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Patrick O'Brian: A Life Revealed 1st Edition, Kindle Edition

4.5 4.5 out of 5 stars 84 ratings

A revealing and insightful look at one of the modern world’s most acclaimed historical novelists
Patrick O’Brian was well into his seventies when the world fell in love with his greatest creation: the maritime adventures of Royal Navy Captain Jack Aubrey and ship’s surgeon Stephen Maturin. But despite his fame, little detail was available about the life of the reclusive author, whose mysterious past King uncovers in this groundbreaking biography. King traces O’Brian’s personal history, beginning as a London-born Protestant named Richard Patrick Russ, to his tortured relationship with his first wife and child, to his emergence from World War II with the entirely new identity under which he would publish twenty volumes in the Aubrey–Maturin series. What King unearths is a life no less thrilling than the seafaring world of O’Brian’s imagination.
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Editorial Reviews

Amazon.com Review

Hailed as the Irish author of "the greatest historical novels ever written"--the 20 swashbuckling Napoleonic-era adventures starring Captain Jack Aubrey and Stephen Maturin--Patrick O'Brian was not such a great guy. In fact, he wasn't really Patrick O'Brian: he was actually the Englishman Richard Patrick Russ, who abandoned his semiliterate Welsh wife and dying, spina bifida-plagued child in 1940 and reinvented himself as a writer and as a human being. He did well as a writer, winning kudos as a biographer (Picasso), translator (Papillon), and old literary sea lion. But he was less than humane, as Dean King's A Life Revealed reveals. The son of a rotten father, Russ/O'Brian became a rotten father himself, cutting off all contact with his son, granddaughters, and even siblings. As he chillingly wrote in his biography, "Parents are supposed to love their children, yet surely there is the implied condition that the children should be reasonably lovable?" Though he was kinder to his second wife, the Countess Mary Tolstoy, whose reckless driving injured both of them, he once wrote that Picasso was "sucked dry and rendered sterile by women, children, routine." For his part, O'Brian preferred poverty and exile in Southern France with Mary--remote from his family origins, penning masterpieces in a house with books but no electricity or running water. Only in his 70s did he become rich and famous.

You can't deny the many striking parallels between O'Brian's life and his work--even though he did. Rotten fathers permeate his fiction, as the fathomless woe must have permeated him upon his mother's death from tuberculosis in 1918, when he was 4. It's great fun to read about his mad-inventor father's machine to cure VD by electrocuting the bladder and compare it to Maturin's practice and devices--and to hear about the future author's salty Uncle Morse telling the lad about encounters with pirates. Captain Aubrey clearly derives partly from Patrick's sociable man-of-action brother Mike (who changed his surname to O'Brien, another family defector). And of course Maturin proves to be in large part a self-portrait.

Fans of Aubrey and Maturin may find King's A Sea of Words (a lexicon of arcane terms that O'Brian uses) more delightful than his exposé of O'Brian's impressive yet appalling life, but it is one thorough and convincing exposé. --Tim Appelo

From Publishers Weekly

After navigating the bestselling Aubrey-Maturin novels' far-flung geography and obscure terminology (in Harbors and High Seas, etc.), King discovered in 1997 that the reclusive O'Brian had invented his own life story as well as his characters'--beginning with changing his name from Richard Patrick Russ and concocting a patrician Irish-Catholic lineage. King's biography, though sometimes patchy, portrays a complex, unhappy family history, a multifarious artistic career and a flawed, indomitable personality. Born in England into the large family of a bankrupt doctor of German origin, the sickly Richard (known as "Pat") began writing boys' adventure stories when only a boy himself. This early literary phase was halted by WWII, during which O'Brian worked in the Foreign Office's shadowy Political Intelligence Division, where he met Mary Wicksteed Tolstoy. After the war, they divorced their spouses and married, O'Brian legally changing his name from Russ. Although his subsequent serious fiction was well received, the O'Brians lived in obscurity, at times near poverty, in Wales and southern France, while O'Brian translated Simone de Beauvoir and lesser writers to get by. King's retelling of the origin of Master and Commander and the following 19 Aubrey-Maturin novels depicts how O'Brian transformed an editor's idea for a C. S. Forester replacement into a genre-busting sea-going roman-fleuve. The glimpses into O'Brian's personal life that King salvages from the author's secrecy include estrangement from his surviving siblings and his son from his first marriage. Steering just clear of judging O'Brian's shortcomings, King's charting of this stormy life makes it clear that O'Brian (who died earlier this year at 85) saved his best for his beloved Jack Aubrey and Stephen Maturin. (Apr.)
Copyright 2000 Reed Business Information, Inc.

Product details

  • ASIN ‏ : ‎ B007DFV1LW
  • Publisher ‏ : ‎ Open Road Media; 1st edition (March 20, 2012)
  • Publication date ‏ : ‎ March 20, 2012
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2653 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 407 pages
  • Customer Reviews:
    4.5 4.5 out of 5 stars 84 ratings

About the author

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Dean King
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Dean King is an award-winning author of ten nonfiction books. Dean relishes the adventures involved in making history come to life while at the same time diligently searching out the truth and turning up new historical detail. While researching his national bestseller SKELETONS ON THE ZAHARA, he crossed the Sahara on camels and in Land Rovers. He trekked the Long March trail in the Snowy Mountains of Western China while researching UNBOUND and was shot at in Appalachia while writing THE FEUD. For his most recent book, GUARDIANS OF THE VALLEY, Dean traveled to John Muir’s boyhood homes in Dunbar, Scotland, and rural Wisconsin and spent months roaming Yosemite National Park and the Sierra Nevada.

The books that have resulted have been widely appreciated. The Daily Mail called UNBOUND, the story of the thirty women on Mao’s 4,000-mile Long March in 1934, “an astonishing and gripping tale of heroism and endurance.” The Wall Street Journal deemed THE FEUD “popular history the way it ought to be written,” and the Daily Telegraph called Dean’s groundbreaking biography PATRICK O'BRIAN: A LIFE REVEALED “a model of how these things should be: skeptical, generous and almost as well informed as the master himself.”

You can learn more about Dean at deanhking.com or keep up with him on Facebook.

Customer reviews

4.5 out of 5 stars
4.5 out of 5
84 global ratings

Top reviews from the United States

Reviewed in the United States on June 11, 2000
I came to this one because I was intrigued by the Patrick O'Brian story, a writer laboring for decades in obscurity, only to have fame and fortune find him in his last years, with barely enough time left him to enjoy the fruits of it all. And yet he was a writer with a secret past, a man of irascible personality who shunned publicity though welcoming fame and the honors bestowed on him in the end.
Mr. King has done justice to this tale and this man, giving us some interesting insights into O'Brian and the artistic process of writing itself. He tells the tale of a young man, growing up in a troubled household, with a penchant for writing and a markedly artistic temperament, who strikes out on his own, only to reinvent himself early on, severing all ties to the family of his youth and even to the wife and children of his early adult years. Hard to forgive, one would think. And yet King's version is so compassionate and respectful that we do forgive . . . in spite of the fact that Mr. O'Brian not only deserted his dying child and first wife but remained cut off from his only son, no less than his parents and brothers and sisters, for the remainder of his long life, hurting these people by his cold dismissal of them in the process.
And yet, you have to respect the man himself, a writer who dedicated himself so much to his own vision, to his art. He was, apparently, not a cruel man though he did cruel things. He sought only the privacy and solitude required to do his work, a work which brought him precious little in the way of material reward until the end but which impelled him to substantial achievement regardless of tangible benefits left unrealized.
King gives us a very good picture of the maturing man who was O'Brian (both after he changed his name legally and before) as well as a close-up view of the man's devotion to, and developing, artistic skills. First and foremost, this O'Brian (who, enmeshed in his own "cover story", claimed to be Irish, but wasn't) was a craftsman. Secondly he was a perfectionist who labored over his own work until he had it just right. Finally he was a man with his own special vision who wrote, in the end, a series of sea stories which would transcend their obvious genre and finally bring him the recognition he did not achieve with his more mainstream literary novels.
I must confess, however, that I am not a fan of the sea stories . . . not yet at least. I am, at the moment, laboring with the first one I picked up, THE WINE DARK SEA, selected, I think, because it was the first book of his which I learned about some years back in a New York Times book review (though it is smack in the middle of the series) and because I found it, ( ) and perhaps because I was taken with the Homeric allusion of the title. But, thus far, it has not grabbed me, despite all the hullaballo about the series of which it is a part. It has an oddly abstract quality which, despite all the detail O'Brian has imbued his somewhat dense and sophisticated text with, somehow fails to convey the immediacy of life on board the Surprise among the crewmen who inhabit it. There is no real sense of the wind in the hair or the salt in the mouth (though there is plenty of reference to these, among other facts of life at sea). In the end, it's a tale told largely through the internal musings of the main characters, the outside world viewed palely through this "lense", a tale of manners on an 18th century English vessel, with lots of conversation and dinners and musical performances to wile away the hours, but not much plot or action (besides its obvious lack of immediacy of experience). So far, the characters have remained mysteriously distant to me and the tale, while mildly interesting and even charming, is decidedly not compelling. But, based on this biography by Mr. King, I expect it will get better.
If it doesn't work in the end, I shall first of all blame myself and go off to the first in the series and try to enter this world which O'Brian has so famously rendered by that route instead. Afterall, 50 million Frenchmen, give or take a few, and the American and British reading publics besides (not to mention Mr. King, himself) can't be entirely wrong.
14 people found this helpful
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Reviewed in the United States on April 2, 2008
This is a fine biography of O'Brian, particularly in light of the problems faced by the author. In the first place, O'Brian attempted, at every turn, to suppress all knowledge of the facts of his early life. King was not, in short, an 'official' biographer who was presented with stacks of diaries and journals and invited to ask any question that might occur to him. Nevertheless, King was able to ground his narrative on a bedrock of serious scholarship and a first-hand awareness of his subject's work, ethos and experience.

It is said that a successful biography requires a degree of affection for the biographical subject, something that is complicated when that subject is, by turns, both secretive and irascible. The subject was also quite capable of utilizing his impressive erudition as a weapon, one that he could use as both a stiletto and a bludgeon. King is honest with regard to O'Brian's nature and shortcomings, but (without overlooking them) sees past them to O'Brian's significant strengths as a man and as a writer. Material success came relatively late, but O'Brian labored diligently, trusting in his monumental project and following his own lights. His tenacity and dedication make his eventual recognition all the more sweet and King charts the travails but also luxuriates, with O'Brian, in that ultimate recognition. The result is a narrative with a plot arc that one would expect to find in fiction, but here finds in real life.

I am not a fanatical O'Brian devotee and came to the book as a lover of good biographical writing. O'Brian fans, however, will relish the book as will students of biography. Ultimately it is very hard not to love a dedicated, talented individual whose tastes run to Jane Austen and Samuel Johnson and who feels utterly at home in the eighteenth century.
9 people found this helpful
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Reviewed in the United States on March 2, 2000
Dean King's "Patrick O'Brian: A Life Revealed" cannot wholly live up to its subtitle because its subject, the author of some of the best fiction of the 20th Century, withheld any cooperation and evidently instructed his friends to do likewise. King had to construct his biography using none-too-plentiful public sources and the views of estranged relatives, some quite embittered. Fortunately, King avoids becoming merely the advocate of those hostile to Patrick O'Brian, generally maintaining a conspicuous neutrality about the rights and wrongs of the author's personal life, and instead devotes much of the book to a survey of O'Brian's work, examining sources, the struggles to publish, critical reaction, and -- in some cases -- the relationship of particular incidents in the fiction to O'Brian's own life. O'Brian, it is now known, constructed a wholly fictional persona for himself (including his name and nationality) after breaking with his family over 50 years ago. Under those circumstances, and perhaps because of the pain of his own memories, it is not surprising that O'Brian made privacy a fetish. Still, Dean King has been able to assemble a reasonably detailed literary biography. I doubt that someone who is not familiar with O'Brian's marvelous novels would find a great deal of interest in this book, but for fans of his fiction, this biography provides hints and insights into the wellspring of his tales.
47 people found this helpful
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Reviewed in the United States on September 1, 2019
I was a little lost after finishing the last novel in the Aubrey/Maturin series. I wanted to keep it going somehow. So I bought his biography. It turned out to be fascinating. His early years. The reasons behind his change to become Patrick O'Brian. What was happening in his life as he was writing each novel, and how that was reflected in the novel. All great stuff. He was not at all the man I had in my mind's eye as I read his works. But I love knowing what I now know about him. I highly recommend it if you loved his novels. And it has motivated me to search out his early novels, prior to Aubrey and Maturin.
5 people found this helpful
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Top reviews from other countries

CB
5.0 out of 5 stars To read the book makes the man even more of ...
Reviewed in the United Kingdom on February 17, 2015
To read the book makes the man even more of a mystery. When and where did he gather the information that enabled him to write so authoritatively about naval matters in the time of sailing ships. A must read for lovers of books.
One person found this helpful
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GW
4.0 out of 5 stars Good
Reviewed in the United Kingdom on August 4, 2017
He may be a flawed character but O'Brian's legacy is arguably the greatest set of historical fiction in the English language. This is an interesting book though there have been criticisms from various people about some of its conclusions. I enjoyed the book and was grateful for the insights that it gave on a very private man. I do sometimes wrestle with the issue of reading about someone who clearly did not want to provide this information. The fact that you are an author does not mean that you agree to the exposure of your life. Its not as if he were a politician after all. Having said all that the success of the books means that the public interest arguably should outweigh his personal desire for privacy. Anyway...a reasonably well written book and of interest to his fans.
2 people found this helpful
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Amir Zain
5.0 out of 5 stars Highly recommended
Reviewed in the United Kingdom on January 5, 2015
Fascinating insight into a reclusive author - one that has given me much reading pleasure. Highly recommended to anyone who likes Aubrey-Maturin, especially as it gives background to his other work.
C J Waddington
5.0 out of 5 stars Five Stars
Reviewed in the United Kingdom on April 25, 2018
Marvelous book.
Carlosdiver
3.0 out of 5 stars A tough read for those who loved the Captain Aubrey series
Reviewed in Canada on July 27, 2016
I found this book depressing. As I read all 22 volumes written by Patrick O'Brian, this book deflated my built up perception of the author. I guess reality hurts. I guess should be a must read if you've read everything written by Patrick O'Brian (The far side of the world - Captain Aubrey series).
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