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Hollywood vs. The Author Kindle Edition

4.2 4.2 out of 5 stars 36 ratings

It’s no secret that authors have a love-hate relationship with Hollywood. The oft-repeated cliché that “the book was better than the movie” holds true for more reasons than the average reader will ever know. When asked about selling their book rights to Hollywood authors like to joke that they drive their manuscripts to the border of Arizona and California and toss them over the fence, driving back the way they came at breakneck speed. This is probably because Hollywood just doesn’t “get it.” Its vision for the film or TV series rarely seems to match the vision of the author. And for those rare individuals who’ve had the fortune of sitting across the desk from one of the myriad, interchangeable development execs praising the brilliance of their work while ticking off a never-ending list of notes for the rewrite, the pros of pitching their work to Hollywood rarely outweigh the cons.

Stephen Jay Schwartz has sat on both sides of that desk—first as the Director of Development for film director Wolfgang Petersen, then as a screenwriter and author pitching his work to the film and television industry. He’s seen all sides of what is known in this small community as “Development Hell.” The process is both amusing and heartbreaking. Most authors whose work contains a modicum of commercial potential eventually find themselves in “the room” taking a shot at seeing their creations re-visualized by agents, producers or development executives. What they often discover is that their audience is younger and less worldly as themselves. What passes for “story notes” is often a mishmash of vaguely connected ideas intended to put the producer’s personal stamp on the project.

Hollywood Versus The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand—some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen. They underscore the insanity of every crazy thing you’ve ever heard about Hollywood. For insiders and outsiders alike, Hollywood Versus The Author delivers the goods.
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Editorial Reviews

Review

"Hollywood vs. The Author should be considered mandatory reading for any author seeking to have what they write made into a film or television series."
Midwest Book Review

About the Author

Los Angeles Times Bestselling Author Stephen Jay Schwartz spent a number of years as the Director of Development for Wolfgang Petersen (Das Boot, In the Line of Fire, Air Force One, Troy, The Perfect Storm) where he worked to develop screenplays for production. He also worked as a freelance screenwriter before writing his two novels, Boulevard and Beat, which follow the journey of sex-addicted LAPD detective Hayden Glass. The Hayden Glass series was optioned by producer Ben Silverman (Ugly Betty, The Office, The Tudors) for development as a TV series. Stephen’s short fiction was most recently included in the collection The Los Angeles Fiction Anthology alongside T.C. Boyle, published by Red Hen Press, as well as the short story collection Jewish Noir, published by PM Press. He is a regular moderator at the Los Angeles Times Festival of Books and has judged and been the panel chair for the Los Angeles Times Book Prize in the mystery/thriller category since 2015. His film work has been exhibited in the A.F.I. Los Angeles International Film Festival and the Metropolitan Museum of Art, NYC. He is currently writing his third novel, a standalone mystery/thriller. Stephen received his MFA in Creative Writing from UC Riverside and is currently on faculty at Emerson College Los Angeles.

Product details

  • ASIN ‏ : ‎ B07K8L19SG
  • Publisher ‏ : ‎ Rare Bird Books, A Barnacle Book (November 13, 2018)
  • Publication date ‏ : ‎ November 13, 2018
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 3435 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 214 pages
  • Customer Reviews:
    4.2 4.2 out of 5 stars 36 ratings

About the authors

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Customer reviews

4.2 out of 5 stars
4.2 out of 5
36 global ratings

Top reviews from the United States

Reviewed in the United States on January 10, 2019
The book held plenty of surprises. To gather information from the authors themselves about their project is invaluable. Live and learn. Better than any book written about how to succeed, this is a book on how difficult it is when you think all your hopes and dreams have been fulfilled.
2 people found this helpful
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Reviewed in the United States on July 27, 2019
A fun, easy read. As a veteran of the entertainment business, mostly in TV, I found nothing surprising or truly horrifying in the book. I lived those experiences, without resorting to drugs or defenestration. This book, rather, is for the author who thinks his or her book may end up a movie. If that's you, you will not be disappointed by reading the book. But you may decide not to sell your book to a movie or TV producer. It probably will never be worth the headaches and disappointments.
Reviewed in the United States on November 10, 2018
This book is a MUST for any author even thinking about having their books made into movies or television series. Short, concise interviews, sometimes funny, sometimes tragic but always insightful. I can't recommend it highly enough.
4 people found this helpful
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Reviewed in the United States on February 5, 2019
I liked the many different experiences and attitudes of the different authors. Definitely things to keep in mind if you're ever in the position of receiving an offer from Hollywood. As they say, I should be so lucky!
One person found this helpful
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Reviewed in the United States on January 5, 2019
I bought Hollywood vs. the Author because several forum writers on the Authors Guild website (a great site) said it was indispensable to anyone considering a movie or TV contract related to his/her book. That’s me, and I’m new to the transition-to-video game. What I found was a very good read (in spite of its being a collection of edited chapters), each chapter entertaining and well written; but it’s a series of anecdotes rather than organized information and advice. One has to sift through many pages to glean facts, and most were not relevant to my situation.
One person found this helpful
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Reviewed in the United States on January 13, 2019
This is a must read for authors who have the fantasy that their book will one day be made into a film. Really enjoyed it.
One person found this helpful
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Reviewed in the United States on January 9, 2024
This book was very revealing and helped cement my goal of continuing to write stage plays. However, I listened to the audio version, which was great with some chapters—Lee Goldberg, for instance— but torturous with others. Diana Gould should not be allowed to narrate anything as her style is slow and sleepy, but the worst offender is PJ Ochlan, the main narrator. It took me a while to put my finger on what I didn’t like, but I realized it is the fact that everything he reads sounds like a news story, not all narrative piece. Actors make the best narrators and Mr. Ochlan obviously ain’t one. So, read this book, but read it in ebook or print to really enjoy it.
Reviewed in the United States on November 26, 2018
A while back, I bought "Hollywood vs. The Author," a collection of essays an interviews in which authors reflect on their experiences with Hollywood (based on a mention of it on Lawrence Block's newsletter). I'm about 2/3 the way through it, and thought I'd post a progress report (I'm unlikely to do a full-bore review of it). (There are 18 "chapters," of which I have read 10.) At this point, I'd say that about half the authors are generally positive about their experiences, or (as, for example, in Larry Block's case, sort of bemused by the whole thing), an half had experiences ranging from mildly painful to excruciating (Tess Gerritsen). I can, at this point, say the book's not a must-read, even for serious mystery/suspense/crime fiction readers, unless you are really interested in behind-the-scenes stuff. For me, it's been marginally worth the money.
2 people found this helpful
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