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Those Who Leave and Those Who Stay (Neapolitan Novels Book 3) Kindle Edition
In the third book in the New York Times–bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that “shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series” (Library Journal).
“One of modern fiction’s richest portraits of a friendship.” —NPR
- LanguageEnglish
- PublisherEuropa Editions
- Publication dateSeptember 2, 2014
- Reading age18 years and up
- File size4691 KB
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- My becoming was a becoming in her wake. I had to start again to become, but for myself, as an adult, outside of her.Highlighted by 1,151 Kindle readers
- “The waste of intelligence. A community that finds it natural to suffocate with the care of home and children so many women’s intellectual energies is its own enemy and doesn’t realize it.”Highlighted by 1,072 Kindle readers
- The solitude of women’s minds is regrettable, I said to myself, it’s a waste to be separated from each other, without procedures, without tradition.Highlighted by 1,062 Kindle readers
Editorial Reviews
Review
''Ferrante continues to imbue this growing saga with great magic, treating the girls' years of marriage and motherhood with breathtaking honesty while envisaging the turbulence of political and social unrest in 1970s Italy. Though originally planned as a trilogy, the story doesn't finish here, as this book ends with a hook that will leave readers eagerly awaiting the next installment.'' --Booklist (starred review)
''Ferrante writes with the kind of power saved for weather systems with female names, sparing no one, and Those Who Stay is a tour de force. I don't want to read anything else.'' --Jennifer Gilmore, New York Times bestselling author
''Surpass[es] the rapturous storytelling of the previous titles in the Neapolitan Novels.'' --Publishers Weekly (starred review)
''Ferrante has authored a 'Portrait of the Artist as a Young Woman' that captures not only the forging of a self but the salvaging of it.'' --Vogue, praise for the series
About the Author
Product details
- ASIN : B079MHDBZ2
- Publisher : Europa Editions (September 2, 2014)
- Publication date : September 2, 2014
- Language : English
- File size : 4691 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 495 pages
- Best Sellers Rank: #68,399 in Kindle Store (See Top 100 in Kindle Store)
- #124 in Marriage & Divorce Fiction
- #404 in Friendship Fiction (Kindle Store)
- #539 in Women's Divorce Fiction
- Customer Reviews:
About the author
Elena Ferrante is the author of seven novels, including four New York Times bestsellers; The Beach at Night, an illustrated book for children; and, Frantumaglia, a collection of letters, literary essays, and interviews. Her fiction has been translated into over forty languages and been shortlisted for the MAN Booker International Prize. In 2016 she was named one of TIME’s most influential people of the year and the New York Times has described her as “one of the great novelists of our time.” Ferrante was born in Naples.
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Top reviews from the United States
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What does this have to do with Elena Ferrante's novel? The repetitive, almost nothingness of the story through the first three books had a similar feeling for me, and I found myself remembering that ad for the first time in many years. Much as I was compelled to finish the advertisement, I also could not put these books down, and I have now finished the 4th novel. This being said, I do not know if I can honestly describe them as being great storytelling. The protagonist (Lenù) is unlikable and rather selfish and short-sighted. She has enough intelligence to excel in school with a lot of hard work, but she never exhibits her own opinion and keeps trying to act in a way that people will reward with praise rather than have any ideas or presence of her own. But yet she is sympathetic at times as someone trying to be her best self, using education as the means. Lila, the friend, is fascinating, but remains a bit of an enigma throughout the books. I wished many times that we were reading the story from her perspective. But I did read it all, and the two women characters do grow up and hit milestones of life throughout the books, but the pattern that they go through remains the same always as they age.
Definitely worth reading if you are a reader of novels. A well written, and a unique kind of story for sure, but kind of like reading a teenage girl's long ramble of her inner consciousness that she is aware someone is going to read one day. But the novel does provide plenty of deeper themes to think about and ponder. Feminism, poverty, the modern era and how it changed society, and yet how things stay the same too. The mid-century Italian setting was interesting and was a great atmosphere to the novels. Perhaps if a free tee-shirt had been offered in the middle of the book, it would have gotten 5 stars from me, but alas that was not the case.
This book indicates that her ambition is almost Proustian or Faulknerian in scope for this series. There is the continuation of the tortured relationship between the narrator Elena and her childhood friend Lila and the ebb and flow of all the tributaries that haunt these two, whether it be the old neighborhood, the mangled relationships of old lovers, families, regional disputes etc. Where this volume diverges from the other two is that there is more theoretical talk between Elena, Lila, and Elena's lover and her husband. When a writer has a character talk about the art of writing and the creative process, you should pay close attention to those sections.Yet this novel does not yield an inch to its predecessors in dramatic intensity and I feel that it surpasses them substantially.
Not only is there an intensity but also an urgency conveyed in this book that accelerates to the last chapter which ends with all the force of old Hollywood cliffhangers. However whereas the other two books in this series could almost be read as stand-alone works, this one does require that the reader to have acquainted himself with the at least the second book in the series.
There is a constant sense of wonder in that Ms. Ferrante conveys the "woman's perceptive" or sensibilities throughout the novel without falling into preaching or propagandizing. This is certainly art, after all we do not limit say a Hemingway by saying he writes for men or T S Eliot's "The Love Song of J Alfred Prufrock" is only for shy middle-aged men, we would be doing them and us a disservice. And so it should be for Ferrante. No one can read this book and not come away with a heightened sense of the human condition and one may start thinking of the story of and the relationship of Elena and Lila in the same way with think of Caesar and Cleopatra or Achilles and Hector. It is that great.
Top reviews from other countries
Ich wurde nicht enttäuscht .
Die beiden Freundinnen sind in den 70er Jahren angekommen .
Elena, die das Glück hatte , dass ihre Begabung nicht nur bewundert , sondern auch gefördert wurde , hat einen Universitätsabschluss und inzwischen Bekanntheit erlangt durch ein Buch, das sie veröffentlicht hat.
Sie hat einen Kommilitonen geheiratet, dessen Vater Professor ist.
Sie hat in eine progressive, politische linksstehende Familie eingeheiratet, die nicht gegensätzlicher zu ihrer Herkunftsfamilie sein könnte, was die Autorin auch thematisiert
Inzwischen hat Elena zwei Kinder, mit denen sie zum Teil ihre liebe Not hat und zu denen sie auch ein zwiegespaltenes Verhältnis hat, wie ich gefunden habe
Lila hingegen ist in Neapel geblieben. Sie wohnt bei Enzo, mit dem sie ein nur ein rein platonisches Verhältnis hat.
Sie zieht ihren Sohn Gennaro alleine groß.
Lila arbeitet in einer Fabrik, deren Arbeitsbedingungen sehr verbesserungswürdig sind.
Lila gelingt es allerdings, sich von der Arbeit in der Fabrik zu befreien und sie arbeitet in der damals noch brandneuen Computerbranche, in der sie dank ihrer Intelligenz einen bescheidenen Erfolg hat
Die Geschichte der Protagonistinnen wird im Kontext mit der Zeit der siebziger Jahre weitererzählt , dem politischen Umbruch , den Bedingungen für die Arbeiter,aber auch dem Terror.
Dieser hat auch Menschen aus dem Bekanntenkreis von Lila und Elena in seinen Bann gezogen hat.
Auch wenn es mir manchmal nicht ganz gelungen ist das Handeln der beiden Heldinnen nachzuvollziehen, oder mich gar damit zu identifizieren (warum ist Lila nicht von Stefano längst geschieden, warum ist sie völlig ohne Geld von ihm gegangen, warum ist Elena nicht zufriedener ) so habe ich diese Fortsetzung dennoch mit Begeisterung gelesen.
Ich freue mich auf den vierten Teil!