INBLOOM - Shop now
Kindle Unlimited
Unlimited reading. Over 4 million titles. Learn more
OR
$14.39 with 40 percent savings
Digital List Price: $23.99

These promotions will be applied to this item:

Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.

Audiobook Price: $26.33

Save: $18.84 (72%)

You've subscribed to ! We will preorder your items within 24 hours of when they become available. When new books are released, we'll charge your default payment method for the lowest price available during the pre-order period.
Update your device or payment method, cancel individual pre-orders or your subscription at
Your Memberships & Subscriptions
Kindle app logo image

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.

Read instantly on your browser with Kindle for Web.

Using your mobile phone camera - scan the code below and download the Kindle app.

QR code to download the Kindle App

Follow the author

Something went wrong. Please try your request again later.

City of Nets: A Portrait of Hollywood in the 1940's Kindle Edition

4.3 4.3 out of 5 stars 363 ratings

“With its tough humor, profound cynicism, and unerring nose for corruption and hypocrisy, City of Nets offers a distinctly Brechtian vision of Hollywood.” —The Village Voice

In 1939, fifty million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering. The 1940s became the decade of Hollywood’s decline: anticommunist hysteria excommunicated some of its best talent, while a 1948 antitrust consent decree ended many of the business practices that had made the studio system so profitable.

In this masterful work of cultural history, the legendary Otto Friedrich tells the story of Hollywood’s heyday and decline in a vivid narrative featuring an all-star cast of the actors, writers, musicians, composers, producers, directors, racketeers, labor leaders, journalists, and politicians who played major parts in the movie capital during the turbulent decade from World War II to the Korean War.

Friedrich draws on sources from celebrity biographies to trade-union history, mingling lively gossip with analysis of Hollywood’s seedier business dealings and telling the stories of legendary movies such as 
Citizen KaneThe Maltese FalconDouble Indemnity, and All About Eve.

A classic portrait of a special place in a special time, 
City of Nets gives us a singular behind-the-scenes glimpse into a bygone era that still captivates our imaginations.

“Friedrich’s intelligent prose makes for fascinating reading.” —The New York Times Book Review

“As rich and colorful a story as can be imagined . . . a must for movie buffs and a rewarding read for everyone else.” —Publishers Weekly
Popular Highlights in this book

Editorial Reviews

Amazon.com Review

The late Otto Friedrich enlivened the pages of many newspapers and magazines with his vigorous prose. His journalistic ability to convey complex material in a vivid, accessible manner is evident in City of Nets, a mordant portrait of Hollywood in the 1940s. (Originally published in 1986, it's the middle volume in a trilogy of superb urban histories that also includes Before the Deluge: A Portrait of Berlin in the 1920s and Olympia: Paris in the Age of Manet.) Friedrich drew on his voluminous reading of everything from celebrity bios to trade-union history to create a unique synthesis that, for a change, depicts Tinseltown not as a dreamland floating above American reality, but as a city subject, like any other, to economic and political forces. Friedrich mingles enjoyable gossip with hardheaded analysis of Hollywood's often unsavory industrial underpinnings, including studio heads' willingness to rely on gun-wielding gangsters to solve their labor problems. There's no other movie book quite like it; Rita Hayworth's divorce proceedings against Orson Welles follow hard on the heels of a gruesomely detailed description of Bugsy Siegel's execution. The '40s were the decade of Hollywood's decline: a blacklist prompted by anticommunist hysteria shut out some of its best talent, while a 1948 antitrust consent decree ended many of the business practices that made the studio system so profitable. Friedrich's brilliantly selective use of colorful anecdotes and revealing details perfectly captures a decaying, but still glamorous, culture. --Wendy Smith

From Publishers Weekly

In 1939, when 50 million Americans went to the movies every week, Louis B. Mayer was the highest paid man in the country and Hollywood produced 530 feature films, among them Gone With the Wind, Ninotchka, Wuthering Heights and The Wizard of Oz. A decade and 5000 movies later, the studios were tottering, Ingrid Bergman and Charlie Chaplin were exiled, the Hollywood Ten went to prison and millions were watching Milton Berle at home. What happened in those 10 years is as rich and colorful a story as can be imagined and Friedrich has more than done it justicethis is his liveliest book since the popular Before the Deluge: A Portrait of Berlin in the 1920's, and certainly one of the best books ever written about Hollywood. Taking his title from Brecht's Mahagonny, that "city of nets" where everything is permitted, Friedrich tells the familiar story of Hollywood's heyday and decline as part of a sweeping social and cultural history that takes in everything from Rita Hayworth's electrolysis (to give her a higher hairline) to union corruption, the Zoot Suit riots, the gangster Bugsy Siegel inventing Las Vegas. He is particularly good on the European refugee communityMann, Stravinsky, Schoenberg, Brecht, et al.who produced some of their most distinguished work while their neighbors turned out Betty Grable musicals, and whose encounters with the studio moguls are among the most richly comic moments in our cultural history (Schoenberg, asked to score a movie, told a startled producer he would have to control the dialogue as well, so the actors would "speak in the same pitch and key as I compose it in"). The moguls themselves, semiliterate, comfortable with racketeers but lusting for respectability (and in no way the "showmen" legend has made them) could be Preston Sturges characters. Friedrich avoids the cliche Goldwynisms, but has unearthed a good Disneyism: when Walt saw what the Fantasia animators had done to the "Pastoral" Symphony, he said, "Gee, this'll make Beethoven." Friedrich mixes all these elements (and more) in a narrative that is often funny and remarkably even-handed (e.g., his concise account of the HUAC hearings) a must for movie buffs and a rewarding read for everyone else. Photos not seen by PW.
Copyright 1986 Reed Business Information, Inc.

Product details

  • ASIN ‏ : ‎ B00GLS2IZ0
  • Publisher ‏ : ‎ Harper Perennial; Reissue edition (March 18, 2014)
  • Publication date ‏ : ‎ March 18, 2014
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 4.5 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 739 pages
  • Customer Reviews:
    4.3 4.3 out of 5 stars 363 ratings

About the author

Follow authors to get new release updates, plus improved recommendations.
Otto Friedrich
Brief content visible, double tap to read full content.
Full content visible, double tap to read brief content.

Otto Friedrich (1929-1995) was a journalist and cultural historian. A contributing editor at The Saturday Evening Post and Time magazine, he was the author of fourteen books, including Before the Deluge: A Portrait of Berlin in the 1920s.

Customer reviews

4.3 out of 5 stars
363 global ratings

Review this product

Share your thoughts with other customers

Customers say

Customers find the book interesting and informative. They appreciate the comprehensive history of Hollywood in the 1940s, with lively descriptions of characters and incisive portraits of events and personalities. The writing quality is described as excellent, flowing smoothly, and worth reading. Readers also appreciate the anecdotes and gossip about stars, careers, scandals, and the inside look at the workings of film.

AI-generated from the text of customer reviews

17 customers mention "Readability"17 positive0 negative

Customers find the book interesting and informative. They appreciate the author's research and knowledge of the 1940s. The book is described as a great read with inside stories about Show Business and Politics.

"...He was also very good at explaining the various roles of different parts of the industry - producers, directors, actors, and writers, in particular...." Read more

"...The writing is five-star all the way and Friedrich makes even the drier parts interesting, but I did find myself more interested when the focus..." Read more

"...I YOU LIKE OLD HOLLYWOOD, GIVE THIS ONE A TRY, IT'S INFORMATIVE, WITHOUT BEING BORING. "What some people will do for power!" 😈 HOLLYWOOD 🔟..." Read more

"...What a bunch of reptiles (for the most part). It's interesting to read about how broken a lot of these legends actually were...." Read more

11 customers mention "History"11 positive0 negative

Customers enjoy the book's history of Hollywood in the 1940s. They find it comprehensive, with interesting stories and historical information.

"...There's lots of insight into social history as well as Hollywood history. Very enjoyable - can dip in and out and be entertained and informed." Read more

"...'s seamless weaving of both stories, anecdotal and historical plays like a biblical epic: warts and all...." Read more

"Lots of good stories about Hollywood actors, writers and execs on the 1940s. Slow at times but otherwise an interesting read." Read more

"Very comprehensive history of Hollywood in the 1940s...." Read more

6 customers mention "Characterization"6 positive0 negative

Customers enjoy the book's characterization. They find the author vividly describes situations and characters from gangsters to starlets. The book provides interesting stories about Hollywood actors, writers, and executives in the 1940s.

"...He not only mentions and describes situations about actors and actresses, but really goes into detail on how the HOUSE OF UN AMERICAN ACTIVITIES..." Read more

"...through the makings and breakings of Hollywood and talks lively about the myriad of characters: from gangsters to starlets to directors, actors,..." Read more

"Lots of good stories about Hollywood actors, writers and execs on the 1940s. Slow at times but otherwise an interesting read." Read more

"...Particularly good at describing the blacklist era and describing the actors, studio executives, studios and political organizations...." Read more

6 customers mention "Writing quality"6 positive0 negative

Customers find the writing engaging and readable. They appreciate the author's exploration of labor and film economics. The book is 400 pages long with extensive notes and sources.

"...I appreciated the author's dive into labor and the economics surrounding film production...." Read more

"...This very well-written volume digs below the surface and shows a different perspective: the wheel works behind the glittering machine the public got..." Read more

"...It's a beefy 400 pages with pages and pages of notes and source...." Read more

"...The first few chapters were very readable and flowed nicely...." Read more

5 customers mention "Anecdotes"5 positive0 negative

Customers enjoy the anecdotes in the book. They mention it contains interesting gossip, political issues, and scandals. The book provides an inside look at stars, careers, and scandals.

"...interested in Hollywood history, it's pioneers and titans, some interesting gossip, and it's political problems after the war years." Read more

"Great anecdotes and incisive portraits of events and personalities..." Read more

"City of Nets is collection of chronicles of stars, careers, scandals and an inside look at the workings and goings on in Hollywood in its heyday and..." Read more

"...That being said it is an interest in, gossipy trip through three decade...." Read more

Top reviews from the United States

  • Reviewed in the United States on January 26, 2020
    The book goes easily from topic to topic to give us insights into the running of America's Dream Factory. I have studied Hollywood history pretty intensively, and I did not find many errors. I appreciated the author's dive into labor and the economics surrounding film production. He was also very good at explaining the various roles of different parts of the industry - producers, directors, actors, and writers, in particular. The tone is informal but not sloppy. He tells it like it was in the 1940s.

    I learned a lot from this book, and am surprised I had not heard of it prior to 2019. There's lots of insight into social history as well as Hollywood history. Very enjoyable - can dip in and out and be entertained and informed.
    5 people found this helpful
    Report
  • Reviewed in the United States on July 6, 2014
    There's been much written about Hollywood in the 40s, most of it about its biggest stars. This very well-written volume digs below the surface and shows a different perspective: the wheel works behind the glittering machine the public got to see (and still gets to see on TCM). If you're looking for dirt on the stars, there's quite a bit of that here as well, but the author's focus is more political in nature. The Communist scare and the resulting blacklists (interesting) get a lot of pages, as does union labor unrest in the workers that aren't at the top of the film credits (less interesting to this reader), and the studio system's monopolizing practice of owning their own theaters and controlling exactly what (and who) the public got to see. The author admirably injects some high culture into the mix and the reader will see how some of the great composers and writers of the era fit in (usually not very well) with the world of Hollywood. There's a bit too much focus on, for instance, Bertolt Brecht for my tastes, but, hey, Friedrich forewarns you in his introduction that he's going to present a different picture than you're accustomed to reading.

    The writing is five-star all the way and Friedrich makes even the drier parts interesting, but I did find myself more interested when the focus shifted to the figureheads rather than the relatively peripheral figures. That's the only thing preventing me from giving City of Nets a perfect rating, and it's probably carping a bit. Truthfully, I've given higher ratings to books that intrigued me more but weren't nearly as well done as this gem. For that reason, I'm tempted to up my rating. Call it 4.5 stars, for now. But, oh, my, if there were a book of this quality and magnitude that focused more on the stars (a la Hollywood Babylon) I'd be downloading it now.

    By the way, if you're reading a digital copy, the footnotes provide interesting tidbits and are definitely worth reading (as annoying as it is to jump back and forth in the text on your Kindle).
    29 people found this helpful
    Report
  • Reviewed in the United States on January 17, 2018
    Reading about Hollywood in the GOLDEN ERA, is one of my favorite things to do, besides history. Don't get me wrong I'm a sucker for a good psychological/ mystery/horror thriller if I can find a good one to be able to "sink my teeth into!" Anyway, I have read many, many OLD HOLLYWOOD books, and can honestly say that this is one of the best, (in my opinion.) The author certainly did his homework in this book. He not only mentions and describes situations about actors and actresses, but really goes into detail on how the HOUSE OF UN AMERICAN ACTIVITIES AFFECTED THESE PEOPLE. SENDING INNOCENT PEOPLE TO JAIL, CAUSING HEART ATTACKS ETC... FOR SOMETHING THEY WEREN'T EVEN A PART OF. I YOU LIKE OLD HOLLYWOOD, GIVE THIS ONE A TRY, IT'S INFORMATIVE, WITHOUT BEING BORING. "What some people will do for power!" 😈 HOLLYWOOD 🔟
    16 people found this helpful
    Report
  • Reviewed in the United States on June 8, 2014
    Nothing new here, unless you've never read about Hollywood. The author himself says as much upfront. He also reminds us that most of the famous anecdotes come in many different versions, because these showbiz types are tall-tale-tellers, after all. But then if he relates two of them, it is hard to know which is the more likely. In other words, he is not doing any real investigation for us. Okay, so we know what we're getting: no "new" interviews with surviving Hollywood people, no new and revealing research. That makes this book less compelling by far, but at least we're getting a sweeping survey of the decade's moviemaking in one tome, right? Sort of. I should point out there are some small errors of fact, such as details of what actually appears on the screen (!). The book was published before the explosion of restored films on VHS and DVD, so the author may have had to rely on memory. Not that facts matter in Hollywood.

    Anyway, if you crave entertainment in the form of a highly readable "sort of" history of a crazy but fascinating time and place, this book will serve.
    10 people found this helpful
    Report
  • Reviewed in the United States on January 28, 2022
    This was fascinating. I'd read a lot of stories about the stars, but not much about people behind the scenes. What a bunch of reptiles (for the most part). It's interesting to read about how broken a lot of these legends actually were. Tremendous attention to detail and clearly the author did a lot of research. Quite a bit of political content here, especially concerning the odious HUAC. And then there's Howard Hughes.
    4 people found this helpful
    Report

Top reviews from other countries

  • Maximilian
    5.0 out of 5 stars Captivating narrative of an exciting time.
    Reviewed in Canada on November 17, 2018
    Otto Friedrich is a master story teller who weaves together wonderful and illuminating tales of the lives of the movers and shakers - good guys and bad - that reigned in Hollywood during the 1940's.
    One person found this helpful
    Report
  • Anthony H Capper
    5.0 out of 5 stars All the lowdownon Hollywood
    Reviewed in the United Kingdom on September 27, 2018
    At times amusing, at times astonishing in its revelations . This book is full of surprises. Not a book you can read in a day or two.
    One person found this helpful
    Report
  • Russian Bride
    5.0 out of 5 stars Hollywood flowers and then destroys itself in the 1940s
    Reviewed in Australia on August 18, 2023
    If you are a viewer (think the Big Knife; In a Lonely Place) or reader of a Hollywood noir (think Kenneth Anger’s Hollywood Babylon) you will know that it is axiomatic that Hollywood is a place of infinite sleaze, garbage and corruption. No vice, no excess is forbidden. Gluttony, alcoholism, Class A drugs, perverse sexuality, gambling were always present. Organised crime could and did traffic people and goods. Race was a complicating factor. This narrative has an established tradition with possibly its most graphic exposition being located in Nathaniel West’s Day of the Locusts. Nothing is forbidden but that does not prevent Hollywood from being a city of nets in the Brechtian sense; that is a place of traps, pitfalls, snakes as well as ladders. Joan Didion has inferred that the horrors of Cielo Drive had deep historical roots and a long, festering period of incubation. So, what happens when these issues are not understood and/or can no longer be managed. Friedrich has chosen to probe these issues in a cultural and political history of Hollywood in the 1940s. This strange, insular company town sitting on the edge of the desert with its attendant chronic shortage of water was booming, its numbers swelled by European emigres, escaping Hitler. 1939, it has been argued was Hollywood’s finest year with 50 million Americans attending the cinema every week, over 500 films a year produced and movies being the US’s most lucrative export. America’s war saw oceans of money roll into Hollywood via contracts from the government and the defence forces. WWII saw also America win the actual war and with it, unprecedented political power as the world leader. It also won the propaganda war. Nothing was more desirable than the American way of life with its burgeoning high level consumerism. So why did America turn on and eat itself, courtesy of the appalling HUAC and McCarthyism? Why did America rip itself apart politically. Russia had been its wartime ally. Why the hysteria now? What kind of real threat was communism? And why by the end of the decade was its premium export trade faltering, with the Hollywood studios’ monopoly on theatres broken? The book illustrates its answers via a cast of recurring characters including Orson Welles, Walt Disney, J Edgar Hoover, Rita Hayworth, David Selznick and Jennifer Jones, Zanuck, Ingrid Bergman, Brecht, Thomas Mann and Bugsy Siegel. Friedrich is at his best with sly, grubby asides really (rather than actual stories) which show the slimy nature of Hollywood and its ilk. Why do we need to know about Hayworth’s prolonged and painful electrolysis? Same reason as dyeing her hair red: to make her look more Anglo, less Hispanic. And I had always thought that Bogart, Bacall et al winging their way to Washington to stand up to HUAC was a tale of Hollywood bravery and defiance. Turns out it was instead a tale of grovelling and abject apologies. The book overflows with such anecdotes drawn from personal lives, politics, studio machinations and crime. Friedrich is sexist in the extreme (see his comments on the Black Dahlia actress) and highly selective in his sympathies. The book crackles with spite and malice. It is fabulous in its vitriol, its nastiness, snideness and cruelty. It is far and away the best thing I have read this calendar year, up to and including July 2023. It is also funny and clever; ambitious and sweeping in its parameters. But hey, person who wrote the intro, I’m not sure that one half hearted footnote frees you from the charge of plagiarising Joan Didion.
    Customer image
    Russian Bride
    5.0 out of 5 stars
    Hollywood flowers and then destroys itself in the 1940s

    Reviewed in Australia on August 18, 2023
    If you are a viewer (think the Big Knife; In a Lonely Place) or reader of a Hollywood noir (think Kenneth Anger’s Hollywood Babylon) you will know that it is axiomatic that Hollywood is a place of infinite sleaze, garbage and corruption. No vice, no excess is forbidden. Gluttony, alcoholism, Class A drugs, perverse sexuality, gambling were always present. Organised crime could and did traffic people and goods. Race was a complicating factor. This narrative has an established tradition with possibly its most graphic exposition being located in Nathaniel West’s Day of the Locusts. Nothing is forbidden but that does not prevent Hollywood from being a city of nets in the Brechtian sense; that is a place of traps, pitfalls, snakes as well as ladders. Joan Didion has inferred that the horrors of Cielo Drive had deep historical roots and a long, festering period of incubation. So, what happens when these issues are not understood and/or can no longer be managed. Friedrich has chosen to probe these issues in a cultural and political history of Hollywood in the 1940s. This strange, insular company town sitting on the edge of the desert with its attendant chronic shortage of water was booming, its numbers swelled by European emigres, escaping Hitler. 1939, it has been argued was Hollywood’s finest year with 50 million Americans attending the cinema every week, over 500 films a year produced and movies being the US’s most lucrative export. America’s war saw oceans of money roll into Hollywood via contracts from the government and the defence forces. WWII saw also America win the actual war and with it, unprecedented political power as the world leader. It also won the propaganda war. Nothing was more desirable than the American way of life with its burgeoning high level consumerism. So why did America turn on and eat itself, courtesy of the appalling HUAC and McCarthyism? Why did America rip itself apart politically. Russia had been its wartime ally. Why the hysteria now? What kind of real threat was communism? And why by the end of the decade was its premium export trade faltering, with the Hollywood studios’ monopoly on theatres broken? The book illustrates its answers via a cast of recurring characters including Orson Welles, Walt Disney, J Edgar Hoover, Rita Hayworth, David Selznick and Jennifer Jones, Zanuck, Ingrid Bergman, Brecht, Thomas Mann and Bugsy Siegel. Friedrich is at his best with sly, grubby asides really (rather than actual stories) which show the slimy nature of Hollywood and its ilk. Why do we need to know about Hayworth’s prolonged and painful electrolysis? Same reason as dyeing her hair red: to make her look more Anglo, less Hispanic. And I had always thought that Bogart, Bacall et al winging their way to Washington to stand up to HUAC was a tale of Hollywood bravery and defiance. Turns out it was instead a tale of grovelling and abject apologies. The book overflows with such anecdotes drawn from personal lives, politics, studio machinations and crime. Friedrich is sexist in the extreme (see his comments on the Black Dahlia actress) and highly selective in his sympathies. The book crackles with spite and malice. It is fabulous in its vitriol, its nastiness, snideness and cruelty. It is far and away the best thing I have read this calendar year, up to and including July 2023. It is also funny and clever; ambitious and sweeping in its parameters. But hey, person who wrote the intro, I’m not sure that one half hearted footnote frees you from the charge of plagiarising Joan Didion.
    Images in this review
    Customer image
  • Zangiku
    5.0 out of 5 stars :-D
    Reviewed in Japan on November 1, 2022
    Excellent cultural history of America in the 1940s, centered on but not exclusive to Hollywood. Very well written, extremely funny, unputdownable.
  • Dash McGee
    4.0 out of 5 stars Great history of that era.
    Reviewed in Canada on November 1, 2022
    Only criticism was I thought there was too much related to the Era of Un American Activities, important but long winded.

Report an issue


Does this item contain inappropriate content?
Do you believe that this item violates a copyright?
Does this item contain quality or formatting issues?