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Diving Belles: And Other Stories Kindle Edition
Straying husbands lured into the sea by mermaids can be fetched back, for a fee. Trees can make wishes come true. Houses creak and keep a fretful watch on their inhabitants, straightening shower curtains and worrying about frayed carpets. A mother, who seems alone and lonely, may be rubbing sore muscles or holding the hands of her invisible lover as he touches her neck. Phantom hounds roam the moors and, on a windy beach, a boy and his grandmother beat back despair with an old white door.
In these stories, the line between the real and the imagined is blurred as Lucy Wood takes us to Cornwall’s ancient coast, building on its rich storytelling history and recasting its myths in thoroughly contemporary ways. Calling forth the fantastic and fantastical, she mines these legends for that bit of magic remaining in all our lives—if only we can let ourselves see it.
Editorial Reviews
Review
"Lucy Wood is a sorceress. These stories unfold in a dreamy marine light, one that reveals the miraculous in the everyday. Diving Belles is a perfect name for this debut: It is guaranteed to enrapture a reader, and you'll want to come up slowly from its depths."
—Karen Russell, author of Swamplandia! and St. Lucy’s Home for Girls Raised by Wolves
"What sets British writer Wood apart... is how grounded the magical element is in the reality of her stories... The magic is always embedded, not only in familiar stories from folklore, but in the personal myths of the characters' lives. Thus there is a quiet realism to even the most extraordinary events... This combination of subtle humor and everyday magic makes Diving Belles an engaging collection of contemporary folklore."
—Minneapolis Star Tribune
"How easily Lucy Wood in Diving Belles makes magic. In story after story in her debut collection, a previously inert world becomes animated... If part of the exercise of magic is to remind us of the malleable texture of perception (and to awaken our child-like awe at the world), then the magic in 'Notes from the House Spirits' is a wonderful success. Throughout, Wood sprinkles a measured amount of magic, just enough so the rational self can slip away and let the reader wake up her perception and her childlike astonishment at the world again."
—Rumpus
“Diving Belles is a lovely, absorbing collection of tales, animated by Lucy Wood's remarkable gift for evoking Cornwall as both a physical and mythic place. She is writing out of a rich tradition yet making it utterly her own.”
—Sarah Shun-lien Bynum, author of Ms. Hempel Chronicles and Madeleine Is Sleeping "Each year, book blurbs tell you that a thousand new writers have fresh, distinctive voices. But fresh, distinctive voices are actually very rare. Lucy Wood has one."
—Michel Faber, author of The Crimson Petal and the White "Lucy Wood has an intensity and clarity of expression, deeply rooted in a sense of place. Her stories have a purity and strength, and an underlying human warmth; they resonate in the mind."
—Philip Hensher, author of The Northern Clemency "These stories are brilliantly uncanny: not because of the ghosts and giants and talking birds which haunt their margins, but because of what those unsettling presences mean for the very human characters at their centre ... A startling, and startlingly good, debut."
—Jon McGregor, author of If Nobody Speaks of Remarkable Things "These are stories from the places where magic and reality meet. It is as if the Cornish moors and coasts have whispered secrets into Lucy Wood’s ears and, in response, she has fashioned exquisite tales of mystery and humanity. In her prose, the fabulous moves across the everyday like the surf moving over the shore, shifting it in subtle measures, leaving it altered in its wake."
—Ali Shaw, author of The Girl with Glass Feet "Wood captures something fresh, fantastical and eloquent...These stories express a distinctive voice and a gently beguiling imagination." —Kirkus "Whimsical...Lovers of fairy tales and Celtic lore will take pleasure in immersing themselves in the rich, magical world Wood’s tales inhabit." —Booklist "Aching and mystical...These are distinctively grown-up fairy tales that re-create a sense of wonder and imagination without the moral endings of their childhood counterparts, but, like them, linger in the imagination." —Publishers Weekly “Magical and bewitching tales.”
—Vogue (UK) “Wood’s finely wrought collection has touches of a benign Angela Carter a —
From the Inside Flap
Straying husbands lured into the sea by mermaids can be fetched back, for a fee. Trees can make wishes come true. Houses creak and keep a fretful watch on their inhabitants, straightening shower curtains and worrying about frayed carpets. A mother, who seems alone and lonely, may be rubbing sore muscles or holding the hands of her invisible lover as he touches her neck. Phantom hounds roam the moors and, on a windy beach, a boy and his grandmother beat back despair with an old white door.
In these stories, the line between the real and the imagined is blurred as Lucy Wood takes us to Cornwall s ancient coast, building on its rich storytelling history and recasting its myths in thoroughly contemporary ways. Calling forth the fantastic and fantastical, she mines these legends for that bit of magic remaining in all our lives if only we can let ourselves see it.
"
From the Back Cover
“Lucy Wood is a sorceress. These stories unfold in a dreamy marine light, one that reveals the miraculous in the everyday. Diving Belles is a perfect name for this debut: It is guaranteed to enrapture a reader, and you’ll want to come up slowly from its depths.” —Karen Russell, author of Swamplandia!
“Fresh, distinctive voices are actually very rare. Lucy Wood has one.”—Michel Faber, author of The Crimson Petal and the White
“Diving Belles is a lovely, absorbing collection of tales, animated by Lucy Wood’s remarkable gift for evoking Cornwall as both a physical and mythic place.” —Sarah Shun-lien Bynum, author of Ms. Hempel Chronicles
“These stories are brilliantly uncanny: not because of the ghosts and giants and talking birds which haunt their margins, but because of what those unsettling presences mean for the very human characters at their center. A startling, and startlingly good, debut.” —Jon McGregor, author of If Nobody Speaks of Remarkable Things
“These are stories from the places where magic and reality meet. It is as if the Cornish moors and coasts have whispered secrets into Lucy Wood’s ears and, in response, she has fashioned exquisite tales of mystery and humanity.” —Ali Shaw, author of The Girl with Glass Feet
About the Author
LUCY WOOD grew up in Cornwall and attended Exeter University, where she completed a BA in English Literature and an MA in Creative Writing. She currently lives in Cornwall.
Excerpt. © Reprinted by permission. All rights reserved.
Diving Belles
Iris crossed her brittle ankles and folded her hands in her lap as the diving bell creaked and juddered towards the sea. At first, she could hear Demelza shouting and cursing as she cranked the winch, but as the bell was cantilevered away from the deck her voice was lost in the wind. Cold air rushed through the open bottom of the bell, bringing with it the rusty smell of The Matriarch’s liver-spotted flanks and the brackish damp of seaweed. The bench Iris was sitting on was narrow and every time the diving bell rocked she pressed against the footrest to steady herself. She kept imagining that she was inside a church bell and that she was the clapper about to ring out loudly into the water, announcing something. She fixed her eyes on the small window and didn’t look down. There was no floor beneath her feet, just a wide open gap, and the sea peaked and spat. She lurched downwards slowly, metres away from the side of the trawler, where a layer of barnacles and mussels clung on like the survivors of a shipwreck.
She fretted with her new dress and her borrowed shoes. She tried to smooth her white hair, which turned wiry when it was close to water. The wooden bench was digging into her and the wind was rushing up her legs, snagging at the dress and exposing the map of her veins. She’d forgotten tights; she always wore trousers and knew it was a mistake to wear a dress. She’d let herself get talked into it, but had chosen brown, a small victory. She gathered the skirt up and sat on it. If this was going to be the first time she saw her husband in forty-eight years she didn’t want to draw attention to the state of her legs. ‘You’ve got to be heartbreaking as hell,’ Demelza advised her customers, pointing at them with her cigarette. ‘Because you’ve got a lot of competition down there.’
Salt and spray leapt up to meet the bell as it slapped into the sea. Cold, dark water surged upwards. Iris lifted her feet, waiting for the air pressure in the bell to level off the water underneath the footrest. She didn’t want anything oily or foamy to stain Annie’s shoes. She went through a checklist – Vanish, cream cleaner, a bit of bicarb – something would get it out but it would be a fuss. She pulled her cardigan sleeves down and straightened the life-jacket. Thousands of bubbles forced themselves up the sides of the diving bell, rolling over the window like marbles. She peered out but couldn’t see anything beyond the disturbed water.
As she was lowered further the sea calmed and stilled. Everything was silent. She put her feet back down and looked into the disc of water below them, which was flat and thick and barely rippled. She could be looking at a lino or slate floor rather than a gap that opened into all those airless fathoms. A smudged grey shape floated past. The diving bell jolted and tipped, then righted itself and sank lower through the water.
Iris held her handbag against her chest and tried not to breathe too quickly. She had about two hours’ worth of oxygen but if she panicked or became over-excited she would use it up more quickly. Her fingers laced and unlaced. ‘I don’t want to have to haul you back up here like a limp fish,’ Demelza had told her each time she’d gone down in the bell. ‘Don’t go thinking you’re an expert or anything. One pull on the cord to stop, another to start again. Two tugs for the net and three to come back up. Got it?’ Iris had written the instructions down the first time in her thin, messy writing and put them in her bag along with tissues and mints, just in case. The pull-cord was threaded through a tube that ran alongside the chain attaching the bell to the trawler. Demelza tied her end of it to a cymbal that she’d rigged on to a tripod, so that it crashed loudly whenever someone pulled on it. The other end of the cord drooped down and brushed roughly against the top of Iris’s head.
She couldn’t see much out of the window; it all looked grey and endless, as if she were moving through fog rather than water. The diving bell dropped down slowly, slower, and then stopped moving altogether. The chain slackened and for a second it seemed as though the bell had been cut off and was about to float away. Then the chain straightened out and Iris rocked sideways, caught between the tension above and the bell’s heavy lead rim below. She hung suspended in the mid-depths of the sea. This had happened on her second dive as well. Demelza had suddenly stopped winching, locked the handle and gone to check over her co-ordinates one last time. She wouldn’t allow the diving bell to land even a foot off the target she’d set herself.
The bell swayed. Iris sat very still and tried not to imagine the weight of the water pressing in. She took a couple of rattling breaths. It was like those moments when she woke up in the middle of the night, breathless and alone, reaching across the bed and finding nothing but a heap of night-chilled pillows. She just needed to relax and wait, relax and wait. She took out a mint and crunched down hard, the grainy sugar digging into her back teeth.
After a few moments Demelza started winching again and Iris loosened her shoulders, glad to be on the move. Closer to the seabed, the water seemed to clear. Then, suddenly, there was the shipwreck, looming upwards like an unlit bonfire, all splints and beams and slumped funnels. The rusting mainframe arched and jutted. Collapsed sheets of iron were strewn across the sand. The diving bell moved between girders and cables before stopping just above the engine. The Queen Mary’s sign, corroded and nibbled, gazed up at Iris. Empty cupboards were scattered to her left. The cargo ship had been transporting train carriages and they were lying all over the seabed, marooned and broken, like bodies that had been weighed down with stones and buried at sea. Orange rust bloomed all over them. Green and purple seaweed drifted out through the windows. Red man’s fingers and dead man’s fingers pushed up from the wheel arches.
Demelza thought that this would be a good place to trawl. She’d sent Iris down to the same spot already. ‘Sooner or later,’ she said, ‘they all come back. They stay local, you see. They might go gallivanting off for a while, but they always come back to the same spot. They’re nostalgic bastards, sentimental as hell. That makes them stupid. Not like us though, eh?’ she added, yanking Iris’s life-jacket straps tighter.
A cuckoo wrasse weaved in and out of the ship’s bones. Cuttlefish mooned about like lost old men. Iris spat on her glasses, wiped them on her cardigan, hooked them over her ears, and waited.
Over the years, she had tried to banish as many lonely moments as possible. She kept busy. She took as many shifts as she could at the hotel, and then when that stopped she became addicted to car boot sales – travelling round to different ones at the weekends, sifting through chipped plates and dolls and candelabra, never buying anything, just sifting through. She joined a pen pal company and started writing to a man in Orkney; she liked hearing about the sudden weather and the seals hauled out on the beach, his bus and his paintings. ‘I am fine as always,’ she would write, but stopped when he began to send dark, tormented paintings, faces almost hidden under black and red.
She knew how to keep busy most of the day and, over time, her body learned to shut down and nap during the blank gap straight after lunch. It worked almost every time, although once, unable to sleep and sick of the quiet humming of the freezer – worse than silence she often thought – she turned it off and let the food melt and drip on the floor. Later, regretting the waste, she’d spent hours cooking, turning it into pies and casseroles and refreezing it for another day.
She ate in front of films she borrowed from the library. She watched anything she could get her hands on. It was when the final credits rolled, though, when the music had stopped and the tape rewound, that her mind became treacherous and leapt towards the things she tried not to think about during the day. That was when she lay back in the chair – kicking and jolting between wakefulness and sleep as if she were thrashing about in shallow water – and let her husband swim back into the house.
Then, she relived the morning when she had woken to the smell of salt and damp and found a tiny fish in its death throes on the pillow next to her. There was only a lukewarm indent in the mattress where her husband should have been. She swung her legs out of bed and followed a trail of sand down the stairs, through the kitchen and towards the door. Her heart thumped in the soles of her bare feet. The door was open. Two green crabs high-stepped across the slates. Bladderwrack festooned the kitchen, and here and there, on the fridge, on the kettle, anemones bloomed, fat and dark as hearts. It took her all day to scrub and bleach and mop the house back into shape. By the time she’d finished he could have been anywhere. She didn’t phone the police; no one ever phoned the police. No one was reported missing.
Despite the bleach, the smell lingered in cupboards and corners. Every so often, an anemone would appear overnight; she would find a translucent shrimp darting around inside an empty milk bottle. Sometimes, all the water in the house turned into brine and she lugged huge bottles of water home from the supermarket. The silence waxed and waned. Life bedded itself down again like a hermit crab in a bigger, emptier shell.
Product details
- ASIN : B005LVR6GY
- Publisher : Mariner Books; 1st edition (August 7, 2012)
- Publication date : August 7, 2012
- Language : English
- File size : 2.8 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 242 pages
- Best Sellers Rank: #1,920,621 in Kindle Store (See Top 100 in Kindle Store)
- #3,090 in Literary Short Stories
- #9,311 in Mythology & Folk Tales (Kindle Store)
- #13,170 in Fairy Tale Fantasy (Kindle Store)
- Customer Reviews:
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- Reviewed in the United States on August 29, 2019These stories are strange and wonderful. I bought them for Kindle and then came back and purchased the softcover edition, something I seldom ever do. It's a new favorite for me.
- Reviewed in the United States on July 11, 2013This is a collection of short stories, all based around the area of Cornwall. Most have a touch of the fantastical/magical, ranging from a woman using a diving bell to search for her husband who has turned into a sea creature (the title story), to house spirits commenting on the people who come and go in their lives, to a storyteller who is losing his memory. One of the stories tells of a woman who begins to have the signs that she will turn into a stone as part of a circle, and frets about being in the right place at the right time while she deals with some of the mundane details of her life. One of my favorite stories tells of a woman working in an elderly care home for magic practitioners which combines the poignancy of end of life issues with added dangers of wayward magic. The author does a nice job of incorporating elements of Cornish folklore into each tale.
- Reviewed in the United States on August 14, 2014Beautiful tales that put you in a dreamy mood. I love how the author has reinvented and woven ancient folklore into modern tales. But everything is ephemeral and open to interpretation and wonder. These stories stick with you.
- Reviewed in the United States on September 4, 2012"Diving Belles" is another one of those short story collections that is so neatly produced it's hard to find any technical faults. Like many young writers, Lucy Wood writes well - she would have to, in order to get published in today's industry. Even more so in order to receive hype. But luckily, "Diving Belles" has received this treatment, and Wood's collection of strange fantasy fiction stories have made it to a wider audience. And deservedly so.
To begin with, it's important to note the marketing of this nice book. "Diving Belles" is being published as fiction - fantastical fiction, yes, but as straight-up fiction nonetheless. This is inaccurate. Almost every story in "Diving Belles" has elements of fantasy, and those that do not are steeped in local mythology, fantastic notions and sheer atmosphere. None of the stories in this collection escape Wood's delightful fantasy mood, which makes its way into even the "fiction" stories. This isn't genre bending. "Diving Belles" is almost entirely pure fantasy, and it shines in that regard. This is a subtle type of fantasy. Wood creates scenarios and situations that feel entirely believable and natural, despite whatever magical and fantastical circumstances surround them.
Wood's writing is certainly one of the book's stronger points, though I would also offer a few words of caution. Though she plays with different styles in different stories and has a wonderful way with mood, Wood's clean writing style does not differ markedly from the vast majority of young writers. The language here - though lovely - will not be particularly fresh or innovative. The style - though pleasant - is not entirely unique.
Like most short story collections, "Diving Belles" has its stronger and weaker stories as well. "Beachcombing" and "Notes from the House Spirits" were, in my opinion, the strongest stories of the bunch - each story has its own personality and style, are original and unique, and create a great atmosphere. Overall, though, the collection splits around halfway. Several stories have a great setting and concept, but fail to live up to potential. Others are interesting, well-written and pleasant, though lacking a spark that makes them stand out or particularly memorable.
All in all, "Diving Belles" is best recommended to readers who like a dash of fantasy in their fiction, though I am certain other readers will be able to enjoy this collection as well. Wood's subtle approach to all things magical is quietly endearing, as is her clear writing style and the wonderful moods cast by the stories. Though the collection is not without faults, it is a pleasant and easily recommendable choice for readers looking for something a bit different.
Stand-out stories: "Beachcombing", "Notes from the House Spirits"
- Reviewed in the United States on March 4, 2014The classical way to write a story is beginning , middle and end. These sketches, by and large, don't. They are more atmospheric and dreamlike, and ... though poetic... are unsatisfying.
- Reviewed in the United States on February 28, 2013This is one of the strangest books...I tried several times to pick it up and get into it but always to no avail. It was very frustrating to try to figure out what the author was talking about. I really did hate it. Being of English heritage, it was all the more disappointing.
- Reviewed in the United States on June 5, 2018prompt service really enjoying the stories. They are short interesting stories that are just so pleasant.