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Mother's Milk: A Novel (The Patrick Melrose Novels Book 4) Kindle Edition

4.1 4.1 out of 5 stars 431 ratings
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Now a 5-Part Limited Event Series on Showtime, Starring Benedict Cumberbatch and Blythe Danner

Man Booker–shortlisted Mother's Milk, the fourth installment in Edward St. Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, sees Patrick as a lawyer, married, with a five-year-old child and another on the way.

The novel shifts points of view from Patrick—furious over his mother's decision to sell their mansion in the South of France to a ridiculous New Age hippie—to Patrick's wife, overburdened by motherhood, to Patrick's mother, growing senile and despondent, and even to Patrick's young son Robert, who reflects with hilarious and disturbing clarity on the moments of his birth.

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Editorial Reviews

From Publishers Weekly

Starred Review. This elegant and witty satire on the dissatisfactions of family life, which continues the story of Patrick Melrose, the hero of St. Aubyn's U.S. debut (Some Hope), opens in August 2000 at Patrick's mother's home in the south of France, with Patrick's five-year-old son, Robert, remembering with preternatural clarity the circumstances of his birth. No one on this vacation is particularly happy; Robert realizes he's being displaced by the arrival of baby brother Thomas, and Patrick is furious because his mother plans to leave her house (and what remains of her fortune) to Seamus Dourke, a ridiculous New Age guru. Over the next three Augusts, the Melrose story unfolds from different points of view: Patrick is deep in the throes of a midlife crisis; Mary, his wife, feels her self has been obliterated by the incessant demands of motherhood; and the two precociously verbal children struggle to make sense of the complexities of life. The narrative itself is thin, but the pleasures of the book reside in the author's droll observations (overweight Americans, for example, have "become their own air-bag systems in a dangerous world"). It's yet another novel about familial dysfunction but told in a fresh, acerbic way.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker

This slim novel centers on Patrick Melrose, a London barrister whose toxic childhood and protracted adolescence were chronicled in St. Aubyn's "Some Hope" trilogy. Patrick now has a wife and two young sons, but he remains subject to the whims of his senile mother. She has donated the house where he grew up, in Provence, for use as a New Age retreat, leaving Patrick and his dependents to spend holidays there as increasingly unwelcome guests. Narrated by turns from the perspectives of Patrick, his wife, and their elder son, the novel vividly captures how the family members' roles shift with the birth of the second son and the deterioration of Patrick's mother. The book's structure, however, is overschematic, and St. Aubyn's satiric barbs, although as deadly as ever, are wasted on easy targets—like uncouth Americans and New Age hypocrites.
Copyright © 2006
The New Yorker

Product details

  • ASIN ‏ : ‎ B07CRJ4VLF
  • Publisher ‏ : ‎ Picador (May 8, 2018)
  • Publication date ‏ : ‎ May 8, 2018
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 4223 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 244 pages
  • Customer Reviews:
    4.1 4.1 out of 5 stars 431 ratings

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Edward St Aubyn
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Customer reviews

4.1 out of 5 stars
4.1 out of 5
431 global ratings

Top reviews from the United States

Reviewed in the United States on October 3, 2006
Edward St. Aubyn's thin novel (235 pages) makes up in acidity for what it lacks in length. It's all about Patrick Melrose, an attorney in his early forties; his wife Mary; and their two precocious sons Robert and Thomas. The clever title has to do literally with Mary's actually breast-feeding both her sons but it also refers to Patrick's often strained relationship with his unraveling aged mother who gives away the family home in the South of France to a New Age guru Seamus Dourke. The author throws in some adultery, thoughts of assisted suicide, the plight of the institutionalized old people and dysfunctional families in general. The action takes place in four Augusts from 2000 to 2003.

What is so exciting about this little novel is its very dry wit, seen most often in the character of Patrick. He calls his wife Mary and himself trainee parents. He opines that newborn babies "can't sweat, can't walk, can't talk, can't read, can't drive, can't sign a check." They are unlike horses who can stand a few hours after they are born. "'If horses went in for banking, they'd have a credit line by the end of the week.'" And sometimes a woman is just a woman "before you light her up."

The author reserves his most biting satire, however, for these United States. Having lost the ancestral home in the South of France, the Melrose family travels to America. While their plane is still on the ground at Heathrow, they spot a woman "sagging at the knees under her own weight." Like many Americans, they are so fat that they have "decided to become their own air-bag systems in a dangerous world." Patrick says he will call himself an "'international tourist on the grounds that that was how President Bush pronounced 'international terrorist.'" Finally there is much ado about the awfulness of American cuisine. The Melroses discover that french fries are not called "freedom fries" on a menu. Patrick decides that is is probably easier to write "God Bless Our Troops" than to reprint the menus. At the Better Latte Than Never coffee shop the waiter tells Patrick to "have a great one!" He sees that as as "hyperinflation" of "have a nice day." Patrick then goes on a tear, suggesting "Have a blissful one." "'You all make sure you have an all-body orgasm,' he whispered in a Southern accent, 'and make it last.' Because you deserve it. . . In the end, there was only so much you could expect from a cup of coffee and an uneatable muffin." Goodness knows that American road food is an easy target for satire. We all can tell horror stories of inedible U. S. restaurant offerings. One has to wonder, however, if this writer has ever tasted victuals in his own country. The only decent food I ever ate in England was in an Indian restaurant.
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Reviewed in the United States on August 26, 2014
A book largely in dialogues, it is bitingly human. It meanders along before it suddenly gallops to high grounds as one nears end. A very insightful work on family relationships and the everyday unspoken violence of it, as the author puts it.
Some of the phrases bewitch you with its novelty and lingering contemplation.
Encourages you to read more of the author though to compare him with Evelyn Waugh and Oscar Wilde, as some important West's publications have done, is a little far-fetched.
The author doesn't have the expanse of a few of the real great literary talents who have enriched generations.
But he would do for the moment.
Reviewed in the United States on October 13, 2014
Sophisticated, tender and sarcastic, both at the same time --
just like life itself. Very rewarding though very
sad. The writing is fresh (original and biting).
I laughed out loud and sometimes experienced
great despair. Probably, to the dislike of the author,
an unintentioned self-help book. We can know everything
we need to become the selves we imagine and only
suffer in the attempt to change.
This is why I read, to experience what we all know must be hidden,
the true conditions of our lives.
Reviewed in the United States on August 14, 2018
Yes it did. The story was hard to take, but the prose is so magnificent you seem to overlook it. St Aubyn writes like an angel.
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Reviewed in the United States on October 10, 2006
One feels St. Aubyn could dive into a sewer, rummage around in the muck and emerge in a freshly pressed dinner suit with a boutonniere in bloom, smelling of cedar and roses and smiling like a shark. He creates believable characters from a once-priviliged family-in-decline and depicts the world-weary grittiness of the protagonist in crisp, elegant language with a style that is direct and light as a feather. Superbly crafted in the manner of the stories in his earlier book, "Some Hope."
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Reviewed in the United States on November 7, 2014
This is the fourth of the five Patrick Melrose novels. I thought Never Mind (the first) was very good; I disliked Bad News (the second) although I must admit that it's very well written. Some Hope (the third) gave me just that and I decided to go on reading. But Mother's Milk, despite being so well reviewed and shortlisted for the Booker Prize, was a disappointment. Instead of heroin (Bad News), I read a book about alcohol and, once again, I felt that I was reading a very well written awful book. I am aware that my problems with both Bad News and Mother's Milk have to do with me, not Edward St. Aubyn. I worked for years with drug addicts and alcoholics and I must admit, I often thought "how many more times in my life will I hear the same story?". In retrospect, I'm glad I did read the novel because At Last (the fifth) is really worthwhile.
2 people found this helpful
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Reviewed in the United States on June 18, 2014
I love the novels but they are an intensely painful read, as well as laugh out loud funny. Be prepared to question everything.
Reviewed in the United States on December 12, 2016
A dreary story told in beautifully crafted language. St Aubyn is a major novelist, profoundly committed to his task.

Top reviews from other countries

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Aurélie
5.0 out of 5 stars Wer das nicht liest verpasst was.
Reviewed in Germany on May 31, 2017
Für mich nach wie vor eines der besten Bücher das ich je gelesen habe. Es ist eine geniale Gesellschaftskritik, an Beobachtungsgabe kaum zu übertreffen und mit dem brillianten Humor, der den Engländern so eigen ist. Wer kann, sollte es unbedingt auf Englisch lesen. Es ist nun schon seit Jahren das Buch, das ich am häufigsten verschenke. Beeindruckend, wie ein Mensch, der solch einen Lebenslauf hatte, wie es bei Edward St. Aubyn der Fall ist, solche Bücher schreiben kann.
A. L. Pion
4.0 out of 5 stars Fascinant
Reviewed in France on April 22, 2015
J'ai beaucoup aimé ce livre et je l'offre donc à une amie. C'est amusant de voir les britanniques instalés en France - come moi d'ailleurs!
Calder Falk
4.0 out of 5 stars Edition advertised
Reviewed in Canada on February 23, 2013
The book came quickly- early, in fact and was in great shape, as described. I especially like the fact that the particular edition I wanted was the one I got- sometimes the book is different from the cover shown- this is the one my prof wanted. I need it for a summer class, so I have not read it yet, but I am very happy with the booksellers and will definitely purchase from them again. Thank you.
Robert L. Fisher
2.0 out of 5 stars Beautiful style wasted on whining professionals
Reviewed in Canada on July 31, 2018
Beautifully written novel about the marital, familial and social problems of upper middle class British professionals. There is a great deal of detail about the difficulties of raising children through their various stages of development. Related to this are the interior monologues of married couples, their frustrations and financial worries, and of course their infidelities. All in all, I found it well-to-do people whining about problems most of the world would love to have. I did enjoy the writing, but thought it was wasted on a banal topic.
Mrs Nina C J Booth
4.0 out of 5 stars Such a good read, funny and sad
Reviewed in the United Kingdom on March 29, 2013
This book is especially good when read as part of the trilogy. It is the last one and a culmination of quite a journey of our hero. I read all three in one go and could not put them down. The story line is good, the language a little less brilliant than the previous 2 books. Nonetheless a very good book. I don't know though if it would make sense without the other two before it.
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