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Dewey for Artists First Edition, Kindle Edition
Dewey argued that there is strong social value to be found in art, and it is artists who often most challenge our preconceived notions. Dewey for Artists shows us how Dewey advocated for an “art of democracy.” Identifying the audience as co-creator of a work of art by virtue of their experience, he made space for public participation. Moreover, he believed that societies only become—and remain—truly democratic if its citizens embrace democracy itself as a creative act, and in this he advocated for the social participation of artists.
Throughout the book, Mary Jane Jacob draws on the experiences of contemporary artists who have modeled Dewey’s principles within their practices. We see how their work springs from deeply held values. We see, too, how carefully considered curatorial practice can address the manifold ways in which aesthetic experience happens and, thus, enable viewers to find greater meaning and purpose. And it is this potential of art for self and social realization, Jacob helps us understand, that further ensures Dewey’s legacy—and the culture we live in.
- ISBN-13978-0226580302
- EditionFirst
- PublisherThe University of Chicago Press
- Publication dateDecember 10, 2018
- LanguageEnglish
- File size4.0 MB
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Editorial Reviews
Review
"Dewey's progressive politics and their relationship to art, more specifically how they illustrate social practice art as an aesthetic experience, are the focus of Chicago-based curator Mary Jane Jacob's new book, Dewey for Artists. Written in an easy-to-digest manner, the book establishes Jacob among a small group of artists and art professionals—notably Tom Finkelpearl and Greg Sholette—who have long looked to Dewey as a theoretical foothold. . . . Jacob interprets Dewey's ideas through a myriad of experiential and participatory artworks by international artists with whom she has interacted or whose work she has curated including Tania Bruguera's activist workshop space for immigrants in Queens, the poetic installations of wafting fabric by Ann Hamilton, Thomas Hirschhorn's Bronx housing estate construction dedicated to Gramsci, a film by Jeon Joonho of his father remembering a particularly beautiful sunset, and the Norwegian forest planted to print books for Katie Paterson's Future Library project.. . . . [Dewey's] belief in living life as an artful practice and focus on fostering rational debate and creativity as a means to achieve a more just society remains a worthy lesson for artists and citizens alike." -- Cara Jordan ― The Brooklyn Rail
"Following a discussion of Dewey’s conception of the creative process, Jacob builds her case with chapters on aesthetic experience, practice, democracy, participation, and communication, with each chapter logically building on the previous. . . . She shows the possibilities aesthetic experience and engagement have for democratic practice and participation by reconnecting, in Deweyian fashion, the creative process to the everyday lived experiences of contested social and political spaces. This illuminating work will be of great interest to students, artists, and scholars alike." ― CHOICE
"Not only does this book explain Dewey's philosophy at a more understandable level than his publications, such as "Art as Experience," but also it aims to speak to the public in that this book connects art to essential aspects of human beings." -- Lee Joo-won ― The Korea Times
"Any philosopher interested in the relation of theory to practice will find this text an interesting case study on how philosophy is relevant to the arts, even if that relevance is limited and specific.
For those unfamiliar with social practice, this book is an excellent introduction to many of the most important pieces and artists working in this mode. . . . Philosophers interested in how philosophy interacts with thought outside the discipline should read this book, which is surely required reading for anyone interested in social practice art. Dewey for Artists enlivens aspects of Dewey’s writing for a significant group of contemporary artists working today. It doesn’t speak to all artists working today, but instead of suffering from this sin of omission, it gains strength in its specificity, and, in doing so, Jacob models a practical way for art and philosophy to come together." -- Alex Robins ― The Pluralist
"Jacob draws on Dewey to argue emphatically that art is not set apart for spectators. A work of art, a creative act of making, becomes fully itself only in engagement with the world through the experience of those who interact with it. . . . For Dewey, art gives us agency in our lives and the shared lives of our communities. Art arises from the poetry of everyday life, and conversely, making our lives every day in itself is an art and a practice. . . . close the book thinking, 'Mary Jane Jacob would have been a transformative faculty member at Black Mountain College.'" ― Journal of Black Mountain College Studies
“The John Dewey that emerges from Mary Jane Jacob’s introspective and affirmative study speaks directly to the artist of the twenty-first century by insisting on the poetry of everyday experience, the necessity of making as a process of worldly understanding, and the universal significance of art as an essential form of human knowledge. Move over, Joseph Beuys, there is a century-old theorist of socially engaged art to contend with who—thanks to Jacob’s compelling and accessible writing, as well as her deft use of specific contemporary art works as models of Dewey’s progressive-era ideas—springs forth to surprise and challenge us today.” ― Gregory Sholette, author of Delirium and Resistance: Activist Art and the Crisis of Capitalism
"...Jacob models a practical way for art and philosophy to come together." ― The Pluralist
Review
About the Author
Product details
- ASIN : B07H9GT4FT
- Publisher : The University of Chicago Press; First edition (December 10, 2018)
- Publication date : December 10, 2018
- Language : English
- File size : 4.0 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 189 pages
- Best Sellers Rank: #1,835,142 in Kindle Store (See Top 100 in Kindle Store)
- #452 in Aesthetics (Kindle Store)
- #677 in Art History Criticism
- #910 in Education Philosophy & Social Aspects
- Customer Reviews:
About the authors
Ernesto Pujol is the author of Walking Art Practice: Reflections on Socially Engaged Paths (Triarchy Press, London, 2018). He is known for his nonfiction through critical essays on contemporary culture and interviews about the global challenges of art as social practice. Pujol is launching his fiction with a series of short stories and character-driven novels: The Boys' Garden Club (originally published in 2012 under the pen name E. D. Pujol and now available again), and his latest novel, The Dog Walker of Philadelphia (Amazon, 2024).
Mary Jane Jacob is a curator and writer who pioneered public, site-specific, and socially engaged art in the US as a shared practice and public discourse through landmark exhibitions “Places with a Past” and “Places with a Future” in Charleston, South Carolina; “Culture in Action” in Chicago; and “Conversations at the Castle” in Atlanta. She also served as the Chief Curator of the Museum of Contemporary Art in Chicago and Los Angeles, where she staged some of the first US exhibitions of some of leading avant-garde artists. Jacob has probed creative practioners’ relationship to audiences and society in the co-edited volumes "Buddha Mind in Contemporary Art," "Learning Mind: Experience into Art," "Chicago Makes Modern: How Creative Minds Changed Society," "The Studio Reader: On the Space of Artists," and the "Chicago Social Practice History Series." Her most recent book is “Dewey for Artists" published by the University of Chicago Press in 2018. Jacob is currently organizing a major exhibition of Polish artist Magdalena Abakanowicz opening at the Tate Modern London opening June 2020. Mary Jane Jacob is Professor at the School of the Art Institute of Chicago where she is Director of the Institute for Curatorial Research and Practice.
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- Reviewed in the United States on March 15, 2019Art made by artists who create conversations, or renovate old buildings, or cook food for museum visitors can be baffling. What kind of artist doesn't make objects? "Dewey for Artists" is a subtle apologia for "aesthetic experience" and its universality. The "art work" is not just a static object, it's also a process, a state of mind that is larger and more potent than your usual daily thoughts. The author is a highly skilled curator of aesthetic conversations. She sets out in this book to link this type of work with the thinking of John Dewey, American educator and philosopher. Dewey believed that art could change minds, heal people, expand the universe of possibilities. He was an optimist, a promoter of American pragmatism and self-improvement. The genius of "Dewey for Artists" is its proposition that the art experience is potentially vast and all-inclusive. It's about transforming one's mind. The book is also a personal memoir of the author's evolution into a world-traveling curator who has forged these invisible yet powerful links between artists, audiences, and objects. The author lives what she preaches. Sincerity is genuine. Any aesthetic experience -- not just visual art -- is honored and examined. A book for artists and for any creative.
- Reviewed in the United States on December 17, 2018A revolutionary philosopher and educator in his time, John Dewey, whose life spanned the second half of the nineteenth through the first half of the twentieth centuries, proves surprisingly relevant to the twenty-first century. In this accessible book, curator and educator Mary Jane Jacob downplays biographical incident and philosophical antecedent to emphasize Dewey's working theory of art as experience, its implications for democracy, and how Dewey's thinking manifests in contemporary art practice in unexpected ways. Unexpectedly moving ways as well, as when Ronald Jones's poignant monument to the the slave insurrectionist Denmark Vesey at "Mother Emanuel" church in Charleston, SC is transformed by events into a monument to the massacre of the church's pastor and eight parishioners a quarter-century later. Jacob's own development as a curator propels the narrative from "Artist's Process" to "The Social Value of Art." This fresh and detailed account is an argument for how art may yet help save democracy.