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Patrick O'Brian: A Life Revealed 1st Edition, Kindle Edition
Patrick O’Brian was well into his seventies when the world fell in love with his greatest creation: the maritime adventures of Royal Navy Captain Jack Aubrey and ship’s surgeon Stephen Maturin. But despite his fame, little detail was available about the life of the reclusive author, whose mysterious past King uncovers in this groundbreaking biography. King traces O’Brian’s personal history, beginning as a London-born Protestant named Richard Patrick Russ, to his tortured relationship with his first wife and child, to his emergence from World War II with the entirely new identity under which he would publish twenty volumes in the Aubrey–Maturin series. What King unearths is a life no less thrilling than the seafaring world of O’Brian’s imagination.
- Edition1st
- PublisherOpen Road Media
- Publication dateMarch 20, 2012
- LanguageEnglish
- File size2653 KB
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Editorial Reviews
Amazon.com Review
You can't deny the many striking parallels between O'Brian's life and his work--even though he did. Rotten fathers permeate his fiction, as the fathomless woe must have permeated him upon his mother's death from tuberculosis in 1918, when he was 4. It's great fun to read about his mad-inventor father's machine to cure VD by electrocuting the bladder and compare it to Maturin's practice and devices--and to hear about the future author's salty Uncle Morse telling the lad about encounters with pirates. Captain Aubrey clearly derives partly from Patrick's sociable man-of-action brother Mike (who changed his surname to O'Brien, another family defector). And of course Maturin proves to be in large part a self-portrait.
Fans of Aubrey and Maturin may find King's A Sea of Words (a lexicon of arcane terms that O'Brian uses) more delightful than his exposé of O'Brian's impressive yet appalling life, but it is one thorough and convincing exposé. --Tim Appelo
From Publishers Weekly
Copyright 2000 Reed Business Information, Inc.
From Library Journal
---Robert Kelly, Fort Wayne Community Schs., IN
Copyright 2000 Reed Business Information, Inc.
From Booklist
Review
“Decent, fair and extremely thorough.” —Jan Morris, The Observer
From the Author
About the Author
Product details
- ASIN : B007DFV1LW
- Publisher : Open Road Media; 1st edition (March 20, 2012)
- Publication date : March 20, 2012
- Language : English
- File size : 2653 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 407 pages
- Best Sellers Rank: #326,076 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Dean King is an award-winning author of ten nonfiction books. Dean relishes the adventures involved in making history come to life while at the same time diligently searching out the truth and turning up new historical detail. While researching his national bestseller SKELETONS ON THE ZAHARA, he crossed the Sahara on camels and in Land Rovers. He trekked the Long March trail in the Snowy Mountains of Western China while researching UNBOUND and was shot at in Appalachia while writing THE FEUD. For his most recent book, GUARDIANS OF THE VALLEY, Dean traveled to John Muir’s boyhood homes in Dunbar, Scotland, and rural Wisconsin and spent months roaming Yosemite National Park and the Sierra Nevada.
The books that have resulted have been widely appreciated. The Daily Mail called UNBOUND, the story of the thirty women on Mao’s 4,000-mile Long March in 1934, “an astonishing and gripping tale of heroism and endurance.” The Wall Street Journal deemed THE FEUD “popular history the way it ought to be written,” and the Daily Telegraph called Dean’s groundbreaking biography PATRICK O'BRIAN: A LIFE REVEALED “a model of how these things should be: skeptical, generous and almost as well informed as the master himself.”
You can learn more about Dean at deanhking.com or keep up with him on Facebook.
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Mr. King has done justice to this tale and this man, giving us some interesting insights into O'Brian and the artistic process of writing itself. He tells the tale of a young man, growing up in a troubled household, with a penchant for writing and a markedly artistic temperament, who strikes out on his own, only to reinvent himself early on, severing all ties to the family of his youth and even to the wife and children of his early adult years. Hard to forgive, one would think. And yet King's version is so compassionate and respectful that we do forgive . . . in spite of the fact that Mr. O'Brian not only deserted his dying child and first wife but remained cut off from his only son, no less than his parents and brothers and sisters, for the remainder of his long life, hurting these people by his cold dismissal of them in the process.
And yet, you have to respect the man himself, a writer who dedicated himself so much to his own vision, to his art. He was, apparently, not a cruel man though he did cruel things. He sought only the privacy and solitude required to do his work, a work which brought him precious little in the way of material reward until the end but which impelled him to substantial achievement regardless of tangible benefits left unrealized.
King gives us a very good picture of the maturing man who was O'Brian (both after he changed his name legally and before) as well as a close-up view of the man's devotion to, and developing, artistic skills. First and foremost, this O'Brian (who, enmeshed in his own "cover story", claimed to be Irish, but wasn't) was a craftsman. Secondly he was a perfectionist who labored over his own work until he had it just right. Finally he was a man with his own special vision who wrote, in the end, a series of sea stories which would transcend their obvious genre and finally bring him the recognition he did not achieve with his more mainstream literary novels.
I must confess, however, that I am not a fan of the sea stories . . . not yet at least. I am, at the moment, laboring with the first one I picked up, THE WINE DARK SEA, selected, I think, because it was the first book of his which I learned about some years back in a New York Times book review (though it is smack in the middle of the series) and because I found it, ( ) and perhaps because I was taken with the Homeric allusion of the title. But, thus far, it has not grabbed me, despite all the hullaballo about the series of which it is a part. It has an oddly abstract quality which, despite all the detail O'Brian has imbued his somewhat dense and sophisticated text with, somehow fails to convey the immediacy of life on board the Surprise among the crewmen who inhabit it. There is no real sense of the wind in the hair or the salt in the mouth (though there is plenty of reference to these, among other facts of life at sea). In the end, it's a tale told largely through the internal musings of the main characters, the outside world viewed palely through this "lense", a tale of manners on an 18th century English vessel, with lots of conversation and dinners and musical performances to wile away the hours, but not much plot or action (besides its obvious lack of immediacy of experience). So far, the characters have remained mysteriously distant to me and the tale, while mildly interesting and even charming, is decidedly not compelling. But, based on this biography by Mr. King, I expect it will get better.
If it doesn't work in the end, I shall first of all blame myself and go off to the first in the series and try to enter this world which O'Brian has so famously rendered by that route instead. Afterall, 50 million Frenchmen, give or take a few, and the American and British reading publics besides (not to mention Mr. King, himself) can't be entirely wrong.
It is said that a successful biography requires a degree of affection for the biographical subject, something that is complicated when that subject is, by turns, both secretive and irascible. The subject was also quite capable of utilizing his impressive erudition as a weapon, one that he could use as both a stiletto and a bludgeon. King is honest with regard to O'Brian's nature and shortcomings, but (without overlooking them) sees past them to O'Brian's significant strengths as a man and as a writer. Material success came relatively late, but O'Brian labored diligently, trusting in his monumental project and following his own lights. His tenacity and dedication make his eventual recognition all the more sweet and King charts the travails but also luxuriates, with O'Brian, in that ultimate recognition. The result is a narrative with a plot arc that one would expect to find in fiction, but here finds in real life.
I am not a fanatical O'Brian devotee and came to the book as a lover of good biographical writing. O'Brian fans, however, will relish the book as will students of biography. Ultimately it is very hard not to love a dedicated, talented individual whose tastes run to Jane Austen and Samuel Johnson and who feels utterly at home in the eighteenth century.