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Sex with Shakespeare: Here's Much to Do with Pain, but More with Love Kindle Edition
A provocative, moving, kinky, and often absurdly funny memoir about Shakespeare, love, obsession, and spanking
When it came to understanding love, a teenage Jillian Keenan had nothing to guide her—until a production of The Tempest sent Shakespeare’s language flowing through her blood for the first time. In Sex with Shakespeare, she tells the story of how the Bard’s plays helped her embrace her unusual sexual identity and find a love story of her own.
Four hundred years after Shakespeare’s death, Keenan’s smart and passionate memoir brings new life to his work. With fourteen of his plays as a springboard, she explores the many facets of love and sexuality—from desire and communication to fetish and fantasy. In A Midsummer Night’s Dream, Keenan unmasks Helena as a sexual masochist—like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of “privacy.” The Taming of the Shrew goes inside the secret world of bondage, domination, and sadomasochism, while King Lear exposes the ill-fated king as a possible sexual predator. Moving through the canon, Keenan makes it abundantly clear that literature is a conversation. In Sex with Shakespeare, words are love.
As Keenan wanders the world in search of connection, from desert dictatorships to urban islands to disputed territories, Shakespeare goes with her —and provokes complex, surprising, and wildly important conversations about sexuality, consent, and the secrets that simmer beneath our surfaces.
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateApril 26, 2016
- File size1248 KB
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Editorial Reviews
Review
“An English major’s dream!…You may have studied Shakespeare in high school, but it’s almost guaranteed that your literary analysis wasn’t anything like this…The connection to Shakespeare is a fascinating foil for Keenan’s life…[Her] writing is clear, relatable, and steady, even when conveying painful events in her past.” — Library Journal (starred review)
“Visceral, funny, and perceptive, this startling and very personal take on Shakespeare is genuinely revealing―not only about the author, but even more about the plays. Keenan notices and responds to things that criticism on the whole ignores. An enjoyable and impressive book.” — Stephen Orgel, Ph.D., Jackson Eli Reynolds Professor in Humanities at Stanford University and author of Imagining Shakespeare
“Moving and funny…Keenan’s original takes on Shakespeare are just as fascinating and insightful as her takes on sex, lust, and love. Fans (kinky or not) of Shakespeare will love reading this book, and anyone directing Shakespeare should be required to read it.” — Dan Savage, columnist, “Savage Love,” and author most recently of American Savage
“Explicit and often harrowing…Keenan writes, she says, so others like her will not have to feel alone…By demonstrating the elasticity with which sexual undertones in Shakespeare can be read, she makes a case for a more expansive definition of sexual identity.” — Booklist
“Keenan’s excellent writing and humor make this a book enjoyable for fetishists and vanillas alike― especially if you like Shakespeare… A powerful tool in the growing arsenal of identity acceptance…This is an important book to have been written and to be read.” — AVclub.com
“Keenan’s intimate conversations with Shakespeare offer new and often startling insights into his plays. They are also deeply moving, and deeply courageous, challenging us to rethink sexuality in fundamental ways.” — Ania Loomba, Ph.D., Catherine Bryson Professor of English, University of Pennsylvania, and author of Shakespeare, Race, and Colonialism
“Keenan serves up a smart, sexy cocktail of a memoir that is one part spanking fetish, another part Shakespeare, and goes down like a dirty martini that leaves the reader both shaken and stirred.” — Ian Kerner, Ph.D., author of She Comes First
“A raunchy memoir revealing a visceral connection to the Bard.” — Kirkus Reviews
“Jillian Keenan reveals how the revered playwright helped her come to terms with her sexual identity. Full of humor, her memoir explores the lessons she learned from the Bard, ranging from fetish to communication to love.” — Bustle.com
“Insightful and refreshing…Keenan’s mix of fearless and emotionally resonant personal revelations, cheeky (no pun intended) good humor, and deep literary knowledge make Sex with Shakespeare highly original and engaging.” — Karla Kane, Bitch Media
“Shakespeare may seem like an unusual focus for a memoir about kink and sexual identity, but those who’ve really read his plays know they’re full to the brim with raunch and innuendo…So Sex with Shakespeare makes perfect sense.” — Daily News
“Honest as a diary, provocative as a dirty magazine…Keenan relates her struggles seamlessly to the ones faced by some of the Bard’s most famous characters. This book is her journey to self-acceptance.” — Quartz.com
“Funny and insightful…In Keenan’s treatment of Shakespeare’s plays, they become instruments of self-knowledge… By juxtaposing the plays and kink, Keenan frames sexual behaviour as performance― a performance that can be as much about language as about the body.” — National Post (Canada)
“A true Shakespeare lover and connoisseur… [Keenan] interweaves her own personal experiences with plot lines from the Bard’s works, creatively building tension and intrigue… Her perspective is provocative and fascinating.” — Bustle.com
“If you: have ever been either bewitched or bewildered by Shakespeare’s work…or are merely curious about sexuality; or enjoy personal essay as well as magical realism and literary criticism, then Jillian Keenan’s Sex with Shakespeare is for you… a memoir that cannot be described with that label alone.” — Refinery 29
“Keenan is at her most confident. Her prose soars with a clarity of vision and purpose… Keenan writes a story of language and lust, and the pain of trying to get to that thing you want but you can’t quite put into words.” — The New Republic
“You’ll laugh, you’ll blush, and you’ll never see Shakespeare quite the same way again―and we’re pretty sure you’ll also fall in love with Keenan’s candor and wit…this is the perfect way to celebrate the 400th anniversary of the Bard’s death.” — Bookish
“Part examination of BDSM in Shakespeare (you’ll rethink what you think you know about The Taming of the Shrew, I tell you what), part memoir of a woman whose sexuality is under-or-misrepresented in mainstream media. I was so fascinated, I read it in one sitting.” — Book Riot
“If ever there was an ideal spanking ambassador for the kink-curious mainstream, it’s Keenan… Writing publicly about something that most people don’t dare to acknowledge even privately… is difficult and generous… What shines through is the story of a young woman looking to be made whole by love.” — New York Times
“A rollicking memoir…[including] daring readings of Shakespeare, a lot of kink, and many, many laugh-out-loud funny moments…But along the way, Keenan also talks about more somber topics―including, centrally, child abuse…a highly charged issue, and one that Keenan is passionate about.” — The Establishment
“Jillian Keenan’s two obsessions: spanking and Shakespeare. You may think those two don’t go together, but Keenan weaves them together to bring us a story about discovering your truest desires and what happens when you try to hide them.” — Popsugar.com
“Keenan’s memoir is an intellectual exploration of Shakespeare frosted with playful humor. It’s the perfect vacation book: sexy, thrilling and insightful…a sublime summer beach read for anyone who enjoys smart writing about love, travel and sex.” — Mic.com
From the Back Cover
A smart, provocative, and often absurdly funny memoir about Shakespeare, obsession, and kink
Love. It’s timeless, sublime, tricky, sometimes painful, and hard to understand—just like a certain English playwright we all know. In Sex with Shakespeare, Jillian Keenan tells the story of how the Bard’s plays helped her embrace her unusual sexual identity and find a love story of her own.
Four hundred years after Shakespeare’s death, Keenan’s smart and passionate memoir brings new life to his work. With fourteen of his plays as a spring-board, the book explores the many facets of love and sexuality—from desire and communication to fetish and fantasy. In A Midsummer Night’s Dream, Keenan unmasks Helena as a sexual masochist—like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of “privacy.” The Taming of the Shrew goes inside the secret world of bondage, domination, and sadomasochism, while King Lear exposes the ill-fated king as a possible sexual predator. Moving through the canon, Keenan makes it abundantly clear that literature is a conversation. In Sex with Shakespeare, words are love.
As Keenan wanders the world in search of connection, from desert dictatorships to urban islands to disputed territories, Shakespeare goes with her—and provokes complex, surprising, and wildly important conversations about sexuality, consent, and the secrets that simmer beneath our surfaces.
Advance Praise for Sex with Shakespeare
“Calling this book brave is an understatement. We often talk about other people’s kinks, but rarely does someone open up about their own kinks—and really own their kinks—as fearlessly as Jillian Keenan does in her moving and funny memoir. This book will help people, and this book will entertain people. And Keenan’s original takes on Shakespeare are just as fascinating and insightful as her takes on sex, lust, and love. Fans (kinky or not) of Shakespeare will love reading this book, and anyone directing Shakespeare should be required to read it.”—Dan Savage, columnist, “Savage Love,” and author most recently of American Savage
“Keenan’s intimate conversations with Shakespeare offer new and often startling insights into his plays. They are also deeply moving, and deeply courageous, challenging us to rethink sexuality in fundamental ways.”—Ania Loomba, Ph.D., Catherine Bryson Professor of English at University of Pennsylvania and author of Shakespeare, Race, and Colonialism
“Visceral, funny, and perceptive, this startling and very personal take on Shakespeare is genuinely revealing—not only about the author, but even more about the plays. Keenan notices and responds to things that criticism on the whole ignores. An enjoyable and impressive book.”—Stephen Orgel, Ph.D., Jackson Eli Reynolds Professor in Humanities at Stanford University and author of Imagining Shakespeare
“Keenan serves up a smart, sexy cocktail of a memoir that is one part spanking fetish, another part Shakespeare, and goes down like a dirty martini that leaves the reader both shaken and stirred.”—Ian Kerner, Ph.D., author of She Comes First
About the Author
Jillian Keenan holds degrees from Stanford University and has written for the New York Times, The New Yorker, the Washington Post, Slate, Foreign Policy, Playboy, National Geographic, Marie Claire, The Atlantic, Scientific American, The Los Angeles Review of Books, and other publications. She lives in New York City.
Product details
- ASIN : B013CBG8AO
- Publisher : William Morrow; Reprint edition (April 26, 2016)
- Publication date : April 26, 2016
- Language : English
- File size : 1248 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 331 pages
- Best Sellers Rank: #394,566 in Kindle Store (See Top 100 in Kindle Store)
- #134 in Shakespearean Literature Literature
- #785 in Love & Romance (Kindle Store)
- #1,679 in Read & Listen for Less
- Customer Reviews:
About the author
I'm a freelance writer based in New York. I've written for The New York Times, The New Yorker, Washington Post, Slate, Foreign Policy, American Prospect, Marie Claire, The Atlantic, National Geographic News, Daily Beast, Al Jazeera America, Scientific American, Pacific Standard, Playboy, Los Angeles Review of Books and elsewhere. My work has been discussed by The Wall Street Journal, New Republic, New York Magazine, Paris Review, Al Jazeera English, BBC World Service, Jezebel, The Toast, Quartz, LitHub, New York Daily News, Huffington Post Live, Vox, Vice, The Week, Telemundo and more.
As a foreign correspondent, I've reported from Somalia, Kazakhstan, Niger, the Philippines, Burundi, Bosnia and Herzegovina, Madagascar, and Cuba. My photography has been published in The Washington Post and Foreign Policy. Marion Ettlinger took my avatar photo.
My first book, SEX WITH SHAKESPEARE, was released by William Morrow/HarperCollins in 2016.
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There is a bit of mystery in the title. Of course, sex sells, so there is a certain wisdom in having that word in the title. Shakespeare has his fan base, so that’s a good idea too. The use of the preposition ‘with’ sets off the mystery. Sex AND Shakespeare suggests a discussion of sex as it relates to Shakespeare. But sex WITH Shakespeare could imply many things. Sexual intercourse after reading a Shakespeare sonnet? Or perhaps during a production of ‘The Taming of the Shrew’? No it’s nothing like that.
Ms. Keenan grew up the child of a free spirited single mother. She spent part of her late teens in Spain, matriculated to Stanford University, graduated and became a freelance journalist. She had some romantic relationships along the way.
At age 15 her mother took her to a production of ‘The Tempest.’ This set off her love of Shakespeare. With her emerging feelings about her sexuality, she discovered that she was a spanking fetishist. Much of her story covers this ongoing discovery and her eventual acceptance of it. It culminated in a big way in 2012. On November 9 of that year, the New York Times published her essay, ‘Finding the Courage to Reveal a Fetish’ to wide acclaim.
The question arises: Why isn’t her opus titled ‘Spanking with Shakespeare’? A complete reading of it makes clear why that title would not suffice. Interestingly, when studying the book’s cover (front, back, inside left flap, inside right flap),the word spanking appears only once - on the back. The word ‘kink’ and its variants are used five times, the word ‘love’ six times, ‘sex’ and it’s variants eight times. For a book about spanking, why this disparity? Because for Miss Keenan, spanking IS sex. She tells the reader on page 9, “What would be accurate to say that all day, every day, for my entire life, I’ve thought about spankings. Spanking is not PART of my sex life: spanking is my sex life. (To be honest, I could almost drop the word SEX from that sentence.) My fetish is my sexual orientation, or maybe just my orientation. It isn’t something I chose, or an experimental phase, or a preference, or a trend that I opted into. It’s the core of my sexuality, and an innate, unchosen, and lifelong center of my identity.”
Interspersed throughout are Ms. Keenan’s thoughts on Shakespeare’s plays and various characters. There are many imagined conversations with these characters. Spanking aside, this is an excellent discussion of the Bard of Avon. As a work of self discovery, it is moving and passionate. Those who are struggling to understand their sexuality, be it spanking or anything else, will find it helpful, comforting and enlightening. For all others who are just curious, they will find it fascinating. Ms. Keenan‘s writing style flows with grace and ease. All of this makes for a wonderful reading experience.
By the conclusion, Jillian Keenan emerges as a totally self actualized person. One hopes for her the very best, with anticipation for her future literary endeavors.
(x)(x)
(#)(#)
Reviewed in the United States on July 12, 2020
There is a bit of mystery in the title. Of course, sex sells, so there is a certain wisdom in having that word in the title. Shakespeare has his fan base, so that’s a good idea too. The use of the preposition ‘with’ sets off the mystery. Sex AND Shakespeare suggests a discussion of sex as it relates to Shakespeare. But sex WITH Shakespeare could imply many things. Sexual intercourse after reading a Shakespeare sonnet? Or perhaps during a production of ‘The Taming of the Shrew’? No it’s nothing like that.
Ms. Keenan grew up the child of a free spirited single mother. She spent part of her late teens in Spain, matriculated to Stanford University, graduated and became a freelance journalist. She had some romantic relationships along the way.
At age 15 her mother took her to a production of ‘The Tempest.’ This set off her love of Shakespeare. With her emerging feelings about her sexuality, she discovered that she was a spanking fetishist. Much of her story covers this ongoing discovery and her eventual acceptance of it. It culminated in a big way in 2012. On November 9 of that year, the New York Times published her essay, ‘Finding the Courage to Reveal a Fetish’ to wide acclaim.
The question arises: Why isn’t her opus titled ‘Spanking with Shakespeare’? A complete reading of it makes clear why that title would not suffice. Interestingly, when studying the book’s cover (front, back, inside left flap, inside right flap),the word spanking appears only once - on the back. The word ‘kink’ and its variants are used five times, the word ‘love’ six times, ‘sex’ and it’s variants eight times. For a book about spanking, why this disparity? Because for Miss Keenan, spanking IS sex. She tells the reader on page 9, “What would be accurate to say that all day, every day, for my entire life, I’ve thought about spankings. Spanking is not PART of my sex life: spanking is my sex life. (To be honest, I could almost drop the word SEX from that sentence.) My fetish is my sexual orientation, or maybe just my orientation. It isn’t something I chose, or an experimental phase, or a preference, or a trend that I opted into. It’s the core of my sexuality, and an innate, unchosen, and lifelong center of my identity.”
Interspersed throughout are Ms. Keenan’s thoughts on Shakespeare’s plays and various characters. There are many imagined conversations with these characters. Spanking aside, this is an excellent discussion of the Bard of Avon. As a work of self discovery, it is moving and passionate. Those who are struggling to understand their sexuality, be it spanking or anything else, will find it helpful, comforting and enlightening. For all others who are just curious, they will find it fascinating. Ms. Keenan‘s writing style flows with grace and ease. All of this makes for a wonderful reading experience.
By the conclusion, Jillian Keenan emerges as a totally self actualized person. One hopes for her the very best, with anticipation for her future literary endeavors.
(x)(x)
(#)(#)
As with many folks, I bought the book for the "sex" more than the "Shakespeare." For me, it was really validating to see, for the first time, my sexual identity represented in print. Keenan's writing certainly captures my experience, and many others' very well. Any person who identifies as having a fetish will likely find this book affirming, gratifying, empowering, and sometimes painfully recognizable. Those who don't share this identity but who care about understanding the experiences and identities of others will find an accessible, down-to-earth, non-judgmental, and non-sexualized explanation of fetish/paraphilia, totally appropriate for the uninitiated.
At the same time, the book is of course about so much more than sex and spanking. I'm not qualified to judge Keenan's Shakespeare commentary, but I certainly learned a great deal about the Shakespearean canon and found her analysis very insightful. And I also learned a great deal about the culture of arranged marriages in Oman, the Singaporean underground gay club scene, and the idiosyncrasies of small town North Dakota. Keenan offers very very vivid, human accounts of children navigating tricky relationships with abusive parents, young people in breathless love, couples striving to make a marriage work despite difference, and frustrated partners tempted by infidelity. The book is just so narratively rich, and Keenan weaves it all together masterfully.
As a memoir, it's moving and hilarious. As a primer on minority sexual identities, it's a must. (Keenan also has a series of videos on YouTube diving into some of these topics further that are well worth watching.)
Top reviews from other countries
I’m pretty sure this book is unique, in being a personal account of the spanking fetish, by someone alive and thriving – Kenneth Tynan’s spanking fetish, for example, wasn’t widely known of before his diaries were published – as well as in being a literate and intelligent evocation of the experience of living, and loving, with a spanking fetish. Here, the complicated poignancy of love found, spoiled, lost, recalled, is all conveyed with the immediacy and occasional awkwardness of a well-trusted and understanding friend. Keenan’s prose is lively, relaxed and precise: reliable.
She is self-examining and world-examining; her self-scrutiny doesn’t compromise her scrutiny of the world; she studies herself and the world with equal earnestness, good-humour, generosity and openness; and Shakespeare is, surely, the best imaginative and intellectual inspiration for that.
Shakespeare can be everything to everyone, anything to anyone; Keenan’s passion for his works is expressed with freedom and coherence. Her interpretations of the works she focuses on here are personal, well-argued and open – she’s not insisting her takes are the only ones. She’s playing with the characters and narratives. “Play” is a vitally important term, and concept, in life as well as in spanking fetishism.
Her imaginative interactions with Shakespeare’s characters, and Shakespeare himself, might be too arch and high-school-cutesy for some, but the warmth and openness of her literary personality will have won most readers over, will have them rooting for her.
It’s odd – and annoying – that “Sex with Shakespeare” is not better known, when inferior works on erotic spanking become bestsellers – ah well, the race is not necessarily to the swift, etc. Perhaps it’s too academic, too niche, the overlap of the Venn diagram circles of “spanking fetishist” and “Shakespeare fan” too small? I think the potential audience is greater than that. I’d strongly recommend this book to anyone kinky, kink-curious, kink-troubled, anyone anxious about their sexuality, anyone interested in human sexuality (not just in their own desires and fantasies), anyone interested in Shakespeare – O.K., that’s like saying anyone interested in language, or life – but I really would recommend this book to any of the above. And, given its impact on me, it would be dishonest to give it anything other than five stars.