Bask - Shop now
$9.99 with 44 percent savings
Digital List Price: $17.99

These promotions will be applied to this item:

Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.

Audiobook Price: $22.57

Save: $15.08 (67%)

You've subscribed to ! We will preorder your items within 24 hours of when they become available. When new books are released, we'll charge your default payment method for the lowest price available during the pre-order period.
Update your device or payment method, cancel individual pre-orders or your subscription at
Your Memberships & Subscriptions
Kindle app logo image

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.

Read instantly on your browser with Kindle for Web.

Using your mobile phone camera - scan the code below and download the Kindle app.

QR code to download the Kindle App

Follow the author

Something went wrong. Please try your request again later.

Counting Heads (Counting Heads, 1) Kindle Edition

4.0 out of 5 stars 97 ratings

Counting Heads is David Marusek's extraordinary launch as an SF novelist: The year is 2134, and the Information Age has given rise to the Boutique Economy in which mass production and mass consumption are rendered obsolete. Life extension therapies have increased the human lifespan by centuries. Loyal mentars (artificial intelligences) and robots do most of society's work. The Boutique Economy has made redundant ninety-nine percent of the world's fifteen billion human inhabitants. The world would be a much better place if they all simply went away.

Eleanor K. Starke, one of the world's leading citizens is assassinated, and her daughter, Ellen, is mortally wounded. Only Ellen, the heir to her mother's financial empire, is capable of saving Earth from complete domination plotted by the cynical, selfish, immortal rich, that is if she survives. Her cryonically frozen head is in the hands of her family's enemies. A ragtag ensemble of unlikely heroes join forces to rescue Ellen's head, all for their own purposes.

Counting Heads arrives as a science fiction novel like a bolt of electricity, galvanizing readers with an entirely new vision of the future.

Shop this series

 See full series
There are 2 books in this series.
This option includes 2 books.

Customers also bought or read

Loading...

Editorial Reviews

From Publishers Weekly

Starred Review. This extraordinary debut novel puts Marusek in the first rank of SF writers. Life on Earth in 2134 ought to be perfect: nanotechnology can manufacture anything humans need; medical science can control the human body's shape or age; and AIs, robots and contented clones do most of the work. If only there were a way to get rid of the surplus people. When Eleanor Starke, one of the major power brokers, is assassinated, her daughter's cryogenically frozen head becomes the object of a quest by representatives of several factions, including Eleanor's aged and outcast husband, a dense zealot for interstellar colonization, a decades-old little boy and husband and wife clones who are straining at the limitations of their natures. Marusek's writing is ferociously smart, simultaneously horrific and funny, as he forces readers to stretch their imaginations and sympathies. Much of the fun in the story is in the telling rather than its destination—which is just as well, since it doesn't so much come to a conclusion as crash headlong into the last page. But the trip has been exciting and wonderful.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Critics compared this debut SF novel to works by Charles Stross, Rudy Rucker, John Wright, and even Philip K. Dick. Marusek examines present-day trends in technical and scientific advances, projects the social, biological, economic, and political consequences of such progress—and runs with it. Yet, although the author "is unstintingly generous in his speculations," notes SciFi.com, he is also "convincingly realistic." Inventive set pieces, complex and cliché-free characters with ordinary aspirations, and blurred lines between "real" and "artificial" thrilled all reviewers. Only the ending rang false in its brevity, suggesting that perhaps a sequel may be on its way.

Copyright © 2004 Phillips & Nelson Media, Inc.

Product details

  • ASIN ‏ : ‎ B004YEN9UG
  • Publisher ‏ : ‎ Tor Books; First edition (October 16, 2007)
  • Publication date ‏ : ‎ October 16, 2007
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2.7 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 338 pages
  • Customer Reviews:
    4.0 out of 5 stars 97 ratings

About the author

Follow authors to get new release updates, plus improved recommendations.
David Marusek
Brief content visible, double tap to read full content.
Full content visible, double tap to read brief content.

I'm a science fiction writer who lives in a cabin in Fairbanks, Alaska. I don't spend much time promoting myself online, and the time I do spend usually goes to my web site www.marusek.com or my blog countingheads.blogspot.com. Please visit me there for all the latest news about my work.

Customer reviews

4 out of 5 stars
97 global ratings

Review this product

Share your thoughts with other customers

Customers say

Customers find the book well written and enjoyable to read. They appreciate its visual style, with one customer noting its vividly imaged world. The story quality receives mixed feedback, with some customers finding it interesting while others note that the plot loses cohesion towards the end.

AI-generated from the text of customer reviews

7 customers mention "Writing quality"7 positive0 negative

Customers find the book well written.

"'Counting Heads' by David Marusek (2005) is a well written and enjoyable novel, vibrant with tomorrow's possibilities. '..." Read more

"...money and time in this work and have to say that although it was a good read, and solid entertainment for a few days, it will not stay with me the..." Read more

"Decent writing, but a slow and boring beginning...." Read more

"...It was the best piece of writing I had seen in a long time. I ran out (to Amazon actually) and bought everything I could find from Marusek...." Read more

6 customers mention "Readability"6 positive0 negative

Customers find the book enjoyable, with one describing it as a delightful science fiction novel.

"'Counting Heads' by David Marusek (2005) is a well written and enjoyable novel, vibrant with tomorrow's possibilities. '..." Read more

"...and have to say that although it was a good read, and solid entertainment for a few days, it will not stay with me the way other books in it's genre..." Read more

"This is one of the most delightful science fiction books that I have read in a while. Simply put it is something different...." Read more

"...The choice to break up the timeline the way it was in the book felt interesting to me...." Read more

3 customers mention "Visual style"3 positive0 negative

Customers appreciate the visual style of the book, with one noting its vividly imaged world and another highlighting its ability to paint nuanced scenes.

"...dramatizing a time of social revolution and accomplishes it in a very striking and efficient fashion...." Read more

"...Marusek is best at painting a nuanced & convincing future-scape...." Read more

"A great story set in a rich and vividly imaged world. Story gets a little frayed at the end but is all around a fine read." Read more

19 customers mention "Story quality"11 positive8 negative

Customers have mixed opinions about the story quality of the book, with some appreciating its interesting concepts and great setting, while others note that it derails to a sudden ending.

"...the finest kind of science fiction - original and distinctive, breaking new grounds while depicting a simultaneously utopian and dystopian future...." Read more

"...describing in rich detail the coming wonders of a possible and plausible near future as an exploration of the many faces of characters built over..." Read more

"...one byproduct of this story telling technique is that the plot loses some cohesion, each subplot moves at its own tempo and its progress may not..." Read more

"...The book develops well with interesting concepts, good action and great flow, then derails to a sudden ending with some major issues left open..." Read more

Top reviews from the United States

  • Reviewed in the United States on July 7, 2023
    'Counting Heads' by David Marusek (2005) is a well written and enjoyable novel, vibrant with tomorrow's possibilities. 'Counting Heads' is the finest kind of science fiction - original and distinctive, breaking new grounds while depicting a simultaneously utopian and dystopian future. This book is sly, subversive and a great read.
  • Reviewed in the United States on May 13, 2006
    Looking over some the reviews of "Counting Heads", a potential reader couldn't be blamed for thinking that the novel was written by an author who had infused his project with flashes of genius and generous dashes of enthusiastic Ed Woodsian ineptitude. However, although a lot of the comments about `defects' in the plotting are accurate, they are irrelevant to the kind of book we're looking at. It's like critiquing a dirt bike for not being able to haul home a dozen bags of groceries or drive the kid's soccer team to a game. Of course, a dirt bike's meant to take us places a minivan (which can do all those things) could never go. In a similar way, Marusek's narrative structure shows his audience things that would be impossible to convey by following contemporary SF's terribly limited schema. At the same time, he's not doing anything revolutionary, just borrowing good ideas from outside the genre in order to expand his capacity to explore a new world. In this, Marusek shares a lot of affinities with Mark Budz (check out my review of `Crache' for a similar example of the benefits of departing from the dominant SF conventions).

    Marusek is dramatizing a time of social revolution and accomplishes it in a very striking and efficient fashion. So he tells the story from the perspective of members of the affected classes, the powerful and wealthy `affs', the clones who do much of the routine work, and the `Chartists' who represent the balance of humanity clinging to familiar old political values and economics. In addition, he optimizes his overall strategy to show a lot of what's going on in this society by expanding the roles his characters play in the story. The pursuit of a cryogenically preserved head forms a "Maltese Falcon" core to the plot of this novel, but rather than following the typical convention of that storyline, the pursuit of the head doesn't become the central preoccupation of most of the characters. The actors in this drama are involved in the adventure in much the same way that we really experience one--as part of their job, or as witnesses, or victims or witting/unwitting accomplices etc., and they become involved while pursuing their own private business. So by following the twists and turns of each character's ultimate involvement in the recovery of the head, we get not only a resolution of the story, but we also intimately feel the ugly new world order eating away the vestiges of the old. Although the notion of adapting the narrative strategy to explore different aspects of a world is neither terribly exotic or new (Zola and Dickens come to mind), it's certainly ironic that the idea hasn't been fashionable in SF for decades.

    Of course, one byproduct of this story telling technique is that the plot loses some cohesion, each subplot moves at its own tempo and its progress may not relate to the others or obviously advance the `global' plot. Marusek addresses this by directly applying some of the oldest and most general dramatic principles. For instance, you can see that the story ends in a perfectly acceptable way if you observe that the end mirrors the opening status quo. There are a couple tricky bits though, the novel proper begins with the end of the introductory short story, and some of the characters are in motion when they first appear, just waiting for something to knock them in a new direction. The clearest example of this mirroring is the boy Bogdan, who first shows up looking for a missing computer, and his last action is to go off looking for a lost artificial intelligence. It's also worth noting that Bogdan's motives and values have changed in the course of the story, and Marusek's plotting includes substantial elements of character growth and development to fill in the chinks in "Counting Heads' looser structure. The plotting is simplicity itself, any purpose or action is met with progressively higher obstacles and greater frustrations. This happens regardless of whether the action has any direct bearing on the big picture, but the overall effect is to continuously build the tension. Overcoming, enduring or trying to get around the sort of reversals the characters face is the basis of drama and the foundation of a good plot.

    It seems fairly clear to me that when evaluated by the appropriate criteria, "Counting Heads" is a remarkable achievement. I've tried to argue that most of the 'defects' attributed to the novel are simply results of Marusek choosing to tell his story in the best possible way. Naturally, there are flaws in "Counting Heads", some fairly serious, thus it only gets 4.5 stars. The worst is perhaps the bizarre decision to use a first person short story as a prologue and then later changing that character's viewpoint to third person-that is a grievous fault, and the story suffers right up to the end from it. Also, the clones subplot is very important, but still takes up way too much space, there's a lot of other material that deserved more attention.
    11 people found this helpful
    Report
  • Reviewed in the United States on April 1, 2012
    David Marusek takes you from the edge of the singularity to the heart of it through the navel gazing eyes of the main characters.

    Marusek presents the near future as a personal and political battle between anonymous converging interests and individual power.

    Marusek presents dissertation worthy discourse on agents and actors as ideas manifested as the random convergence of the interests of individuals. While simultaneously describing in rich detail the coming wonders of a possible and plausible near future as an exploration of the many faces of characters built over centuries of time.

    David Marusek does not do this dissection of the singularity as a scientific postmortem.

    This vivesection of the near future is wonderfully presented as a story of love found and lost over centuries of time.

    My takeaway from this and Marusek's later works in this series are that the importance of events is all in the perspective and evolution is a harsh mistress.

    To sum it up. If a tree falls in a forest does anyone care if it screams?
    3 people found this helpful
    Report
  • Reviewed in the United States on April 6, 2006
    When reading books like this I wonder sometimes if the publisher told the author: "I don't care how the book ends, just give me no more than 350 pages!!"

    The book develops well with interesting concepts, good action and great flow, then derails to a sudden ending with some major issues left open (I won't give away the plot here). I've seen this time and again, and I wonder if maybe there was a page limit on the book, or perhaps the author has had enough and wants to hand in the work?

    I'm not a writer, and I know it must be rediculous to have one's work criticized by someone who has not been down the same road, but I have invested money and time in this work and have to say that although it was a good read, and solid entertainment for a few days, it will not stay with me the way other books in it's genre (Diamond Age, for example) have.
    4 people found this helpful
    Report
  • Reviewed in the United States on July 18, 2017
    This is one of the most delightful science fiction books that I have read in a while. Simply put it is something different. Marusek weaves a fantastic tale set in the near future. Some of the elements of this future seem a bit improbable(I'm looking at you Applied People) but the rest are just coming into focus on the horizon. The human characters are unforgettable. From the retro boy Bogdan to iterant Fred you become very invested in the resolution of their plotlines. My only qualm with the book is that it ends far too abruptly. Yes, it does have a sequel but this individual work could have been closed in a much more refined manner.
    3 people found this helpful
    Report
  • Reviewed in the United States on September 4, 2017
    I started reading the sample out of an Amazon suggestion. Immediately I recognized that I already read the novella that was used as the first part of the book - even though I read it over 20 years ago! It just was that poignant.

    A big part part of what draws me in to SF books is the tech. Usually there are a few new technologies and their consequences. Not here. There are tons of new and common ideas, applied in many ways with their consequences.

    The choice to break up the timeline the way it was in the book felt interesting to me.

    I didn't enjoy the fact that the searing was effectively left "unsolved".

    Overall, strongly recommended. I already started reading the sequel.
    3 people found this helpful
    Report

Top reviews from other countries

Translate all reviews to English
  • R. Palmer
    4.0 out of 5 stars Fantastic debut from David Marusek
    Reviewed in the United Kingdom on June 19, 2010
    I'm bit late to this one - Marusek first came to my notice in a short story anthology with an inventive and thoughtful story. It piqued my interest, so here I am!

    Counting Heads, Marusek's debut novel, is a fantastic read. In some ways it's straightforward enough, if follows the fortunes of one man and his family through several decades (though, to be clear, it leaps - overall there is a broad sweep, but it's handled in a couple of denser "chunks.") Where it sets itself apart is how seriously David Marusek takes the job of writing SF. Not to say that the novel is po-faced, or anything like that. He's a good writer, there's a decent level of wit in this.

    Instead, what I mean is that it's a proper, serious SF novel. It never shies away from the fact that it's SF; it has a lot of ideas in it and I'd guess that Marusek has read a lot of SF himself. He marries these sfnal themes with an excellent human drama, the characterisation in this is almost uniformly excellent. This can often, I think, be a weakness for a lot of ideas driven SF writers - that is to say that they are often not so good at producing characters who are anything other than mouthpieces for themselves.

    The opening of the novel sees a famous artist, Samson Harker meet a woman on her way to great power. By the time that the novel starts, humanity has practical immortality. They can both look forward to a long, long life. This, naturally, means that what we would consider normal is discarded. It's unlikely that immortals would wish to spend the rest of their lives together, on a crowded planet producing children would have to be strictly regulated, so when they find themselves in position to produce offspring, it's not quite in the way that we'd consider normal. However, this would seem to imply - in some ways - almost utopian. Things aren't (of course!) quite so simple. It's set against the background of a terrorist attack which has led to intense paranoia about nano-weapons - which imposes surveillance on the population and leads to Sam Harker's downfall. He is "seared" a process which amongst other things separates him from his peers. He is now incapable of receiving the treatments he requires to stay young. So when the book moves into it's second and third parts, he is an old man.

    Incidentally, the book does handle the "show, don't tell" thing quite well. It's clear that there has been some kind of attack in the past which has led, in part, to the kind of society that we see now, but this is only ever explained as well as it needs to be. Also, the society in which the book takes part is clearly complex, but even beyond this, it's obvious that the whole world is complex. There are hints that the future that we see here isn't *quite* so evenly distributed through the world as one would hope.

    The "searing" (and there are quite a lot of new terms in the book, though some are obvious and made more so by context, "aff, "homcom" and so on) was part of an attack on the growing power of Eleanor Starke (Samson's wife). As the novel moves on, this is more pronounced. A crash leaves her and her daughter dead and severely disabled (only her head survives intact!) and the plot of the novel centres around a group of characters involved in its retrieval. If I were to criticise, I'd say that the ending does go a bit crash-bang-wallop, but it was fun getting there.

    The confidence of Marusek is demonstrated, I think, in that there are many ideas that people would use to create a whole novel on their own (nano-tech, colony ships, AI). He instead chooses to focus on the human aspect of this (and that's including the integration of sentient machines, clones and immortality). Although the next book, (Mind Over Ship) is a sequel, so he may look at some of these in greater detail.

    So; a recommended debut! Enjoy!
  • FeydRautha
    4.0 out of 5 stars Roman très ambitieux et très dense
    Reviewed in France on February 26, 2019
    Singulier roman postcyberpunk, Couting Heads débute en l’an 2092. Le récit à la coloration eganienne (de Greg Egan, l’auteur de hard-SF qui explore sans relâche les implications sociétales des nouvelles technologies) introduit le personnage de Samson Harger, artiste à succès. Celui-ci rencontre Eleanor Starke, une célèbre et puissante femme d’affaires âgée de 200 ans. Après des débuts difficiles, leur relation s’épanouit et les bonnes nouvelles s’accumulent, un peu trop rapidement. Eleanor est d’abord invitée à rejoindre le groupe des gouverneurs, ce qui lui assure un rôle politique de premier plan. Puis le couple est sélectionné par le ministère de la Santé et reçoit un permis qui l’autorise à avoir un enfant. Dans cette société futuriste avec d’un côté des nanotechnologies quiautorisent le rajeunissement des corps dans des bains de jouvence pour ceux qui peuvent se les offrir, et de l’autre une surpopulation de 15 milliards d’habitants, les naissances sont extrêmement contrôlées. Et rares. C’est donc une chance extraordinaire pour le couple. Tellement extraordinaire qu’Eleanor commence à douter que cela en soit vraiment une et envisage une manipulation d’un de ses ennemis politiques.

    Nous sommes dans une société de prodige technologique, la maladie et la mort ont essentiellement été vaincus. Ceux qui en ont les moyens sont potentiellement immortels, bénéficiant d’une jeunesse éternelle. Mais nous sommes aussi quelques dizaines d’années après l’Outrage, une pollution nanotechnologique globale de l’atmosphère par des NASTIES, nanovirus militaires devenus sauvages. Les villes sont enfermées sous des dômes, des canopées, filtrant l’atmosphère. En sortir est dangereux et le HomeCom contrôle en permanence la population à la recherche d’éléments de contamination. Des limaces robotisées testent aléatoirement les citoyens, des scans génétiques sont effectués, des insectes militarisés surveillent cette société dans laquelle tout est connecté, des individus aux pots de fleurs. Lors d’un contrôle aléatoire, Sam est faussement déclaré contaminé et il est cautérisé par les autorités. Cela signifie pour lui un nettoyage complet du génome, un effacement des banques de données médicales, et l’impossibilité de subir de futures altérations ou jouvence. Sam redevient un humain normal, condamné à vieillir et mourir, portant avec lui une odeur charnelle devenue repoussante pour autrui. Toute tentative d’altération, ou de simple scan, provoque l’autodestruction de ses cellules sous la forme d’un grand feu de joie. Le rideau tombe, il y a clairement quelque chose de pourri au royaume du Danemark.

    Le ton change dramatiquement dans la seconde partie du roman. Nous sommes à Chicago, 40 ans plus tard, et la société est passée de l’autre côté de la singularité technologique qui s’annonçait dans la première partie. Sam et Eleanor ne sont plus que des personnages secondaires. Rapidement dans le récit, Eleanor meurt dans un attentat. Sa fille, Ellen, est gravement blessée (décapitée). L’enquête sur l’attentat et le maintien en vie d’Ellen va constituer le fil conducteur du roman.

    Les intelligences artificielles naissantes sont devenus des mentars indépendants, quoi que toujours liés légalement à leur sponsor. La main d’œuvre a été remplacée par des lignées de clones choisis pour leurs compétences : les russ, les jenny, les evangelines, les lulus, etc. Bien qu’humains indépendants, ils ne sont pas socialement considérés comme de vraies personnes. Les vrais humains, eux, se divisent en deux catégories : les ultrariches, affs, qui dirigent les grandes entreprises et donc la politique, et les autres, les Chartistes qui pour subsister doivent se regrouper en Charters, groupements autant économiques que familiaux, et mettre en commun leurs revenus. Counting Heads prend alors la forme d’un roman chorale où on suit une multitude de personnages issus des différentes strates de la société et une multitude d’histoires. En 2092, les humains étaient encore aux commandes. En 2132, ils ont été progressivement remplacés par leurs propres créations. Counting heads est une fresque sociale. Affs, Chartistes, clones et mentars luttent pour avoir une place dans la société du XXIIè siècle. Les mentars déviants sont arrêtés et reformatés par le HomeCom, les Chartistes perdent leurs emplois pour être remplacés par des simulations, et les clones deviennent obsolètes. Les limaces elles-mêmes se font écraser lorsque la canopée couvrant Chicago est abandonnée. La singularité s’est emballée et plus personne ne sait qui contrôle quoi. Ce sera d’ailleurs là une des grandes questions qui restera ouverte à la fin du livre.

    En fond, nous suivons le développement du projet Garden Earth d’envoyer une centaine d’arches spatiales emportant des millions d’humains cryogénisés à la conquête d’autres planètes pour soulager la surpopulation terrestre.

    Counting heads est un formidable roman qui bénéficie d’un worldbuilding de grande qualité mais qui souffre de sa trop grande richesse. David Marusek possède une imagination débordante et son roman regorge d’idées. Thématiquement, on se situe quelque part entre les écrits de Greg Egan et Accelerando de Charles Stross. Son souci toutefois est que sa densité l’alourdit. Très détaillé dans la peinture qu’il donne à contempler, le worldbuilding prend le pas sur l‘histoire et les personnages. On ne s’y ennuie jamais car David Marusek nous conte de nombreuses micro-histoires qu’il anime généreusement par ses nombreux personnages, mais on se laisse noyer par le trop plein.

    Ambitieux, généreux, imaginatif, richement décoré, Counting heads est un vrai roman de science-fiction qui explore en détails les conséquences sociétales d’avancées technologiques elles-mêmes condamnées à l’obsolescence. On lui reprochera toutefois de trop s’éparpiller au risque de finir par ressembler à un magnifique oiseau sans tête qui court dans tous les sens.

    De grandes questions restent en suspens à la fin du roman. Rendez-vous dans la suite : Mind Over Ship.
    Report
  • Mark Higginson
    1.0 out of 5 stars An incoherent and rough sketch...
    Reviewed in the United Kingdom on January 10, 2010
    It is a rather dull puzzle trying to comprehend why the glowing recommendations on the dust jacket fail to bear any resemblance to the contents of this novel. I managed to read to around the halfway point before skipping through to the end; something I almost never do and only because I was still struggling to find answers, any answers, as to why the quoted reviewers found this story appealing. The author favours short, flat sentences, a technique he is not a skilled enough writer to pull off. The result is a mere sketch, both of the characters and the world they inhabit and not a very well drawn one at that. The plot, which is summarised in a more exciting fashion on the back of the book than within, is a lukewarm mix of ideas that have been better executed elsewhere. The weak ending, left it seems with the intention of a sequel, is the final insult to the reader who has given over their time to wading through this. I had high hopes for this debut; being charitable perhaps this is his 'The Big U' and we'll see better work from him in the years to come.

Report an issue


Does this item contain inappropriate content?
Do you believe that this item violates a copyright?
Does this item contain quality or formatting issues?