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Bloodroot: Reflections on Place by Appalachian Women Writers Kindle Edition

4.2 out of 5 stars 11 ratings

“A broad sampling of deeply impressive writings—essays, memoirs, poetry, letters, stories—by women from the Southern Highlands.” —Kirkus Reviews

Winner of the 1997 Appalachian Studies Award

Appalachian Writers Association 1999 Book of the Year

Winner of the Susan Koppleman Award of the Popular Culture Association for Best Edited Collection in Women’s Studies

Thirty-five women writers from Appalachia define the region in a larger, more generous, and more intricate way that it has been defined before, dispelling many demeaning stereotypes of the region. The writers tell their compelling stories with poignancy, eloquence, forthrightness, and humor. A new American literary renaissance is ablaze in the Southern Highlands—the very place so often depicted by outsiders as dimly lit. 35 photos.

“Dyer succeeds admirably in a dual purpose: to promote a vital and virtually unknown body of work, and to suggest an Appalachian spirit that transcends state borders and artistic genres.” —Publishers Weekly (starred review)

“From the well-known, like Dykeman, Sharyn McCrumb and Denise Giardina, to the lesser known, these essayists, in one way or another, write of what it means to come to fully appreciate one’s native tongue; to be inspired by the courage and fortitude of their Appalachian foremothers; and to glory in their profound attachment to the natural beauty of the Appalachian hills, hollers and trails.” —Bowling Green Daily News

“The writers here represent some of the most unique and often unsung talent in literature. These essays will carry you to a far mountain place and whet your appetite for more.” —Magazine (Baton Rouge, LA)

Editorial Reviews

From Kirkus Reviews

A broad sampling of deeply impressive writings--essays, memoirs, poetry, letters, storiesby women from the Southern Highlands, edited by Dyer (In a Tangled Wood, not reviewed). If the word Appalachia conjures little more for you than mining disasters and Walker Evans photos, turn these pages and discover the remarkable storytelling tradition that flourished there, and thrives still. Every one of these 35 pieces goes down smooth as a glass of Georgia peach, even when it bites. A few of the names of the contributors will be familiarNikki Giovanni and Gail Godwin, Jayne Anne Phillips, whose offering is a terrific out-of-time remembrance of her hometown, circa 1962but most of the women here (all were born in the 20th century) have toiled long and hard, often in obscurity, their love of words keeping the storytelling art aliveand high art it is. Each writer was asked to address how the Appalachias had affected them (whites, African-Americans, and Native Americans are represented). There are good doses of the stubborn, rooted poetry of attachment by Kathryn Stripling Byer, Rita Sims Quillen, and others. Lou V.P. Crabtree, a certified old soul, tenders a stark, lyric portrait of Price Hollow; Hilda Downer's depiction of Bandana``named for the red bandana Clinchfield Railroad tied to a laurel branch to denote an imaginary train station''is more sensuous. Denise Gardinia tells of losing her innocence to grammar, and Ellesa Clay High takes readers on a tour of her home patch through a ``soft female rain that can last for days heresomething we share with Seattle and other places.'' There are 26 others, each as deserving of mention as the next. This collection won the 1997 Appalachian Studies Award--likely hands down, and deservedly so. (b&w photos, not seen) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Review

Winner of the 1999 Book of the Year Award given by the Appalachian Writer's Assoication.

Winner of the award for best edited volume given by the Women's Caucus of the Popular Culture Association.

"The seed for an intriguing nonfiction collection was planted with one simple question: 'What were the influences on your writing?'"―
Southern Living

"The contributors are an impressive group, distinguished international lecturers and respected scholars, winners of numerous grants and literary awards."―
Southern Quarterly

"It's a book that speaks in the many voices of Appalachia's women writers. Sometimes their voices sing. Sometimes they tell a story or a fragment or a memory. but always they offer a piece of their soul. It's a gift worth accepting."―
The Knoxville News-Sentinel

"A volume rich with unexpected gifts."―
Appalachian Heritage

"In Bloodroot are the real mountains and their prolific and grateful offspring."―
The Roanoke Times

"Gratitude permeates this collection, making it a warm invitation to experience Appalachian country."―
The Appalachian Quarterly

"A worthy addition of any collection of Appalachian literature."―
Ace Magazine

"Dyer's collection of short essays by some 35 'Appalachian women writers' makes a fairly riveting witness to the whole process of deciding that you are from anywhere, and what that means anyway."―
Appalachian Journal

"Each essay is filled with illuminating honesty and allows the reader to glance into the writer's soul. The conclusions of most of the essays are exquisite gems."―
Bloomsbury Review

"Contained in this book are a collection of memories as rich, strong, and unforgiving as the land from which they came."―
BookLovers

"From the well-known, like Dykeman, Sharyn McCrumb and Denise Giardina, to the lesser known, these essayists, in one way or another, write of what it means to come to fully appreciate one's native tongue; to be inspired by the courage and fortitude of their Appalachian foremothers; and to glory in their profound attachment to the natural beauty of the Appalachian hills, hollers and trails."―
Bowling Green Daily News

"Wherever your own roots lie, you will find Bloodroot moving, inspiring―and a reminder that we are all shaped by the landscape we spring from, the place we call home."―
Chicago Tribune, Charlotte Observer

"Although all of the writers discuss their writing and its ties to their Appalachian experience in some fashion, the book should appeal to audiences who have little or no knowledge of the Appalachian region as well as those who are particularly interested in it and its literature."―
Choice

"After reading the essays, the reader should come away with a much better concept of this place we call home, Appalachia."―
Floyd County (KY) Times

"This is a wonderful book. Not the kind you can't put down, not the kind for which you take copious notes. This is a book you can read for awhile and then come back to. It's a book that makes you start thinking about your own life."―
Journal of Appalachian Studies

"Although the stories in the collection are diverse, the authors' shared connection to the region stands out and speaks of a part of America's literary history that has been unexplored for too long."―
Kentucky Monthly

"If the word Appalachia conjures little more for you than mining disasters and Walker Evans photos, turn these pages and discover the remarkable storytelling tradition that flourished there, and survives still. . . . This collection won the 1997 Appalachian Studies Award―and deservedly so."―
Kirkus Reviews

"These women describe Appalachia with poignancy, eloquence, forthrightness, and humor and produce a powerful collection of reminiscences, each different in its own way, to enrich both the region they describe and the reader who turns the pages."―
Louisville Courier Journal

"The writers here represent some of the most unique and often unsung talent in literature. These essays will carry you to a far mountain place and whet your appetite for more"―
Magazine (Baton Rouge, LA)

"In voices that are honest and true, these women celebrate the rich cultural mother lode of the Appalachians."―
Magill Book Reviews

"A rich and outstanding contribution."―
McCormick (SC) Messenger

"Hats off to Joyce Dyer for such a grand idea for a book."―
Now & Then

"A marvel of a book, one whose significance far exceeds the boundaries of the mountains."―
NWSA Journal

"Taken together, these essays articulate the difficult beauty, history, culture, and deep-rootedness of the 'Southern Appalachian region, the section that forms the book's focus'."―
Ohioana Quarterly

"Each essay is like sitting on the porch and drinking a cool lemonade while each writer weaves a story of a grandmother or uncle or describes some homeplace long abandoned, but never forgotten."―
Paintsville Herald

"Dyer succeeds admirably in a dual purpose: to promote a vital and virtually unknown body of work, and to suggest an Appalachian spirit that transcends state borders and artistic genres."―
Publishers Weekly (starred review)

"This is a book about how living amidst scenic beauty gives a person a sense of place that tends to affect that person's writing, and about how different the people, the places, and the writing can be. I personally think these brief memoirs make a fascinating read."―
Priscilla's Zine & Bookstore

Product details

  • ASIN ‏ : ‎ B00CEAB1CU
  • Publisher ‏ : ‎ The University Press of Kentucky (July 24, 2013)
  • Publication date ‏ : ‎ July 24, 2013
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 4.0 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 459 pages
  • Customer Reviews:
    4.2 out of 5 stars 11 ratings

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Joyce Dyer
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Joyce Dyer is the author of three memoirs, In a Tangled Wood, Gum-Dipped, and Goosetown, and the editor of two collections, Bloodroot: Reflections on Place by Appalachian Women Writers and From Curlers to Chainsaws: Women and Their Machines. She has published essays in newspapers and magazines such as North American Review, The New York Times, and Writer’s Chronicle. She is Professor Emerita of English from Hiram College in Hiram, Ohio, where she held the John S. Kenyon Chair in English and taught creative writing. Recipient of the 1998 Appalachian Book of the Year Award, the 2009 David B. Saunders Award in Creative Nonfiction, the 2016 Independent Book Publisher Gold Medal Award for anthology, and Ohio Arts Council Individual Excellence Awards, Dyer recently completed a book about abolitionist John Brown, who grew up in Hudson, Ohio, the town where she also lives. A mix of memoir, biography, American history, and travel writing, Pursuing John Brown: On the Trail of a Radical Abolitionist was published by the University of Akron Press in May of 2022 and named a finalist for an Ohioana Book Award in 2023.

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4.2 out of 5 stars
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Top reviews from the United States

  • Reviewed in the United States on June 3, 2012
    I checked this book out from the library and then purchased it for Kindle before I ever finished the library book. I found it to be truly inspirational and informative as I work on my thesis on my own family's rural Southern roots. I marked so many pages and quotes that spoke to me and that I'll refer to over and over again.
    3 people found this helpful
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  • Reviewed in the United States on July 26, 2017
    I've been reading a lot of opinions lately about the current bestseller, HILLBILLY ELEGY, by JD Vance, some positive, some not. I have not yet read the Vance book, but I hope to soon. In the meantime I recommend this book, BLOODROOT: REFLECTIONS ON PLACE BY APPALACHIAN WOMEN WRITERS, by Joyce Dyer (Editor). It's a book that's been around now for nearly twenty years. Its title comes from a root plant indigenous to Appalachia, valued for its medicinal properties, that "presents a beautiful appearance when cut and placed under a microscope, seeming like an aggregation of minute precious stones." (- Joseph E. Meyers, "The Herbalist and Herb Doctor," 1918 - from the frontispiece)

    An apt title, I think, especially in view of this aggregation of 36 moving and beautiful essays from a wide variety of writers, all of them about how their Appalachian experiences have shaped and influenced them, both as women and as artists and writers.

    It would be nigh impossible, I think, to try to summarize or typify what's contained within these covers, so I'm not going to try. Instead I'll just share a few short samples.

    Here's Jayne Anne Phillips, on the lives of some of the poorest families of her West Virginia town, kids she went to school with in 1962, when she was ten -

    "... some of the mothers break down and take off, or they break down in a different way and go to the bars with the men. Then it's the older sisters waiting with the children, sisters who are not much older than me. Soon they'll quit school, if they haven't already, and be taken up by some man who probably already has a brood of kids. They'll live in a hollow like the one they grew up in, places with names like Mud Lick, Sago, Volga, a cluster of buildings around a coal tipple ..." ("Premature Burial"}

    Or here's Virginia native Rita Sims Quillen on finding another family in fellow Appalachian writers who have encouraged and mentored her, folks like Jim Wayne Miller, Robert Morgan, Lee Smith and others -

    "So I do have a tribe that I belong to, but they are with me only in spirit most of the time. I live and think and feel and write alone, as everyone ultimately must. I will persist in writing because it is the only way to get some peace, the only antidote to the mostly-manic-occasionally-depressive kind of mind I have. The white page is the safety valve on the bubbling steam of words and images fogging up my brain ... The constraints of being a woman who chose to be a wife and mother and writer must be acknowledged and accepted. It has become apparent to me that affirmation will never come from anywhere outside myself - not from my neighbors, not from the media, the literary establishment, or the academy. The person who will validate my experiences and affirm my words as a person and a writer is me. I know who I am, where I came from, and where I'm going." ("Counting the Sums"}

    Now THAT is a powerful statement from a woman who's sorted it all out and has chosen to PERSIST with her writing.

    And one more, from South Carolinian Bennie Lee Sinclair. This one hit home for me, making me remember myself nearly fifty years ago, with a brand new MA in English and a job at a community college, finally ready to begin my dream of being a writer, sitting down at a typewriter and finding I had nothing to say. A crushing experience. Here's what Sinclair remembers -

    "I had been writing, and publishing, since first grade, but now that I had finally finished college and was ready to be a writer, I found myself at a stage of development no one had warned me of: I knew how to handle words fairly competently but as yet had nothing worthwhile to say. It was an astounding discovery, and very depressing. I kept on practicing but did not send things out for a long time." {"Appalachian Loaves and Fishes"}

    I could go on, but I hope you get the idea. And I know these small samples are not necessarily about Appalachia, but most of these writers do get around to those influences in their contributions here.

    Some of these writers I'd not heard of, but many I had, since they are successful poets and fiction writers, people like Gail Godwin, Lisa Alther, Nikki Giovanni, and Mary Lee Settle, just to name a few. And there is, too, editor Joyce Dyer's lovely and erudite Introduction. (And you must read Dyer's two beautiful memoirs, GUM-DIPPED: A DAUGHTER REMEMBERS RUBBER TOWN and GOOSETOWN: RECONSTRUCTING AN AKRON NEIGHBORHOOD.)

    I have actually been sampling these stories over a span of several years now, and still have a few left to read, but thought it was time to get the word out, to share my enjoyment of these variously lovely and moving little pieces of Appalachian living and writing. I can't begin to tell you how much I admire these women. My highest recommendation.

    - Tim Bazzett, author of the memoir, BOOKLOVER
  • Reviewed in the United States on October 15, 2013
    As a woman from Appalachia, this book is very moving. It paints an accurate picture of how where you come from influences you, without you ever knowing it. It's a collection of essays, with diverse points of view. Most of the essays are wonderful and interesting, but some of them are a struggle to keep up with. (Boring, self-important, missing the point, etc.) But overall, if you're looking for Appalachian literature, this is a must-have. It tells is just like it is. Beautiful and haunting.
  • Reviewed in the United States on April 21, 1998
    It's amazing how much work the women in this collection have done, with so little national recognition. Dyer points out that none of them is represented in the new revision of "The Norton Anthology of Literature by Women," for example. Prejudices about Appalachia have prevented many readers from realizing what a gold mine (coal mine?) of literature the region offers. Hats off to Joyce Dyer for helping to bring this literature to the prominence it deserves. P.S. Also a very valuable read for anyone interested in writers and where writing comes from.
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