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Character, Scene, and Story: New Tools from the Dramatic Writer's Companion (Chicago Guides to Writing, Editing, and Publishing) Kindle Edition

4.9 out of 5 stars 24 ratings

The author of The Dramatic Writer’s Companion offers forty-two new exercises to help playwrights and screenwriters explore, develop, and strengthen their work.

Will Dunne first captured the workshop experience in
The Dramatic Writer’s Companion, offering practical exercises to help playwrights and screenwriters work through the problems that arise in developing their scripts. Now writers looking to further enhance their storytelling process can turn to Character, Scene, and Story.

Featuring forty-two new workshop-tested exercises, this volume allows writers to dig deeper into their scripts by fleshing out images, exploring characters from an emotional perspective, tapping the power of color and sense memory to trigger ideas, and trying other visceral techniques. The guide also includes a troubleshooting section to help tackle problem scenes, as well as hundreds of examples, many of which have been developed as both plays and films.

Character, Scene, and Story is fully aligned with the new edition of The Dramatic Writer’s Companion, with cross-references between related exercises so that writers have the option to explore a given topic in more depth. While both guides can stand alone, together they give writers more than one hundred tools to develop more vivid characters and craft stronger scripts.

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Editorial Reviews

Review

“If you are a playwright not yet on the Pulitzer short list, or a screenwriter not yet invited to the Oscars, the best thing you can do is get to Chicago and join Will Dunne’s scriptwriting workshops at Chicago Dramatists. If you can’t do that, the next best thing is to get The Dramatic Writer’s Companion and Character, Scene, and Story and sit down to his exercises. Dunne describes clearly and succinctly how each element of drama works—each beat, each scene, each facet of character and stagecraft—and then he sets you to work to master it. The work leads wide and deep, from the hidden past to the strategies of scene, from objectives to the supernatural, from levels of desire to the pressures of conflict. Every hour’s attention to one of these mental journeys will lead you to know more, imagine better, and write more nimbly.” -- Janet Burroway, author of Writing Fiction and Imaginative Writing

About the Author

Will Dunne is resident playwright and faculty member at Chicago Dramatists. He is the author of numerous plays and recipient of many writing awards and honors. Another of his books, The Architecture of Story: A Technical Guide for the Dramatic Writer, is also available from the University of Chicago Press.

Product details

  • ASIN ‏ : ‎ B075B51T8F
  • Publisher ‏ : ‎ The University of Chicago Press (October 9, 2017)
  • Publication date ‏ : ‎ October 9, 2017
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1.0 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 260 pages
  • Customer Reviews:
    4.9 out of 5 stars 24 ratings

About the author

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Will Dunne
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Will Dunne is a Resident Playwright at Chicago Dramatists where he is now developing plays and teaching workshops. He also runs weekend seminars in San Francisco through his own program Will Dunne Dramatic Writing Workshops. For more information about Chicago workshops, visit www.chicagodramatists.org. For more information about San Francisco workshops and individual script consultations, visit www.willdunne.com.

Through his association with Chicago Dramatists, Mr. Dunne's short comedy DEEP GARDENS was presented at Chicago's Second City in the summer of 2006. More recent Chicago area productions include THE ASCENSION OF CARLOTTA at the 16th Street Theatre (2008), HOW I BECAME AN INTERESTING PERSON at Chicago Dramatists (2009), TWO MEN ON A TRAIN PLATFORM JUST BEFORE THE APOCALYPSE at Artistic Home (2012), IN THE DARK at Intuit (2012), LOVE AND DROWNING at the 16th Street Theatre (2012), and THE ROPER at The Den Theatre (2014) which was nominated for a 2014 Joseph Jefferson Award for Best New Work.

In the 35-year history of the Eugene O'Neill Theatre Center under the Artistic Direction of Lloyd Richards, Mr. Dunne is one of only five playwrights to be selected three consecutive times for the U.S. National Playwrights Conference. HOW I BECAME AN INTERESTING PERSON, LOVE AND DROWNING, and HOTEL DESPERADO were each one of ten plays chosen annually from about 1,500 submissions nationwide for presentation at the O'Neill Center.

HOW I BECAME AN INTERESTING PERSON received a Charles MacArthur Fellowship awarded by the O'Neill and founded by Helen Hayes for outstanding comedy that "exemplifies the comic irreverent spirit of Charles MacArthur." The play also was presented as an international selection at the Australian National Playwrights Conference in Canberra, New South Wales, and in a Croatian translation at the National Theatre of Istria in Pula, Croatia. HOTEL DESPERADO was translated into Russian by the Moscow Theatre Union and presented as the international selection at its 10th annual festival of new plays in Schelykovo, Russia.

Mr. Dunne has twice been a finalist for the Heideman Award at the Actors Theatre of Louisville for his short plays MOONRISE and GOOD MORNING, ROMEO. U.S. productions of his work -- such as ELEVENTH HOUR, I MARRIED A WEREWOLF, BETWEEN QUAKES, and THE BRIDGE -- have received four Bay Area Theatre Critics Circle Awards, two DramaLogue Playwriting Awards, and a Best-of-Year mention from the San Francisco Examiner. His toll-taker play THE BRIDGE also was selected as a project of the 50-Year Celebration of the Golden Gate Bridge.

His playwriting background is supplemented by years of acting, directing, producing, and teaching. Since 1988, Mr. Dunne has led more than two thousand dramatic writing workshops through his independent program (Will Dunne Dramatic Writing Workshops) which continues to meet monthly in the San Francisco Bay Area and through Chicago Dramatists. He has attended the U.S. National Playwrights Conference as a dramaturg and the Australian National Playwrights Conference as a guest playwriting instructor. In addition, Mr. Dunne has served as a juror for Marin Arts Council playwriting grants in the Bay Area.

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4.9 out of 5 stars
24 global ratings

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Top reviews from the United States

  • Reviewed in the United States on February 11, 2025
    Helpful with useful exercises.
  • Reviewed in the United States on November 4, 2017
    This follow-up to the author's previous book, The Dramatic Writer's Companion, offers more and different exercises to develop and unlock new insights about your work. I have done many of the exercises in both books, and used a number of them in writing classes I teach or with writers I coach. So often, when I'm either tapped out or lacking direction, something in one of the exercises- an unexpected question or a focusing activity- will yield a key to a character choice, or suggest a secret motivation or plot twist. With these two books on hand, a writer need never fear being blocked. There are more than enough questions, prompts, and examples to keep you moving. This book offers examples from both plays and some screenplays, which are helpful in understanding the application of certain craft principles. The entire Dunne collection , which includes The Architecture of Story, should be in the library of every institution that offers instruction in playwriting, screenwriting, or fiction writing.
    5 people found this helpful
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  • Reviewed in the United States on November 30, 2017
    This is a terrific book! I have done a number of the exercises, and they have helped me understand my characters better, take bigger creative leaps, focus my scenes, and get a clearer picture of the architecture of the play I’m currently working on. Will Dunne has built on and expanded on his excellent The Dramatic Writer’s Companion, which I have been using for years—and have even used as a guide in teaching a few classes of my own. Character, Scene, and Story is just as well-organized as Companion—it can be used either linearly, or as a reference, depending on where you are in the development of your play—but its exercises cover new topics, or approach topics from different angles. I especially liked the intuitive exercises that use images, color and sense memory. Along with Companion, as well as the outstanding Architecture of Story, a must in any playwright’s library!
    3 people found this helpful
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Top reviews from other countries

  • NFK
    5.0 out of 5 stars An excellent writing companion
    Reviewed in the United Kingdom on May 3, 2021
    This is a brilliant book full of useful exercises that have already pushed my writing further. Really well written, engaging and extremely useful. Would also recommend it for English and Creative Writing Tutors

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