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Los Angeles's Bunker Hill: Pulp Fiction's Mean Streets and Film Noir's Ground Zero! Kindle Edition
When postwar movie directors went looking for a gritty location to shoot their psychological crime thrillers, they found Bunker Hill, a neighborhood of fading Victorians, flophouses, tough bars, stairways, and dark alleys in downtown Los Angeles. Novelist Raymond Chandler had already used its real-life mean streets to lend authenticity to his hardboiled detective stories featuring Philip Marlowe.
But the biggest crime of all was going on behind the scenes, run by the city’s power elite. And Hollywood just happened to capture it on film. Using nearly eighty photos, writer Jim Dawson sheds new light on Los Angeles history with this grassroots investigation of a vanished place.
- LanguageEnglish
- PublisherThe History Press
- Publication dateJune 22, 2012
- File size5045 KB
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Product details
- ASIN : B01B04FDZQ
- Publisher : The History Press (June 22, 2012)
- Publication date : June 22, 2012
- Language : English
- File size : 5045 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 163 pages
- Best Sellers Rank: #1,043,365 in Kindle Store (See Top 100 in Kindle Store)
- #177 in Urban Planning & Development
- #249 in Travel Photography (Kindle Store)
- #250 in Pictorial Travel
- Customer Reviews:
About the author
Jim Dawson is a Hollywood, California-based writer who has specialized in American pop culture (especially early rock 'n' roll) and the history of flatulence (three books so far, including his 1999 top-seller, "Who Cut the Cheese? A Cultural History of the Fart"). Mojo magazine called his "What Was the First Rock 'n' Roll Record?" (1992), co-written with Steve Propes, "one of the most impressive musical reads of the year"; it remains a valuable source for music critics and rock historians, and an updated 30th anniversary edition was published by Genius Music Books in 2022. Dawson also wrote a series of articles on early rhythm and blues and rock 'n' roll pioneers for the Los Angeles Times, including a 1989 front-page story in the Calendar entertainment section on the forgotten tragic figure Ritchie Valens. The piece led directly to Rhino Records reissuing Valens' entire catalog (with Dawson's liner notes) and eventually to the 1987 biopic "LaBamba," which used some of Dawson's research. Since 1983 Dawson has also written liner notes for roughly 150 albums and CDs, including Rhino's prestigious "Central Avenue Sounds" box set celebrating the history of jazz and early R&B in Los Angeles. He has also written extensively about Los Angeles history, pulp fiction, and film noir. Dawson is currently working on a novel about a 1920 coal mine war in his native West Virginia.
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Bunker Hill was once one of LA's premiere residential areas but by the late 1940s, it had regressed to a run down neighborhood of once opulent hotels and mansions converted to low-income apartments. The seedy nature of the neighborhood along with spectacular views of the rapidly expanding Los Angeles skyline and some great locations, including the Angels Flight funicular and the Third Street tunnel, and its proximity to the Hollywood studios made Bunker Hill a made-to-order film set.
Sadly, Bunker Hill succumbed to redevelopment in the 60s leaving very little of the original intact. As Jim Dawson points out in his excellent paen to Bunker Hill and LA-based film noir, even the restored Angel's Flight railway was reinstalled in the wrong location! Mr. Dawson's copiously illustrated book takes the reader on a nostalgic journey through the famous and not so famous movies of the late 40s through early 60s while providing a fascinating history of arguably the most interesting neighborhood in Los Angeles, past or pressent.
Highly recommended!
The book tells the story of film noir's first on-location shooting set. Movies filmed there have a realism missing from those produced on the typical studio soundstage. While some of the movies discussed in this book are only of average quality with regard to screenplay and acting, all profit from being freed of the confines of the studio, and filmed in a wonderfully atmospheric locale that is now long gone.