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The Strange Fate of Kitty Easton (Laurence Bartram Mysteries Book 2) Kindle Edition
“Combines a Ruth Rendell–like psychological realism, an Agatha Christie–like plot and a Dickensian feel for life’s roulette . . . Pulse-pounding” (The Wall Street Journal).
When Great War veteran Laurence Bartram arrives in Easton Deadall, he is struck by the beauty of the crumbling manor, the venerable church, and the memorial to the village’s soldiers. But despite this idyllic setting, Easton Deadall remains haunted by tragedy. In 1911, five-year-old Kitty Easton disappeared from her bed and has not been seen since.
While Laurence is visiting, a young maid vanishes in a sinister echo of Kitty’s disappearance. And when a body is discovered in the manor’s ancient church, Laurence is drawn into the grounds’ forgotten places, where deadly secrets lie in wait.
“Speller’s follow-up to her acclaimed debut, The Return of Captain John Emmett, is a well-crafted mystery with intriguing historical details and measured pacing that creates suspense. Fans of Jacqueline Winspear’s Maisie Dobbs series and readers who enjoy well-drawn characters in historicals will add this to their wish list.” —Library Journal
“Leisurely and absorbing . . . a series to be savoured.” —The Guardian
- LanguageEnglish
- PublisherMariner Books
- Publication dateJune 26, 2012
- File size4.8 MB
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Editorial Reviews
Review
Laurence Bartram, a veteran of the Great War, is called by an old army comrade, William Bolitho, to Easton Deadall, a small manor house in the west of England, to help out with architectural work. Bolitho will be installing a memorial window in the manor’s church in honor of the men the Easton family and its village sacrificed in World War I. Lydia, the widowed lady of the manor, is still haunted by the disappearance of her five-year-old daughter, Kitty, 13 years earlier. As Laurence unravels the mysteries of the ancient church, he also learns more about the greater mysteries that surround the village and the Easton family’s dark secrets. VERDICT Speller’s follow-up to her acclaimed debut, The Return of Captain John Emmett, is a well-crafted mystery with intriguing historical details and measured pacing that creates suspense. Fans of Jacqueline Winspear’s Maisie Dobbs series and readers who enjoy well-drawn characters in historicals will add this to their wish list.--Library Journal
"Ms. Speller's considerable gifts as a social historian are on fine display...The Strange Fate of Kitty Easton is as much a literary novel as it is a thriller...Ms. Speller combines a Ruth Rendell-like psychological realism, an Agatha Christie-like plot and a Dickensian feel for life's roulette to create a complex and multi-faceted story that is as thought-provoking as it is pulse-pounding."--Wall Street JournalFrom the Inside Flap
When Laurence Bartram, a veteran of the Great War, arrives in Easton Deadall, he is struck by the beauty of the place: a crumbling manor, a venerable church, and a memorial to the village s soldiers, almost all of whom died in one bloody battle.
Now peace prevails, and the rest of England is newly alight with hope, but Easton Deadall remains haunted by tragedy as does the Easton family. In 1911, five-year-old Kitty disappeared from her bed and has not been seen in thirteen years; only her fragile mother believes she is still alive. While Laurence is a guest of the manor, a young maid vanishes, in a sinister echo of Kitty s disappearance. And when a body is discovered in the manor s ancient church, Laurence is drawn into the grounds foreign places, where deadly secrets lie in wait.
A gorgeous restoration of the manor-house mystery, The Strange Fate of Kitty Easton is sure to entrance literary, historical, and crime fiction readers.
From the Back Cover
Speller s navigation of trauma of old soldiers, of a community, of a shaken social class is outstanding. Financial Times
Speller s follow-up to her acclaimed debut, The Return of Captain John Emmett, is a well-crafted mystery with intriguing historical details and measured pacing that creates suspense. Fans of Jacqueline Winspear s Maisie Dobbs series and readers who enjoy well-drawn characters in historicals will add this to their wish list. Library Journal
Restrained and marvelous, The Return of Captain John Emmett is full of jolting revelations and quiet insights and one last, subtle act of charity that echoes louder and longer than any gunshot. Wall Street Journal
Speller brings a historian s skills to her intriguing, old-fashioned mystery wrapped in a wartime enigma. This whopping whodunit, which also manages to create a poignant portrait of soldiers lives in the aftermath of World War I, presents a devastated, grayed-down England suffering under the profound loss that overwhelms survivors. Boston Globe
About the Author
ELIZABETH SPELLER studied Classics at Cambridge. She has written for various publications, and has taught at the universities of Cambridge, Birmingham, and Bristol. She divides her life between Gloucestershire and Greece.
Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER ONE
Laurence Bartram was waiting for a late connection at Swindon station. It was a bright April day and he had been glad to leave London: a city teeming with the crowds drawn in by Empire Exhibition fever. Now, as he looked beyond the water tower towards the vast marshalling yards and busy workshops of the Great Western Railway, the metallic clangour, the smell of oil and coal, and the distant shouted exchanges of railwaymen filled the air. There was order in the rows of trains in their cream and brown livery and then the tidy terraces of railway cottages, but behind them the sweep of the hills to the southwest rose, bigger than all of it.
Once settled on the train, Laurence felt in his pocket for the three letters he had brought with him, all of which he needed to respond to. It was the one from William Bolitho, an architect, asking him to look at Easton Deadall church that had intrigued him and brought him on this journey. Alongside the church, Lydia Easton, who had the small estate of Easton Hall, hoped to create a maze to remember the many men from the village who had died during the war. It was an odd sort of memorial Laurence had thought, re-reading William’s letter. But Mrs Easton was also improving the estate workers’ cottages. William had been sanguine; he wrote that the job was basically roofing, painting and installing water closets. But planning the geometry of a maze had evidently been some compensation for the more mundane improvements and recently Mrs Easton had raised the possibility of a new window in the church to commemorate her late husband. ‘I’ve sketched ideas – found a London man to do the practical stuff – but I’d really appreciate it if you could come and take a look at the church itself,’ William had written. ‘The building has charm. But it’s an odd sort of a place, clumsily restored last century but recently one of the workmen was scraping off some decaying floor covering, when he started to expose quite an elaborate geometric design beneath. I sense it’s very old and don’t want to damage it with our rather basic skills. Do come and share your expertise.’
Laurence pulled out his watch as the small branch line train finally approached Marlborough. It was twenty-five minutes late. As the engine slowed, Laurence’s eyes fixed on a single woman who waited on the platform with a boy beside her. Eleanor Bolitho was hatless and coatless. Since he’d last seen her her long red hair had been cut into a thick bob. Her son, Nicholas, was pulling her towards the engine, but Eleanor’s eyes were passing up and down the carriages, her hand shading her eyes from the spring sunlight.
Three or four other people got off the train and an elderly porter moved purposefully towards him. Laurence handed over his suitcase just as Eleanor saw him and waved heartily, pointing him out to her son. She reached Laurence and flung her arms around his neck, almost knocking his hat off.
‘William will be so pleased you’ve come,’ she said. ‘What a stroke of luck you have so many breaks and that you know everything there is to know about churches.’ She made it sound as if his being a schoolmaster had been an intermittent pastime, but her enthusiasm was flattering.
‘Laurence is a teacher,’ she said to Nicholas, ‘so I expect he’ll want to practise on you and will be very strict.’
The boy, slim and dark, looked up at Laurence and smiled tentatively.
‘David – he works on the estate – has driven us over,’ Eleanor said. ‘As the train was late he’s gone off to deliver something for Lydia but he’ll be back any minute. I’ll tell you all about the place, on the way, but I know you are going to like Easton. Later you can start to think about the church – William thinks it’s jolly old. Don’t let him make you do it today. He tends to sweep everybody up into his enthusiasms. See, even I’m doing it.’
‘I hope I can be as useful as he thinks.’
Laurence was very keen to see the church for himself. He didn’t know the village and the church was not in any books, perhaps because it had been deconsecrated for many decades before Mrs Easton’s dead parents-in-law had petitioned their bishop to bring it back into use. According to William Bolitho’s letter, there were rarely any services now.
‘How’s Mary?’ Eleanor asked, with what she probably thought was nonchalance.
‘Committed,’ he said, wryly, thinking of one of the other letters he had with him. ‘Tell me what lies ahead,’ he said, changing the subject.
‘Well, I can’t tell you what a blessing it’s been, Frances and her sister inviting us here,’ Eleanor said. ‘You’ll like Frances – she’s clever and straightforward – but she’s a bit stuck at Easton Hall, I think. She ought to be making her own life not hanging around like a Victorian spinster on the edge of somebody else’s, but . . .’ She shrugged.
‘And her sister, Mrs Easton?’
‘Lydia.’ Eleanor sighed and then spoke in such a low voice that he could hardly hear her at first, but he realised it was Nicholas she was trying to protect although the small boy had moved away to watch house martins feeding their chicks in a nest under the platform roof. ‘She’s lovely. Gentle, kind, frail. Seems . . . a bit detached at times, not in a cold way, but just not part of us all, increasingly so in the last few weeks. She’s not forty yet but she’s slightly rheumatic and with her poor health and of course her beastly, tragic life, she looks older, poor woman.’ She stopped as if expecting an immediate response. ‘You remember the Easton case of course?’
He didn’t.
‘Lydia’s quite a bit older than Frances – they’re only half-sisters. They were both born in America, not that you can tell – they’ve been in England most of their lives. She must have married Digby Easton twenty years or so ago. They had just one child: Katherine – Kitty. Before the war, when Kitty was five, she disappeared.’
She shook her head. There was a sudden exhalation of steam and the train started to pull out. Nicholas was jumping with excitement. Eleanor turned and smiled as she watched him but then her face changed. ‘It’s unimaginable, losing your only child and never having any idea of what happened to them.’
As the train disappeared, the stationmaster let Nicholas wave the flag. Eleanor’s eyes never left him.
‘But that’s how it was,’ Eleanor said, turning back again. ‘They left her in bed, asleep, and in the morning she was gone.’
‘Good God,’ Laurence said, the whole overwhelming story taking time to sink in. ‘William said they’d lost a child, but I’d assumed there’d been some illness. I can just remember the case now I think. I suppose I was at Oxford.’
‘Poor Lydia,’ Eleanor said, standing up. ‘She never saw Kitty again, never had another child and then war came and in 1917 Digby was killed.’ Eleanor stopped, as if still shocked by the enormity of Lydia’s loss. ‘Did William mentioned the memorial maze? Most of the men in the village were lost in France as well,’ she continued eventually. ‘The usual stupid thing: they all joined together. Solidarity. Brotherhood.’ Her voice was simultaneously scornful and perplexed.
‘Many of them were probably in reserved jobs, too,’ Laurence said, following her down the platform. ‘Farmworkers and so on. Though indoor servants and keepers – I suppose they had to go.’ But most of them were also probably bored with their small lives, he thought. It had all seemed such an adventure at first.
Eleanor reached Nicholas and took his hand. ‘Digby was company commander, I think. Julian in effect was his number two. As in life, so in death. The youngest brother – Patrick – has had a minor problem with his heart since childhood and despite his efforts was passed unfit for active service, I gather. The Easton men went to war together and died together.’
‘But Julian Easton came back?’
‘Frances says much changed. And I think they’re struggling to work the estate. Easton Deadall is a village of widows, children and old men. They only really have David – he’s our driver today – to lend a pair of strong hands around the house and gardens.’
‘He survived too?’
‘Well, yes, obviously.’ She gave him an amused look. ‘Local, but not one of the Easton boys. He was a sapper, I think. Apparently he saved Julian’s life under fire. Of course neither man talks about back then.’ She glanced at him. ‘Rather like you.’ But she patted his arm affectionately. ‘The only other survivor was a chap called Victor Kilminster who couldn’t face returning and ran off to New South Wales. Julian helped him resettle, I think. But I heard he’s due to come back soon. Julian’s rather grumpy about it.’
But Laurence was scarcely concentrating as his mind returned to Kitty Easton and he slowly recalled more of the story of the disappearance. It had been front-page news for a while but then international tensions had consigned the Easton child to history everywhere but Easton Deadall.
‘And the little girl – they didn’t think she could have gone off by herself ?’ he said, very quietly. ‘Five isn’t that young.’
‘Possible I suppose.’ She let her son go ahead. ‘But she was in an upstairs room in the middle of a corridor. Her nanny slept in the next bedroom. The house was locked up and Kitty was frightened of the dark apparently.’ She bit her lip. ‘So, possible, but unlikely. And they searched everywhere. How far could a five-year-old have got in the middle of the night?’
While Laurence was serving in France he had lost his wife in childbirth and the baby had died with her. For the last months of the war he had not cared whether he lived or died; he was probably a liability to others, but the cynic in him believed his survival was certain once life had no value for him. But to lose a living child and never know what had happened to her was, as Eleanor said, hard even to think about.
Product details
- ASIN : B005LVR722
- Publisher : Mariner Books; Reprint edition (June 26, 2012)
- Publication date : June 26, 2012
- Language : English
- File size : 4.8 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 421 pages
- Best Sellers Rank: #366,829 in Kindle Store (See Top 100 in Kindle Store)
- #1,723 in Historical Mystery, Thriller & Suspense Fiction
- #2,319 in Historical Literary Fiction
- #3,148 in Historical Mysteries (Kindle Store)
- Customer Reviews:
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Customers find the book clever and appreciate its historical detail, with one review noting it's a deeply researched novel of England. The writing quality and plot receive mixed reactions, with some customers enjoying the story while others find it boring.
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Customers appreciate the historical detail in the book, with one review noting its deep research and descriptive portrayal of time and place, while another mentions its engaging love stories about the world wars.
"...Speller weaves mystery and history, so that the reader not only gets a good story but also insight into the effects of the first world war, the 1924..." Read more
"A deeply researched novel of England with an interesting and flawed main character makes engrossing reading. My only criticism was too many stories...." Read more
"Lots of subjects are covered in this mystery :Religion, Paganism, English history, architecture, new inventions.: The most interesting to me..." Read more
"...it a very good book, possibly longer than necessary but very descriptive of time and place. It had a very satisfactory ending." Read more
Customers find the book clever, with one customer noting it's an intelligent improvement upon the genre.
"...English-house-in-the-countryside murder mystery and an intelligent improvement upon the genre...." Read more
"A deeply researched novel of England with an interesting and flawed main character makes engrossing reading. My only criticism was too many stories...." Read more
"...Elizabeth Speller is a new author to me, and she is literate, observant, and clever. The historical detail is very interesting...." Read more
"...puzzles,patients,frustration, history, church, faith, honor, intelligent, innocent,insanity, kindness,clever, killing, fabulous read!!" Read more
Customers have mixed opinions about the plot of the book, with some enjoying the story while others find it boring.
"...of Captain John Emmett," and it both a classic English-house-in-the-countryside murder mystery and an intelligent improvement upon the genre...." Read more
"This book is compelling and very engaging. The author writes very well, and this mystery is several levels above what is termed a "cozy."..." Read more
"I have thoroughly enjoyed both Laurence Bertram mysteries and I really wish there were more...." Read more
"...My only criticism was too many stories. I think there could have fewer chapters but I certainly enjoyed the book as a whole...." Read more
Customers have mixed opinions about the writing quality of the book, with some finding it well-written while others disagree.
"This book is compelling and very engaging. The author writes very well, and this mystery is several levels above what is termed a "cozy."..." Read more
"...Beautiful writing, I felt like I was there, even as much to feel Laurence's PTSD when he becomes trapped. Loved this book!" Read more
"...It isn't well written, the characters are confusing and poorly developed. It is supposed to be a mystery, but it doesn't work that way...." Read more
"...characters reflecting the attitudes in the early 1920s is wonderfully done." Read more
Top reviews from the United States
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- Reviewed in the United States on December 31, 2014It is 1924. Laurence Bartram, a specialist in church history and architecture, is asked by an architect friend to come to Easton Hall in the English countryside, to help determine the background and antiquity of an old church on the manor property and help restore it. A window is to be placed in the church, a memorial to those from the area who died in the Great War. And a memorial maze is being designed and planted near the church.
The war’s effects are everywhere in the manor and village. Regiments during the war were often based on location, which meant not only battlefield casualties but devastating effects on villages, towns and counties. The regiment from the village of Easton Deadall was nearly wiped out, and a generation of men lost. The war’s effects remain for those who survived the war as well. Bartram’s architect friend William Bolitho is permanently wheelchair-bound; Bartram himself suffers from lingering effects of the battlefield. Bartram also lost his wife and son in childbirth, a loss compounded by the guilt of knowing he did not love his wife.
Arriving at the hall, he finds an Easton family consumed by tensions, the effects of the war, and the disappearance of five-year-old Kitty Easton in 1911. The child, or her body, have never been found, and yet the mystery of her disappearance continues to almost define the family.
Bartram focuses on the restoration work at the church, which dates back to Saxon times. He takes time out to join the family and a few servants at the 1924 British Empire Exhibition at Wembley in south London. A teenager who works at the hall disappears at the exhibition. The trusted chauffeur acts out-of-character. Once the group is back at Easton and work resumes on the church, Bartram finds a body of a woman in the church crypt – a body of someone recently dead. The investigation begins to lead inevitably to what happened to the missing child so long ago.
"The Strange Fate of Kitty Easton" is Elizabeth Speller’s second Laurance Bartram mystery, following "The Return of Captain John Emmett," and it both a classic English-house-in-the-countryside murder mystery and an intelligent improvement upon the genre. Speller weaves mystery and history, so that the reader not only gets a good story but also insight into the effects of the first world war, the 1924 exhibition (a celebration of a British Empire that was already beginning to ebb), and even church history and architecture. Add tortured personal relationships, and people haunted by their individual and collective pasts, and the result is one excellent and absorbing read.
- Reviewed in the United States on December 17, 2022A deeply researched novel of England with an interesting and flawed main character makes engrossing reading. My only criticism was too many stories. I think there could have fewer chapters but I certainly enjoyed the book as a whole. Just prepare yourself to a commitment over time.
- Reviewed in the United States on November 16, 2024Excellent gripping story with a hero you really want to see succeed. I love these WW1 era mystery stories.
- Reviewed in the United States on May 29, 2012This sequel to the wonderful The Return of Captain John Emmett has the hallmarks of the first mystery: well-drawn characters, leisurely pace, an old mystery linked to a new mystery. And tying them together is Laurence Bartram, enough detached to see through obfuscations, enough engaged to want to find out the truth.
It's only a few years after the end of WWI. As in the first mystery, the Great War is almost a character in the novel. Laurence is invited down to Easton Deadall by William and Eleanor Bolitho. William is an architect working on the restoration of a chapel for Lydia Easton, a widow and owner of Easton Hall. Laurence has published a book on the churches of London, and William wants his expertise in examining the old chapel.
At Easton Hall, Laurence meets Francis, Lydia's half-sister, and Julian and Patrick, Lydia's brothers-in-law, who hardly communicate.
There are two very important characters who are not present. Digby Easton, Lydia's dead husband, who's gradually revealed throughout the story. And Kitty Easton, Lydia and Digby's five-year old daughter, who disappeared from the Hall ten years before.
There is evocative writing, such as when Patrick describes what he saw driving up to the Hall, returning after the war, to find that the war's privations took an awful toll: "A woman in black trudging up the lane. David slowed to pass her. She looked like a witch, with her arms wrapped around herself and bent over in the cold, but when she raised her head she was young under her shawl and must have been beautiful. Perhaps I'd known her once - I used to know everyone in Easton - but she just stared at me. I'd left the Hall and Digby and the village, all unchanged and prospering, and I'd come back to a landstape of death. Even the drive was overgrown. Dead trees, branches we had to swerve around. When I got out, blackened weeds crunched underfoot."
Laurence has his own unhappy memories. He's considering taking a post as a tutor in Italy, for an Italian diplomat: "On some days, the war and the life he had led before it seemed very far away; at other times dreams woke him, or the sudden intrusion of memories he hoped had gone forever stopped him in his tracks. In France he had promised himself that, in the unlikely event of his returning safe home, he would never leave his country again. However, in the last few days at Easton he'd occastionally felt that the post offered exciting possiblities and that, having lost every element of his former life so utterly, just following its almost vanished trails was more dispiriting than making a new start."
This is recommended reading. If possible, you might want to read "The Return of Captain Emmett" first, as you're watching the evolution of Laurence Bartram, and the first book is even better in construction and storyline.
I am reviewing from the Advance Reading Copy - Uncorrected Proof.
Happy Reader
- Reviewed in the United States on January 11, 2025This book is compelling and very engaging. The author writes very well, and this mystery is several levels above what is termed a "cozy." In addition, I came into this series not having read the first book, and it wasn't all that difficult to pick up the story, thanks to how the author circled back to details in the protagonist's prior life.
But now I'm not sure if I'm going to go back and read volume 1. Here's why:
I don't like reading books with graphic sex scenes, and I know I'm not alone in that. I felt a little like I'd been ambushed to find that, quite suddenly, in the last 1/4 of the book, there are two graphic sex scenes (after what had been a relatively clean read). Yes, both of the situations needed to be addressed in order to move the story forward, but that could have easily been done without turning the book into what is basically erotica at the last.
It's a shame, because the author's knowledge of the time period is top-notch, and she's a very, very good story teller.
If graphic descriptions of sex don't bother you, you'll likely enjoy this well-written book. But to me, it spoils what would have otherwise been a quite elegant read.
Top reviews from other countries
- mary doyleReviewed in the United Kingdom on December 15, 2018
4.0 out of 5 stars That I can rely on good selection and fast delivery
Good read
- CelticReviewed in Canada on January 23, 2017
5.0 out of 5 stars Five Stars
Love this author
-
œReviewed in Germany on December 5, 2014
5.0 out of 5 stars Gefällt mir noch besser als der erste Teil der Serie.
„Do come and share your expertise.“ Der Weltkriegsveteran, Hobbydetektiv und Kirchenexperte Laurence Bartram erhält von dem Architekten William Bolitho, den er im ersten Teil der Serie (The return of Captain John Emmett) kennengelernt hatte, eine Einladung diesen auf seinem gegenwärtigen Arbeitsplatz zu besuchen. Die Renovierung von Arbeiterwohnungen, der Bau eines Labyrinths, Arbeiten in einer alten Kirche. Bolitho erhofft sich Unterstützung von Bartram. Vor Ort stellt sich heraus, dass nicht nur der Kirchenexperte gefragt ist. Eine ganze Reihe von Vorgängen wartet darauf geklärt zu werden. Da wäre zum einen das Schicksal der Erbin des Easton-Hall-Anwesens. Kitty Easton wurde im Alter von fünf Jahren entführt. Oder steckte doch etwas anderes dahinter? Des Weiteren verschwindet während des Aufenthaltes von Laurence Bartram ein Mädchen (oder soll ich sagen, eine junge Frau?) und eine Tote wird in einem verborgenen Raum unterhalb der Kirche entdeckt. Jede Menge Rätsel …
„A labyrinth isn't meant as a puzzle: it's a journey, a conduit. You enter it and you move along to its end. Perhaps the idea was to slow the walker down, to allow spiritual reflection, but the outcome is in no doubt.“ (39)
Im Mittelpunkt der Geschichte stehen die Bewohner von Easton Hall und natürlich Laurence Bartram selber. Die Aufklärung der drei „Verbrechen“ ist am Ende gar nicht so spektakulär. Wichtiger ist der Weg, den Laurence Bartram bis dahin zurücklegen muss. Von besonderer Bedeutung ist dabei das Beziehungsgeflecht und die Familiengeheimnisse, die nach und nach zutage treten.
„Lamb of God who taketh away the sins of the world, have mercy upon us.“ (376)
Der im Krieg gefallene Hausherr und Vater von Kitty. Ein Mann mit Stimmungsschwankungen und herrischem Wesen, der nicht nur seine angetraute Ehefrau tyrannisiert hat. Ein zwielichtiger Chauffeur mit Verbindungen zum Rotlichtmilieu. Ein anderer Mitarbeiter, der etwas in seiner Vergangenheit verheimlicht hat. Und und und … immerhin ist der Ausklang der Geschichte hoffnungsvoll.
Mein Fazit:
Elizabeth Speller hat mich einmal mehr mit ihren stimmungsvollen Beschreibungen und ausgefeilten Charakterisierungen überzeugt. Kein actionslastiger Thriller, sondern eine ruhige Erzählung. Nur in einem Fall wird es etwas gruselig. Hat mir sehr gut gefallen. Hoffentlich gibt es eine Fortsetzung. Ich würde sehr gerne mehr von Laurence Bartrams Erlebnissen lesen.
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SolsticeReviewed in France on April 27, 2015
5.0 out of 5 stars Elisabeth Speller
J'avais beaucoup aimé "Le Retour du capitaine Emmett", ce roman où l'on retrouve les principaux et attachants protagonistes ne m'a pas déçu, bien au contraire. Ambigüités, malentendus, non-dits et une fin ouverte : que fera le narrateur de ce qu'il sait du destin de Kitty Easton?
- cronemagicReviewed in Canada on November 26, 2013
4.0 out of 5 stars A Slow Build-up But a Satisfying Resolution
Having thoroughly enjoyed her first book---if one can say that about a book with a horrendous event at its center---I sent for this book. It has the same great ability to immediately snag one's attention, even though one is simply meeting the eccentric characters that her earlier book had: in this case, the satisfying 'a sensitive, ordinary person is invited to an isolated castle/estate and slowly learns of its twisted, dark secrets of so many classic gothic novels. In this case, however, the answers take a long time to unravel, and I found myself impatient frequently, especially as our hero and the family members set out for yet another hike around the neighboring area. However, if you hang in there, the rewarding revelation of the secrets is worth the wait.