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Gravewriter: A Novel (Billy Povich) Kindle Edition
"Even better than his Shamus-finalist debut, Spiked."
---Publishers Weekly (starred review) on Speak Ill of the Living
Highly praised by both reviewers and mystery writers, Mark Arsenault introduces a stunning new suspense series with his courtroom drama, Gravewriter.
Billy Povich used to be a journalist. He lost his wife because of his gambling habit, and then she died in a car crash. Now he finds himself writing obituaries and living with his elderly father and seven-year-old son, Bo.
Billy plans to kill the man who was at the wheel the night of his wife's death. But then a summons to jury duty for a murder trial delays Billy's agenda. As the trial heats up, Billy finds that his little boy spots danger faster than he does, and a frantic and deadly chase begins with Billy as the prey.
- LanguageEnglish
- PublisherMinotaur Books
- Publication dateNovember 28, 2006
- File size2.5 MB
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Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Copyright © American Library Association. All rights reserved
From the Back Cover
“A must for readers who appreciate taut writing, lightning-quick plots, and unexpected and wholly satisfying endings. I devoured it in one sitting."
- David Housewright, Edgar Award-winning author of Pretty Girl Gone on Gravewriter
"Mark Arsenault is taking his seat at the table with Mark Twain, Ring Lardner and Donald Westlake. . . . Arsenault writes like an AK-47. Gravewriter is a terrific read."
- William G. Tapply, author of Nervous Water, on Gravewriter
"A fine ear . . . a front-page treat."
- Booklist on Spiked
"Arsenault’s terrific writing makes this a page-turner.”
- Kirkus Reviews on Gravewriter
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Providence, Rhode Island
5:50 a.m., September 1
That ain’t piss down my pants, thought the old convict. That’s blood.
He reached a hand around, fingered the wet tear in his shirttail, stuck a pinkie in the hot, sopping sinkhole in his lower back, gasped at the pain.
He ran on, cradling the package, wrapped in a garbage bag and a newspaper, like a football in his left arm.
I ain’t been shot for twenty years.
Garrett had been shot two times before, and shot at two dozen times. None of those bullets had brought him down. He doubted that the small-bore pistol that had drilled this new peephole onto his kidneys would take him down, either. Nobody was going to snuff Garrett Nickel—the outlaw the papers liked to call “Nickel-Plated”—with a single pop of a .22-caliber Ruger.
Garrett grinned as he ran, impressed with the double-crossing son of a bitch who had taken Garrett’s own gun and shot him when his back was turned.
Garrett’s first whiff of the betrayal had been the gunpowder. That son of a bitch had colder blood than Garrett had ever figured. To conceal a killer’s soul from Garrett Nickel was a trick; Garrett usually recognized a kinsman the moment he looked into his eyes.
He ran along a deserted street in a failing industrial park, toward the pink horizon to the east, and the flickering yellow glimmer of the harbor.
Garrett ran with a loping stride, still graceful after nine years in an eleven-by-seven cell. He ran on toes that lightly tapped the asphalt. He had been starving himself by necessity the past two months, yet he felt no fatigue as he ran. Garrett was juiced on adrenaline and two lines of coke. He switched the package to his other arm and pumped his legs harder.
To his left, a thin railing of iron pipe ran between the street and a narrow canal of swamp water flowing from a bog, toward the bay. Straight ahead, single-story manufacturing buildings, dark and shuttered at this hour, were silhouetted black against the sunrise. He heard the distant groan of heavy machinery at the docks, where the work of unloading cargo ships took no notice of night or day. To his right, a sagging chain fence surrounded a construction site on three sides. The side that fronted the road was open. Dusty tire tracks curled from the site into the street.
Garrett needed a place to hide, to regroup, to stuff a wad of cloth in the hole in his back, and to plot his revenge. Garrett’s vengeance would be slow and bloody.
His spiteful side, which was most of him, wanted to run to the police station, bust through the front door, and spike the package, like a running back in the end zone, right on the blue-and-gold Rhode Island state seal embedded in the floor. That would teach the son of a bitch to double-cross him. He chuckled at the fantasy. Visiting the cops would not be in Garrett’s best interest, and Garrett Nickel was a slave to that which was best for Garrett.
He heard a car.
He dived left, toward a billowing bush on the side of the street, at the base of a utility pole. He tucked up against a newspaper vending box, flinched at the wave of pain, gritted his teeth, and held his breath as the worst of the agony passed. He panted. Burning vomit rose in his throat to the back of his tongue. He choked it back down.
The car sped away.
The bullet hole felt like somebody was slowly turning a hot screw into Garrett’s back.
Hiding beside the vending box, he rested. The telephone pole smelled like tar.
On the front page, in the newspaper machine’s window, Garrett saw his own face and laughed aloud.
“Lookie there. They printed a late-night extra—just for me,” he said out loud.
The picture was a courtroom photo from before he got his life bid, before his hairline had started its retreat. Even after nine years in max, Garrett was still a front-page headline:
“NICKEL-PLATED” OUTLAW ESCAPES
Killer of three, Garrett Nickel,
in prison break with 2 armed robbers
Killer of three? If they only knew . . .
Garrett was impressed he had made that day’s paper; they had only been free for one night.
Beneath Garrett’s photo, the paper had printed police mugs of two other convicts: a scarred street thug with a bulging Adam’s apple, and a kid, half Garrett’s age—big-eyed, sunken-cheeked, smooth-skinned. They call him an armed robber? A junkie punk, that’s what he was. The kid had tried to look tough in the picture—eyes narrow, head cocked to the side, lips in a half pucker—but to Garrett, he looked like a frightened bunny. Garrett hacked up phlegm from the back of his throat and spat on the image.
The goop that oozed down the glass was dark brown.
Motherfuck.
Must have been blood in his vomit—the bullet had reached deeper than Garrett had thought.
Fear passed over him like a cold breeze, and he felt his bladder release.
“Goddamn it,” he cursed, wiping the front of his pants. Even after a lifetime as a predator, and nine years locked up with men eager to jam a pencil in your neck for spitting in the shower, the Nickel-Plated Outlaw was still afraid to die.
He had rested long enough; the double-crosser would be looking for him. They would meet again, Garrett swore, as soon as Garrett found a weapon. He also decided to find a doctor, for a house call—at the doctor’s house. Garrett would do the calling; the doctor would do the healing at the point of a gun.
But first—the package; it was slowing him down and he had to stash it.
Garrett tugged the door of the vending box. Locked. He didn’t have four bits. The stream? No. The package was his insurance.
Across the road, at the construction site, a wall of cinder blocks climbed a squared-off steel frame. New offices, probably. Maybe a bank. Garrett peeked around the vending box, saw nobody, pulled himself up with a groan and a grimace, and jogged across the street.
The artists of the night had tagged the unfinished walls of the construction site with graffiti and cast their empty paint cans to the ground. Over a background of baby blue, a twisting green snake spelled out “Isaiah” in script.
Isaiah? I know Isaiah.
On impulse, Garrett picked up a spray can and shook it. The shaker ball clacked inside. This can still had a little color in it.
The can hissed at the wall.
Garrett smiled at his own cleverness as he sprayed two-foot-high balloon letters in ruby red, spelling out a fragment of Scripture he had committed to memory, to remind himself of where he had hidden the package.
He stood back, admired his work, and tossed the can aside.
Behind him, somebody cocked a gun.
Garrett froze.
“Quoting the Old Testament?” the double-crosser said. “The line I like best is, ‘Eye for eye, tooth for tooth, hand for hand, foot for foot.’ ”
Garrett smirked. He continued the verse: “ ‘Burning for burning, wound for wound, stripe for stripe.’ ”
“Turn around, Garrett.”
Hot piss dribbled down Garrett’s right leg. He bit his bottom lip in anger. “Why don’t you shoot me in the back again?”
“You’re empty-handed, I see. Where is it?”
“Fuck you.”
“I want it,” the double-crosser said. “I want the picture back, too.”
Garrett said nothing.
The double-crosser clicked his tongue. “Turn around, Garrett.”
Garrett bent at the knees and rose up on the balls of his feet. He rolled his head lazily around his shoulders.
“Did you hear me?” the double-crosser barked. “I said, Turn around.”
Garrett lit fire to his rage and exploded at the double-crosser in a sudden bull rush—mouth open, teeth bared, his huge hands clenched into claws, Garrett hissed like a wildcat and sprayed a dragon’s breath of bloody drool at the son of a bitch who had shot him.
The double-crosser reared back in shock and raised an arm on instinct as Garrett pounced.
The gun fired once.
Garrett wheezed. His chest tightened, as if all the air in the world had been suddenly sucked out into the vacuum of space.
Son of a bitch knocked the wind out of me.
He staggered past the double-crosser, toward the street. Garrett couldn’t inhale; he felt like he was breathing through a pillow. His right palm pounded his own chest to loosen whatever had gotten stuck in there. The thump against his chest echoed through him.
His hand came away smeared red.
The gun fired twice more. It sounded far away.
Garrett made for the river. It came unsteadily toward him.
He reached for the railing at the river’s edge to brace himself, and then heard the gunfire again; it sounded muffled to Garrett, like it was underwater. He heard the crack of splintering bone, and then suddenly Garrett went blind and deaf, as if deep beneath a silent black sea. Don’t be afraid of the water, he told himself. He remembered his Scripture.
What manner of man is this, that even the winds and the sea obey him?
He felt himself roll over the rail.
Fearing nothing, Garrett plunged into the river.
Copyright © 2006 by Mark Arsenault
Product details
- ASIN : B00FO7ROMG
- Publisher : Minotaur Books (November 28, 2006)
- Publication date : November 28, 2006
- Language : English
- File size : 2.5 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 286 pages
- Page numbers source ISBN : 0312335962
- Best Sellers Rank: #1,941,693 in Kindle Store (See Top 100 in Kindle Store)
- #3,191 in Legal Thrillers (Kindle Store)
- #3,356 in Legal Thrillers (Books)
- #4,368 in Ghost Thrillers
- Customer Reviews:
About the author

Mark Arsenault is a Shamus-nominated mystery writer, a journalist, a runner, hiker, reader, political junkie and eBay fanatic, cursed with an incurable itch to collect memorabilia from the 1939 New York World's Fair. His new novel, LOOT THE MOON, was released October 13 by St. Martin's Press. It's the second book in the Billy Povich series that began with GRAVEWRITER, a noir thriller praised for a fusion of suspense, humor and human tenderness.
Arsenault's debut novel, SPIKED, (2003, Poisoned Pen Press) was a finalist for the Shamus Award for Best First Mystery. The story was drawn from his experience as a journalist writing about heroin addicts who lived desperate lives of crime, love and addiction beneath a railroad bridge in Lowell, Massachusetts. His follow-up novel, SPEAK ILL OF THE LIVING, (2005, Poisoned Pen Press) was inspired by two years of jailhouse interviews inside "Supermax," Rhode Island's most secure prison.
With 20 years of experience as a print reporter, Arsenault is one of those weird cranks who still prefers his news on paper.
When he's not at his keyboard, you might find him backpacking up the side of a mountain.
Customer reviews
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- Reviewed in the United States on August 15, 2012Billy Povich has pressure coming from all asides, his gambling debts, his need to avenge, his obligations to take care of his son and his aging father. This is a noir mystery, skillfully drawn. Arsenault sets a thriller in motion that will keep you turning pages, but it is a lot richer and better written than the average thriller and well worth the read. Also recommended: Loot the Moon.
- Reviewed in the United States on May 6, 2007First Sentence: "That ain't piss down my pants, thought the old convict."
Billy Povich has lost his wife to an automobile accident and his job to gambling. Now he and his seven-year-old son are living in a small apartment with his elderly father. Billy plans for one big win to get out of debt and to kill the man driving the car in wife was in when she was killed. Martin J. Smothers is a defense attorney his newest case is to defend Peter Shadd, an escaped con who is on trial for murdering a fellow escapee. The trial is going badly; there are only two jurors who think Shadd is innocent. One is Billy and the other is suddenly dead.
Arsenault is a very good writer. He takes his experience as a newspaper journalist and editor and provides us with very human characters who captured my interest from the start. These are people you can see and know and with them comes humor and pathos arising from situations rather than "the joke." I particularly enjoyed his ability to have really two primary protagonists and weave them together but without having them directly interact until the very end. The plots and subplots were interesting and each worked. I've enjoyed his previous works and he is now on my auto-buy list. Highly recommended.
- Reviewed in the United States on June 5, 2007Mark Arsenault has written a cleverly plotted noir featuring Billy Povich, 40, a Providence (RI) newspaper obituary writer, who has a serious gambling addiction. His wife has dumped him and he's almost hit rock bottom when she dies in a car crash with her new boyfriend, a cop. Billy plots his revenge on the cop when a jury summons arrives in the mail. Between taking care of his seven-year-old precocious son, Bo, and dodging leg breakers wanting their money, Billy sits on the jury of a prisoner accused of murder. This noir's strengths are a heady pace, sharp plot twists, and full-fledged characters remindful of John D. MacDonald.
- Reviewed in the United States on January 17, 2007What can be said of a book like this? If you are in a hurry, it is relatively short, 272 pages; the characters are well developed; the story line is innovative, although a little hard to follow at times. It is not a "Can't put it down," novel, but they can't all be. It is a gritty, unadorned novel worthy of praise by those who love this genre.
Arsenault's third book is pure entertainment and very informative to those who are not aware of the overall crime picture and the present legal system in the U.S.
The title is taken from the protagonist's occupation, that of an obituary writer in a Providence, RI newspaper. Billy Povitch has dropped from the upper echelons of reporting down to this level because he would rather spend his time on betting on horse races and sports events than reporting.
Prior to the story's beginning; he has lost his wife to divorce, and to death in a car crash. He is now living with his son and father in rather meager circumstances.
Povich is called to jury duty on a murder/prison escape trial and the
excitement begins. One convict is dead after a prison escape and the two other convicts are in court testifying against each other.
The author expertly covers the prosecuting attorney whose conduct mirrors a District Attorney presently in the news. These prosecutors have their eye on higher office and God help anyone who comes into their jurisdiction. As the trial continues, the story becomes more compelling and on occasion, confusing.
Mark Arsenault is a very accomplished author, and reporter, presently
writing for the Providence (RI) Journal and is an obvious example of the old adage for authors, "Write about what you know."
Armchair Interviews says: Lots of excitement.
- Reviewed in the United States on January 25, 2007Mark Arsenault has a winner in Grave Writer. Billy Povich was an award winning investigative reporter until his world fell apart. His ex-wife was killed in an auto accident. Even though they had been divorced for 5 years Billy still thought of her as his wife. He is now in way over his head with gambling debts and now rather than being a leading reporter he writes obits for the paper where he was once an ace reporter.
Billy gets called for jury duty and is placed on a murder case. It is supposed to be very cut and dried. Judging on circumstantial evidence it should be an easy conviction. Billy and one other juror, Alec, think that there is more to this crime than the circumstantial evidence.
Then mid-trial Alec supposedly commits suicide. Billy's investigative instinct was kicking in before that but Alec's unexpected death clinched it. Billy does what he does naturally to find out what the truth is about the two deaths.
The tension and suspense start at the beginning and continue throughout Grave Writer.
Between Billy's past demons and his current situation which is precarious as a juror, the story is very intense. The characters have real flaws, worries and problems making them very real.
I haven't read any books by Mark Arsenault in the past but I definitely plan to read all that he has written. It would be great to see the character of Billy Povich move on to other things using his natural intuitive instinct.