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Neil Young and the Poetics of Energy (Musical Meaning and Interpretation) Kindle Edition
As a writer in Wired magazine puts it, Neil Young is a “folk-country-grunge dinosaur [who has been] reborn (again) as an Internet-friendly, biodiesel-driven, multimedia machine.” In Neil Young and the Poetics of Energy, William Echard stages an encounter between Young’s challenging and ever-changing work and current theories of musical meaning—an encounter from which both emerge transformed.
Echard roots his discussion in an extensive review of writings from the rock press as well as his own engagement as a fan and critical theorist. How is it that Neil Young is both a perpetual outsider and critic of rock culture, and also one of its most central icons? And what are the unique properties that have lent his work such expressive force? Echard delves into concepts of musical persona, space, and energy, and in the process illuminates the complex interplay between experience, musical sound, social actors, genres, styles, and traditions.
Readers interested primarily in Neil Young, or rock music in general, will find a new way to think and talk about the subject, and readers interested primarily in musical or cultural theory will find a new way to articulate and apply some of the most exciting current perspectives on meaning, music, and subjectivity.
“A fascinating and unique reading of Neil Young’s music.” —Literary Review of Canada
“[An] intriguing, elegantly written analysis of Young . . . Exemplifies the fruitful union of musicology and cultural studies.” —Cotten Seiler, Dickinson College
- LanguageEnglish
- PublisherIndiana University Press
- Publication dateJune 15, 2005
- File size1303 KB
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About the Author
William Echard is Assistant Professor in the Department of Music and Institute for Comparative Studies in Literature, Art and Culture at Carleton University. He lives in Ottawa, Ontario.
Product details
- ASIN : B01NCK5HBJ
- Publisher : Indiana University Press (June 15, 2005)
- Publication date : June 15, 2005
- Language : English
- File size : 1303 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 272 pages
- Best Sellers Rank: #1,879,962 in Kindle Store (See Top 100 in Kindle Store)
- #159 in Philosophy & Social Aspects of Music
- #442 in Musical Philosophy & Social Aspects
- #602 in Music Theory (Kindle Store)
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So I hate to see this book criticized by reviewers for being what it is, an academic study. It is not for everyone. It is not INTENDED for everyone.
Once you realize that it defends highly original ideas about how guitar solos are meaningful artistic gestures, you can appreciate it for what it tries to be (semiotic analysis) and not what you might hope it is (rock criticism). And it's damn fine semiotic analysis.
I don't give it five stars because it doesn't give equal time to all phases of Neil Young's career.
1. MY BATHS IN CALGON
2. HOW TO KEEP YOUR TENURE WITHOUT HAVING TO DO ANYTHING INTELLIGENT
3. TOUCH ME OH SO TENDERLY
4. HOW TO MISEXPRESS THE INEXPRESSIBLE AND GET PAID FOR IT
5. POETRY, FEELINGS, WARMNESS, AND YOU
6. WHAT TO DO WHEN YOU DON'T KNOW WHAT TO DO WITH YOUR PhD
7. SAY IT LIKE YOU DON'T MEAN IT
8. WHY IT'S BETTER TO BE COOL THAN SMART WHILE ALL THE WHILE IMAGINING THAT YOU'RE BOTH
9. THE SECRET GARDEN
10. THE LONG SUMMER OF PRETENDING TO HAVE FEELINGS
11. 101 WAYS TO BETRAY THAT YOU'RE A GUILTY INTELLECTUAL
12. HOW TO CONFUSE "I LIKE IT" WITH "I SHOULD WRITE ABOUT IT"