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Reflections on a Marine Venus: A Companion to the Landscape of Rhodes Kindle Edition
Islomania is a disease not yet classified by Western science, but to those afflicted its symptoms are all too recognizable. Men like Lawrence Durrell are struck by a powerful need to live on the ancient islands of the Mediterranean, where the clear blue Aegean is always within reach. After four tortuous wartime years in Egypt, Durrell finds a post on the island of Rhodes, where the British are attempting to return Greece to the sleepy peace it enjoyed in the ’30s. From his first morning, when a dip in the frigid sea jolts him awake for what feels like the first time in years, Durrell breathes in the fullest joys of island life, meeting villagers, eating exotic food, and throwing back endless bottles of ouzo, as though the war had never happened at all. The charms of his stay there still resonate today, for the pleasures of Greece are older than history itself.
- LanguageEnglish
- PublisherOpen Road Media
- Publication dateJune 12, 2012
- File size4170 KB
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Lawrence Durrell
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Lawrence Durrell aboard his BoatThis photograph of Lawrence Durrell aboard his boat, the Van Norden, is taken from a negative discovered among his papers. The vessel is named after a character in Henry Miller’s Tropic of Cancer. (Photograph held in the British Library’s modern manuscripts collection.) |
Nancy and Lawrence DurrellThis photograph of Nancy and Lawrence Durrell was likely taken in Delphi, Greece, in late 1939. (Photo courtesy of Joanna Hodgkin and the Gerald Durrell Estate.) |
A page from Durrell’s NotebookA page from Durrell’s notebooks, or, as he called them, the 'quarry.' This page introduced his notes on the 'colour and narrative' of scenes in Justine. (Photo courtesy of the Lawrence Durrell Papers, Special Collections Research Center, Southern Illinois University Carbondale.) |
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Product details
- ASIN : B0085IMYX0
- Publisher : Open Road Media (June 12, 2012)
- Publication date : June 12, 2012
- Language : English
- File size : 4170 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 244 pages
- Best Sellers Rank: #495,452 in Kindle Store (See Top 100 in Kindle Store)
- #27 in Literary Travel
- #71 in Greek Travel
- #207 in Literary & Religious Travel Guides
- Customer Reviews:
About the author
Born in Jalandhar, British India, in 1912 to Indian-born British colonials, Lawrence Durrell was a critically hailed and beloved novelist, poet, humorist, and travel writer best known for the Alexandria Quartet novels, which were ranked by the Modern Library as among the greatest works of English literature in the twentieth century. A passionate and dedicated writer from an early age, Durrell’s prolific career also included the groundbreaking Avignon Quintet, whose first novel, Monsieur (1974), won the James Tait Black Memorial Prize, and whose third novel, Constance (1982), was nominated for the Booker Prize. He also penned the celebrated travel memoir Bitter Lemons of Cyprus (1957), which won the Duff Cooper Prize. Durrell corresponded with author Henry Miller for forty-five years, and Miller influenced much of his early work, including a provocative and controversial novel, The Black Book (1938). Durrell died in France in 1990.
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The "Marine Venus" was an ancient statue of a naked woman that some fishermen had dragged up in their nets from the bottom of Rhodes harbor; the statue was placed in a museum on the island where "she sits * * * gravely meditating upon the works of time." For Durrell, the statue symbolizes not only the island, but "the whole idea of Greece" and "a past whose greatest hopes and ideals fell to ruins."
The book proceeds in a leisurely and relaxed fashion, as did life on Rhodes. When it comes to describing a landscape (or seascape) or conveying a sense of place, Durrell is a master, and a poet. He also is a highly literate instructor on the history (stretching back to the mythology) of a place, although for him it is a somewhat idiosyncratic history. As he explains, "history as chronology is woefully misleading; for the history of a place, dispersed by time, lives on in fable, gesture, intonation, raw habit."
Rhodes of 1945-1947 was not quite the island paradise it probably was before WWII and maybe again in the 50s and 60s (before affluent Europeans began flocking to it for their vacations and second homes). When Durrell was there, the scars of war -- including mine fields, shell casings, and burned-out bunkers and gun placements -- were still fresh and almost ubiquitous. Nor had the economy recovered: for example, the daily newspaper that Durrell superintended publication of was issued for a penny but was worth two cents locally as wrapping paper, so that the paper made much more money from scrapped issues than from current sales.
Perhaps it is because the War had not yet abandoned Rhodes that REFLECTIONS ON A MARINE VENUS is not quite the magical and lyrical tour de force that I found Durrell's earlier travelogue "Prospero's Cell" (about Corfu, circa 1937-1938) to be. Perhaps it is because Corfu simply was more magical and lyrical than Rhodes. Likely it also has something to do with the genius of Durrell's literary efforts. In any event, "Prospero's Cell" is clearly the superior work, but REFLECTIONS ON A MARINE VENUS nonetheless warrants a readership and, therefore, remaining in print.
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Il testo naturalmente è in inglese.