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Bird Summons: A Novel Kindle Edition
When Salma, Moni, and Iman—friends and active members of their local Muslim Women’s group—decide to take a road trip together to the Scottish Highlands, they leave behind lives often dominated by obligation, frustrated desire, and dull predictability. Each wants something more out of life, but fears the cost of taking it.
Salma is successful and happily married, but tempted to risk it all when she’s contacted by her first love back in Egypt; Moni gave up a career in banking to care for her disabled son without the help of her indifferent husband; and Iman, in her twenties and already on her third marriage, longs for the freedom and autonomy she’s never known. When these women are visited by the Hoopoe, a sacred bird from Muslim and Celtic literature, they are compelled to question their relationships to faith and femininity, love, loyalty, and sacrifice.
- LanguageEnglish
- PublisherBlack Cat
- Publication dateFebruary 11, 2020
- File size1708 KB
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Editorial Reviews
Review
"Tender, but unsentimental...Rooted in everyday experience without forsaking the spiritual, told in effortlessly enjoyable style."
-- "Daily Mail""A magic carpet ride into the forest of history and the lives of women. Playful, profound, and moving."
-- "Lucy Ellman, author of Sweet Desserts""A Scottish-Arabic Canterbury Tales, a quest full of stories and surprises: a challenging storyteller's tour de force, uniting two radically different cultures with a handshake and a kiss."
-- "Patricia Dunker, author of Hallucinating Foucault""[Aboulela is] so good with women's interiority, and Muslim women's subjectivity...She gets beyond any cliché or type of the Muslim women."
-- "BBC Radio""A wonderful book. I loved the beauty of its language, and the subtle interweaving of myth with the spiritual and physical journeys of the women. I found it fascinating, powerful and profound."
-- "Anne Donovan, author of Buddha Da""Engaging and funny and rich in narrative suspense."
-- "Abdulrazak Gurnah, author of Paradise""Impressive...Readers will root for Aboulela's well-drawn cast as they reconcile their desires with their faiths and the obligations of their everyday lives. Aboulela's novel is empathetic and insightful, offering a nuanced representation of the three characters through a blend of Islamic faith and Scottish folklore."
-- "Publishers Weekly""A heady blend of social realism, magic, Middle Eastern folktale, and Celtic myth. Leila Aboulela's is a unique and refreshing voice in contemporary Scottish fiction."
-- "James Robertson, author of The Testament of Gideon Mack""Aboulela's exploration of the women's problems of choice, faith, and commitment are as immersive as ever."
-- "Kirkus Reviews""Each well-developed plot line deepens characterization, while Aboulela's interweaving of Muslim and Celtic fables via the sacred hoopoe bird, adds another dimension to the story and offers a sense of connection between the two traditions and the past and present."
-- "Booklist (starred review)"About the Author
Leila Aboulela is the first ever winner of the Caine Prize for African Writing. Her novels include The Kindness of Enemies, The Translator (long-listed for the Orange Prize), Minaret, Lyrics Alley, and Elsewhere, Home, which won the Saltire Society Fiction Book of the Year. Her work has been translated into more than a dozen languages. She grew up in Khartoum, Sudan, and now lives in Aberdeen, Scotland.
Product details
- ASIN : B07VPRJPCS
- Publisher : Black Cat (February 11, 2020)
- Publication date : February 11, 2020
- Language : English
- File size : 1708 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 247 pages
- Best Sellers Rank: #1,073,273 in Kindle Store (See Top 100 in Kindle Store)
- #3,335 in Women's Divorce Fiction
- #4,940 in Women's Literary Fiction
- #8,647 in Women's Friendship Fiction
- Customer Reviews:
About the author
Leila Aboulela was born in Cairo, grew up in Khartoum and moved in her mid-twenties to Aberdeen. She is the author of five novels, Bird Summons, The Translator, a New York Times 100 Notable Books of the Year, The Kindness of Enemies, Minaret and Lyrics Alley, Fiction Winner of the Scottish Book Awards. Leila was the first winner of the Caine Prize for African Writing and her latest story collection, Elsewhere, Home won the Saltire Fiction Book of the Year Award. Leila’s work has been translated into fifteen languages and she was long-listed three times for the Orange Prize for Fiction. Her plays The Insider, The Mystic Life and others were broadcast on BBC Radio and her fiction included in publications such as Freeman’s, Granta and Harper’s Magazine.
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The premise is that three friends, Salma, Moni and Iman, brought together by their common faith, but having distinctly different backgrounds in the midst of great personal turmoils in their lives go on a road trip/pilgrimage to a small village in Scotland and there are able to explore their greatest torments and forge new realities away from the weighty expectations of their communities.
This to me felt like 2 separate books. The first 70% of so is a pastoral story of a friendship sort of imploding when the three women get on a road trip and are unbound by the strictures of their family and faith to explore their greatest desires seemingly with no repercussions. This could have been exciting but it was all very internalized. There were endless cyclical and repetitive depictions of Salma’s lust for a past life and a past lover through a text-based flirtationship, and Moni’s yearning to mother her son’s disability away to the exclusion of all else through her relationship with the young boy holidaying nearby, and Iman’s disdain for her femininity and pretty privilege which has been weaponised against her through her exploration of new identities through her costume play and removing her hijab. The issue is that the important conversations were never had. And nothing really happened. Because of the style of book, it was uncertain what was real and what wasn’t and there was not enough real dialogue or conversation to actually explore what the women were experiencing. This was clearly on purpose, but because it was all so unformed and the same depictions repeated over and over and dragged on for so long, it made this for me a less compelling read.
For me, the second part of the book, the final 30% where the author unapologetically catapaulted the story into the magical realism realm is where this really picked up and got some form and purpose. The final 30% used the stories the hoopoe had told Iman throughout the first part of the book to showcase consequences. It is unimportant whether the traumatic consequences faced by Salma, Iman, and Moni really happen or are merely dreams, because what is important is how these consequences teach them about themselves, about their flirtation with disaster and about their friendship. The author’s use of magical realism for this portion of the book I think provides a more creative exploration of consequence than using one that was based on religion. Using the hoopoe’s stories and parables makes the lessons more a commentary about humanity than they are specifically about being a Muslim woman although that is a huge part of the cultural identity in this book.
Overall, I liked this. Certainly, I enjoyed the last 30% more than the first 70%. I found it incredibly meaningful and I felt like it was doing something to further themes of friendship and identity more than the larger earlier section of the book. While the hoopoe makes appearances throughout the book, I wish the magical realism had been more incorporated throughout the story rather than the huge switch near the end, especially because it was executed so well. I was ambivalent about the whole premise of the pilgrimage to the “old Scottish lady who had been a Muslim”’s plot area. The author tried to tie it together in the end but to be honest, I didn’t really care much about that part of the story. I only cared about the protagonists and their relationships. Perhaps that was why I found a lot of this book very hard going. For one that had 3 protagonists, it was a very lonely sort of story. The women were alone in their thoughts a lot and there wasn’t a lot of doing or progression till near the end.
Wow! This book was not what I expected. When I read the synopsis I was expecting a road trip story about three friends who had all emigrated to Scotland. I was prepared for culture shock, misunderstandings, and some laughs. But what Ms. Aboulela provided was so much more!
This story was a pilgrimage. A pilgrimage of the mind, and of the soul. Three friends, Salma, Moni, and Iman end up being the last three standing of their travel group who end up making the trip into the Scottish Highlands to see the grave of Lady Evelyn Murray, the first white Muslim woman to make the pilgrimage to Mecca. Along the way they learn about themselves, each other, and their friendship.
These three friends all emigrated to Britain-one from Egypt, one from Syria, and one from Sudan. Each running away from different demons, each running towards their own salvations. As with most friendships, each person has their role, the mother figure, the martyr, one that everyone thinks cant take care of themselves, the pretty one, the practical one, etc. Along the way, we learn what roles these women play in each other’s lives and as the cracks begin to develop and as they begin to question their own existence, their own reality, their own choices, the strain on the friendship begins to grow.
Once they arrive at their cabin, strange things begin to happen to each woman. A bird, a hoopoe, visits one and tells her stories that often have double or hidden meanings, much like fables or scriptures. She begins to question her choices and wonders if everything is as it seems. The women start to see how their lives could be or could have been, if they had gone down different paths, made different choices.
Finally, the day to trek to the grave comes and the women must hike to it. A pilgrimage to the grave of a woman who showed no fear and didn’t care what the world around her thought. A woman who was true to herself. During their pilgrimage to the grave, the hoopoe appears to women this time as a group and they are shown what they need to see. I know that sounds funny, but I don’t want to give anything away.
This is a beautiful story. I had never heard of Lady Evelyn before but now, having read a bit about her, knowing how strong her character was and what an inspiration she was to these three women-Lady Evelyn didn’t fit in with those around her, and neither did these three women, and yet they loved their families and their lives. The pilgrimage they made may not have been the Hajj, but the clarity and understanding that they gained from it was still monumental.
Thank you to Netgalley, the publishers and the author for allowing me to read such a beautiful story.
However, I was unprepared for the level of religious introspection and parable narrative awaiting me. I thought with three main characters this would be a more engaging and conversational book. They did have some interesting conversations, most of them breaking the Bechdel test, but that's okay.
Salma is dealing with regret for a life she could have had, both career and love. Moni is weighted down by caring for her disabled son, ignoring her husband. Iman is cursed with beauty and a purposeless life, yearning for more.
I am a self-avowed agnostic, and do have some Muslim friends, but I'm mostly unfamiliar with the daily rituals and parables of the faith. So it took me a long time to realize the significance of the Hoopoe bird. As another reviewer noted, near the end of the book we take us surrealistic almost magical realism turn. The women start physically manifesting their troubles and have to overcome them and rediscover their faith.
Overall, it was hard to keep track throughout most of the book not just the end, of what was real and what was their daydreams or inner monologues. Maybe it's a style people like but I am very literal. Unless there's acknowledged magic involved, like in fantasy. The setting was very well described and it makes me want to visit Scotland again soon!
Top reviews from other countries
Leila Aboulela is an observant Muslim, born in Sudan, who studied at LSE, now living in Scotland. As her website explains , she is known for her “ distinctive exploration of identity, migration and Islamic spirituality. Highlighting the challenges facing Muslims in Europe and ‘telling the stories of flawed complex characters who struggle to make choices using Muslim logic’. Aboulela’s work explores significant political issues. Her personal faith and the move, in her mid-twenties, from Sudan to Scotland are a major influence on her work. Literary influences include Arab authors Tayeb Salih and Naguib Mahfouz as well as Ahdaf Soueif, Jean Rhys, Anita Desai and Doris Lessing. The Scottish literary landscape and writers such as Alan Spence and Robin Jenkins have also been influential.”
As an irreligious non-Muslim, I see her as reworking what without a religious content would be magic realism, and making it mysticism. She is full of hope about these three women’s lives, despite their losses and awareness of their own frustrated potential. She looks for them to find happiness in a world where through migration, one of them has lost her professional standing as a doctor; where another loves her acutely disabled, mute son but is losing her identity; and another is rejected by her husband’s family. The hoopoe appears on their journey, from 'The Conference of Birds', and we are led into a world of mythic story-telling, and an almost real world where each woman’s fantasy of what life might be is projected into the here and now and for this brief period is part of their reality.
More deeply this is, unusually in the twenty first century, a novel constructed around a religious journey that explores the intersections and overlaps between Christianity and Islam. It is also very readable – I read it over a couple of days when ill in bed.
But…the magical realism aspect was not for me, and I felt like it was shoehorned into the story and took away from the characters real world problems.
Not for me.