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The Player: A Novel Kindle Edition
Hollywood insider Michael Tolkin perfectly skewers the movie-making business through the mind of Griffin Mill, senior vice president of production at a major Hollywood studio. Ruthlessly ambitious, Mill is driven to control the levers of America’s dream-making machinery. He listens to writers pitch him stories all day, sitting in judgment of their fantasies, their lives. But now one writer whose pitch he responded to so glibly is sending him mortally threatening postcards.
Squeezed between the threat to his life and the threat to his job, Mill’s deliberate and horrifying response spins him into a nightmare. Then he meets the sad and beautiful June Mercator and his obsession for her threatens to destroy them both.
“One of the most wounding and satirical of all Hollywood exposes.” —Los Angeles Times
“In its wry, acerbic description of life behind the studio gates Tolkin’s book recalls F. Scott Fitzgerald . . . and the vengeful comedy of Nathaniel West’s The Day of the Locust.” —The Philadelphia Inquirer
- LanguageEnglish
- PublisherGrove Press
- Publication dateDecember 1, 2007
- File size3893 KB
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Editorial Reviews
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Review
"One of the most wounding and satirical of all Hollywood exposes: dark and mordant...savage.... A portrait of life among the high-rollers and deal makers of a major Hollywood studio in the post-Golden Age. Unnerving.... A nightmare rendered with icy precision." --Los Angeles Times
"[A] surely crafted novel...that defines the machinery of moviedom in incisive, vivid strokes...a winning black comedy. Tolkin writes keenly, with a cynical eye for the machinations of the entertainment biz.... A hilarious indictment of contemporary Hollywood's ruling mentality. In its wry, acerbic description of the world behind the studio gates Tolkin's book recalls F. Scott Fitzgerald...and the vengeful comedy of Nathaniel West's The Day of the Locust." --The Philadelphia Inquirer
"Bizarre and brilliant.... A grand guide through the private offices, board rooms, and restaurants where Hollywood deals--and throats-are cut. Not since Indecent Exposure have we met such a consummately skilled player at this power game." --Boston Herald
"A tour de force that draws directly on Tolkin's experiences as a television writer and screenwriter who knows Hollywood from its seamy inside out." --Vogue
"Deliriously amoral. Just like Hollywood; full of asides and in-jokes and wisecracks." --Washington Post Book World
"[A] memorably vivid Hollywood novel." --Rolling Stone
"Reminiscent of The Last Tycoon...suspense keeps you flipping the pages. The Player is thoroughly convincing, both as a portrait of a power broker and as a depiction of the stratagems within the coterie that runs Tinseltown."--Atlanta Journal-Constitution
"An unusually classy mystery." --Cleveland Plain Dealer
"Reverberates with the ghosts of Cain and Camus." --Women's Wear Daily
"Gets inside Hollywood today.... What makes The Player such a standout work is that it examines the mid...
From the Inside Flap
Griffin Mill is ruthlessly ambitious, driven to control the levers of America's dream-making machinery. Griffin listens to writers pitch him stories all day, sitting in judgment on their fantasies, their lives. But now one writer to whose pitch he responded so glibly is sending him postcards: "You said you'd get back to me. You didn't. And now in the name of all writers who get pushed around by studio executives I'm going to kill you."
Squeezed between the threat to his life and the threat to his job, Griffin's deliberate and horrifying response spins him into a nightmare. Then he meets the sad and beautiful June Mercator and his obsession for her threatens to destroy them both.
With a compulsively readable narrative that offers a devastating portrait of contemporary Hollywood--the studio execs, the deal-making, the politics, the pitches--The Player is the smartest book about Hollywood since What Makes Sammy Run? and the most sinister since The Day of the Locust. If Dashiel Hammett were alive today, this is the book he would write about Hollywood.
"A shrewd, entertainingly dark Hollywood novel."--The New York Times Book Review
"One of the most wounding and satirical of all Hollywood exposes: dark and mordant...savage.... A portrait of life among the high-rollers and deal makers of a major Hollywood studio in the post-Golden Age. Unnerving.... A nightmare rendered with icy precision."--Los Angeles Times
"[A] surely crafted novel...that defines the machinery of moviedom in incisive, vivid strokes...a winning black comedy. Tolkin writes keenly, with a cynical eye for the machinations of the entertainment biz.... A hilarious indictment of contemporary Hollywood's ruling mentality. In its wry, acerbic description of the world behind the studio gates Tolkin's book recalls F. Scott Fitzgerald...and the vengeful comedy of Nathaniel West's The Day of the Locust."--The Philadelphia Inquirer
"Bizarre and brilliant.... A grand guide through the private offices, board rooms, and restaurants where Hollywood deals--and throats-are cut. Not since Indecent Exposure have we met such a consummately skilled player at this power game."--Boston Herald
"A tour de force that draws directly on Tolkin's experiences as a television writer and screenwriter who knows Hollywood from its seamy inside out."--Vogue
"Deliriously amoral. Just like Hollywood; full of asides and in-jokes and wisecracks."--Washington Post Book World
"[A] memorably vivid Hollywood novel."--Rolling Stone
"Reminiscent of The Last Tycoon...suspense keeps you flipping the pages. The Player is thoroughly convincing, both as a portrait of a power broker and as a depiction of the stratagems within the coterie that runs Tinseltown."--Atlanta Journal-Constitution
"An unusually classy mystery."--Cleveland Plain Dealer
"Reverberates with the ghosts of Cain and Camus."--Women's Wear Daily
"Gets inside Hollywood today.... What makes The Player such a standout work is that it examines the mid-set of the film industry and all its posturing behind the cameras.... It reveals a continuum of viciousness that seems indigenous to Hollywood."--San Diego Union
"It's a thoroughly up-to-date fable that maybe Kafka would have written if he'd been employed by MGM. The book has a sinister inevitability about it and it's probably as detailed an account of the contemporary Hollywood psyche as we're likely to find in current fiction. Anyone who has some connection to the film industry should get a big, knowing kick from the book and never be able to look at a studio executive in quite the same light again. Michael Tolkin just about convinces us that the devil is alive and well and hanging out at Morton's."--Bret Easton Ellis
"Icy irony and extreme accuracy
From the Back Cover
Product details
- ASIN : B00505UPI2
- Publisher : Grove Press (December 1, 2007)
- Publication date : December 1, 2007
- Language : English
- File size : 3893 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 212 pages
- Best Sellers Rank: #539,928 in Kindle Store (See Top 100 in Kindle Store)
- #636 in Satire
- #1,439 in Satire Fiction
- #4,273 in Contemporary Literary Fiction
- Customer Reviews:
About the authors
Discover more of the author’s books, see similar authors, read author blogs and more
When I was thirteen it was easy to read Tolstoy and Ian Fleming in the same night and not feel that there was anything in conflict. Ray Bradbury autographed my copy of R is For Rocket at a bookstore in Beverly Hills, up the street from the hobby shop where I used to see Rod Serling, and talked to him once. I hope my taste in books is still early adolescent, but I can't read as many pages in a night as I used to.
My novels: The Player, Among The Dead, Under Radar, Return of the Player, NK3.
I wrote the screenplay for the Robert Altman adaptation of The Player and won the Writers Guild Award, Golden Globe, Independent Spirit Award, PEN Award, Academy Award nomination, and the Edgar Allen Poe award, which is a hand painted cheap bust of the master, and I fear for it in an earthquake.
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Griffin Mill is the production head of a major, unnamed Hollywood studio. He's a cool customer with an uncaring way of blowing off screenwriters. That is until one screenwriter decides to even the score by putting Mill on notice. A series of menacing postcards are sent with elliptical warning messages: "Is it me, or is it you?" "I'm waiting for your call." "I'm going to kill you." Mill is under some pressure with a potential rival in his executive wing, and maybe it gets to him. Or maybe he has other issues. In either event, bad stuff starts happening. Maybe Hollywood is just that kind of town.
Coming to the book having seen the famous Robert Altman movie, which most readers today will do, is to be prepared for the story but not its treatment. The movie, while scripted by Tolkin, comes from a different headspace altogether. It's an up-tempo, dark satire on Hollywood as a warped fun factory where a record number of real-life stars appear as themselves. The novel is darkly satiric, too, but not in an amusing way. Instead, it works as a murder mystery with the mystery being whether we want the murderer to get away with it. The question isn't as easy to answer as in the movie.
Tolkin doesn't try to help the reader along. He plays off the novel's fatal moment in an almost casual manner that adds to its sense of unreality, and everything that happens after suggests we are watching a first-hand view of a functional psychopath. His status serves as commentary on how Hollywood operates, and perhaps in a larger way, how the rest of the world operates. Can someone be as casual about taking a human life as about not returning a producer's call, or trying to pick up the victim's wife? In this strange, cold, yet eerily familiar world of Tolkin's, he is.
There's a bit of Kafka and a bit of Camus running through the narrative, along with an immersively detailed understanding of how Hollywood operates, circa the Big '80s. One person ordering salad at an upscale bistro sets himself up to be judged for betraying weakness. It all fits together until we realize the mind we are processing this through is more than a bit askew. In a world where careers are destroyed on a whim, Tolkin seems to ask, how fanciful is it to imagine a real killer operating unfettered, or even with greater-than-normal success?
"The Player" starts out brilliantly, and then winds down in a tedious if purposeful manner. As a suspense story, it lacks for dramatic thrust. The movie certainly had a better ending. But the novel works its own dark magic on us by presenting a kind of evil, sympathetic in its efficient ruthlessness, and refusing to make any narrative judgment that allows us some relief. In Griffin Mill, we encounter another of those classic Hollywood lost souls like Norma Desmond and Baby Jane designed to haunt us long after our time with him is up.
For what it's worth, the most entertaining part of the novel is watching Griffin Mill lie. It's amusing, not laugh out-loud funny. The book becomes tiresome because the writer clearly hasn't thought out the story very well (Tolkin writes screenplays; screenwriters make bad novelists. I wonder how much Robert Altman contributed to his Oscar-nominated screenplay which is nothing like this trash).
If you want a book to make you annoyed, buy this.