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Puzzle for Pilgrims (The Peter Duluth Mysteries) Kindle Edition

4.2 out of 5 stars 2 ratings

In this mystery from an Edgar Award–winning author, sleuth Peter Duluth must overcome his own demons as he investigates a case south of the border (Kirkus Reviews).
 
Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.”
 
Returning from World War II, Broadway big shot Peter Duluth thought he and his wife, Iris, could simply resume the life they had before. He was wrong. Peter is carrying some heavy baggage from his time in the service, and the weight is more than Iris can bear.
 
By the time the detective gets back to his old self, Iris is gone. Following his wife to Mexico, he discovers she’s fallen for someone else. But Peter isn’t about to give up and go home. He’s going to stay and fight for her.
 
To win this battle, Peter will have to investigate the murder of Iris’s lover’s wife, become entangled with the man’s depraved family—and face the possibility that the love of his life may a cold-blooded killer . . .
 

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Editorial Reviews

About the Author

Patrick Quentin, Q. Patrick, and Jonathan Stagge were pen names under which Hugh Callingham Wheeler (1912–1987), Richard Wilson Webb (1901–1966), Martha Mott Kelley (1906–2005), and Mary Louise White Aswell (1902–1984) wrote detective fiction. Most of the stories were written together by Webb and Wheeler, or by Wheeler alone. Their best-known creation is amateur sleuth Peter Duluth. In 1963, the story collection The Ordeal of Mrs. Snow was given a Special Edgar Award by the Mystery Writers of America.
 

Product details

  • ASIN ‏ : ‎ B07DWFS2PB
  • Publisher ‏ : ‎ MysteriousPress.com/Open Road (August 28, 2018)
  • Publication date ‏ : ‎ August 28, 2018
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 6.5 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 276 pages
  • Customer Reviews:
    4.2 out of 5 stars 2 ratings

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4.2 out of 5 stars
2 global ratings

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Top reviews from the United States

  • Reviewed in the United States on October 5, 2007
    The longest, last and saddest of Patrick Quentin's six "Puzzle" novels, though not the last of the mysteries he wrote featuring Peter and Iris Duluth, PUZZLE FOR PILGRIMS is nearly free of any fun. If you liked Malcolm Lowry's UNDER THE VOLCANO, the horrid human relationship hells of PUZZLE FOR PILGRIMS may entertain you. But otherwise, it's like a little stab in the heart for all of us who loved seeing Peter and Iris together, Peter the alcoholic theater producer who summoned the courage to sober up and face himself, and Iris the slumming Hollywood goddess who somehow shrugged and said, "I take this jerk" etc., despite her being utterly gorgeous and alluring on the Gene Tierney/Hedy Lamarr model. We watched them struggle with their love for each other, finally overcome obstacles and marry, get through the war, even get through amnesia! And what do we get here? A couple more like Ingrid Bergman and George Sanders in Rossellini weary, purgatorial VOYAGE IN ITALY, a couple no longer in love. In fact they've each found other, adulterous partners. Peter's gotten himself involved with brittle, English nympho Marietta Haven, while Iris is with Marietta's brother, UK expatriate novelist Martin Haven, a thatch of blonde hair and a boyish appeal. Iris' problem? Martin is still married, to wealthy vengeful harridan Sally Haven.

    All of our characters are living in Malcolm Lowry's savage, colorful Mexico, if you can call it living, for most of the book is spent with each of them wondering if they've made the right choice and what has led them to this corner of the world, depraved bohemians and artists and trust fund babies whose very existences seem pointless. Into their lives a very specvial private eye comes to terrorize them, like Terence Stamp in Pasolini's TEOREMA--Jake, a man on the make if ever there was one. Little by little he insinuates himself into all of their lives, a big blocky stocky man who exudes testosterone, so much so that even Peter and Martin come under Jake's spell. The ending isn't as fabtastic as some of the previous Duluth masterworks: it's too much like some Ellery Queen novels of the period, THE MURDERER IS A FOX and CALAMITY TOWN among them. You'll see.

    Patrick Quentin of course rivalled Ellery Queen for having the most homoerotics in a 1940s detective novel, but here the two collaborators Wheeler and Webb really go to town; it's as though they decided to write an X-rated scenario and just left out the explicit markers. There's Jake, stripping Martin of his pjs, reducing him to shivers, threatening to hunt for an expensive woman's bracelet up poor Martin's arse; there's Jake, easily outdoing tough narrator Peter in terms of manliness at every turn, so at ease with his masculinity he's always shedding his clothes whenever Peter's around, dropping his trousers on the floor and parading au naturel to stun Pete with his flopping, swaggering manhood; there's Jake wearing nothing but tight, bulgy white jockey shorts, collapsing onto Peter and making "short convulsive jerks" with his body, toppling him to the carpet of the bedroom. You think Mexico's hot? It was ice cold till Patrick Quentin got there and worked out all the possibilities of love between brutal, film noir men.
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