From Library Journal
The events of September 11 and the war in Afghanistan have again brought attention to Kipling and the themes of imperialism, postcolonialism, and the role of the West in the Middle East. While essentially a Victorian in his values and art, Kipling died in 1936 on the eve of World War II, opposed to fascism and prophesying that the end of the British Empire would bring sectarian strife. During his life he witnessed the pinnacle and decline of the British Empire. While a spokesman for empire, Kipling was always cognizant of the complexity of the "white man's burden." Gilmour, who has written books on the politics of Spain and Lebanon, as well as a biography of Italian novelist Giuseppe di Lampedusa, offers a brief, sympathetic, well-informed, and highly readable account of Kipling. He focuses on Kipling's complex relation to empire, especially as expressed in his stories and poetry. His effort joins Harry Ricketts's recent popular, and more general, Rudyard Kipling. Highly recommended. Thomas L. Cooksey, Armstrong Atlantic State Univ., Savannah, GA
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*Starred Review* For 50 years, Rudyard Kipling projected his political and social views in prose fiction and, more pointedly, in verse. He was a British imperial propagandist but also an artist who took no orders. As Gilmour presents him in a biography focused on his political life, but that cites and evaluates numerous poems and stories, noting their aesthetic qualities as well as their messages, Kipling was the greatest, because he was the most humane, British imperialist and also the empire's great, pessimistic prophet. His early working years in India convinced him that British rule there had to be paternal: guiding but not dominating, helping but not exploiting native peoples. The British in South Africa had similar duties, he thought, and needed also to restrain the Boers, whom he warned would establish a racist regime: apartheid. He despised liberals and socialists because he believed they would dismantle the empire, leaving India to be torn asunder by contending Hindus and Muslims--another accurate forecast. He undermined his own effectiveness with his ideological purity and permanent grudges. Still, as Gilmour makes abundantly clear, he was a major player in the affairs of the mightiest power on Earth, which lost its potency in tandem with his loss of practical influence. A remarkable man, a remarkable book. Ray Olson
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Review
“In his entertaining and sympathetic biography . . . Gilmour portrays Kipling in all his complexity . . . He quietly dismantles the caricature of Kipling as a two-dimensional Victorian chauvinist.” ―Alan Riding, The New York Times
“[Gilmour examines] Kipling's political consciousness . . . more deeply than any writer before him.” ―Gregory Feeley, The Philadelphia Inquirer
“[A] formidable study . . . [Gilmour] is superb as a historian and biographer.” ―Robert F. Moss, Los Angeles Times Book Review
About the Author
Sir David Gilmour is one of Britain's most admired and accomplished historical writers and biographers. His books include The Last Leopard, The Long Recessional (FSG, 2002), and The Ruling Caste (FSG, 2006).
