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The Anchoress: A Novel Kindle Edition
England, 1255. What could drive a girl on the cusp of womanhood to lock herself away from the world forever?
Sarah is just seventeen when she chooses to become an anchoress, a holy woman shut away in a cell that measures only seven by nine paces, at the side of the village church. Fleeing the grief of losing a much-loved sister in childbirth as well as pressure to marry the local lord's son, she decides to renounce the world--with all its dangers, desires, and temptations--and commit herself to a life of prayer.
But it soon becomes clear that the thick, unforgiving walls of Sarah's cell cannot protect her as well as she had thought. With the outside world clamoring to get in and the intensity of her isolation driving her toward drastic actions, even madness, her body and soul are still in grave danger. When she starts hearing the voice of the previous anchoress whispering to her from the walls, Sarah finds herself questioning what she thought she knew about the anchorhold, and about the village itself.
With the lyricism of Nicola Griffith's Hild and the vivid historical setting of Hannah Kent's Burial Rites, Robyn Cadwallader's powerful debut novel tells an absorbing story of faith, desire, shame, fear, and the very human need for connection and touch. Compelling, evocative, and haunting, The Anchoress is both quietly heartbreaking and thrillingly unpredictable.
- LanguageEnglish
- PublisherSarah Crichton Books
- Publication dateMay 12, 2015
- File size1689 KB
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Editorial Reviews
From School Library Journal
Review
Robyn ''Cadwallader does the real work of historical fiction, creating a detailed, sensuous and richly imagined shard of the past. She has successfully placed her narrator, the anchoress, in that tantalizing, precarious, delicate realm: convincingly of her own distant era, yet emotionally engaging and vividly present to us in our own.'' --Geraldine Brooks
''Cadwallader's vivid period descriptions set a stunning backdrop for this beautiful first novel.'' --Booklist (starred review)
''An ambitious debut . . . [offers] pleasures of a subtle and delicate kind . . . Cadwallader plays gracefully with medieval ideas about gender, power and writing.'' --The Guardian
''Cadwallader's writing evokes a heightened attention to the senses: you might never read a novel so sensuous yet unconcerned with romantic love. For this alone it is worth seeking out. But also because The Anchoress achieves what every historical novel attempts: reimagining the past while opening a new window - like a squint, perhaps - to our present lives.'' --The Sydney Morning Herald
''With patience and skill, Cadwallader portrays what Sarah's senses can still apprehend, and of how they remind her of the world so near outside, yet unreachable, that she can remember.'' --The Australian
''Quiet, assured debut novel . . . Cadwallader is a poet of loneliness; few writers have captured so completely the essential madness that accompanies hermitage, the grayness and sameness of each and every day . . . Sympathetic, fully realized characters and good use of period details make this a winning work of historical fiction.'' --Kirkus
About the Author
Product details
- ASIN : B00OO10X80
- Publisher : Sarah Crichton Books (May 12, 2015)
- Publication date : May 12, 2015
- Language : English
- File size : 1689 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 321 pages
- Best Sellers Rank: #782,946 in Kindle Store (See Top 100 in Kindle Store)
- #249 in Historical Australian & Oceanian Fiction
- #569 in Australia & Oceania Literature
- #1,546 in Medieval Historical Fiction (Books)
- Customer Reviews:
About the author
Robyn taught English literature, historical fiction and creative writing at Flinders University, South Australia. She is now the author of the internationally acclaimed novel The Anchoress (2015), Book of Colours (2018), and most recently, The Fire and the Rose.
She has also published a poetry collection, i painted unafraid (2010), a non-fiction book based on her PhD thesis about virginity and female agency in the Middle Ages and has edited collection of essays on asylum seeker policy, We Are Better Than This (2017).
Robyn lives among vineyards in the country outside Canberra, where she and her husband tend an orchard and a large veggie patch, look after their small flock of alpacas, three dogs and a couple of chooks. A wonderful array of birdlife keeps them company and vies for the first pickings of the apricot crops. When not writing, she loves to travel and discover worlds past and present.
Robyn is online at:
website: robyncadwallader.com
twitter: @robyncad
facebook:https://www.facebook.com/robyncadwalladerauthor/
instagram: robyncadwallader
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Top reviews
Top reviews from the United States
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I had never heard of anchoresses before so this was an interesting concept for me. I think that hearing the nails driven into the door that closed me off from the outside would have been enough to drive me bonkers. This book was well written.
At first, quite slow as Cadwallader paints the scene and characters with such imagery that the reader has no option other than to be drawn into Sarah's world. The descriptive language is superb as the characters are revealed slowly and with purpose.
Although I did not engage with this book until about 5 chapters in, I recognised immediately the beautiful language befitting of the time setting.
In the end, I loved this story but mostly, I loved Sarah.
Top reviews from other countries
I love this and look forward to more from this author.
Author Robyn Cadwallader is an academic medievalist. Her PhD thesis examined the story of Saint Margaret and attitudes to women in the Middle Ages.
She became interested in the lives of anchoresses during her research.
Why has the protagonist Sarah chosen the life of an anchoress? Perhaps through grief caused by the death of her mother, and later her sister in childbirth. Perhaps to escape the unwanted attentions of Thomas, the son of the Lord of the Manor. Maybe she has a genuine religious vocation.
At the beginning of Sarah's incarceration there is a ceremony which resembles burial rites. She is led in the darkness of night from the church, through the graveyard to a cell on the shady side of the church. Death is all around her.
They laid me down on the floor, scatterings of dirt and words falling on me, into my mouth and eyes. Death desired me and I accepted: 'Here I will stay for ever; this is the home I have chosen.'
Sarah presses her hands against the door of the cell. She feels the nails splintering the wood as the door is sealed. The cell is dark and dank and nine paces long. Stone walls are interrupted by a peep-hole, a 'squint', into the nave of the church, and two small, low windows.
Through her senses of smell and sound, Sarah begins to learn about life of the village outside her cell. She recognises the voices of people who go about daily lives from which she is excluded.
The Anchoress is filled with Robyn Cadwallader's sensuous, richly poetic language.
I left my Rule open and walked around my four walls, touching their roughness, feeling shallow gouges where the masons had chipped them square and flat. When I held my candle to them, their dull colour transformed, glowing yellow even more strongly than it would in sunlight.
The author describes Sarah's desire to please God by fasting, which leads to near starvation and hallucinations. Sarah also experiments with self-flagellation and wearing a hair shirt. The latter results in an erotic dream.
The Anchoress is peopled with Sarah's two maids, her confessor and the village women who visit her for counsel. She catches glimpses of them through the curtained windows. She is privy to gossip. The maids, Louise and Anna, take care of her physical needs. Sarah remembers her mother and sister, Emma. She thinks about the anchoresses who lived in her cell before her. And there is Thomas, who casts a dark shadow.
Through visitors to Sarah's cell, the reader is provided with information about the hard life in a medieval village. We learn of the rhythms of Church and agrarian life. The author also describes the harsh treatment of the villagers by the Lord of the Manor. In a subplot with Sarah's confessor Ranaulf at its centre, we also learn about the making of books by scribes and illustrators.
I'm very glad I read this book, in spite of my previous reservations. This novel is a fine achievement.