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Darwin and the Making of Sexual Selection Kindle Edition
Only now, with Darwin and the Making of Sexual Selection, do we have a comprehensive and meticulously researched account of Darwin’s path to its formulation—one that shows the man, rather than the myth, and examines both the social and intellectual roots of Darwin’s theory. Drawing on the minutiae of his unpublished notes, annotations in his personal library, and his extensive correspondence, Evelleen Richards offers a richly detailed, multilayered history. Her fine-grained analysis comprehends the extraordinarily wide range of Darwin’s sources and disentangles the complexity of theory, practice, and analogy that went into the making of sexual selection. Richards deftly explores the narrative strands of this history and vividly brings to life the chief characters involved. A true milestone in the history of science, Darwin and the Making of Sexual Selection illuminates the social and cultural contingencies of the shaping of an important—if controversial—biological concept that is back in play in current evolutionary theory.
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Editorial Reviews
Review
“This work investigates ‘the intellectual and social roots of Charles Darwin’s theory of sexual selection’ by examining his notes and published writings, particularly The Descent of Man, and Selection in Relation to Sex. Richards explains how and why Darwin invoked this concept, including a chronological history of its development. In this thorough, comprehensive study, she considers such broad themes as race, sexual politics, marriage, class, adaptation, fashion, competition, beauty, and religion. Even though Darwin regarded natural selection as the prime force driving evolutionary change, he recognized it could not account for the presence of all adaptations. Darwin advanced sexual selection to explain how such traits as coloration in birds and insects were selected, although they did not have protective value. He reasoned their bright colors made males more attractive to females in mating. His ‘big species book,’ the incomplete Natural Selection, was written before he adapted its ideas into the published Origin. Darwin deferred discussion of human evolution and sexual selection in Origin and later addressed them in Descent. Darwin and the Making of Sexual Selection has excellent illustrations, which help elucidate its narrative. It is best suited for upper-level students and historians of science. Recommended.” ― Choice
"A 'big book': worth dwelling on, worth wallowing in. It bids fair to change our understanding of sexual and natural selection alike." ― Isis
"Evelleen Richards’ landmark new book forever puts to rest the notion that Victorian ideas about gender, race, and sex were somehow tangential to the development of evolutionary theory. As Richards astutely argues, Victorian ideas about race, class, gender, and sex were at the very center of Darwin’s thinking and of his daily life. But this book is much more than an exploration of the gendered aspects of The Descent of Man. Darwin and the Making of Sexual Selection provides a rich, detailed, intellectual, cultural, and personal history of the major ideas presented in The Descent of Man, on the development of the theory of sexual selection. . . . The book’s most significant contribution, to my mind, is that it is not just an intellectual history--it is a vibrant and complex cultural genealogy of ideas. Richards argues time and again, very convincingly, that Darwin’s scientific thinking developed not only in conversation with his scientific peers and through his observations, but also in connection to his family life, his romantic ideas, and the broader culture of which he was a part, especially Victorian visual culture. . . . Perhaps the most remarkable and surprising thing about Darwin and the Making of Sexual Selection, at 536 pages, is how enjoyable it is to read. Richards has a beautiful, enviable style; for a book so dense with ideas and long-forgotten thinkers (as well as those we remember), it is masterfully written and very engaging. Richards knows when gently to remind the reader to whom a particular name refers and when to insert a humorous anecdote. She also skilfully incorporates the precise language of various debates in a readerly fashion that establishes the essence but does not bog down the reader in long quotations. While many readers will read Darwin and the Making of Sexual Selection straight through, from cover to cover, it is also the sort of book that will serve as a staple in one’s library for one’s entire career--as an encyclopedia of ideas. Not only will the appeal of this book be immediate, it will endure. Darwin and the Making of Sexual Selection is essential reading for anyone hoping to engage with or enter into the study of eighteenth-nineteenth-century intellectual history, history of science, or Darwin studies, and it is a model for what the history of science might become as we continue to explore and understand the links between the life sciences and the lives of scientists."
― Metascience
"A work of tremendous merit and value. It is my intention to re-shelve my copy of this book so that it sits right next to my copy of The Descent of Man. It belongs next to the volume in the same way that notes belong in texts, in order to more fully reveal the foundations of ideas at the time of their conception."
― Evolutionary Psychological Science
"This extraordinary work of deep scholarship will change the way we think about Darwin and sexual selection. It is certainly the most important book written on a subject that has attracted much less attention than its sister theory, natural selection. . . . Thorough and meticulous, it is at the same time exceptionally readable, moving almost like a detective novel through the various steps Darwin had to take in order to account for a world too complicated to be completely explained by natural selection and yet entirely without supernatural intervention. . . . This reader finds it hard to imagine a Darwin scholar who could come away from this book without learning something new and important . . . . It is impossible to do justice to the detail, nuance, and compendiousness of a book so ambitious and rich as this." ― Victorian Studies
"[S]imply stunning...not only is this a great book on Darwin, it is also one that serves as a guide on how to write books about Darwin that matter and make a lasting contribution to how we understand his work and its continuing influence." ― Times Higher Education Published On: 2017-03-27
"It troubled Darwin, a privileged white Victorian man, to impute agency to women and aesthetic discrimination to non-Europeans. His peers rejected the theory. But biologists are revisiting it. Science historian Evelleen Richards’s book vividly excavates its origins. Darwin developed his ideas on sexual selection while immersed in fields as diverse as embryology and pigeon breeding. Deeply personal matters such as choosing his wife, Emma, and daily preoccupations such as women’s fashions, also played a part. In Richards’s view, Darwin’s opposition to slavery did not, as others argue, motivate his work on sexual selection. What did was his human attempt to answer scientific, political, social and personal questions."
-- Elizabeth Yale ― Nature“Long but very readable. . . . Her book is excitingly full of colour, fashion, magazines, women and multi-species sexual display. . . . Richards is very good at tracing out the hinterland of accepted models of female sexuality in the high Victorian period. . . . Richards is brilliant at showing a Darwin half enmeshed in the prejudices of his time, and half able to see beyond them.” ― Times Literary Supplement
"Richards’s fascinating story of Darwin’s other theory offers an intriguingly different picture of the development of Darwin’s evolutionary thinking as a whole, in which sexual selection assumes a central position. For this reason, Darwin and the Making of Sexual Selection deserves to take its place alongside the best of the substantial scholarly treatments of Darwin from the last three decades. . . . Gracefully written, Darwin and the Making of Sexual Selection offers its readers a lively narrative deeply informed by Richards’s formidable grasp of both previous scholarly works and the abundant primary sources. She draws extensively on Darwin’s letters, notes, articles, and books, as well as the writings and correspondence of Darwin’s friends and his intellectual inspirations, and she manages to weave them all into a rich tapestry illuminating the convoluted formation of Darwin’s evolutionary theory shaped by the rapidly changing political, social, religious, cultural, and scientific context. This is impressive, painstaking scholarship at its best." ― Journal of the History of Biology
“A towering achievement and a magnificent feast. All the leading Darwin themes are here: race, empire, capital, sex, gender, marriage, family, breeding, class, competition, mind, brain, heredity, embryology, ancestry, adaptation, progress, fashion, aesthetics, morals, politics, and religion. All are related to one another and to Darwin’s theory of sexual selection with cogent, comprehensive, contextual interpretations; incisive, meticulous, textual explications; tireless, critical, archival research, and judicious, sensitive, biographical scholarship. There is no better book on Darwin.” ― Jonathan Hodge, author of Darwin Studies: A Theorist and his Theories in their Contexts
"[A]n ambitious undertaking, offering by far the most comprehensive account of the development of Charles Darwin’s theory of sexual selection. Richards ‘explores the intellectual and social roots’ of Darwin’s theory, ‘analyzes its stages of theory building in his published and unpublished writings and its elaboration in The Descent of Man, and reviews its contemporary reception, reinterpretations and applications’. Richards lavishes on sexual selection the kind of treatment previously reserved by historians for natural selection. This attention is long overdue, for sexual selection, as Richards rightly insists, was more clearly Darwin’s own creation." ― Annals of Science
“Far more than natural selection, sexual selection was distinctively Darwin’s own theory, and it underpinned, albeit not without considerable controversy, much of his wider evolutionary thinking. In meticulously reconstructing just how Darwin formulated his controversial concept of the struggle for mates, Evelleen Richards provides perhaps the richest and most detailed account of the making of any scientific theory. Ranging from Enlightenment physiognomy to Victorian high fashion, and examining an unprecedented array of both Darwin’s own writings and his voluminous reading, Darwin and the Making of Sexual Selection is a tour de force of rigorous historical scholarship.” ― Gowan Dawson, author of Show Me the Bone
“Brilliantly written and deftly constructed, this epic work sets Darwin's theorizing about sex, race, and reproduction in a long-term context extending from the late Enlightenment to the end of the Victorian era. It provides an entirely fresh account of the development of the theory of sexual selection, tracing its origins in issues ranging from birth control and radical politics to feminine fashion and the marriage market. A landmark not only in Darwin studies, but also in our understanding of the era in which science achieved unprecedented authority as the arbiter of truth.” ― James A. Secord, author of Visions of Science: Books and Readers at the Dawn of the Victorian Age
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Darwin and the Making of Sexual Selection
By Evelleen RichardsThe University of Chicago Press
Copyright © 2017 The University of ChicagoAll rights reserved.
ISBN: 978-0-226-43690-6
Contents
List of Illustrations,List of Abbreviations,
Acknowledgments,
PROLOGUE / "An Awful Stretcher",
Part I: Beauty, Brotherhood, and Breeding: The Origins of Sexual Selection,
ONE / The Ugly Brother,
TWO / Good Wives,
THREE / "Bliss Botanic" and "Cocks Heroic": Two Darwins in the "Temple of Nature",
FOUR / Beauty Cuts the Knot,
FIVE / Reading the Face of Race,
SIX / Good Breeding: The Art of Mating,
SEVEN / "Better Than a Dog Anyhow",
EIGHT / Flirting with Fashion,
NINE / Development Matters,
Part II: "For Beauty's Sake": The Making of Sexual Selection,
TEN / Critical Years: From Pigeons to People,
ELEVEN / Putting Female Choice in (Proper) Place,
TWELVE / The Battle for Beauty: Wallace versus Darwin,
THIRTEEN / Writing the Descent: From Bird's-Eye View to Masterful Breeder,
FOURTEEN / The Post-Descent Years: Sexual Selection in Crisis, Female Choice at Large,
EPILOGUE / Last Words,
Notes,
Bibliography,
Index,
CHAPTER 1
The Ugly Brother
I believe if the world was searched, no lower grade of man could be found. ...
Their appearance was so strange, that it was scarcely like that of earthly inhabitants. ...
I never saw such miserable creatures; stunted in their growth, their hideous faces bedaubed with white paint & quite naked. — One full aged woman absolutely so, the rain & spray were dripping from her body; their red skins filthy & greasy, their hair entangled, their voices discordant, their gesticulation violent & without any dignity. Viewing such men, one can hardly make oneself believe that they are fellow creatures placed in the same world. I can scarcely imagine that there is any spectacle more interesting & worthy of reflection, tha[n] one of these unbroken savages.
— Darwin on the Fuegians, 1832, 1834
So Darwin recorded his encounters with the "savages" of Tierra del Fuego in the diary he kept on board the Beagle. His immediate account registers both fascination and revulsion. At the same time, his shock at the profound difference of the Fuegians, the enormity of their distance from civilized man, was tempered by his assumption that these "unbroken" people may yet be "improved" by the taming hand of civilization.
At that point in time, he had reason to think so. Three of his fellow travelers on the Beagle were Fuegians, dubbed with the objectifying, Anglicized pseudonyms of Jemmy Button ("whose name" Darwin claimed, "expresses his purchase-money"), York Minster, and Fuegia Basket. Their real names were, respectively, O'run-del'lico, El'leparu, and Yok'cushly. They had been taken from a tribal state in Tierra del Fuego to England by Captain FitzRoy on a previous voyage and given the rudiments of a Christian education. They were now being returned to their native land along with a naive young missionary and assorted impedimenta of British civilization — described by FitzRoy as "serviceable articles," but including, according to Darwin, "wine glasses, butter-bolts, tea trays, soup turins, mahogany dressing case, fine white linen [and] beavor [sic] hats." It was FitzRoy's personal project of improvement that they would form the nucleus of a Christian civilization on these inhospitable shores.
In the Descent, Darwin harked back to his "continual surprise" at "how closely" these domesticated Beagle Fuegians who could speak a little English "resembled us in disposition and in most of our mental faculties." Yet their "barbarian" relatives, brutish, to his eyes devoid of all the expected attributes of humankind, pushed the boundaries of humanity to its very limits.
During his travels on the Beagle, Darwin met with a number of other races and saw many awe-inspiring sights. But at the conclusion to his diary, which became the basis of his best-selling Journal of Researches (rewritten in 1837, first published in 1839), Darwin returned to what had most struck him on his five-year voyage: the primal spectacle of "man in his lowest and most savage state":
One's mind hurries back over past centuries, and then asks, could our progenitors have been men like these? — men, whose very signs and expressions are less intelligible to us than those of the domesticated animals; men, who do not possess the instinct of those animals, nor yet appear to boast of human reason, or at least of arts consequent on that reason. I do not believe it is possible to describe or paint the difference between savages and civilized man. It is the difference between a wild and tame animal.
Words failed Darwin in attempting to describe the unbridgeable gulf between the Fuegian and his civilized observer; nor could this difference even be represented in paint, so far removed from iconography, from all aesthetic conventions, was the alien appearance of the Fuegian (whose own rudimentary aesthetic was limited to the appreciation of gaudy baubles such as blue beads and scarlet cloth). This unforgettable, unpaintable, indescribable difference (which Darwin did in fact describe over and over again in terms of the difference between wild and domesticated animals) was still with him at the end of his life. But his best-known reprise of his Fuegian encounter was in the conclusion to the Descent. There, Darwin, in an attempt to counter the Victorian horror of bestial descent, asserted his personal preference for a brave monkey or a plucky baboon as ancestor, rather than a bestial Fuegian progenitor. It repays close reading:
The main conclusion arrived at in this work, namely that man is descended from some lowly-organised form, will, I regret to think, be highly distasteful to many persons. But there can hardly be a doubt that we are descended from barbarians. The astonishment which I felt on first seeing a party of wild Fuegians on a wild and broken shore will never be forgotten by me, for the reflection at once rushed into my mind — such were our ancestors. These men were absolutely naked and bedaubed with paint, their long hair was tangled, their mouths frothed with excitement, and their expression was wild, startled, and distrustful. They possessed hardly any arts, and like wild animals lived on what they could catch; they had no government, and were merciless to every one not of their own small tribe. He who has seen a savage in his native land will not feel much shame, if forced to acknowledge that the blood of some more humble creature flows in his veins. For my own part I would as soon be descended from that heroic little monkey, who braved his dreaded enemy in order to save the life of his keeper; or from that old baboon, who, descending from the mountains, carried away in triumph his young comrade from a crowd of astonished dogs — as from a savage who delights to torture his enemies, offers up bloody sacrifices, practises infanticide without remorse, treats his wives like slaves, knows no decency, and is haunted by the grossest superstitions.
Here, the captive monkey and the wild baboon are represented as more like Darwin and the reader, more moral — indeed, more civilized — than the alien, wild Fuegian who is nevertheless presented as closer in kin (only just) to the reader and to Darwin. In this rhetorical set piece, Darwin plays on the disgust felt for the indecent, filthy, cruel savage in order to lessen the disgust for the ape ancestor. Again he conveys his shaken sensibilities; once again he likens the Fuegians to wild animals; yet again he presents the striking, if distasteful realization: "Such were our ancestors."
It has been remarked of this passage that here Darwin is situating himself in relation to the central anthropological question of his time: Were the different human races of one common origin, as the old orthodox biblical view would have it (monogenism), or did they have a number of separate origins (polygenism)? Here, at the very end of his sustained theoretical defense of monogenism, of his carefully reasoned argument that, over the ages, the different races have originated from a common ancestor through the cumulative action of sexual selection, Darwin identifies himself as an emotional polygenist, as retaining his sense of absolute human difference, of antipathy to other races. To this end, he deploys his experiential authority by invoking a historically specific, intensely lived, still vivid encounter with wild, inhuman Fuegians. At the same time, in the very same paragraph, Darwin affirms his evolutionary, monogenist position —"there can hardly be a doubt that we are descended from barbarians." "We" (Darwin and the Victorian reader) and the disgusting, uncivilized Fuegians, however repellent the notion, share a common origin.
That Darwin never doubted the common origin of the human races is beyond dispute. He came from a Unitarian and liberal Whig, Wedgwood-Darwin line of active opposition to slavery. It was the one social issue guaranteed to make his "blood boil." His writings emphasize the essential humanity of the black men and women, enslaved and free, whom he encountered. He was righteously revolted by the cruelties and injustices to slaves that he heard of and witnessed during the voyage of the Beagle. Their screams and groans haunted him down the years. While back in Britain the abolitionist movement campaigned to outlaw slavery in the name of a universal human brotherhood, Darwin in Brazil — where Portugal was still transporting African slaves — praised the efforts of the antislavery agitators. He recorded his abhorrence of the system and those prejudiced "polished savages in Britain" who supported it, who ranked the slave as "hardly their brethren, even in Gods eyes." He hoped for the day when the slaves with their "fine athletic figures," "underrated intellects," industrious habits, and sheer force of numbers would "assert their own rights" and "ultimately be the rulers" of the "ignorant, cowardly, & indolent" Brazilians. On board the Beagle, Darwin jeopardized his comfortable relations with FitzRoy in an emotional confrontation over the aristocratic captain's paternalistic view of Brazilian slavery as a "tolerable evil." In a later "explosion of feeling," provoked by Charles Lyell's published anti-abolitionist sentiments, Darwin went public with a passionate denunciation of the "sin" of slavery in the revised second edition of his Journal of Researches of 1845. At the onset of the American Civil War, he declared himself prepared to accept a "million horrid deaths" for the greater good of an end to this "greatest curse on earth."
It is possible, as Desmond and Moore claim, that it was Darwin's revulsion against slavery that underwrote his monogenism and, ultimately, his belief in human and biological evolution, a "concern that would lead to the emancipation of humanity from creationist bondage in the Descent of Man." Yet it is not difficult to see that Darwin's unsettling, unforgettable Fuegian encounter, his shattering realization that such bestial-seeming beings might be our forebears, his readiness to exploit that savage encounter to emphasize the utter otherness of the savage as kin in order to make an animal kinship more acceptable to his Victorian readers, registers more than a mere abolitionist crusade, a ready-made, humanitarian assumption of racial unity that fueled his evolutionary theorizing.
Even when Darwin is at his most sensitive to the plight of the slave, he still plays on the uneasy conjuncture of man and beast. He gives an account of gesturing in attempting to communicate with a "negro, who was uncommonly stupid." To Darwin's consternation, the man assumes that Darwin is about to strike him:
I shall never forget my feelings of surprise, disgust, and shame, at seeing a great and powerful man afraid even to ward off a blow, directed, as he thought, at his face. This man had been trained to a degradation lower than the slavery of the most helpless animal.
Here the slave is a pitiable, servile, über-domesticated animal. At the same time, the Fuegians are untamed, untrustworthy, with the irrational instinctive ferocity "of a wild beast ... each individual would endeavour to dash your brains out with a stone, as a tiger would be certain under similar circumstances to tear you." Even the more tractable semi-civilized Indian gauchos of the Bahia Blanca "whilst gnawing bones of beef, looked, as they are, half-recalled wild beasts."
There is a reiterated bestial imagery in Darwin's Beagle renderings of other races, a confusion of the classes of human and beast, that is more than mere metaphor, and that comes strikingly to the fore in his descriptions of the savage Fuegians. It hints at the animality of Fuegian and hence our own ancestry, a proto-evolutionary transformation that marks the transition from the bestial to the human. It presages Darwin's argument in the Descent that there are no characteristics that absolutely distinguish humans from animals. More immediately, this crystallized for Darwin in 1838, when, back in England, he argued to himself the defensibility of his recently formulated transmutationist views:
Nearly all will exclaim, your arguments are good but look at the immense difference between man [and animals], — forget the use of language, & judge only by what you see. Compare, the Fuegian & Ourang outang, & dare to say difference so great.
As an extension of this collapsing of Fuegian into orangutan, there is the compulsion of Darwin's comparison between the Fuegians on shore and the civilized Fuegians on board the Beagle, insistently typified as the difference between wild and domesticated animals. Again this is more than simplistic farmyard analogy. Darwin "saw what he thought was an authentic transformation of personality from aboriginal brutishness to the softer, tamer, more civilized nature of Western humanity, 'domestic' in all senses."
By Darwin's account, the wild Fuegians "knew no government" or "domestic affection"; they lived in primitive communism; went about naked and shelterless in one of the worst climates in the world; were darkly suspect of cannibalism, infanticide, and worse; could barely communicate with one another in a primitive gargling language; and possessed the minimum of unchanging skills "like the instinct of animals." Jemmy, Fuegia, and York, on the other hand, had been schooled in modesty and morality and now knew the reforming powers of British dress, cleanliness, religious observance, and the ownership of property.
Optimistically, Darwin jotted, "3 years has been sufficient to change savages, into, as far as habits go, complete & voluntary Europeans." The older, taciturn York, Darwin was certain, would "in every respect live as far as his means go, like an Englishman." Yet he registered his reservations about the plump, vain, good-natured Jemmy, who, as a result of his civilizing experience, allegedly had become so Anglicized as to forget his own language and was "thoroughly ashamed of his own countrymen." Even so, the privileged situation and easy manners of the Beagle Fuegians formed a salutary contrast with Darwin's disturbing experience of the cringing slave, where this improving domesticating process had been perverted by the abominable "training" of slavery to an unnatural, uncivilized, propertyless servility.
1.1 The return of the native
Then, FitzRoy's civilizing project absurdly unwound. The missionary, who, with the assistance of the Beagle Fuegians, was to educate their people in basic farming and building practices, distribute clothing, and inculcate some notions of modesty, cleanliness, and Christian principles, was intimidated and expropriated of his supplies by savages, who had no sense of property rights. The Beagle returned just in time to rescue him from tribesmen who were intent on the forcible removal of his facial and body hair with mussel-shell pincers (a lesson in Fuegian bodily aesthetics for the young Darwin that he put to use in The Descent of Man). The ungrateful York Minster, sloughing off his English persona as readily as his starched shirt points, decamped with Fuegia after conspiring to separate the hapless Jemmy from his treasured British possessions.
When Darwin next saw him, Jemmy was indistinguishable from his wild companions. The once "clean, well-dressed stout lad" of the Beagle had reverted to a "naked, thin, squalid savage" and "so ashamed of himself that he turned his back" to the ship. FitzRoy "could almost have cried," while Darwin lamented, "I never saw so complete & grievous a change." Jemmy's abject regression to savagery was partially reversed by hastily produced clothing. He dined with the Captain and "ate his dinner as tidily as formerly." Inexplicably, "poor Jemmy" refused FitzRoy's offer of repatriation to England. The belated discovery that he had "got a young & very nice looking squaw" (nice looking, that is, Darwin qualified, "for a Fuegian"), cleared up the mystery of Jemmy's reluctance to return to the niceties of civilization. After an exchange of presents, he cheerfully shook hands all round in best British fashion and went back to his native life and his native wife.
It does not seem to have occurred to Darwin that Jemmy might resent what was, for all FitzRoy's justification of it, his abduction, his prolonged estrangement from family and tribe, his enforced adoption of a strange, only part-comprehended culture and language — the experiences and alien customs that distanced him from his own people on his return. Nor that what appeared degraded to Darwin was, for Jemmy, his people, his culture, and his preferred mode of living. We cannot know Jemmy's version of events, though we do have modern anthropological and other accounts that testify to the vitality and cultural richness of pre-missionary life for the four separate indigenous tribes of Tierra del Fuego. Darwin preferred the romantic explanation for Jemmy's rejection of the benefits of British civilization — the bathetic climax to FitzRoy's grand scheme: "Jemmy & his wife paddled away in their canoe loaded with presents & very happy." True love, even savage love, conquers all.
(Continues...)Excerpted from Darwin and the Making of Sexual Selection by Evelleen Richards. Copyright © 2017 The University of Chicago. Excerpted by permission of The University of Chicago Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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- Reviewed in the United States on March 2, 2019With writing that enthralls and captivates the imagination, the author evaluates Darwin, his life and his theory in amazing vivid detail and description. The best I've read on the topic.
- Reviewed in the United States on July 4, 2018This is a highly detailed analysis of the issues related to Darwin's development of his idea of sexual selection. While I am familiar with many of the ideas already as a biologist, this book presents a wider perspective using social context and detailed comparison of Darwin's correspondence to understand how he developed the theory and held to it despite a lot of criticism, even from his closest associates. The material is well researched and documented.
Top reviews from other countries
- AnonReviewed in the United Kingdom on March 13, 2022
5.0 out of 5 stars Crystaline
Richards historical work is impeccable, dispassionately presenting (without personal comment) copious crucial evidence that Darwin accepted (and thus compounded) racism, colonialism, commercialism, sexism, elitism, nationalism and religious animosity and that rather than being an arbiter of truth was somewhat a man amongst others of his time, riddled with domineering agendas of their own. She reveals the progression of Darwin's thoughts as he matured through the seasons of his life. Very much a collator of theory, communicating and reading others work which Richards is as extensively familiar with as he. She lets the timing of his own work, communication, family life, reading and private side notes speak for themselves. This author can teleport you into Darwin's mind and his era and permit you to know him, quite probably better than he understood himself. This book is an experience of him and his time. Darwins impact on the world we live in reverberates all over the globe today. I was personally fascinated that Sexual Selection was particularly 'his-own'. Darwin stubbornly went against entrenched opinion in attributing a sense of beauty to all organisms in the face of compelling views of the hunter/ collector Wallace. This notion was probably masked from humanity as he felt such marked engendered superiority over all 'lower' 'inferior' orders of (non-white, English) humans and animals. This observation isn't something the world has inherited since it appears the dominant human apex predator on this planet has been more interested in Darwins intensification of the natural selection theory 'Survival of the Fittest' rather than the thought that all sexually reproducing organisms could equally experience their own ideas of the beautiful. It apparently took Darwin a very long time to allow females to be anything but passive in evolution and then only permitted amongst 'non-human' species. Although Richards passed zero comment, it is evident Darwin portrayed the human female as a frivolous simpleton, a domestication of male sexual aesthetic taste, who takes no part in sculpting human male 'beauty'. Instead she is there solely for his physical and financial comfort. He married his wealthy first cousin, a Wedgewood. Wow! Despite being aware that the Fuegians had no parallel concept of the devil in their culture, the Fuegians were exterminated largely because Darwin took such a strong aesthetic repulsion to them at first sight, saw them as worse than monkeys and they appeared to take no 'civilisation-able', hierarchical, proprietorial, interest in the ownership of English tea-sets.
- andrew btmReviewed in Canada on June 26, 2020
5.0 out of 5 stars A look under the hood of Darwin's Brain.
Professor Richards’ book is a masterpiece. It is about the development of Darwin’s theory of sexual selection and human racial diversity. Books about Darwin usually focus on the theory of natural selection. Darwin, however, produced many theories. Some, such as the origin of coral reefs or natural selection, were successful, but others were completely bonkers, such as his theory of pangenesis. Sexual selection stands somewhere in between; it has a lot of merit, but it has been largely superseded by later work in the area. I cannot imagine anyone prepared to go to the wall to defend Darwin’s theories of sexual selection in the same way that many would doggedly defend natural selection. Professor Richards shows that sexual selection was important, independent of its biological legacy, because it fed into, and supported, a surprising range of social movements of the late nineteenth and early twentieth centuries. Professor Richards uses Darwin’s notebooks, reading lists and marginalia to probe the development of his thinking on the topic starting from his encounter with the indigenous peoples of Tierra del Fuego, and his notebooks of the l830”s through to the publication of the “The Descent of Man and Selection in Relation to Sex” in 1871 . The impact of the “Descent/Selection” book is then traced forward into the work of other thinkers. This is a massive undertaking, clearly the product of years of work on the part of Professor Richards.
Darwin’s “Descent/Selection” book is, in many ways, two different books; one an argument for sexual selection as a force in the origin of species, does sexual selection exist, if so how does it work, and the second, what is the biological status of the different races of humanity and is there a role for sexual selection in the diversification of the human races? Importantly, Darwin was working at a time when it was debated whether humanity was monogenic, that is, one species (Darwin’s view), or if the different races were polygenic, or several distinct species. This was not a sterile academic debate as the polygenic argument was used by some to justify the continued existence of slavery. If, as Darwin rightly believed, all of humanity descended from a common ancestor, it was incumbent on him to show, without invoking supernatural powers, how this could happen.
To understand how Darwin approached this question, and how he arrived at his conclusion (probably wrong) that the diversity among races was due to sexual selection, Professor Richards investigates the influence of other authors on Darwin (his sources), as well as Darwins’s own observations and research. Many of these sources are not ones we would expect. First there is Darwin’s famous grandfather Erasmus Darwin. Charles Darwin titled his first notebook on species transformation “Zoonomia”, the same title as an important book by Erasmus Darwin that had introduced many preliminary arguments for evolution. In “Zoonomia”, Erasmus Darwin is definitive about sexual selection: "The final course of this contest among males seems to be, that the strongest and most active animal should propagate the species which should thus be improved". But only the male selects, and he does so by combat. As Professor Richards shows, the conceptual struggle for Charles Darwin was to expand this limited view of sexual selection beyond the masculine “law of battle” to include female choice as central to the argument.
Another important early source was the anatomist William Lawrence, whose 1818 book “Lectures on physiology, zoology and the natural history of man’ was condemned as blasphemous by the Lord Chancellor and withdrawn, only to circulate as underground pirated editions. Professor Richards makes a tour of influences such as Alexander Walker, Robert Knox (of Burke and Hare fame), and pro-slavery American authors such as the Harvard professor Louis Agassiz that Darwin both drew from and argued against. Richards must have a strong stomach because much of this material is either so sexually regressive (Walker) or so racist as to be pukeworthy.
Among Darwin’s own observations his understanding of racial differences was deeply marked by his encounter with the indigenous peoples of Tierra del Fuego. Darwin was shocked when he first met these hunter gatherers living naked on their freezing rain swept coastline. He made very unpleasant remarks about them. An argument can be made, however, that Richards overstates the negatives of this encounter. The dissonance for Darwin was not only the “primitive” lives of the Fuegians (the “ugly brothers”) but the contrast between Fuegians in situ and the three Europeanized Fuegians who had been kidnapped, brought to England, and were accompanying Darwin back to their homelands on HMS Beagle. Notwithstanding his sense of superiority, Darwin specifically remarked on recognizing the humanity of his Fuegian companions, and it is clear that they were held in affection on the Beagle. This relationship was made even more complex for Darwin by the rapidity with which, when re-settled in Tierra del Fuego, his Fuegian friends discarded their European trappings and returned to their previous lives as unwashed, unclothed hunter-gatherers.
Darwin also drew influences from animal development, embryology and pigeon breeding, especially the tendency for breeders to select for ever more extreme traits. For Darwin, aesthetic sexual selection in animals in the wild worked in much the same way as pigeon breeders selecting what pigeons to cross to achieve an improved variety based only on the birds outward appearance. This overlapped with Darwin’s views on female fashion where he drew an analogy between female sexual selection in animals and fashion-sense in women. Perhaps the most surprising of all the influences was the satirical magazine Punch, which castigated Victorian female fashion (crinolines and bustles) and seems to have informed Darwin’s views on the matter.
As professor Richards describes, Darwin’s Descent/Selection book did not receive overwhelming support. It upset Alfred Wallace who, despite being the co-founder of the theory of natural selection, believed that supernatural intervention was necessary to bridge the chasm between animal and human brains. The inclusion of female sexual choice ran foul of Victorian male-centric views of how the world works. Furthermore. it suggested that lower animals, including birds and even insects, have an aesthetic sense. It had little immediate impact on biology, but it was unexpectedly influential on radical social thinkers. Its ideas were “usurped” by militants such as the woman’s rights activist Annie Bessant, who was tried in court for obscenity for promoting contraception. Darwin was asked to be an expert witness on her behalf, but appalled, he refused as he wholly opposed the use of contraception. Perhaps worst of all, eugenics- the horror story peeking from under the skirts of Darwin’s evolutionism, looked to sexual selection, the importance of choosing the “right” mate to improve the race, as a cornerstone argument to discourage the infirm, the “weak-minded”, the poor, and the different, from breeding.
This is a rich book. It spans topics as diverse as nudity in nineteenth century Britain to Beatrix Potter, but it is very well written (allowing for occasional lapses into ‘academic group speak”). It is a long book, but each chapter is broken into smaller units that make for bite-sized chunks. The factors that Darwin struggled through to get to his theory; the authors he studied, his own research work and observations, the social and scientific peer pressure he worked under, are all very complex. Most writers would flounder among this midden of material, but Professor Richards does a fantastic job maintaining a compelling narrative. For anyone who is interested in what made Darwin’s brain tick, both the good and the bad, and especially beyond the well-trodden paths of natural selection, this book is a classic.