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Love & Sleep (The Aegypt Cycle Book 2) Kindle Edition

4.4 out of 5 stars 75 ratings

An occult historian’s journey of discovery continues in the second volume of this renowned literary fantasy series by “a deliciously elegant writer” (Kirkus).

In
The Solitudes, John Crowley introduced readers to Pierce Moffett, a scholar whose area of expertise lies beyond the realm of our daily reality: a land of the imagination known as Ægypt. Retreating to the quiet of upstate New York, Moffett discovers the works of Fellows Kraft, an uncanny source of hermetic revelations. Now, in Love & Sleep, Moffett begins to understand the true importance—and power—of his studies. His search for a secret history of the world has brought him to the threshold of a new era . . . one in which magic works and angels speak to humankind.

John Crowley’s Ægypt Cycle is widely regarded as a masterpiece of fantasy literature. Harold Bloom included both
The Solitudes and Love & Sleep in his Western Canon.

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Editorial Reviews

From Publishers Weekly

With this impressive if flawed sequel to the magisterial AEgypt (1987), Crowley offers another taste of his deeply intellectual brand of contemporary fantasy. As a boy, historian and writer Pierce Moffett developed a fascination with the occult, devouring tomes of arcane lore. Now Pierce has become increasingly convinced that, several times in history, the world has undergone a great transformation whereby the nature of things--the systems that govern its operation--have changed; where once alchemy and magic worked, now they don't. Digging through the papers of a favorite childhood novelist, Pierce discovers an unpublished manuscript that, set in the 16th century and tracking two real-life men of knowledge, seems to bolster his supposition that things were indeed once different. Several people are affected by his discovery--the woman he comes to care for; an epileptic child; a dying man seeking the philosopher's stone. It's not in the plot that the relative strengths of Crowley's book lie. Rather, it's in the breathtaking language, the rolling seductive sentences and the precision with which he evokes the sense of everyday life spiced with hints of mystical secrets. The problem, though, is that there's no proper payoff to all the portent. Crowley tries mightily, but he just can't pull off the miracle of creating his own philosopher's stone here. Still, if what he ends up with isn't quite gold, it glitters enough to keep readers involved. Major ad/promo.
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews

Crowley (Aegypt, 1987, etc.) struggles to recapture the smooth blending of straight narrative and speculative hermeticism that gave his best work, Little, Big (1981), the startling quality of metaphysical realism. It eludes him, unfortunately, here. Very much a book of levels, as the title's two primal forces indicate, this is the story of a writer named Pierce Moffett, who grew up with his mother and uncle and cousins in rural Kentucky (far removed from his homosexual father back in New York City). Pierce eventually turns into an upstate New York loner, an isolato equipped with paranormal gifts of magic and wisdom that set him more firmly in tune with the music of the spheres than with the lives of his neighbors. The book is a chronicle of Pierce's slow steps into this world (a fuller sex life, learning to drive) but also a charting of the introduction he unwittingly provides to others of a reality off, as it were, to one side of daily conscious life. Crowley adds historical focus in chapters about the struggles of two 16th-century psychic pioneers, the Italian metaphysician Giordano Bruno and the English mage John Dee. These historical sections, though graceful (Crowley is a deliciously elegant writer, sentence by sentence), are heavy dumplings; and though Crowley ultimately and quite strikingly turnbuckles the two levels into one at the end, it feels a lot less than natural and inevitable. The split-vision pretty much weighs down the spring of Pierce's pilgrim's progress into love and eroticism (women, but also a sexual relationship with a 13-year-old boy who is his illegitimate son, a pure Eros figure). In the end, the secret knowledge so sought after here comes to seem a burden the reader would rather shrug off than embrace. Disappointing. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

Product details

  • ASIN ‏ : ‎ B07PM5221M
  • Publisher ‏ : ‎ The Overlook Press (January 29, 2008)
  • Publication date ‏ : ‎ January 29, 2008
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 4.0 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 504 pages
  • Customer Reviews:
    4.4 out of 5 stars 75 ratings

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John Crowley
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John Crowley was born in the appropriately liminal town of Presque Isle, Maine, in 1942, his father then an officer in the US Army Air Corps. He grew up in Vermont, northeastern Kentucky and (for the longest stretch) Indiana, where he went to high school and college. He moved to New York City after college to make movies, and did find work in documentary films, an occupation he still pursues. He published his first novel (The Deep) in 1975, and his 14th volume of fiction (Lord Byron's Novel: The Evening Land) in 2005. Since 1993 he has taught creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters. He finds it more gratifying that almost all his work is still in print.

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4.4 out of 5 stars
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Customers praise the book's storytelling, with one noting its amazing flair and another describing it as deeply hypnotic. They find it well worth the read.

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Customers praise the storytelling in the book, with one noting its amazing flair, while another describes it as deeply hypnotic.

"I keep finding myself being thrilled at the ideas in this book and the perfectly wonderful way they are explored and exposed, complex layers of..." Read more

"...Here, for instance, is a lovely passage on memory, rivalling that of the famous one of Saint Augustine: "..." Read more

"...the second novel in the series (of four) with the same amazing flair for storytelling has he set out with in the first part...." Read more

"...Very imaginative and full of windy awestruck passages. Worth it." Read more

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Customers find the book well worth the read.

"...This is what makes Crowley magical and well worth the read - despite all the hermetic humbug." Read more

"...Very imaginative and full of windy awestruck passages. Worth it." Read more

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Top reviews from the United States

  • Reviewed in the United States on March 3, 2020
    I keep finding myself being thrilled at the ideas in this book and the perfectly wonderful way they are explored and exposed, complex layers of story wisked away to reveal truths you would never expect to encounter.
  • Reviewed in the United States on January 28, 2009
    I must say that these other reviews are not too terribly helpful to a prospective reader who has perhaps just heard of Crowley, wonders what all the to-do is about and has chanced across this webpage. This review is directed at such a reader, as indeed I myself am, still, having now finished three of Crowley's works.

    Righto, the first thing to which one has to accustom oneself here is this notion, elaborated and elaborated upon herein with no end of abstruse patented Crowleyan hermetic lore, that probably everyone with any imagination has at one time had: What if, say, two seconds ago, the world as we now know it just came into being complete with a history etc., quite different from what it was two seconds ago? This is the simplest way I know to put this fixation of Crowley's (or of Pierce Moffett's). But, what if, also, and this is the catch, the driving force behind the entire Crowley enterprise, there might be some way to get back that other world before everything changed in.....name your date and time?

    Here is Pierce's declaration upon the subject, at one point in the book:

    "He had read to this conclusion once, and then he had pondered it for a long time before he saw what he had here, which was an explanation for the history of magic that answered every need, solved every historical crux, satisfied the skeptic and the ardent seeker both, and had only the one drawback of its complete absurdity."

    And of course it is absurd, complete twaddle. Parts of this book truly make one want to tear one's hair out! So - I hear my hypothetical prospective reader asking - why do you bother, should I bother, reading Crowley? The answer, I should say, is that, despite the twaddle, Crowley's work is lovely, meditative and deeply hypnotic. It's just not quite like anything else to be found, though you search long.

    Here, for instance, is a lovely passage on memory, rivalling that of the famous one of Saint Augustine:

    "But isn't that what memory is always doing? Making bricks without straw, mortaring them in place one by one into a so-called past, a labyrinth actually, in which to hide a monster, or a monstrosity?"

    And there are wistful reflections on his quest's futility, poignant as anything written:

    "But if that moment of possibility was gone (was not anything but illusion now, and therefore had not ever been anything but illusion) then what was it that had come close to him in his sitting room as he looked out at the roses? What had brushed by him and touched his cheek?
    Only the wind of its passage away."

    I'm quite sure that many of us have had numinous moments like this, moments of enchantment, wonder, a sense of being between two worlds. This book plumbs the depths of those moments you very likely dismissed. I should hasten to add that much of this ends up concerning dreams, love and relations between the sexes. This is what makes Crowley magical and well worth the read - despite all the hermetic humbug.
    11 people found this helpful
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  • Reviewed in the United States on May 17, 2009
    Name your field - real or pseudo - and you'll find it explored, and maybe explained, in this tetrology. Pierce Moffett, our main character is still searching for that mystical power from the past that is still around today - perhaps.

    We journey into the past, into the spiritual, and a present that may not be our present. We meet philosophers, priests, professors , the prayerful and the perplexed. We study the mysteries of life and the hope of resolution.

    Memory systems are investigated. I've sensed while reading this series that it has the feel of something else I've read. Just now it came to mind: Hermann Hesse's Magister Ludi (aka The Glass Bead Game). Of course, I don't know if it influenced Crowley, but the mental acrobatics I've had to perform in reading both authors are eerily similar.

    This is not a stand alone novel. The four books in the Aegypt Cycle are merely physical separations of one story. I've been highly entertained by the first two and I heartily recommend them.
  • Reviewed in the United States on January 10, 2017
    Crowley's Aegypt saga continues in this the second novel in the series (of four) with the same amazing flair for storytelling has he set out with in the first part.

    I have been a John Crowley fan for many years now (ever since Little, Big) and reading him is like slowly sifting an amazing wine. He reminds me a lot of John Banville in that you read him not for the plot but for the language and the beautiful narrative detail.
  • Reviewed in the United States on August 29, 2024
    Touched with pathos. Horribly structured and incapable of standing on its own without the first book. Very imaginative and full of windy awestruck passages. Worth it.
    One person found this helpful
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  • Reviewed in the United States on December 17, 2018
    Good book. Arrived in good condition
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    5.0 out of 5 stars
    Love Crowley

    Reviewed in the United States on December 17, 2018
    Good book. Arrived in good condition
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  • Nicholas Casley
    4.0 out of 5 stars The Nebulous Passaging of Time, or Making Bricks Without Straw
    Reviewed in the United Kingdom on March 28, 2010
    In `Love & Sleep' John Crowley continues his engrossing Aegypt cycle with three more houses: Genitor (parent), Nati (children), and Valetudo (health).

    In the first we relive Pierce's childhood in the Kentucky Appalachians, particularly the summer of 1952. (This mirrors to some extent Crowley's own life; how much is autobiographical is not known.) We see how Pierce's family experiences moulded his official and unofficial learning about the world. But looking back on these times from his later vantage point, Pierce "experienced ... the sensation that he was simply creating the story backward from this moment, reasons and all. But isn't that what memory is always doing? Making bricks without straw, mortaring them in place one by one into a so-called past, a labyrinth, in which to hide a monster, or a monstrosity?"

    A later chapter takes a turn into magic with the story of Floyd Shaftoe, seventh son of a seventh son. It's the 1920s in the coal-mining Cumberland Mountains of Kentucky. Crowley re-introduces here the concept of the nebulous passaging of time. "Floyd walked in a world that wanted to die: coruscating with dull fires, washed in filthy rain. And yet just as certainly there lay within this world new world waiting to be born ... How long till then? ... He put it at thirty years, more or less. The world was slipping into its passage time, the time of signs and wonders ... he was content to wait in silence."

    Meanwhile, the ten-year-old Pierce experiences a pivotal moment in the development of his mental self, when he comes to realise the limits of his striving: one part of him passes "into an underground river like sleep, where for years it would remain", whilst his waking self learned that "wishes did not come true". Towards the end of Genitor we return to where the first novel in the cycle left off, with Pierce now thirty-five, sat in Kraft's old study near the Faraway Hills reading "a pile of yellow typing paper, strangely light, a large manuscript, an unfinished novel whose existence had not before been suspected."

    Apart from reading and assessing the Kraft papers for the Rasmussen Foundation, Pierce becomes aware of a further task, a quest for "something that Kraft had lost or found." One recurrent feature of the Aegypt series is that "the net of space and time is not quite stable, but like the shifting plates and molten core of Mother Earth can move beneath the feet of diurnality; can move, was moving, had moved before and would again." But in the cold light of a Brooklyn day, having again met his father Axel, Pierce senses clarity, "that in fact the passage time was over; it had come and gone, and it had left the world unchanged."

    The second part (the house of Nati) sees us return - through Kraft's writings - to the London of 1583, the world of Giordano Bruno, of the French ambassador to the court of Elizabeth I, of a Polish aristocrat called Laski, and of John Dee and Edward Kelley gazing into a crystal ball in Mortlake. Soon we are crossing Europe through Germany to Krakow and then later onto the court of Rudolf II in Prague.

    Running parallel to this tale, we see a new side to Pierce, who now creates his own thirteen-year-old son, Robbie, "something for his life to be about; someone to be clean and solvent for; a reason to go on living the life he had chosen." This is the house of Nati, after all, but just when you wondered what the next twist would be, Pierce's relationship with his son takes on a far deeper meaning. I'm not sure this works, since it seems so out of character with the Pierce we have come to know so far, but the relationship he has with his pseudo-son intrigues, nevertheless. (I have not yet read volumes three and four of the series.)

    Part three builds upon the stories told so far, but Crowley/Kraft is confused about the wind that destroyed the Spanish Armada. The Duke of Medina Sidonia wrote of gales, heavy rain squalls, and waves breaking over the deck, the likes of which had never before been seen in July.

    The end of the penultimate chapter is nicely dated to just past midnight on 21 September, i.e. on the cusp of moving into the seventh house. The final chapter, meanwhile, is confused and confusing, but promises riches to come: its final two words are "Wake up."
  • Schaumburger Georg
    3.0 out of 5 stars Als Geschenk gekauft
    Reviewed in Germany on January 12, 2014
    Ich habe es zum Verschenken gekauft. Bis heute habe ich nichts Schlechtes darüber gehört. Also ist es scheinbar in Ordnung.
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  • Archy
    4.0 out of 5 stars Getting better all the time....
    Reviewed in the United Kingdom on September 4, 2014
    Despite my uncertainties about the first book, I decided to give this a try, and I'm glad I did. The story flows much more smoothly, and though there are the inevitable switches back and forth to Dee's time it's done rather better. Or perhaps as the story goes on the reader becomes more familiar with the settings? Either way, the plot is leisurely, and our hero's adventures in small town/village America continue nicely.

    If you really hated the first book you're not going to like this either. But for those still undecided I can recommend perseverance. I'm already looking forward to volume three.
  • starsailor
    4.0 out of 5 stars Dreamlike
    Reviewed in the United Kingdom on February 19, 2014
    I loved every minute of reading this, and was constantly assailed by feelings of deja vue, presumably from reading Aegypt some years ago. The slight problem is that everything is rather vague and floaty, so it is hard to describe or remember what happened, what was learned, what was lost. Nevertheless, whether you think it is a story of growing up in rural america, an account of magick through the ages, or a genuine exploration of the meanings or reality and enlightenment, it is hard to fault the ride. Rollercoaster it is not, more canoeing down the Dordogne perhaps, but that is OK by me.

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