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Blueprints of the Afterlife: A Novel Kindle Edition

4.1 4.1 out of 5 stars 138 ratings

A tour de force novel from the “wickedly talented” (The Boston Globe) and “darkly funny” author of Misconception (The New York Times Book Review).

Finalist for the Philip K. Dick Award

It is the afterlife. The end of the world is a distant, distorted memory called “the Age of Fucked Up Shit.” A sentient glacier has wiped out most of North America. Medical care is supplied by open-source nanotechnology, and human nervous systems can be hacked.
 
Abby Fogg is a film archivist with a niggling feeling that her life is not really her own. She may be right. Al Skinner is a former mercenary for the Boeing Army, who’s been dragging his war baggage behind him for nearly a century. Woo-jin Kan is a virtuoso dishwasher with the Restaurant and Hotel Management Olympic medals to prove it. Over them all hovers a mysterious man named Dirk Bickle, who sends all these characters to a full-scale replica of Manhattan under construction in Puget Sound. An ambitious novel that writes large the hopes and anxieties of our time—climate change, social strife, the depersonalization of the digital age—
Blueprints of the Afterlife will establish Ryan Boudinot as an exceptional novelist of great daring.
 
“Duct-tape yourself to the front of this roller coaster and enjoy the ride.” —
The New York Times
 
“Challenging, messy and funny fiction for readers looking for something way beyond space operas and swordplay.” —
Kirkus Reviews
 
“The absurdities are cleverly crafted and highly entertaining. Imaginative [and] heartfelt.” —Hannah Calkins,
Shelf Awareness
 
“Ingenious . . . Frenzied, hilarious, and paranoid . . . A bracing dystopian romp through contemporary dread.” —
Publishers Weekly
 
“Probably the strangest post-apocalyptic novel in ages.” —io9
 
“What an inspired mindfuck of a book!” —
City Paper (Baltimore)
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Editorial Reviews

From Booklist

Boudinot returns to the comic, inventive form that garnered him attention for Misconception (2009), this time anticipating dark times to come. Set in the not-too-distant future, where the recent past is known as the Age of Fucked Up Shit, the novel introduces a world colonized by clones, computers, and free-roaming polar bears, and where Manhattan is being fully reconstructed in Seattle. Dishwasher Woo-jin Kan, a self-aware dullard suffering from a crippling overabundance of empathy, is haunted by a reappearing corpse. Mysterious Dirk Bickle offers Abby Fogg a job recovering important data from one-time pop star Kylee Asparagus and her subservient team of clones. Veteran Al Skinner recalls his bloody war experiences. Narcissistic actor Nethan Jordan recounts his adventures in a bawdy hit TV series. And running throughout are excerpts from a recorded interview with Luke Piper, creator of the Bionet, a neurotransmitted Web connection that unites everyone in all their uproarious despair. Boudinot’s madcap world and mastery of various voices evoke Douglas Adams or George Saunders, but his novel is a work of sheer originality, readability, and joy. --Jonathan Fullmer

Review

Praise for Blueprints of the Afterlife

“A fierce literary imagination, building the kinds of worlds that William Gibson used to write before he discovered the present; it is warmed by the kind of offbeat, riffing humor that has suffused the works of Neal Stephenson and Gary Shteyngart, with Chuck Palahniuk’s cartoonish gore and Neil Gaiman’s creepy otherworlds blended in. . . . Duct-tape yourself to the front of this roller coaster and enjoy the ride.”—John Schwartz,
The New York Times

“What an inspired mindfuck of a book. Ryan Boudinot’s
Blueprints of the Afterlife is a post-apocalyptic satirical explosion of a novel. . . . Fans of China Mieville, Kurt Vonnegut, and, say, Terry Gilliam may gravitate toward Boudinot, but his out-of-control imagination is all his own.”—Andrea Appleton, Baltimore City Paper

“The best science fiction takes what we know about technology and humanity and extends it. . . .
Blueprints of the Afterlife does just this—only instead of space stations and robots, [Boudinot] clocks the way our perceptions and experiences have already been shaped by technology. . . . Blueprints calls to mind Jonathan Lethem’s recent Chronic City and the work of screenwriter Charlie Kaufman, as much as it does sci-fi predecessors like Philip K. Dick or even Cory Doctorow. But while it's plenty easy to find other novels to compare Blueprints to, the book offers a completely singular reading experience.”—Alison Hallett, The Portland Mercury

“Digital where
Brave New World is merely analog, Blueprints of the Afterlife makes both 1984 and the Book of Revelation seem like yesterday's news.”—Tom Robbins, author of Even Cowgirls Get the Blues

“Boudinot’s novel . . . has a diverse and rich family of ingredients. We might speak of certain literary components, such as the work of Kurt Vonnegut, the work of Richard Brautigan, the work of Tom Robbins, and/or the work of Haruki Murakami. . . . A mere description of ingredients, however, fails to take into account the transformative process of reading
Blueprints of the Afterlife, whose howls of dissatisfaction with what American culture is (for such is almost all speculative fiction) are kaleidoscopic, provocative, in-your-face, restless, sad. . . . Blueprints of the Afterlife, somewhat in the style of the earlier novels of Thomas Pynchon, also has a manifest content that is often unpredictable, imaginative, and bittersweet, and a latent content . . . which is there for the perusal of those who take their time. . . . To read this novel is to feel keenly the dystopian future, especially the digital future of the Pacific Northwest; to be entertained and delighted; to be driven down into successive layers of complication and paradox, each more satisfying than the last.”—Rick Moody, The Believer

“Take every high voltage future-shock you can imagine about life as it’s shaping up in the twenty-first century, process it through one of the smartest and funniest and weirdly compassionate sensibilities you’ll find on this crazy planet at this crazy moment, and you get a novel named
Blueprints of the Afterlife. This guy Ryan Boudinot is the WikiLeaks of the zeitgeist.”—Robert Olen Butler, author of Hell

“Ryan Boudinot . . . writes like the bastard son of Philip K. Dick, William S. Burroughs and Aldous Huxley. . . .
Blueprints is both dire prophecy and biting commentary on the modern world.”—Josh Davis, Time Out New York

“The novel hilariously dumps pop culture into a blender with futurism and presses purée.”—Anne Saker,
The Oregonian

“
Blueprints of the Afterlife exists in a shining lineage that extends right back ultimately to William Burroughs’s Naked Lunch, the novel that taught us all how to conflate esoteric conspiracy theory with history with lowbrow pop culture with surrealism and absurdity with transgressive assaults on propriety and the bourgeoisie. . . . Boudinot’s novel, with near-Neal Stephensonian intricacy and panache, is a brave attempt to forecast the ‘afterlife’ subsequent to our culture’s imminent, nigh-inevitable collapse. Yet it’s no preachy tract, but rather a glorious carnival of errors, terrors, and numinous possibilities.”—Paul Di Filippo, Barnes & Noble Review

“
Blueprints of the Afterlife is chewy with a delighted disgust, and suggests those myths of the near future—to adopt JG Ballard's trope—that are really truths about right now.”—Will Self, author of The Book of Dave and Walking to Hollywood

“An ambitious book in the spirit of Kurt Vonnegut and David Foster Wallace … Boudinot’s short stories are dense, acerbic little gems, but
Blueprints is the first glimpse we get at the loopy, sci-fi-nerd-fueled landscape he’s had inside his brain all this time.”—Paul Constant, The Stranger

“There’s a brilliant aliveness to this book, a joyful throwing together of extrapolated pop culture, really cool ideas about medicine and technology, a preapocalyptic vision of the current world and a bizarrely livable postapocalyptic afterworld, and a near total lack of genre boundaries. . . . It’s hard to describe, but it’s easy to read, easy to get involved with. . . . Do not fight this book: Let it take you where it’s going, and let it show you what it wants to show you. You’ll be glad you did.”—Samantha Holloway,
New York Journal of Books

“A mind-bending tour of the edges of technology and possibility . . . densely imagined, frightening and hilarious.”—Charles Yu, author of
How to Live Safely in a Science Fictional Universe

“Ryan Boudinot . . . is my new favorite author. . . .
Blueprints of the Afterlife reads a bit like a genetic graft between David Foster Wallace’s The Broom of the System and Mark Leyner’s My Cousin, My Gastroenterologist. Blueprints of the Afterlife is a book that I will unequivocally press into the hands of any who approach me for a recommendation in 2012.” —Mark Flanagan, About.com Contemporary Literature

“It is incredibly fun to watch Ryan Boudinot unspool his cool, twisted imagination in
Blueprints of the Afterlife. Someone should warn him not to give away fantastic ideas at the frantic rate he does. But then again, he might have an infinite supply.”—Steve Hely, author of How I Became a Famous Novelist

“I figured I would like the book. I didn’t figure it would be as expansive, as imaginative, as powerful, and as quaking as it is. Seriously. It’s awesome.”—Matthew Simmons, HTMLGiant

“Wildly imaginative, smart, funny, and hopefully not prophetic,
Blueprints of the Afterlife brings to mind Vonnegut, and finds Boudinot at the top of his game as a young writer to watch.”—Jonathan Evison, author of West of Here

“Ryan Boudinot once again proves himself as one of America's most talented young writers. . . . Dark, funny, and smart, this post-apocalyptic dystopian book is as complex as it is original and entertaining.”—Largehearted Boy (online)

“[A] blistering
wunderkammer. . . .The world has, once again, come to an end, but if that’s become a cliché, Ryan Boudinot seems to have flung his arms in the air and yelled let ‘em come.”—Ashley Crawford, 21C Magazine (online)

“What happens when the technology we unleash through the Internet becomes our physical reality, and we become its content? . . . The sheer imagination with which Boudinot’s tale unwinds is stunning. . . . You could orgasm with laughter.”—Alle C. Hall, PLOP! Blog (online)

“Boudinot goes all in with a Murakami-inspired fit of speculative madness that marries the postmodernist streak of Neal Stephenson to the laconic humor of
The Big Lebowski. . . . Challenging, messy and funny fiction for readers looking for something way beyond space operas and swordplay.”—Kirkus Reviews

“The absurdities are cleverly crafted and highly entertaining. Imaginative [and] heartfelt.”—Hannah Calkins, Shelf Awareness (online)

“Ingenious… frenzied, hilarious, and paranoid. . . A bracing dystopian romp through contemporary dread.”—
Publishers Weekly

“Ryan Boudinot's
Blueprints of the Afterlife is probably the strangest post-apocalyptic novel in ages.”—io9 (online)

“Boudinot infuses the story with . . . humor that recalls Philip K. Dick.”—Ron Hogan, USA Character Blog (online)

Product details

  • ASIN ‏ : ‎ B006NZ9WEQ
  • Publisher ‏ : ‎ Black Cat (January 3, 2012)
  • Publication date ‏ : ‎ January 3, 2012
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 5069 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 450 pages
  • Customer Reviews:
    4.1 4.1 out of 5 stars 138 ratings

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Ryan Boudinot
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Customer reviews

4.1 out of 5 stars
4.1 out of 5
138 global ratings

Top reviews from the United States

Reviewed in the United States on October 21, 2013
The world has already ended, and it is in the political, spiritual, genre fictional, and emotional Afterlife that the novel is set. Across time, a disparate cast of characters act out their roles, a winding spiral of events—sometimes violent and melancholy, other times humorous and absurd—that coalesce into the final testament of the human condition, the artifacts that will be left behind for the Last Dude.

"Blueprints" is a post-apocalyptic book, but all the Mad Max style shenanigans are already over. Despite the prolific ruins of an earlier age, society has largely moved on, creating a transhuman future. Many sci-fi staples are sprinkled throughout (most notably the digitized immune system). All of these elements are presented in a detached, ominous way, serving to defamiliarize the sci-fi material and impress the "otherness" of this world upon the reader.

The tone can be jarring, considering that it weaves through an ensemble of very different narrators, including a dishwasher savant, a woman who keeps turning up dead, an emotionally ravaged veteran, and a famous actor with a destiny. However, I felt that each of these personalities contributed to the story, not only as vital plot mechanisms, but as independent viewpoints that needed to be told. The focal characters have only indirect influence on one another, but they all swirl around the same topic, painting a grander narrative while working through their own demons.
3 people found this helpful
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Reviewed in the United States on October 3, 2013
This is a fun book and a quick read. It plays with some very interesting concepts that are quite applicable to the state of modern day reality in which we find ourselves. The author recently gave a lecture/conversation at the Seattle Central Public Library wherein his efforts at leading a project to make a bid to UNESCO to get Seattle designated, on the world stage, as a "City of Literature" were laid out and openly discussed with a roomful of writers, readers, editors, artists. This project will create a wonderful global exchange among Seattle and other cities of literature of which there are only a handful, maybe a handful and one finger, of such designated cities. The author has stated that he will be donating all royalties toward the application fees and the process of gaining a designation of "City of Literature" for Seattle. The writing is fun and edgy and will create a fun portrait for older and younger readers (though not too young because there is some cursing involved). I thoroughly enjoyed the concepts and the writing style played with in this novel. Happy reading!
One person found this helpful
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Reviewed in the United States on June 1, 2017
This is really a disturbing, but sometimes humorous, look at a very believable dystopian future. Well written, takes a logical conclusion to some of our edgy technology, like, being able to grow human organs on mice and rabbits...... well there's a huge herd of lazy, stoopid and broke HUMANS that would probably be a wonderful garden for needed ( by the wealthy ) human body parts.......see a young, dysfunctional but chemically clean, woman with new penises growing from most of the free surface of her body..........well paid of course.
If it can help us stop ( probably not ) well worth reading.
Thanks
2 people found this helpful
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Reviewed in the United States on August 1, 2017
It took a long time to get going in this book, understanding that there various timelines. When I finished I couldn't decide if I was satisfied or disappointed. Some will probably love all the metaphors and social commentary, and others will never get far enough to know they're there.
3 people found this helpful
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Reviewed in the United States on June 29, 2020
It is difficult but important to get past chapter 1. Difficult because it’s profane, gross, disturbing and contains many reasons to just stop reading. Don’t! You won’t be disappointed with what happens next.

What exactly happens next is hard to explain but it’s worth reading to find out. There are many creative and original ideas. There are some characters worth getting to know. There are lots of secrets they come twisting around at the end and almost makes sense. All in all… An interesting read.
Reviewed in the United States on June 11, 2019
I'm re-reading this book, I think for the third time now. It gets better every time. And looking back on the book from the perspective of 2019 America, I have to say, it's as relevant now as ever. This book should be five stars on Amazon, but it is much too smart for many readers, I think. It's actual literature, of a somewhat absurd nature. Don't expect a walk in the park. Although I must say, it's really not that difficult to follow.
4 people found this helpful
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Reviewed in the United States on January 17, 2012
I immediately pre-ordered this book after reading an excerpt on io9.com. The excerpt was great. Skinner's story had me hooked, and that was just from reading a fraction of Skinner's introductory chapter. The only reason I kept reading was to walk with Skinner.

The rest of the story arcs in this novel, however, left me lost and confused. I'm pretty sure I got a couple headaches trying to process what I read. There is so much bouncing around between stories and points of view, and there are so many layers in the first 3/4ths of the book that it's hard to see the entire picture...or a blurry photograph. I would have even settled for a rough finger painting.

Eventually, you see where the author was taking you. I just don't think the trip to was worth it.

I'd give it 5 stars for Skinner, and -3 stars for everyone else.
19 people found this helpful
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Reviewed in the United States on December 24, 2020
As raised in NYC and moved to Seattle there was a blowing trip in this novel. Enjoy the journey yourself.

Top reviews from other countries

Mélomane
4.0 out of 5 stars Wildly original!
Reviewed in Canada on March 5, 2014
A very entertaining and truly original look at our society in a potential future. It's George Orwell meets Woody Allen meets the Coen Brothers. It will make you laugh, it will make you think, it will surprise you. And first thing you know, you've got ten pages left and you're sad you've reached the end of your journey. A great read!
georgiegirl
4.0 out of 5 stars birthday present
Reviewed in the United Kingdom on January 30, 2013
I bought this as a gift, for my friend, as it was on his wish-list, and he has thoroughly enjoyed it, so hopefully, after he has read it once more, I can borrow it!
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