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Black Dance: A Novel Kindle Edition
Renowned screenwriter Milo Noirlac is dying. As he lies in his hospital bed, voices from his past and present come to him, each taking on the rhythm of his favorite Brazilian fight-dance, the capoeira. Seated next to him is Milo’s director, co-writer, and lover Paul Schwartz, who coaxes Milo through the complex tale that will be their final masterpiece—his life story.
From the abuse Milo suffered as a foster child, to the loss of his beloved grandfather’s priceless library, his imagination brings to life several generations of ancestors: voices in French and English, German and Dutch, Cree and Gaelic. There’s his Irish grandfather, a would-be poet, classmate of “Jimmy” Joyce, and agitator against British occupation; Awinita, Milo’s biological mother, an Indian teen prostitute; Eugénio, a Brazilian street child whom Milo finds and fosters. As each voice cascades through Milo’s memory, a fragment of history—both personal and global—falls into place.
Editorial Reviews
Review
“Empathy and sardonic humor charge this self-reflective life story, as does the the relationship between life and art . . . Resisting simplistic clarification, Huston depicts a complicated life full of shortcomings and triumphs, and ultimately shows art’s freeing power to let loose secrets locked by the conscious mind.” —Publishers Weekly
About the Author
Product details
- ASIN : B00JD07HNQ
- Publisher : Black Cat (September 9, 2014)
- Publication date : September 9, 2014
- Language : English
- File size : 2.8 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 260 pages
- Best Sellers Rank: #1,774,484 in Kindle Store (See Top 100 in Kindle Store)
- #525 in Biographical Literary Fiction
- #1,452 in LGBTQ+ Literary Fiction (Kindle Store)
- #1,982 in Literary Sagas
- Customer Reviews:
Customer reviews
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- Reviewed in the United States on June 5, 2015This book is an artistic and literary achievement on many levels, most certainly foremost because of the writing style and talent of the author, Nancy Huston. She is able to build intrigue and interest based on several factors: first, her introduction and development of complex subject matter; second, the intertwining lives of two male filmmakers and third, her exploration and knowledge of different unique cultures which are woven into the fabric of the novel and which become the solid foundation upon which the lives of the characters are built and upon which the main plot and subplots rely. The complex flavors of these different cultures: Irish, French Canadian, German, Dutch, English, Brazilian and last but not least Indian, specifically Cree, are the matrix which constitute the personality and depth of life experiences from which Milo Noirlac's life stories in this book evolve. Milo Noirlac is a man in his fifties at the time the novel begins, as a final tribute to his life achievements, Paul Schwarz, his work and life partner collaborate on writing a screen play which essentially becomes his autobiography, both are award winning film makers. The connections made by the author from the past to the present and relationships between characters are written with a liquid fluidity and lyricism, the stories flow, despite the nonlinear technique of story telling.
The reader is immediately drawn into the historical background of Neil Kerrigan, aka, Noirlac, Milo's grandfather who just finished law school and seems bent on losing his virginity in a brothel in Dublin. which happened about April 1910. Many years later, in Canada, Milo's mother, Awinita, happens to be a nineteen year old prostitute who works to provide money to her poor parents and family still living on the Cree Indian reservation. Milo's father is Declan, the seventh child of Neil Noirlac (changed his name from Kerrigan when he came to Canada). In Ireland, Neil was an Irish Catholic patriot and thus volunteered in the Irish Republican Army, fighting the British rule. His brother Thom, was a student with James Joyce whose novel, "The Dubliners" was later published and won acclaim for depicting life as it really was lived by the poor Irish. Right before Neil's eyes, Thom was shot by the British for his anti-British activities. Neil Kerrigan was advised by the poet, William Butler Yeats to leave Ireland and start a new life, preferably in Canada, where he could put his writing skills to good use.. Neil had been kicked out of his home by his father, a successful and well respected local magistrate because of Neil's involvement in rebellion and for being defrocked/debarred from practicing law. Neil sailed to Canada and met his French Canadian wife there. He became the father of twelve children and worked in the lumber business, all the while reading good literature and collecting books, some of them first editions by famous authors. Declan, a seldom working and alcohol loving son of Neil Noirlac, fathered Milo and despite his undependable ways, remained loyal to Awinita, Milo's mother. Milo was given up for adoption, soon after his birth and lived in at least five foster families before being rescued by his grandfather Neil and brought to live with the family. Milo suffered some abuse at the foster homes, and when Declan learned of his son's fate, he often intervened, taking him out of them and had him placed in what he hoped was a better family environment. Eventually, when Neil learned he had a grandson, he took him to their own home. Milo's grandmother died in childbirth with her thirteenth offspring. The female head of the household was Maria-Thérése, his aunt on his mother's side. Needless, to say Milo had a very complicated and dysfunctional upbringing. Despite, the twists and turns of fate, Milo survived and became successful on his own terms. Some of the subject matter in this book sounds somewhat weird but the author manages to create a fascinating and engaging novel filled with unexpected surprises that keep the reader hooked and wanting to learn more about Milo Noirlac's life.
Nancy Huston has received world wide attention with several of her novels: Fault Lines, Plainsong, Slow Emergencies and The Mark of an Angel. These four novels have received highly prestigious literary awards in France. The French love existentialism, art, literature, and good food and wine. Black Dance has received high praise from "Elle" magazine and from "Madame Figaro" and will just possibly be another award winning book in France. It definitely has the hallmarks of fine writing with a strong plot and unforgettable characters, along with contemporary subject matter. Erika Borsos [pepper flower]
- Reviewed in the United States on November 6, 2016Nancy Huston's novel, "Black Dance" is a deathbed reflection of a man's life. He is Milo Noirlac: part Irish, part Cree Indian, and part French Canadian. This is the epitome of life flashing by before death. His life as a screenwriter dominates the style as the story unfolds in his peri-comatose mind. It is written in first person but not in his own voice. Instead it is the voice of his partner, Paul, with whom he made love, made life, and made motion pictures. It is Paul, "speaking" to Milo who voices the story in his mind. It is written exactly as the mind works when it is alone and medicated. There are sections that brilliantly ease through time and character and we follow them with ease. The entire book utilizes the ancient dance/martial arts of capoeira roda, which serves not just literally but metaphorically.
"Black Dance" views Milo's life from three points of view: his grandfather, Neil Kerrigan, whom we first meet in 1913. He lives in Dublin, the son of a wealthy magistrate. Neil is employed as a lawyer yet his heart and soul live elsewhere: his is equally a rebel, an Irishman hating the Colonization and oppression of Great Britain at the start of the IRA, but more, a writer of poetry and prose. It is through his writing that he will tell of the bloody oppression at the hands of the British. He lives in a world of "haves" and "have nots", randomly chosen by birthright. He is inspired by his brother's friend, a writer named Jimmy Joyce. After he is involved with a minor uprising for Irish independence, he is snubbed first by the English and then by his own people. He is exiled and travels to see the great poet, Willie Yeats, who is in love with Maude Gonne, and Neil has arranged for them to be together at last. It is Yeats who tells Neil he must change his name and emigrate to the Americas. Neil chooses the name Noirlac (French: Black Lake) and journeys to Montreal, Canada.
Awinita Johnson. 1951. She is Cree Indian and in Montreal she is a "have not" BELOW the have-nots, as the Indians are lower than the French Canadians and the "haves" are, of course, the British. Awinta, or Nita, as she is called, is a prostitute, as are most of the Indian girls, allowed no other choice if survival. Otherwise their families will starve. We are Nita. The only time we see her is with a mirror as the "camera" is Nita's eyes and imaginings. Nita is Milo's mother. Bt having the reader be her eyes, we feel her pain and her acceptance as the degraded one.
Milo Noirlac we meet as a foster child in Montreal until, at age five, his grandfather, Neil, learns of his existence and takes him home. By this time, Milo has been so severely abused that he has mastered a technique in which he is able to escape to the corners of his mind, much as he is doing now, at the time of his death.
Many essays seem to focus largely on plot which is secondary, really. The most striking element of Huston's novel is that we see many examples of caste systems in the world. Nation to nation. Religion to religion. Group to group. Male to female. Within this book we learn of the caste system of Montreal during the first half of the 20th century. At the top are the British. They control the British Isles, North America. They're Protestant and since Henry VIII divorced Catherine of Aragon, protestant and English are synonymous. This is the easiest example as the concept of haves-have nots runs from the very top all the way to the darkest corner of the bottom; which is where we find Milo.
The writing is captivating as Huston takes us through "Life flashing before your eyes" at time of death. We never hear it from Milo's first person, even though we exist solely in his mind, and this gives us a life-long understanding of a lesson that Milo learned as a very young foster child while locked in a dark closet: all preparing him for this ultimate solitude. Never trust any human being.
"Black Dance" has much more to say than mere plot. Or mere writing style. Each reader is likely to take something a little different from it and no one can say exactly what Nancy Huston was intending to say except that there is an innate condition of "haves" and "have-nots" and it never changes. Never.
This is a remarkable, easy, powerful read; a book that warrants many revisits and many spiritual effects. Books don't get much better than this one.
- Reviewed in the United States on July 23, 2015Shedding some light on people that lived near my place. This short story should go on. I need to know what happens next ...
- Reviewed in the United States on August 28, 2015Nancy Huston's "Black Dance" was a complete chore to read. How I labored through this book! On a return flight from St. Louis, the book fell out of my luggage with my boarding pass for the connecting flight. I was much more concerned about the lost boarding pass than the lost book. I did, however, BUY this sucker for a penny and finished the whole thing. It does not get much better. The writer seemed much more intent on showing what a wonderful writer she is rather than telling a story. This is one of the most confusing novels I've ever read. It changes locations from Ireland to Brazil to Quebec. At one point a woman says, "We will speak French in this family!" I did a double-take because I thought they were in Ireland. I had to re-read the dust jacket to realize that they must have shifted to French-speaking Quebec. It also shifts between the screenplay written about Milo's life to Milo's actual life, often making it impossible to figure out which is real. In addition to those shifts, we move back and forth in time during the 20th Century. Literally, this book is all over the map. From there is the final realization that no one in the book is the protagonist in the sense that we feel any sympathy or bond with them. Finally, what's with the title? Is this a racial slur? "Capoeira" is defined as "a Brazilian dance of African origin..." With all of the rape, drugs and brutality in the novel, it's hard to imagine "Black Dance" as anything at all positive. This novel is a complete mess. Taxi!
Top reviews from other countries
- AnamariaReviewed in Canada on December 26, 2014
5.0 out of 5 stars Great buy
Happy with the purchase. Arrived on the expected time frame, excellent condition, good value for the money.
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Client d'AmazonReviewed in France on August 29, 2021
5.0 out of 5 stars Parfait
Parfait