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The Business of Being a Writer (Chicago Guides to Writing, Editing, and Publishing) Kindle Edition
Writers talk about their work in many ways: as an art, as a calling, as a lifestyle. Too often missing from these conversations is the fact that writing is also a business. Those who want to make a full- or part-time job out of writing are going to have a more positive and productive career if they understand the basic business principles underlying the industry.
This book offers the business education writers need but so rarely receive. It is meant for early-career writers looking to develop a realistic set of expectations about making money from their work. or for working writers who want a better understanding of the industry. Writers will gain a comprehensive picture of how the publishing world works—from queries and agents to blogging and advertising—and will learn how they can best position themselves for success over the long term.
Jane Friedman has more than two decades of experience in the publishing industry, with an emphasis on digital media strategy for authors and publishers. She is encouraging without sugarcoating, blending years of research with practical advice that will help writers market themselves and maximize their writing-related income—and leave them empowered, confident, and ready to turn their craft into a career.
“Friedman’s 20-plus years in the industry, launching and managing the social media presence of Writer’s Digest, along with her expertise in business strategies for authors and publishers, combine to create an invaluable compendium of practical advice.” —Library Journal (starred review)
- LanguageEnglish
- PublisherThe University of Chicago Press
- Publication dateMarch 16, 2018
- File size1027 KB
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Editorial Reviews
Review
“The Business of Being a Writer provides lucent, sage advice on setting realistic goals toward shaping a rewarding career, going well beyond simply achieving publication or getting an agent. At last, a single book to recommend to writers peering into the vast labyrinth of how to become a successful, professional writer. Thank you, Jane!” -- Jeffrey Lependorf, Executive Director, Small Press Distribution and the Community of Literary Magazines and Presses
“While countless books and classes exist to help writers improve their craft, few focus on the practical aspects of maintaining a writing career over time. Friedman’s wise and wide-ranging The Business of Being a Writer offers essential and extremely helpful advice on how writers can survive and thrive in the current publishing landscape.” -- Dinty W. Moore, author of The Story Cure
“Every writer needs tough love. Typically that’s delivered by your editor as you’re writing the book. But where’s the tough love once your book is ready for the world? It’s in here and Jane Friedman’s got the goods for you. No one will better help you understand the challenges ahead; no one will offer a more comprehensive approach to scaling the walls. Writers ask me all the questions Jane answers in here. All I need to do now is send them to this book.” -- Richard Nash, CEO, Cursor, and former publisher of Soft Skull Press
“If you’ve found yourself drowning in the ‘what’s a writer to do?’ platform-creation pool and have no real understanding of how a book gets published, it’s time to discover Jane Friedman. Grab hold; she’s a buoy.” ― Press-Enterprise
“Friedman’s 20-plus years in the industry, launching and managing the social media presence of Writer’s Digest, along with her expertise in business strategies for authors and publishers, combine to create an invaluable compendium of practical advice with encouragement for aspiring and seasoned writers alike.” -- Starred Review ― Library Journal
"An interesting book, chock-full of information that should be discussed in every MFA program in the country and yet doesn’t seem to be." -- Teresa Peschel ― Peschel Press
About the Author
Tavia Gilbert is an acclaimed narrator of more than four hundred full-cast and multivoice audiobooks for virtually every publisher in the industry. Named the 2018 Voice of Choice by Booklist magazine, she is also winner of the prestigious Audie Award for best narration. She has earned numerous Earphones Awards, a Voice Arts Award, and a Listen-Up Award. Audible.com has named her a Genre-Defining Narrator: Master of Memoir. In addition to voice acting, she is an accomplished producer, singer, and theater actor. She is also a producer, singer, photographer, and a writer, as well as the cofounder of a feminist publishing company, Animal Mineral.
Excerpt. © Reprinted by permission. All rights reserved.
Product details
- ASIN : B07B9MB32X
- Publisher : The University of Chicago Press (March 16, 2018)
- Publication date : March 16, 2018
- Language : English
- File size : 1027 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 320 pages
- Best Sellers Rank: #29,905 in Kindle Store (See Top 100 in Kindle Store)
- #4 in Authorship
- #5 in Writing Skill Reference (Kindle Store)
- #6 in Words & Language Reference
- Customer Reviews:
About the author
Jane Friedman has spent nearly 25 years working in the book publishing industry, with a focus on author education and trend reporting. She is the editor of The Hot Sheet, the essential publishing industry newsletter for authors, and was named Publishing Commentator of the Year by Digital Book World in 2023. Her latest book is THE BUSINESS OF BEING A WRITER (University of Chicago Press), which received a starred review from Library Journal. In addition to serving on grant panels for the National Endowment for the Arts and the Creative Work Fund, she works with organizations such as The Authors Guild to bring transparency to the business of publishing. Learn more at JaneFriedman.com.
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Jane gives broad advice, too, as soothing as it is honest: “Platform…[is] about putting in consistent effort over the course of a career, and making incremental improvements…It’s about making waves that attract other people to you—not begging them to pay attention” (p.175-176). In other words, you guys, we can quit the panic-inducing, neon-flashing GIVEAWAY! posts, and quietly do our best for the long haul instead.
If you’re done getting burned by romantic publishing fantasies; if you’ve got your big-writer panties on and you want to get to work, this book is your new bible. It answers your honest questions—“Chapter 1: Can You Make a Living as a Writer?”; it breaks down the arms of the publishing industry; it prescribes the steps one takes to get published. It gives the God’s-honest truth about how to build a platform; it goes granular in part five, “How Writers Make Money.”
The Business of Being a Writer is a writer’s career instruction manual condensed to 296 pages. With the fluff and empty promises of other book publicity "pros" boiled off, and the industry insider's knowledge added in, Jane Friedman's book is the beef demi-glace of authorhood.
She explains how to develop a business model for writing. I initially bought the book because of my interest in book publishing, and she covers that in-depth: brand building, social media, pitching, book launches, recommended word counts, how to build an author platform, what to include on your author website, and more.
However, she also goes beyond book publishing and talks about other ways that writers can earn a living with their writing. For instance, she provides a great deal of information on freelance writing, including the most common types of articles and the publications where you can pitch them. She talks about consumer publications, but also trade publications (which are easier to break into and pay reasonably well). She also discusses the differences and similarities between publishing online versus offline.
Jane mentions that it is very difficult to make a living off writing alone, so she also provides additional methods for earning income: teaching, coaching, editing, consulting, etc. She notes that successful artists usually have multiple revenue streams.
At first, I was disappointed that the self-publishing chapter was so short, since I have self-published four books and was especially interested in that topic. However, I realized that much of what she covers in the book is equally applicable to traditional and self-published authors. For instance, book marketing is book marketing regardless of how you publish.
This is a great book that I highly recommend. It’s a resource you can refer to again and again to continue to improve your results (and income) as a writer.
Top reviews from other countries
Highly recommended and well worth the money!
Creative writing courses are fantastic, but they rarely go into the nitty-gritty of what happens afterwards – how writers survive, build a career (or at least a living), sustain themselves creatively and financially. I’ve met a lot of writers who feel bereft after their MFA studies, possibly because they’ve had unrealistic expectations about the future.
This book is an overview of today’s creative writing ecology, and where you might fit in. It’s for writers with serious chops who want to know about approaching the publishing industry, writing proposals, author platform, residencies, and building a career. It includes advice on the different ways writers make money (including teaching, grants, fellowships) and other kinds of writing such as trade publications and journalism. It’s also bang up-to-date with online, self-publishing and digital developments. If you need to get strategic about where you’re heading as a writer, this is for you.
Jane has a publishing and media industry background, and is a college professor, keynote speaker, author and publisher of the influential Hot Sheet about publishing industry developments. She’s writing from a US perspective, but the principles apply everywhere.
I actually cheered when I read this. Jane bridges the gap between industry, literary and tech (at last!) and is really encouraging and practical. I’m a tutor with the Open University, and I’ve recommended this to my department.