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Character, Scene, and Story: New Tools from the Dramatic Writer's Companion (Chicago Guides to Writing, Editing, and Publishing) Kindle Edition
Will Dunne first captured the workshop experience in The Dramatic Writer’s Companion, offering practical exercises to help playwrights and screenwriters work through the problems that arise in developing their scripts. Now writers looking to further enhance their storytelling process can turn to Character, Scene, and Story.
Featuring forty-two new workshop-tested exercises, this volume allows writers to dig deeper into their scripts by fleshing out images, exploring characters from an emotional perspective, tapping the power of color and sense memory to trigger ideas, and trying other visceral techniques. The guide also includes a troubleshooting section to help tackle problem scenes, as well as hundreds of examples, many of which have been developed as both plays and films.
Character, Scene, and Story is fully aligned with the new edition of The Dramatic Writer’s Companion, with cross-references between related exercises so that writers have the option to explore a given topic in more depth. While both guides can stand alone, together they give writers more than one hundred tools to develop more vivid characters and craft stronger scripts.
- LanguageEnglish
- PublisherThe University of Chicago Press
- Publication dateOctober 9, 2017
- File size1.0 MB
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Product details
- ASIN : B075B51T8F
- Publisher : The University of Chicago Press (October 9, 2017)
- Publication date : October 9, 2017
- Language : English
- File size : 1.0 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 260 pages
- Best Sellers Rank: #389,174 in Kindle Store (See Top 100 in Kindle Store)
- #33 in Playwriting (Kindle Store)
- #93 in Screenwriting (Kindle Store)
- #122 in Play & Scriptwriting Writing Reference
- Customer Reviews:
About the author

Will Dunne is a Resident Playwright at Chicago Dramatists where he is now developing plays and teaching workshops. He also runs weekend seminars in San Francisco through his own program Will Dunne Dramatic Writing Workshops. For more information about Chicago workshops, visit www.chicagodramatists.org. For more information about San Francisco workshops and individual script consultations, visit www.willdunne.com.
Through his association with Chicago Dramatists, Mr. Dunne's short comedy DEEP GARDENS was presented at Chicago's Second City in the summer of 2006. More recent Chicago area productions include THE ASCENSION OF CARLOTTA at the 16th Street Theatre (2008), HOW I BECAME AN INTERESTING PERSON at Chicago Dramatists (2009), TWO MEN ON A TRAIN PLATFORM JUST BEFORE THE APOCALYPSE at Artistic Home (2012), IN THE DARK at Intuit (2012), LOVE AND DROWNING at the 16th Street Theatre (2012), and THE ROPER at The Den Theatre (2014) which was nominated for a 2014 Joseph Jefferson Award for Best New Work.
In the 35-year history of the Eugene O'Neill Theatre Center under the Artistic Direction of Lloyd Richards, Mr. Dunne is one of only five playwrights to be selected three consecutive times for the U.S. National Playwrights Conference. HOW I BECAME AN INTERESTING PERSON, LOVE AND DROWNING, and HOTEL DESPERADO were each one of ten plays chosen annually from about 1,500 submissions nationwide for presentation at the O'Neill Center.
HOW I BECAME AN INTERESTING PERSON received a Charles MacArthur Fellowship awarded by the O'Neill and founded by Helen Hayes for outstanding comedy that "exemplifies the comic irreverent spirit of Charles MacArthur." The play also was presented as an international selection at the Australian National Playwrights Conference in Canberra, New South Wales, and in a Croatian translation at the National Theatre of Istria in Pula, Croatia. HOTEL DESPERADO was translated into Russian by the Moscow Theatre Union and presented as the international selection at its 10th annual festival of new plays in Schelykovo, Russia.
Mr. Dunne has twice been a finalist for the Heideman Award at the Actors Theatre of Louisville for his short plays MOONRISE and GOOD MORNING, ROMEO. U.S. productions of his work -- such as ELEVENTH HOUR, I MARRIED A WEREWOLF, BETWEEN QUAKES, and THE BRIDGE -- have received four Bay Area Theatre Critics Circle Awards, two DramaLogue Playwriting Awards, and a Best-of-Year mention from the San Francisco Examiner. His toll-taker play THE BRIDGE also was selected as a project of the 50-Year Celebration of the Golden Gate Bridge.
His playwriting background is supplemented by years of acting, directing, producing, and teaching. Since 1988, Mr. Dunne has led more than two thousand dramatic writing workshops through his independent program (Will Dunne Dramatic Writing Workshops) which continues to meet monthly in the San Francisco Bay Area and through Chicago Dramatists. He has attended the U.S. National Playwrights Conference as a dramaturg and the Australian National Playwrights Conference as a guest playwriting instructor. In addition, Mr. Dunne has served as a juror for Marin Arts Council playwriting grants in the Bay Area.
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- Reviewed in the United States on February 11, 2025Helpful with useful exercises.
- Reviewed in the United States on November 4, 2017This follow-up to the author's previous book, The Dramatic Writer's Companion, offers more and different exercises to develop and unlock new insights about your work. I have done many of the exercises in both books, and used a number of them in writing classes I teach or with writers I coach. So often, when I'm either tapped out or lacking direction, something in one of the exercises- an unexpected question or a focusing activity- will yield a key to a character choice, or suggest a secret motivation or plot twist. With these two books on hand, a writer need never fear being blocked. There are more than enough questions, prompts, and examples to keep you moving. This book offers examples from both plays and some screenplays, which are helpful in understanding the application of certain craft principles. The entire Dunne collection , which includes The Architecture of Story, should be in the library of every institution that offers instruction in playwriting, screenwriting, or fiction writing.
- Reviewed in the United States on November 30, 2017This is a terrific book! I have done a number of the exercises, and they have helped me understand my characters better, take bigger creative leaps, focus my scenes, and get a clearer picture of the architecture of the play I’m currently working on. Will Dunne has built on and expanded on his excellent The Dramatic Writer’s Companion, which I have been using for years—and have even used as a guide in teaching a few classes of my own. Character, Scene, and Story is just as well-organized as Companion—it can be used either linearly, or as a reference, depending on where you are in the development of your play—but its exercises cover new topics, or approach topics from different angles. I especially liked the intuitive exercises that use images, color and sense memory. Along with Companion, as well as the outstanding Architecture of Story, a must in any playwright’s library!
Top reviews from other countries
- NFKReviewed in the United Kingdom on May 3, 2021
5.0 out of 5 stars An excellent writing companion
This is a brilliant book full of useful exercises that have already pushed my writing further. Really well written, engaging and extremely useful. Would also recommend it for English and Creative Writing Tutors