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Lancelot Du Lethe (Mad Merlin) Kindle Edition
The Arthurian epic that began in Mad Merlin continues in Lancelot du Lethe, the story of the greatest knight, paramour, and traitor the Round Table has ever known.
The story of Lancelot is one of striving for perfection only to fall short due to the sins of the flesh. But in Lancelot du Lethe the knight is only partially of the mortal realm. He and Guinevere share a mystical bond of which Arthur cannot be a part, for they are both of the bloodline of the fey, immortally destined to be betrothed. This ensuing war of loyalties and love threatens the uneasy peace not just mortal realm but of the entire netherworld of the multipantheons of gods as well.
Drawing from Joseph Campbell, and from sources both historical and literary, this is a new take on the story of Camelot's most famous knight, told as only the author of Mad Merlin can.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Books
- Publication dateFebruary 17, 2003
- File size1.7 MB
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Editorial Reviews
From Publishers Weekly
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Copyright 2001 Reed Business Information, Inc.
Review
"Sir Thomas Mallory meets Marion Zimmer Bradley head on ... flashes of brilliance" --Publishers Weekly
"King's talent for vivid descriptions and deft characterization makes this saga of the legendary knight and his ill-fated love affair seem new." - Library Journal
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1Between Fire and Water
It wasn't a blessing, but a curse,"King Ban told himself. He chewed the syllables angrily."Those things he said over my son--they were a curse."Ban stood in the solarium of Benwick Castle. Rare glass windows gave him a view west and east. To the west, the Atlantic Sea boiled beneath a fiery sunset. To the east, the city of Benwick burned beneath an invasion.Claudas's soldiers swarmed the hills. They bore torches in their midst--torches for homes and swords for their owners. A thousand fires already beamed upon the hillside. A thousand hovels flamed. Smaller fires rose in flocks upon the wind. Shafts arced over the sparsely guarded wall and brought pitch-soaked points to the thatch below. As rapidly as Claudas's armies marched upon Benwick, the citizenry fled. Caught between fire and water, they crowded the docks and climbed on anything that floated."My best legion--off in Britannia," King Ban mused. "Bors's best legion--off in Britannia. Merlin has robbed us of our defenders. He wins, and we lose.""What, dear?" asked Elaine. Tall and lithe, the queen had arrived silently. She held the infant Lancelot to her breast. "What did you say about Merlin?"King Ban lowered his eyes. They reflected his burning city. "We must begin to think of alternatives, my dear.""Alternatives?" she asked. Instinctually she gripped Lancelot closer. "Alternatives to what?"To staying here and dying, he wanted to say, but Ban was not a cruel man. He turned toward his wife, strode to her, and wrapped her and the child in an embrace. "Lancelot has a future, a bright future, and that's what I am thinking of. Before Lancelot, I would have remained. I would have faced down Claudas myself, on this very spot. Now that I have a son, though, an heir, it would be foolish to stand against overwhelming forces--" He stopped himself too late. Pulling back from the embrace, he divined her eyes.Question had turned to desperation. "Just an hour ago, you said the city watch could stem this tide. You said the second legion outnumbered all the warriors of Claudas.""Words spoken in haste, to soothe, to dismiss needless worry," Ban explained uncomfortably. "Now worry is needful. It's not for me, or even for you, my dear. It's for Lancelot."She drew a deep breath. Lancelot cried fitfully. Elaine was slender and sweet, but also strong. Even as she stared into the face of her child, her back straightened. Something hard entered her features. "What must we do?"King Ban reached out to her. "Come with me. It's a small thing, easily done." He grasped her elbow and guided her toward the door. "Down we go, my sweet, down to the kitchens." The door swung onto a spiral stair in polished stone. Bronze lamps and olive oil filled the descent with fragrant light. KingBan coaxed his wife down the passage. "The peasants flee the city, rats from a sinking ship. They know what befalls. Claudas lets them run, for peasants always return. One master is the same as any other. It's the nobility he is after--us, and our son--""Please, Ban," Elaine protested mildly."Claudas will reach the castle. That much is sure. Perhaps within the hour, he will stride these very steps. If we remain, we are doomed. If we flee as king and queen and prince, we are worse still, for our own folk might slay us. But if we become something less ..." the sentence broke off midthought as the royal family shoved their way through a servant's door into the kitchen.It was a low place. Massive beams brushed Ban's head. Wide fireplaces yawned their black throats. The remains of one beast still hung spitted above smoldering logs. Ironwork pots boiled over or burned their contents to acrid cinders. Most telling of all, the silver set and the knives had all gone missing.Elaine surveyed the abandoned scene. Her lip stiffened. She clutched the sleeping baby with a kind of ferocity. "I will become like them to save this babe. I will become something less, anything I must become."Ban only nodded. He gestured her toward the cellar stairs. Dark, rail-less, and patched in moss, they were altogether different from the stairs in the royal apartments. "It is not so horrible a thing, to become a peasant. They are freer than any noble. Yes, they are owned. Yes, they must serve as they are told, but who seeks to kill a peasant? No one. Who seeks to kill a king, a queen, a prince? Everyone."Cautiously descending, Ban pushed back the cellar door. It grated open, and a cool rush of wet air emerged. Beyond thedoor stood cask upon cask of ale. Past the barrels and crates were pegs where peasants left their own shabby garb to don the livery of Benwick."You see me?" Ban asked as he drew off his ermine stole and the silken shift beneath. In their stead, Ban snatched up a weary-worn tunic of sackcloth. "If clothes make the man, I am unmade." He tried to smile at his joke, but his gaze caught on Elaine.She stood, tall and statuesque, tears streaming onto Lancelot. "How will we regain it? If we cannot hold it when we have our armies about us, how will we regain it without them?""How will we regain it if we are dead?" Ban shot back. He cringed. "I should not have been so blunt. Forgive me, my dear. I am only thinking of our son."Yanking off his canons, Ban hurled them aside. He snatched up a tattered pair of trousers with holes in knees and crotch. "Even if we cannot regain what we lose here, Lancelot can. Our lives may have been written in full, but his only begins." He cinched a rope-belt around his waist. "Merlin said he would be a knight--the greatest knight. He will regain what we lose today."From a nearby peg, Ban grasped a crone's dress and brought it to his wife. "Put it on." He took the babe in one arm and presented the dress.Elaine visibly trembled. Her arms, emptied of the child, clutched around her as if she were cold. "I can't wear that.""Put it on," King Ban demanded.She shuddered. Reluctant, tearful, angry, confused--she began to disrobe. It was a terrible scene. She seemed a woman being raped. In a way she was. Her every virtue was taken from her, dragged away like the silk chemise that pooled on the floor. Soon, she stood naked before her husband, the crone's dressstill clutched in her left hand. She released a yelp of despair.Lancelot stirred and reached for his mother. He felt his father's broad chest and tried to latch on. Only sackcloth filled his mouth. He growled, preparatory to a full-fledged holler.Rough and insistent, Ban rocked the baby. He suddenly realized he had never done this before. "Lancelot," he muttered in sweet awe. Picking up a commoner's shift, he wrapped the child in it and kissed his forehead. "Do you see, Elaine? Already, I am a better man. Already I tend my own child, and kiss him, and protect him--a peasant's work. A peasant's freedom.""Already, I am a worse woman." She drew the despoiled fabric down around her. Slender, strong, youthful skin was hidden beneath a shell of tattered filth. "Already I am a crone.""Not to me, though I do hope you grow into one," Ban said. "Let us go, my darling. Let us save ourselves and save the future king of Benwick!" He snatched up Elaine's hand and led her out the kitchen steps toward the dark night beyond. "Darkness helps us," reasoned Ban. "And dirt and desperation. They will bear us along like a river." A door barked open, and his words were proved true. The bailey thronged with fleeing folk, and the street beyond had become a river of humanity. "We will ride this tide and emerge in safety."
All rivers, even human rivers, run to the sea.The flood of refugees boiled down every street and sluiced down every alley. At last, the fleshly wave gushed out across the docks. Some few folk continued on to splash into the waters. Most churned along piers until they found a gangplank and ganged aboard. All they needed was an unoccupied square foot on deck. They didn't even need a willing captain; unwilling ones were thrown overboard.Ships sailed. Laden with many times their typical payloads, the vessels of Benwick harbor set out in a huge and hopeless armada. Crafts collided. Boats capsized. Fights broke out. Mutinies abounded. Despite every setback, the ragtag flotilla straggled away from the burning city. The stone jetty clawed at them--the last grasp of land--and a few more folk died. The rest drifted out into the black belly of the sea.Some vessels sailed south, toward Iberia. Others plunged west, toward nothing but doom. Most headed north, hoping for a friendly welcome in Brittany.Queen Elaine, King Ban, and Prince Lancelot had found themselves on just such a ship--an argosy that last had borne barrels of salt fish. Everything reeked of it, everything but the captain, who reeked of other things. The old sot was half-slain by rye spirits when his boat was seized. Amiable with drink, he agreed to visit his brother in Brittany. "He'll welcome you all. He's got daughters for ever'one." The good ship Scruple--smelling foul with fish and fear--sailed.In the hold, stench made the air swim. At least folk packed there were warm, shielded from winds and blackness. Those crowded on deck breathed better--or worse--in the cold night. Wind shoved them, rifled their clothes, slapped their faces, howled in their ears. The wind had a co-conspirator in the sea. Waves shouldered past the hull in an angry stampede. Deep troughs opened before the bow and hurled the ship down until it scraped its keel. Watery ridges rose thereafter and flung the craft into angry skies.In tumult's heart, King Ban lost his own. Benwick was gone now, in flames beneath the horizon. There was only this ink, above and below, churning fitfully. He was king of nothing, in worse tatters than most on the ship, smaller than plowmen and weaker than fishwives. The woman beside him was no longerqueen, but a desperate and terrified crone in rags. Worst of all, though, Lancelot had ceased to be anything but a squalling babe. Past and future were eaten by blackness, and only the omnipresent, insufferable moment remained.Lancelot screamed. Any creature with that much rage would fight, could perhaps prevail.Ban wanted to feel that rage. Shifting sideways, he reached for his son. Elaine seemed only too glad to relinquish him. Ban lifted the kicking boy, gray against the night. Elaine dragged Ban's arms down. He cradled the child, pressing his head to his heart. "Let that steady beat calm you, sweet child. Let it assure you."Lancelot calmed for a moment, but then kicked sharply. Ban's arm, which had borne a thousand strokes of sword on shield, could not bear that single infant kick. An ache spread hotly from his shoulder to his elbow, and then to his wrist. It was as though the babe were made of red-hot iron. Ban struggled to hold him, but the candent ache spread toward his neck. Lancelot's protests only grew."It was a curse he laid on you," King Ban gasped. His left arm jangled nervelessly as his right took hold of the child and dragged him toward his mother. Take him, Ban meant to say, but he suddenly had no breath.Elaine took the boy anyway, her face sour.Gulping, Ban clutched his chest. It was all gone now, all but the pain. Even his own pulse was gone.Ban turned bulging eyes toward his wife. Elaine and Lancelot floated in the center of a roaring tunnel. They seemed to be getting farther away, but it was Ban who retreated."Guard Lancelot, my love," gasped King Ban of Benwick, and he was no more.
The storm would not relent--not here, on land, in broad daylight two days later. Not here in Britannia (hadn't they said the boat sailed for Brittany?) on the wide plains, far from the rocks that had torn the ship apart. The storm would never relent around Elaine. It was inside her. Her ears roared with wind. Her mouth burned with brine. Her skin stung with rain. Worst of all, though, as she stared down at her child, at Lancelot, she saw black clouds tear across his blue eyes.The boy's father was dead. He'd died of grief. Why had the angel descended to take the father but not the mother? What of her grief?They had wanted to throw Ban overboard once he was cold, but she had not let them. "He is king!" she'd insisted. "King Ban--your king!" They had consoled her, their arms soft but their smirks hard. They thought she was mad.They were right. She should have let them throw the body to the sharks. The rocks chewed him up just as surely.For two days, she had wandered with Lancelot. She grew weaker all the while, and he stronger. She ate nothing but water, while he nursed upon her body and blood and bone. A woman needn't be sane to care for her infant, as long as she had milk.Now, though, the milk was gone. She had nothing to offer him. Death would claim them both.A seven thousand six hundred thirty-fourth step, a seven thousand six hundred thirty-fifth, and she was knee-deep in a marsh. She raised her eyes from the stagnant water, reeds jutting up all around her. Wetlands stretched out beneath sloping hills and a charcoal sky. In the midst of the gnat-filled slough rose a triangular mound. It seemed a rumpled hat, its brim sodden and dripping.Elaine went to her knees in the muck. If she drank, perhaps her milk would come again. Her parched lips moved toward the water. She uttered an accusation, a blasphemy, a prayer: "Mother of God!"Sudden brilliance enveloped Elaine. She looked up.Someone approached. She strode on the water, as her son had done on Galilee. She beamed light as if clothed in a star. Her presence burned away the dry stalks and radiated through the murky flood and purified the swamp. It grew deeper, wider around her. Her footsteps made the surface silver. Angels moved in the waters and the air.Elaine gazed into that loving light and felt the storm at last cease. Every gritty corner was cleansed, every hopeless, helpless impulse. Her arms, for two days clutching the babe, dropped loose. Elaine stood before the glorious presence."Mother of God," she breathed, "you have heard my prayer."A voice of infinite love replied, "Yes. I have come to take your child."Only then did Elaine see that Lancelot, gone from her slack arms, rested quiet and content upon the breast of the woman.Though mad, dry of milk, and destitute, Elaine was still a mother. "You cannot take my baby."A look of deep sadness came to the woman's eyes, a sadness that grieved Elaine. "I can ... but I will not. If he comes with me, he will fulfill his destiny--to be the greatest knight ever to live, and to reclaim Benwick after Claudas is dead." She held out the child. "If I return him to you, neither of these things will come to pass, and you both will die mad and starved. It is your choice."Elaine was still a mother. She bowed her head and said, "Save him, then, Mistress. Lead him to his destiny."It was enough. Moments in dream and divinity last for hours, and a single sentence begets a whole book.She was gone, the woman garbed in a star. The reeds had returned, and the gnat-filled marsh, the rumpled hills and all. It had been but a vision, a delirium-dream--except that Lancelot, too, was gone.Elaine remembered her arms going limp, and she gave a cry. Dropping again to her knees, she rammed her hands down in the muck and sent fingers raking through. He had to be here. He wasn't floating on the surface. He had to be here, among the snake holes and roots.There was no warmth and nothing solid, only cold rot."Lancelot!" she shrieked.She flailed forward, to one side, to the other. The water around her roiled with filth. She dived and dragged her arms through the reeds. It was no good. This was true grief. Forgetting herself, she took a deep lungful of water and convulsed as her lungs hurled it out. Only more turbid muck flooded down to replace it.She was drowning. It didn't matter. First Ban, then Lancelot, and now Elaine. She was drowning. Unless she touched his flesh, her child's flesh, nothing mattered. She was drowning.A hand--she felt a hand--it grasped her, pulled her forth--not a child's hand, but a crone's, a bent old woman, her muscles like yarn on twiglike bones."Child, what manner of devil possesses you?" the abbess asked.Elaine yanked her hand away and spat at the woman. Mary had not heard her prayer. Mary had mocked her, had taken her child. Elaine screamed. The sound came out in bubbling blood. She tried to throw herself back into the marsh but the ground swept up to strike her.The abbess knelt, setting a knee on her back. "Rest, child. We will cast the demon out. You will heal. You will be yourself again."Elaine's hiss gushed mud through her teeth."In nomine patri, et filio, et spiritus sanctus ..."
He dreamed. Even infants dream. Infants only dream.There had been waters that bore him before--the waters beneath Mother's thundering heart, the waters beneath Father's thundering sky. They had borne him from one world to the next. Now he dreamed new waters--as soft as swaddling and as deep as an old woman's gaze. The waters bore him to the next world, an old place but utterly new ... .Copyright © 2001 by J. Robert King
Product details
- ASIN : B005N8Y63G
- Publisher : Tor Books (February 17, 2003)
- Publication date : February 17, 2003
- Language : English
- File size : 1.7 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 464 pages
- Best Sellers Rank: #902,531 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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- Reviewed in the United States on May 12, 2015good book
- Reviewed in the United States on February 6, 2014This is a very different look at the story of Lancelot and Guinevere. Of all three books I liked this one the least. It was brilliant and I did enjoy it very much but I just felt that it lacked the fire of the other two. That, I have come to believe, is because Lancelot as a character was reactionary rather than proactive. Life happened around him and he responded to it - at time heroically but he did little that was not in reaction to circumstance. This I suppose is what made him so different from Arthur who sought to mould the world around him and create something different than what had always been. It is however a story rich in detail and fraught with betrayal that isn't betrayal and yet in the end it is what divides them all. I would read the other two first and then this as it rounds both out in many ways and fills in some blanks that the other two left open to speculation.
- Reviewed in the United States on May 28, 2003Lancelot du Lethe is the second book featuring King's unique take on the Arthurian legends. Gone are the various pantheons of gods, as this book is mostly about the land of Britain itself, its ties with the Fey folk, and how Christianity is pushing everything aside. King plays with the legends even as he includes many things that we all know and love about them. This is a better book than the first and it doesn't contain any of the problems the first book had. It does, however, have a couple of its own.
As good as Mad Merlin was, this book is just so much richer that it's hard to believe. Anybody familiar with the Arthurian legends knows of the ill-fated love between Guinevere and Lancelot, and how the betrayal of Arthur affects Camelot and everything around it. While sticking to the basics of the legend, King adds so much more to the tapestry that it reads like a new tale. While Mad Merlin added the war between the gods, Lancelot du Lethe adds a great deal of detail to the land of the Fey, and the magical world that lies beneath and between the real world of man. Guinevere is of this land, and while she is married to Arthur in order to bring peace and stability to the land, she is drawn to Lancelot and his otherworldness. He harbours a secret of his own and draws her to him even more, a secret that even he doesn't know about. They are fated to be lovers as well, and this adds the main conflict to the story. The choices that King has the characters make are hard choices, and there are always consequences to them. He doesn't give them an easy way out like some authors do.
Guinevere is much more developed in this book than the last one. It was about Arthur and Merlin, and Guinevere was mainly a means to an end, a character that served a purpose and wasn't a whole lot more. Here, though, she comes into her own. She is a kind and good queen, but she is a woman who is living in a sexless marriage because if she gives in to Arthur, everything will be destroyed. When Lancelot shows up, she is inexplicably drawn to him. Their romance is tragic, even more tragic than in many tellings of the legends. Lancelot is a good man as well, and he knows what he feels will hurt Arthur. He continues to try and deny his feelings but he feels like he must follow his heart. King masterfully tells the story of how they dance around each other and their feelings, and Arthur's feelings as well, until ultimately something has to give. These are all good people, and the reader feels the tragedy even more because of that.
Other characters are not so well drawn, as they interact with these three only peripherally. I sometimes questioned the choices King made in this. Morgan le Fay and her son Mordred don't really come across very well. Morgan has plans for Lancelot but these plans are foiled more out of authorial fiat than by anything Lancelot actually does. She does have a hand in the tragic ending, much like in the legends, but she plays a relatively minor role overall. This is a shame because she's in the book a lot, and always lurking in the background and behind Mordred's plans as well. Mordred also doesn't come across as very interesting, and if King wasn't keeping to the basics of the legend, I would have liked to have seen a more interesting villain. As it is, his character is given more weight by his place in the stories that King is using than by King himself. And Merlin only makes a couple of token appearances. His first appearance is superfluous, however, and his second only provides a story element before he goes back to his wonderful life with his lady love. I think it would have been a better book either without him, or with a meatier part to the story.
Again, King does a wonderful job with the tools he is given and extrapolates very well, giving the story a fresh feel even as we know the basics of what is going to happen. The prose is again wonderful, with rich descriptions and vivid scenes. The interesting thing is how he extends the tales, and King delivers in spades. Sure, there are familiar items: other knights (Galahad, Gawain), the Holy Grail and the Spear of Longinus). However, the rich descriptions of the fairy world, the way King uses the fairies to supplement the intrigue in the real world, and the tragic elements King adds to the romance, all do their jobs nicely. Even when you know what's going to happen, you really don't. That's the perfect way to retell a legend.
There is another minor problem with the book, however. This is the almost anecdotal feel to the book. It almost seems like a set of stories with an overarching theme, almost like a "Stories of King Arthur and the Round Table" with stories that mainly center on Lancelot. While this may give it a feel of the old legends, I found it kind of distracting in a 450 page book that's not really a short story book. This problem is alleviated later on once events start rolling down the hill to their inevitable oblivion. But at first, it is a problem.
I will say that the ending is very fitting, though. King really outdoes his first book there. It's tragic yet it also has a glimmer of hope. It also provides the perfect bookend with the first book. Together, they make a wonderful visit to the land of Arthur, taking you back to the old days of jousts, chivalry, warriors in plate armour, and romance. I had a great time on my trip.
David Roy
- Reviewed in the United States on September 27, 2006It's always a joy to find new Arthurian fiction that isn't a simple rehash of the tales we're all familiar with. This book focuses on a character that's typically marginalized and misunderstood: the oft-criticized Lancelot. The author's take on the character follows very closely with the work of Malory, but breathes a refreshing new life into his tragic relationship with Guinevere by introducing fey themes and magic that is missing in most modern 'ultra-realistic' stories of today.
As the recent 'King Arthur' movie proved, the story of King Arthur, Camelot, and his Knights loses most of its enduring appeal when you remove the mythical and magical elements. Thankfully, the author didn't fall into the same trendy trap with 'Lancelot du Lethe'.
- Reviewed in the United States on December 11, 2006This book is wonderful. Guinevere, Lancelot and Otherworld take on yet greater roles in the story of Camelot and its King. Here we can understand why the triangle of king, knight and queen had such force... None was greater than the other. Three rulers*** fighting for their worlds and their hearts.
- Reviewed in the United States on December 7, 2003As a lover of Arthurian ledgend, I snatched up Lancelot Du Lethe eager to explore the story from Lancelot's point of view. While I found the book an easy and interesting read, I also found it about 50 pages too long. I could easily have enjoyed the story with a few less descriptions of the pixies and gnomes and other woodland creatures of fantasy. They were distracting to the excitement of the story and added a childish twist that was at the very least unnecessary and at the very most - insulting. I knew King's work - having first read Le Morte D'Avalon and knew his propensity toward magic so I should have been forewarned. If you do not appreciate an abundance of spells, time warps and impossible underwater travel - this is not the book for you. With any Arthurian legend there will be some aspect of myth- but King really knocks it out of the park. I wondered if he didn't delve deeply into the unexplainable, because he lacks a grasp of any possible historical aspects on which to base his story. I found this to be a mixture of bits and pieces of the legend which other authors such as Cornwell, Bradshaw, McKenzie and even Miles tell more skillfully. Now -it was a VERY fast read and I did like the perspective. Unfortunately, I found Lancelot and Guinevere well developed while the other characters suffered. I did not read his first book Mad Merlin due to a personal disinterest in the main character. If you are eager to explore King's work - you may want to start at the beginning and see if it carries along from book one to book three.
- Reviewed in the United States on March 12, 2013This book isn't as good as Mad Merlin, but it's still a great addition to the trilogy. I have yet to finish it, but so far so good.