Digital List Price: | $17.99 |
Kindle Price: | $2.99 Save $15.00 (83%) |
Sold by: | Amazon.com Services LLC |
Your Memberships & Subscriptions
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
Audible sample Sample
The Empty Ones: A Novel (The Vicious Circuit Book 2) Kindle Edition
Following on the heels of Robert Brockway's comedic horror novel The Unnoticeables, The Empty Onesreveals the next chapter in the lives of a few misfits attempting to fight back against the mysterious Unnoticeables.
The Empty Ones follows Carey and Randall to London where they go to rescue Gus and fight more of these mysterious angel-like creatures, and stumble on a powerful and unexpected ally. Meanwhile, Kaitlyn, who was very nearly beat when last we saw her, continues her fight into the desert of Mexico and the Southwest US, seeking the mysterious gear cult. Once there, she discovers what the gear cult is really up to: trying to 'pin' the angels to Earth, focus their attention here, and get as much of humanity as possible "solved"--which, in their minds, is akin to being saved--and in the process discovers something incredible about herself.
With a snarled lip, The Empty Ones incorporates everything that made The Unnoticeables incredible, but like any good punk band, when you don't think they can get any louder, they somehow turn it up a notch. It's terrifying and hilarious, visceral and insane, chaotic and beautiful.
The Vicious Circuit Trilogy
The Unnoticeables
The Empty Ones
Kill All Angels
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Books
- Publication dateAugust 30, 2016
- File size1396 KB
-
Next 2 for you in this series
$14.48 -
All 3 for you in this series
$24.47
Editorial Reviews
Review
Praise for The Empty Ones:
“[R]eads like a collaboration by Hunter S. Thompson, the Sex Pistols, and H.P. Lovecraft . . . ‘mostly bravado, lies, and perversion,’ which perfectly sums up the gutter-dwelling vibe of this novel.” ―Publisher’s Weekly
Praise for The Unnoticables
“Like Hunter S. Thompson went drinking with Stephen King.” ―Publishers Weekly
“Brings [Cracked]’s legendarily irreverent wit to this raunchy, rollicking tale of punk rock, gruesome horror and pop-culture satire.” ―NPR
“A nasty, freaky, and haphazardly funny horror story.” ―Kirkus Reviews
“The Unnoticeables is pure science fiction horror lurking behind the wry smile of a punk rocker in beer-stained blue jeans. Brockway writes confidently and with an utterly original voice, delivering a rude, smart, and at times terrifying story that I guarantee you’ve never seen before.”
―Daniel H. Wilson, New York Times bestselling author of Robopocalypse
“Deliriously unhinged in the best way possible. Fantasy that is fast, funny, and downright freaky.”
―Chuck Wendig, bestselling author of Blackbirds
“A visceral blend of brutality and cunning: bloody, innovative, and wildly compelling.”
―Cherie Priest, bestselling author of Maplecroft
About the Author
Product details
- ASIN : B015W3Q0E4
- Publisher : Tor Books (August 30, 2016)
- Publication date : August 30, 2016
- Language : English
- File size : 1396 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 288 pages
- Best Sellers Rank: #80,621 in Kindle Store (See Top 100 in Kindle Store)
- #81 in Horror Comedy
- #157 in Dark Humor
- #261 in U.S. Horror Fiction
- Customer Reviews:
About the author
Robert Brockway is the author of the post-apocalyptic horror epic Carrier Wave, the cyberpunk novel Rx: A Tale of Electronegativity, the comedic non-fiction essay collection Everything is Going to Kill Everybody, and The Vicious Circuit, a punk rock urban fantasy series from Tor Books. He is the former senior editor and columnist of Cracked.com (during the good years! Mostly!). He lives in Tucson, Arizona with his wife Meagan and their three dogs, Detective Martin Riggs, Detective Roger Murtaugh, and Penny (she did not make the force).
He is represented by Sam Morgan at The Lotts Agency.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
This is where I’d like to list the three major points which, when blended together, once again played with my expectations: Carey, Kaitlyn, and everything else.
To me, Carey represents the familiarity with the previous book. Seeing as how he apparently survives the events of 1978 (this really shouldn’t come as a spoiler to anyone), the younger Carey is the known variable here. He’s every bit as reckless as before, with just the right amount of introspective moments that shine a pretty big light on how unsure of his role in the fight against the Angels he feels. But damn it if he isn’t going to try his best, loudest, and (on at least one occasion) most car-destroying to live another day in pursuit of cheap beer and girls who are far better than what he thinks he deserves. Carey’s portions of the book read like the best parts of old-school horror flicks. They’re set in London, punk hasn’t been diversified yet, it’s constantly raining, the Underground is filled with Tar Men, plus there is an evil nigh-indestructible band whose music plain sucks. That’s just dripping with awesomeness. Also, plot happens, and that’s nice, too.
Kaitlyn, in the meantime, has had it rough. On the run, without a plan, accompanied by her best friend and an aged, leather-jacketed, still irresponsible Carey, she rightfully feels lost, apart from her singular goal of finding and somehow destroying Marco Luis – a monster, devoid of all that makes one a human being, save for his good looks and on-cue smile; an Empty One. Having already killed an Angel once is taking its toll on Kaitlyn. She constantly feels like she’s standing on the edge of understanding what is going on, but the realization sits just out of her reach. Her chapters are what I like to describe as a transition: We find out more about her through some flashbacks, we delve into the abstract notions of the mechanism behind the Universe as seen in her dreams, and we witness substantial development in her character not only as a person, but also within the scope of the series. The 2014 Kaitlyn is the natural progression of the 2013 Kaitlyn.
Before I launch into the “everything else” part, I’d also like to point out that, when compared to one another, Carey and Kaitlyn’s respective arcs have grown to be even more similar than before. Granted, the resemblance is still far from overt, but it feels more present. This, along with some key moments in Carey’s chapters, goes to show that there is a lot more to the seemingly unlikely alliance the two protagonists share.
And now for the things that I consider new and improved in comparison to “The Unnoticeables”. I may gush about stuff here, but a) I don’t care; and b) this is MY review, and I suck at reviewing works that I like.
The addition of some new POV characters was a great way to bring more life into them. I realize that it’s not always possible to develop side characters as well as intended, so to be able to see the events fold out from their perspective made me appreciate them a lot more. These chapters don’t take away the focus on Kaitlyn and Carey, they help in the building of the lore, and they can feel poignant, funny, sad, and (this thing is disgusted with itself to admit) very, very disturbing.
Also good: The addition of new monsters. I’m a sucker for body horror, so when a book sequence can remind me of John Carpenter’s “The Thing”, that’s always a plus. Talking about these new monsters verges on spoiler territory, though. I’m not getting near that. It would be much more fun to read about them on your own.
I know some people who don’t like cliffhangers, especially in book series. The argument here is that cliffhangers make the reader aware of the format when, ideally, each book should be self-contained, with overarching plot points to bridge them together. I respect that view, but I don’t necessarily agree with it. Truth be told, “The Empty Ones” took me on a rollercoaster of a ride that I only got through alive because the book had the good decency to end before the suspense killed me. There were breather moments, mind you; I just liked them as much as the fast-paced adventure ones.
All in all, “The Empty Ones” is a damn fine read and the most fun I’ve had while being kept on the edge of my seat, waiting to find out what happens in the next chapter well before having finished the current one. As Robert Brockway himself has stated on multiple occasions, the book (and, in fact, the entire series) defies being placed in a single genre, so it could find a bit of opposition in the face of some hardcore purists. If you’re into genre-mashing, the odds are you’ll like it. If you loved “The Unnoticeables” like I did, you’re (probably) going to spam the author with messages about how unfair it is to wait another whole year to read the last book.
There’s your review, Robert. I did exactly what you asked of me. Now hand over the conclusion. Slowly. Wait, not that slo--
Ah, crap.
Robert Brockway’s The Empty Ones is a decent follow up to The Unnoticeables and a solid book in its own right. It’s definitely a middle book, though one that has the courtesy of tying up its own story before jumping for the next book.
It being a middle book is sort of where my big complaint comes from. With The Unnoticeables there was an awareness that there had to be more creepies than just what the protagonists were dealing with, but it was pretty well all small scale stuff. It was local, almost personal, to the protagonists so it felt huge and each thing they stumbled into built it up more and reinforced how out of their depths they were. This book doesn’t have that. It physically takes the protagonists out of their usual haunts and has them chasing the monsters. Having that makes the whole plot feel smaller, or less, even as the stakes are higher this time around.
Part of what makes this an issue is the difference between what the reader knows from the 2013 sections and what the reader learns from the 1978 sections of the book. In the first book, the split timelines worked really well because it allowed the reader to see something in action and then learn about it or vice versa. The parallels aren’t nearly as clean in The Empty Ones, so we get a lot of new information in the past that doesn’t really seem to inform the present or the previous book. It can feel awkward even when it does land right, making scenes feel off kilter and characters feel not like themselves.
That’s a big part of what I meant when I said it’s solid in its own right but only a decent follow up. On its own, The Empty Ones has a lot of the same energy and punch as The Unnoticeables. The characters are still easy to care about. The monsters are still that extra spark of creepy. Even the new things that don’t totally work in context of the previous book are really cool if taken as part of a standalone novel. Reading it as a sequel though leads to comparisons and little rough spots throughout. The wonderful bittersweet ending to The Unnoticeables is suddenly fractured because we don’t have to wonder how Carey got from there to being nearly alone. Sammy Six’s story matters a whole lot less now because of new details. What’s lost is a lot of character stuff, and not necessarily little stuff at that.
On its own this is a really fun book. The antagonists are far stronger than the heroes, so the heroes have to be clever or just runaway. The characters feel very human or that perfect degree of just slightly wrong. The tone is by and large spot on. Emotive scenes hit the right chords, generally at the right times. And ultimately, while I like it better on its own than as a sequel, it makes me want to keep reading. I want to see where everything goes.
So, where does this leave The Empty Ones? As a standalone book it would be nearly a five out of five. The issue is that it follows a book that I would more than happily give a five to and, while it does well on its own, it doesn’t stack up to the book it follows. So that earns The Empty Ones a four out of five.
I was sent a copy of this by Tor for honest review.
I don't know if that's a question anyone can answer with objective sincerity, but if it were possible for a book to be in any way punk rock, this is that book. I'm not sure if there's been a better boots-on-the-ground perspective of the burgeoning punk scenes ever put to paper. You can practically smell the sweat and blood and cheap urine-scented beer dripping from its pages, and that's not half of it. If there were any justice in the world, this book would come wrapped in spiked leather, shuddering through a case of the DTs with a filthy safety pin in its nose.
The '70s punk scene might seem like a strange place to set a horror story, but it's a testament to Robert Brockway's peculiar genius to find a perfect niche for his characters in that mad time of discarded youth. What better place for soulless monstrosities to hunt victims than among disaffected runaways and gutter trash who are all but forgotten by society?
Top reviews from other countries
If you enjoyed the first book to any degree then would recommend this sequel. If you found the first book just too weird for your taste then this book is unlikely to change your mind.
The Empty Ones does an amazing job of continuing the story of the Unnoticeables and expanding on what's happening in the series and why. It's a cliché but I'll say it anyway: I literally couldn't put the book down and had to read it in 2 sittings. This is as much a testament to me having too much free time but also a testament to how great the pacing of the book is. Once again Brockway does a fantastic job telling the story by alternating timelines yet still having everything flow so smoothly. I actually ordered a copy of this book from the UK to Canada because I likes the cover art better (it matches The Unnoticeables more). That's how good it is: well worth the extra import fees!
If you like a good horror adventure that has just as much comedy and old pink nostalgia, then you have to read this series. No excuses!