like an awkward parcel.
As Conal jumped down into the saddle, people carrying torches came running around the corner of the house. "Stop thief!" they called. I could see the light shining on weapons.
"Come on, ride for your lives!" Conal shouted. I could only see behind, not in front. I caught sight of Emlin running back toward the stables. They had no chance of catching us. We were mounted and they were on foot. He was a different matter. I hoped the darkness would cover him. I managed to nudge. Beauty with my knees and we went off after the others as fast as a lightning bolt.
Copyright © 2001 by Jo Walton
Product details
- ASIN : B004SPL124
- Publisher : Tor Books; 1st edition (April 1, 2007)
- Publication date : April 1, 2007
- Language : English
- File size : 2.6 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 316 pages
- Best Sellers Rank: #722,985 in Kindle Store (See Top 100 in Kindle Store)
- #3,808 in Coming of Age Fantasy eBooks
- #6,171 in Coming of Age Fantasy (Books)
- #9,810 in Epic Fantasy (Kindle Store)
- Customer Reviews:
About the author

Jo Walton comes from Wales but lives in Montreal, exclusively in the first person. My plan is to live to be ninety-nine and write a book every year.
The question people most often ask is where to start with my books. I've published fifteen novels now, three poetry collections, a short story collection and a two essay collections -- and a travel memoir thingy. My novels are all different from each other, and really, where to start depends on what you like.
My most popular book is definitely my Hugo and Nebula award winning Among Others, which is a fantasy novel about a fifteen year old girl who reads science fiction. It's written in diary form, and set in Wales in 1979 and 1980. It's a book about what happens after you've saved the world -- Mori's sister sacrified herself and Mori became disabled in a fight to defeat their evil witch mother, and they won. Now she has to go to a new school, on her own, and cope with life and the ethics of doing magic at all, while reading for escape, solace, and ways of coping with the world.
Lent is a historical fantasy about Savonarola.It's set in Florence and Hell between 1492 and 1498. If you like historical fiction like Wolf Hall, this would be a good one to start with.
Or What You Will, which came out in July 2020, is about a character who lives in a writer's head and is afraid of what's going to happen to him when she dies. It's themes are story, death, and renaissances. It's a good one if you like metafiction, or if you've read several of my other books and liked them all. When I'm writing a book I always think it's kind of weird, and this one really is.
My Real Children won the Tiptree award in 2015. It's an alternate history -- well actually two diverging realities. It's about a woman with dementia in a nursing home who remembers two different versions of her whole life, and the book covers her whole life twice from the split in 1949 to 2015. This is a book many people enjoy, and it's the one I recommend as a starting point if you don't usually read SF or fantasy. If you want to buy one of my books for a relative, this is the one to go for. It's a crossover with women's fiction -- and in addition to the Tiptree it won the American Librarian Association RUSA award in that category. It also has a brilliant French translation and is my most popular novel in French. It is, as far as I know, the only alternate history of the EU.
My trilogyThessaly, consisting of The Just City, The Philosopher Kings, and Necessity, is about gods and philosophers through all of time setting up Plato's Republic, with ten thousand Greek speaking kids, and what happens after. The books follow three generations of the Republic, and feature Socrates, Apollo, and a ton of Platonic dialogue. They are about serious subjects -- like consent issues, and what is the good life, but they're also fun,
I have another trilogy, the Small Change books, Farthing, Ha'Penny and Half a Crown. These are alternate history, set in a world where Britain made peace with Hitler in May of 1941 after holding out for a year alone, and the US never came into WWII. The first two are set in 1949, and the third in 1960. Farthing has the form of a country house mystery, Ha'Penny is a theatre thriller, and Half a Crown is about a debutante about to have a season and go to Oxford, but in a dystopia. These are for people who like mysteries, or alternate history, and can cope with applicability. My favourite description of these is "like a stiletto wrapped in a buttered crumpet."
My World Fantasy award winning novel Tooth and Claw is the easiest to describe briefly -- it's a sentimental Victorian novel about dragons who eat each other. It's written like Trollope, and all the characters are dragons, worried about marrying well, and religious issues, and being promoted, or eaten. My favourite description of this is "simultaneously creepy and charming"
My first three novels are related -- The King's Peace and the King's Name are one book in two volumes, and they're Arthurian fantasy with a female hero. The Prize in the Game is a retelling of the Irish myth the Tain, which had been backstory to the first two, but which I wrote when I realised most people aren't all that familiar with the Tain. These are early work but actually I love them to bits. Also, they gave me the John W. Campbell award for best new writer when this was all I'd written, so some other people must think they're good. But I must admit I have figured out some stuff since.
What Makes This Book so Great is a collection of blog posts originally published on Tor.com, and so is An Informal History of the Hugos. WMtBsG is just a selection of good ones, and aIHotH is a set of posts I did about the Hugo awards, and the field generally, between 1953 and 2000. If you like the stuff about books in Among Others, or if you want to increase your TBR list by hearing me burble about how great things are, you want these.
Visiting Friends is a novella-length travel memoir about a road trip I took through Europe in 2019.
My real grown up website with info about her books, stories, plays and poetry is at http://www.jowaltonbooks.com There's a blog there as well. And I'm on Twitter as @bluejowalton and on Goodreads.
My Patreon, which is for poetry, and which supports my book buying, art viewing, and theatre going habits, and is the best way to support me directly (though buying my books is also great!) is at
https://www.patreon.com/bluejo
If you like my poetry, the collections are Muses and Lurkers (Rune Press 2001) Sibyls and Spaceships (NESFA 2009) and The Helix and the Hard Road (Aqueduct 2013). I'm hoping to be able to bring out a big collection in a year or so.
I have a short story collection called Starlings from Tachyon, which collects all my short fiction to date, as well as some poetry, and a play. I don't write a whole lot of short fiction -- this is absolutely all the short work I have written in the time I wrote all these novels. There's one story in the universe of the Small Change books, but otherwise nothing is closely related to anything, but you can see themes I'm interested in, like what happens after the ends and at the edges of stories.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonTop reviews from the United States
There was a problem filtering reviews. Please reload the page.
- Reviewed in the United States on February 20, 2021Each of Jo Walton's series or standalone works is different.The voice is even different. Even books I have thought I would not like but picked up anyway were excellent. The only thing I can say about all her works is that they are good reads not just because they were entertaining (although they are), but because of the richness depth and detail of story charcters relationships dialog and worldbuilding. Jo Walton's books are like the most delicious, perfectly prepared, yet hearty food, for the brain. Like that.
So I picked up this series because I can never let a Jo Walton book go unread. And I loved it because her storytelling and writing are simply that fine. But what I loved about it most, which is true in almost all her books, is that female characters are not fridged or first mates or afterthoughts. They are humans in full, with more richness in thought word and deed than most characters in most books. Many times, for other writers, characters are just plot devices. Jo Walton's novels are seamlessly woven between characters, culture, and the passage of time. Whether it's "Better Than Arthurian" as these books are, or a lonely girl who lives science fiction, or Savonarola trying desperately to get it right, or alternate history / timelines... Walton's work is up there with Thomas Hardy, Toni Morrison, and AS Byatt, the finest authors I can think of at the moment. I hate finishing a book or a series knowing I have to say goodbye to the place and people I've had the privilege to visit. I am forever a loyal fan and you who like to really sink your teeth into a story should be too.
- Reviewed in the United States on January 3, 2013I read The King's Peace ages ago and was sorry to see the end of it. Silly me I never checked to see if there was more to follow. When I found this book I fairly LEAPT on it, and was grabbed, and dragged back into Sulien's world, by the eyeballs, from the opening paragraph. While it does get a bit verbose here and there, and kind of overly detailed now and again, it is still a MEAL for the mind. I thoroughly enjoyed how the two books began and how it ended and have NO regrets about setting aside a portion of my time, and brain, for the experience.
- Reviewed in the United States on October 16, 2013The "King's Peace" series is a great alternative version of the Arthurian legends set in Post-Romano Britain (by another name). The King's Name is a beautifully written and wonderful tale continuing the saga.
- Reviewed in the United States on January 11, 2015Speaking as one who reads every Tale of King Arthur, I can honestly say this one went beyond the usual rendering to create something unique and beautiful.
- Reviewed in the United States on January 18, 2002"King's Name" is a sequel to "King's Peace" and is a retelling of the darker part of the Arthurian legend -- the bit where the dream of a kingdom united under one king and one law falls apart because of treachery form within the kingdom. And in case you've forgotten either the events and characters from "King's Peace," Jo Walton has provided a thumbnail sketch of everything that happened in "King's Peace" in the introduction to "King's Name."
King Urdo's dream of a united kingdom and peace for the nation of Tir Tanagiri, seems to be on the brink of destruction. And this time the threat is not from barbarian invaders, but from within. While many acknowledge that Urdo has brought peace and unity, and that his laws are just ones, others see only the thirst for absolute power and tyranny. There is also the fear that Urdo will force all his subjects to convert to this new religion of light and the one god. Fanned by fear, greed and Morthu (Urdo's treacherous nephew)'s treasonous whispering, Urdo's erstwhile friends and enemies seem poised to start a civil war. And now it is up to Sulien ap Gwien, once Urdo's most trusted of warriors and his right hand, to put a stop to this treason, and to fight for Urdo's dream of a united kingdom to remain a reality.
"King's Name" keeps pretty much to the parameters of the Arthurian legend. Nothing really terribly new or different in the manner in which the plot of "King's Name" unfolds. So why read this novel? Because it is always thrilling and poignant to read such tales. The Arthurian legend was a powerful one of hope and promise, as well as a poignant one of betrayal and treachery. And I was relieved to note that Jo Walton (thank goodness) has not bothered to include her version of the 'doomed' love affair between Guinevere and Lancelot (am I the only person bored with this "love" story?). She's concentrated instead on the dream that Urdo/Arthur had for a kingdom united under one law, the compromises that Urdo and his followers had to make in order to realise this dream, and how the failure to understand these compromises as well as the new laws, leads Urdo's erstwhile allies (and his greedy enemies) to try and topple him from the throne. We get to see how this splinters families as well as once close friends, as the entire kingdom splits into those who support their king and those back his would-be usurpers. I enjoyed "King's Peace" very much, and found "King's Name" to be a satisfying finish to this retelling of the Arthurian legend. Events unfolded smoothly, and the authour maintained a tight control on the pacing and action. She also did a wonderful job in character development. And while the chief protagonist, Sulien ap Gwien, remains the brusque and to the point warrior we're all familiar with from "King's Peace," other characters (such as Sulien's mother and her son) are fleshed more. And this gave the novel a level of texture and complexity that enhanced the reading pleasure.
'King's Name" is a powerful novel and makes for compelling reading.
- Reviewed in the United States on April 14, 2003No need to summarize the plot, as other reviewers have more than done that. Walton has taken the Arthurian story and placed it in a different world - apparently as one possibility in an infinity of multiple possibilities, assuming I understand correctly something a half crazy oracle says toward the end.
Like another reviewer, I am just as happy not to see the Guenivere/Lancelot part of the legend retold. But Mordred/Morthu is there, with enhanced powers.
I had resisted reading these books because I thought that I knew enough about Arthur from other renditions of the legend. But there are enough side characters and ancillary plots to make this a truly different retelling. And Sulien ap Gwien is a strong and sympathetic character. It would be a pleasure to read something about her later life, though this doesn't look likely.
My only quibble is that the author introduces lots of tribal names and place names, but there is no map. Also, there are hundreds of named individuals, or at least it seems that way. Since a character can be named by first name (Sulien) or by father's name (ap Gwien), it becomes really confusing to keep track of the minor characters, especially since so many names begin with C or G. Here a chart grouping them at least by family, or tribe, or kingdom, or anything, would be nice.
Top reviews from other countries
-
Mag Andreas HabicherReviewed in Germany on September 9, 2013
5.0 out of 5 stars Großartige Fortsetzung
Eine großartige Fortsetzung für "The King's Peace", die alle offenen Handlungsstränge zu teilweise schmerzhaften, teilweise beruhigenden Enden zusammenführt und viele offene Fragen beantwortet. Das Buch lässt die Leserschaft die Wirren der nationalen Einigung miterleben - auf dem Weg zu einer neuen Zivilisation, deren Geburt leider nicht alle erleben werden.
- witchyReviewed in the United Kingdom on June 7, 2013
5.0 out of 5 stars jo walton books
Brilliant story. History and myth combined. The history of albion as it could have been a good read . Well done
- Gordon WindridgeReviewed in the United Kingdom on August 5, 2013
4.0 out of 5 stars Good book
Good book, I enjoyed reading it. Kindle navigation was a touch tedious as scroll to next / previous chapter didn't work.
- debbie cooperReviewed in the United Kingdom on July 2, 2013
5.0 out of 5 stars The King's Name
An excellent book in an excellent series. Love the characters and the plots. Definitely a series to read more than once.
- C. TruemanReviewed in the United Kingdom on June 16, 2013
4.0 out of 5 stars great book
really well written book, kept me interested right from the start, will have to read the rest of them now