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The Art of Harvey Kurtzman: The Mad Genius of Comics Kindle & comiXology

5.0 out of 5 stars 58 ratings

The definitive anthology of the pioneering cartoonist and creator of Mad magazine, featuring 100s of classic and never-before-seeen illustrations.

It's difficult to overstate Harvey Kurtzman's influence on pop culture. He discovered Robert Crumb and gave Gloria Steinem her first job in publishing. Terry Gilliam also started at his side, where he met John Cleese, and the genesis of Monty Python was formed. And Art Spiegelman has stated on record that he owes his career to him.

Harvey Kurtzman was an astonishingly talented and influential artist, writer, editor, and satirist. The creator of
MAD and Playboy's "Little Annie Fanny" was called, "One of the most important figures in postwar America" by the New York Times. Kurtzman's groundbreaking "realistic" war comics of the early '50s and various satirical publications (MAD, Trump, Humbug, and Help!) had an immense impact on popular culture, inspiring a generation of underground cartoonists and comedians.

The Art of Harvey Kurtzman includes hundreds of never-before-seen illustrations, paintings, pencil sketches, newly discovered lost E.C. Comics layouts, color compositions, illustrated correspondence, and vintage photos from the rich Kurtzman archives. Winner of the 2010 Eisner Award for Best Comics-related Book Award!
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Editorial Reviews

From Publishers Weekly

Though his tenure lasted less than two years at the publication, Harvey Kurtzman is the genius responsible for Mad magazine's design, cast of characters, and unique brand of irreverence. In this beautifully illustrated volume, Kitchen and Buhle follow Kurtzman from his youth in the Depression-era Bronx, through his early freelance work, to his big break with William Gaines of E.C. Comics and beyond. At E.C., Kurtzman aired his anti-racist, anti-imperialist views in war comics Two-Fisted Tales and Frontline Combat. Kurtzman spent "long hours in the New York Public Library researching" to create authentic entertainment that also "compels contemplation." Once he had a family to feed, Kurtzman embarked on a less time-consuming humor project, which in 1952 launched as a comic book called Mad. For 23 issues, Kurtzman did it all-"every word from front to back, and laid out every cover, each story, and filler"-and, ultimately, saved E.C. from bankruptcy. When E.C. denied the artist's request for partial ownership of the company, Kurtzman left. Eventually, he would establish three different humor magazines, none of which as successful as Mad, and spent the rest of his career doing a comic for Playboy. He remains a major influence on today's comic writers, and this vibrant collection makes it easy to see why.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Denis Kitchen is a pioneering cartoonist, writer, editor, and underground comic book publisher. He represents the Kurtzman estate, and maintains the archives. In 1986 Kitchen established the nonprofit Comic Book Legal Defense Fund, and served as its president for its first eighteen years. He lives in western Massachusetts. Paul Buhle is a senior lecturer in the American Civilization and History departments at Brown University. He has written and edited thirty-five books, including Jews and American Comics, and lives in Rhode Island. Harry Shearer is a comic personality and author, director, satirist, musician, radio host, playwright, multimedia artist, and record label owner.






Product details

  • ASIN ‏ : ‎ B089QWGC6P
  • Publisher ‏ : ‎ ABRAMS Comic Arts (July 25, 2012)
  • Publication date ‏ : ‎ July 25, 2012
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 938.9 MB
  • Text-to-Speech ‏ : ‎ Not enabled
  • Enhanced typesetting ‏ : ‎ Not Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Not Enabled
  • Print length ‏ : ‎ 256 pages
  • Customer Reviews:
    5.0 out of 5 stars 58 ratings

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Customer reviews

5 out of 5 stars
58 global ratings

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Customers say

Customers appreciate the book's artistic content, with one noting it presents characteristic samples of Kurtzman's work and another highlighting never-before-seen illustrations. Moreover, the book receives praise for its humor, particularly its reinvention of satire of pop culture, and customers find the visual presentation terrific.

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12 customers mention "Art history"12 positive0 negative

Customers appreciate the book's art history, with one customer noting it presents characteristic samples of Kurtzman's work, while another mentions it includes never-before-seen illustrations.

"Big bright book packed with interesting information and lots of fascinating images. I will really enjoy reading this. Carefully boxed and shipped...." Read more

"...This book tells of the accomplishments and turning points of his career and presents characteristic samples of his work, including several that have..." Read more

"...besides being HUGE its packed full of full color art, concept art and history and it is like a classroom in a book and the book is not even a &#..." Read more

"The art process examples and writing make this a great book that doesn’t waste your time but just documenting the wide scope of his career and..." Read more

8 customers mention "Humor"8 positive0 negative

Customers appreciate the humor in the book, praising Kurtzman as a great cartoonist who reinvented satire of pop culture.

"This book is a must for any fan or professional cartoonist. I was not expecting such a well made book...." Read more

"...MAN IS MENTOR AND LIKE A SAINT TO ROBERT CRUMB AND MANY OTHER GREAT CARTOONISTS AND COMEDIANS. HE IS THE SPIRIT OF AMERICAN HUMOR AT ITS BEST...." Read more

"Harvey Kurtzman was one of the greatest comic book creators of the 20th Century...." Read more

"...was unique, this book gives a glimpse into the mind of one of the best at satire of the 20th century" Read more

4 customers mention "Visual quality"4 positive0 negative

Customers appreciate the visual quality of the book, with one customer highlighting the fascinating images and another noting the concept art.

"Big bright book packed with interesting information and lots of fascinating images. I will really enjoy reading this. Carefully boxed and shipped...." Read more

"...besides being HUGE its packed full of full color art, concept art and history and it is like a classroom in a book and the book is not even a &#..." Read more

"...the text info and the art samples are intelligent, informative and very cool. I learned a lot about this important artist." Read more

"In great shape, looks terrific. One label that wouldn't come off easily and left some slight residue. But in terrific shape. Thank you." Read more

Always chasing the rainbow
5 out of 5 stars
Always chasing the rainbow
Well worth the wait! At last a super looking book about the comics funny man. There are several books about Mad and a recently published Humbug reprint (a Trump one is touch-and-go) help to reveal how great Kurtzman was and this book is a handsome biography not only in words but with two hundred well chosen illustrations. His story, by Kitchen and Buhle, is helped because they represent the Kurtzman estate and clearly had access to a lot of original artwork which I doubt has been seen before. You'll see art from Two-fisted Tales, Frontline Combat, Mad, Trump, Humbug, Help! and Little Annie Fanny all with decent captions, too. The book's production is really first-class and a nice touch is the addition of four pages printed on tracing paper that overlay a page of Little Annie Fanny, the long captions explain just how much work went into each page of the Playboy feature. Since his death in 1993 Kurtzman's stature has grown and rightly so but I thought it unfortunate that he never quite achieved the perfection he was always striving for with his publications. I bet he would have appreciated the love and care that has gone into this book tribute. You can look inside the book at Westread Book Reviews then click 2024 and March.
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Top reviews from the United States

  • Reviewed in the United States on December 4, 2024
    Big bright book packed with interesting information and lots of fascinating images. I will really enjoy reading this. Carefully boxed and shipped. Five stars.
  • Reviewed in the United States on October 3, 2012
    Kurtzman, Elder and others of MAD were the major inspiration to the underground comics artists who inspired the graphic novels that take up a rack at my nearest public library. What made him an artist and not just a media person was his habit of and talent for telling and drawing the truth, not the popular belief.
    This book tells of the accomplishments and turning points of his career and presents characteristic samples of his work, including several that have not before been published. The text would be worth reading without the cartoons, and the cartoons without the text. The book argues that Kurtzman had a big impact on American culture, by setting the example for criticising commercial attempts to define pop culture.
    2 people found this helpful
    Report
  • Reviewed in the United States on June 19, 2013
    This book is a must for any fan or professional cartoonist. I was not expecting such a well made book. besides being HUGE its packed full of full color art, concept art and history and it is like a classroom in a book and the book is not even a "how to book"
    I'll be honest I knew of Harvey Kurtzman but I always pushed him to the side for those like Jack Davis, but Wow Kurtzman truly is a genius a true Cartoonist Genius and opened my eyes to a true Historical Cartooning Icon.
    One person found this helpful
    Report
  • Reviewed in the United States on September 3, 2021
    The art process examples and writing make this a great book that doesn’t waste your time but just documenting the wide scope of his career and influence is pretty mind blowing , especially if you’re not that familiar.
    One person found this helpful
    Report
  • Reviewed in the United States on July 1, 2021
    Both the text info and the art samples are intelligent, informative and very cool. I learned a lot about this important artist.
  • Reviewed in the United States on August 31, 2015
    GREAT TRIBUTE TO A GREAT MASTER OF HUMOR AND COMICS. THIS MAN IS MENTOR AND LIKE A SAINT TO ROBERT CRUMB AND MANY OTHER GREAT CARTOONISTS AND COMEDIANS. HE IS THE SPIRIT OF AMERICAN HUMOR AT ITS BEST. WONDERFUL EXAMPLES OF HIS ART AND WRITINGS...
  • Reviewed in the United States on November 5, 2009
    Harvey Kurtzman was one of the greatest comic book creators of the 20th Century. His first big success was creating war comics and Mad for EC Comics. Kurtzman quit Mad Magazine just when it was starting to take off, and his career never recovered. He still produced some excellent work, but he never made as much money as he deserved to make. This book tells his life story and prints tons of his excellent artwork. A great overview of the career of one of the great cartoonists.
    One person found this helpful
    Report
  • Reviewed in the United States on April 4, 2014
    I didn't realize what a powerful force Harvey Kurtzman was in the development of the comics and especially Mad magazine.
    Engrossing background reading populated generously with examples of Kurtzman's drawings along with work done by Will Elder and many of the other crazy Mad cartoonists that I recognized from my younger days as an avid fan.

    Highly recommend.

Top reviews from other countries

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  • Estragon
    5.0 out of 5 stars Anlass für Freudentränen
    Reviewed in Germany on February 18, 2013
    In der sehr sehenswerten Wanderausstellung "CO-MIX. Art Spiegelman: A Retrospective of Comics, Graphics and Scraps", die im vergangenen Jahr unter anderem vom Museum Ludwig in Köln gezeigt wurde, konnte man zwei Blätter entdecken, die Spiegelman dem von ihm verehrten Harvey Kurtzman gewidmet hat. Spiegelman schildert auf den beiden Seiten, wie er zu Beginn der 1980er Jahre von Kurtzman für einen Vortrag an die New Yorker School of Visual Arts eingeladen wurde, wo dieser lehrte. Da er sein Thema frei wählen konnte, entschloss Spiegelman sich, über das Werk von Kurtzman zu sprechen, um es zu analysieren und zu rühmen. Während seines engagierten Vortrags merkt Spiegelman allerdings, dass die Studenten, vor denen er spricht, überhaupt keine Ahnung haben, wer ihr Lehrer Kurtzman eigentlich ist, und auch an dem Vortrag nicht sonderlich interessiert sind. Doch am Ende seines Vortrags kann er wenigstens registrieren, dass Kurtzman selbst tief gerührt ist und seine Assistentin in Tränen ausbricht.

    In Deutschland ist Harvey Kurtzman so gut wie unbekannt. Am ehesten dürfte vielleicht noch seine zusammen mit Will Elder für den ‚Playboy’ konzipierte Satire „Little Annie Fanny“ sein, von der es immerhin zwei Sammelbände auf Deutsch gibt. Aber auch das ist sehr lange her. Kurtzmans EC-Comics aus den frühen 1950er Jahren sind ebenso unbekannt wie seine späteren genialen Schöpfungen für das ‚Mad’ der Anfangsjahre. Sein Einfluss auf die US-amerikanische Populärkultur ist kaum zu überschätzen. Zu Kurtzmans bedingungslosen Verehrern zählen neben Art Spiegelman zum Beispiel auch Terry Gilliam und Robert Crumb.

    Der Text des vorliegenden Buchs hält sich chronologisch an Leben und Werk Kurtzmans und bettet das Ganze in die Geschichte der US-amerikanischen Populärkultur ein. Die Darstellung zeugt von immenser Sachkenntnis und ist überaus lesbar. Zum Niederknien sind die Illustrationen, für die die Autoren und der Verlag offensichtlich weder Kosten noch Mühe gescheut haben.

    Eine uneingeschränkte Empfehlung!
    Report
  • ecce.om
    5.0 out of 5 stars Kurt The Man
    Reviewed in France on March 9, 2016
    1ère surprise.
    Mais quel est ce gros colis que m'apporte Mr Postman? Je n'attends pourtant rien. Ou alors, je suis devenu testeur sans le savoir et on m'envoie 30 paires d'écouteurs, 12 caméras et 20 bracelets'
    J'ouvre.
    "The Art Of Harvey Kurtzman", déjà ?! Je ne l'attendais pas si tôt. Bravo Psbooks !
    Là, je me rends compte que je n'avais pas fait attention au descriptif. C'est un pavé : 29 cm X 2,8 cm X 26,67 cm et 1,6 kg. Ça calme.

    Vingt Dieux le bel ouvrage ! Un beau papier épais, des centaines d'illustrations'
    C'est en anglais, certes, mais c'est le prix à payer (si on peut dire, car le livre coûte la somme incroyablement faible de 13€55 -alors qu'il est vendu 44 USD), pour une somme indispensable à tout amateur du géant.

    Vous saurez tout sur l'un des génies de la BD (là-bas, chez les ricains, ils appellent ça Comics, mais c'est pareil).
    Sans Kurtzman, pas d'Art Speigelman, de Robert Crumb, Wally Wood et chez nous, pas de Goscinny, Morris, Gotlib'

    Avec ce livre, on découvre la vie de celui qui depuis les années 50, avec Mad, Little Annie Fanny, Two Fisted tales ou Trump, a donné ses lettres de noblesse à une certaine BD qui s'enlisait dans le super-héros patriote en collants.

    Le livre est divisé en 5 chapitres illustrant le parcours de ce grand bonhomme mort en 1993.

    1. "Hey Look ! It's the 40's."
    De sa naissance en 1924 dans le Bronx jusqu'à ses débuts dans les années 40, avec les rencontres avec des dessinateurs qui l'accompagneront souvent dans ses aventures ultérieures, la publication de ses premières œuvres et notamment "Hey Look !" dont il écrira 150 épisodes pour les éditions Timely/Marvel de Stan Lee. Le génie est déjà à l'oeuvre, comme quand il s'insère en autoportrait actif dans une planche ou quand il joue sur les couleurs, les cadres...Tout ça, bien avant que la France découvre les audaces de Gotlib et de quelques autres.

    2. "Kurtzman Rewrites History, In Pictures" (And later save E.C. Comics)
    A partir de 1949, Kurtzman travaille avec les E.C; Comics de Max Gaines. Nombreux dessins réalisés pendant les guerres (39-45 et Corée 50-53). Apparition de "Two-Fisted Tales" et "Front Line Combat" (Le livre reproduit l'intégralité du formidable "Corpse On The Imjin" issu du "Two-Fisted Tales" n°22).
    Et puis, en 54, c'est le lancement de MAD.

    3. "Kurtzman's MAD"
    L'œuvre sans qui le monde ne serait qu'une vaste toundra désolée peuplée de Jaques Faizant et de Patrick Sébastien : MAD !
    30 couvertures, une histoire complète ("Superduperman"!")'Que du bonheur. C'est l'apogée du Kurtzman homme orchestre : rédacteur en chef, scénariste, dessinateur souvent. Avec lui, les meilleurs dessinateurs du genre ont embarqué : Jack Davis, Wally Wood, Will Elder'Consécration en 1955 quand MAD devient un magazine.
    MAD, c'est la Pop culture, la parodie, le terreau de Fluide Glacial, des Nuls...Cet état d'esprit qui nous a bercé pour beaucoup, avant que cette veine se tarisse faute de talent parmi les suiveurs.

    4. "Three Magazines and Freelance Hell".
    Comme d'habitude, Kurtzman se fâche (cette fois, c'est en 1956, avec Gaines, le patron d'E.C. D'où ? D'E.C. !) et il lance une flopée de titres : "Trump" et "Humbug" (qui durent peu) et "Help !" qui voit outre les dessinateurs habituels, apparaître des futurs grands comme Crumb, Skip Williamson, John Cleese et Terry Gilliam (pas encore devenus les Monty Python)'.
    Là également, on a droit aux reproductions des couvertures, à une histoire complète (absolument délirante avec une sauterelle beatnik et une fourmi travailleuse. Il y a même une couverture de "Help" qui parodie le style "Playboy".
    La suite montre que cela a du plaire malgré tout à Hefner.

    5. "Satire In technicolor."
    Chapitre axé principalement sur l'indispensable "Little Annie Fanny", sa formidable production de 1962 à 1968, pour Playboy. Il y a même les calques utilisés qui montrent le work in progress !
    C'est le travail de Kurtzman le plus connu (pour ceux qui ne connaissent pas, cette série existe en édition française Playboy's : Little Annie Fanny, tome 1). C'est une imparable satire sociale de l'Amérique et de ses mœurs, habillée de couleurs directes somptueuses, écrin pour une bombe blonde fortement bustée, mais faiblement neuronnée. Annie est surtout une innocente plongée dans un monde en proie au stupre, inconsciente des ravages causés par ses appâts naturels.
    Dessins dus la plupart du temps à Will Elder, fourmillant de détails incongrus et de personnages illustres : Beatles, Presley, Dylan, Sonny & Cher, Hoover, Alice Cooper, Sean Connery, Woody Allen, Piggy la cochonne, Mandrake, Indiana Jones'.

    Vous l'aurez compris, ce livre est extraordinaire. Le texte de Paul Buhle and Dennis Kitchen est ultra documenté (sans parler de l'incroyable iconographie) et fait le tour du personnage.

    Seuls reproches que j'adresserai au livre :
    - il n'a pas été traduit en français et donc, il faut s'accrocher un peu pour comprendre si on n'est pas anglophone. Mais vraiment, ça en vaut la peine.
    - il est lourd pour être tenu à bout de bras. Si vous voulez lire au lit, c'est compliqué.
    Customer image
    ecce.om
    5.0 out of 5 stars
    Kurt The Man

    Reviewed in France on March 9, 2016
    1ère surprise.
    Mais quel est ce gros colis que m'apporte Mr Postman? Je n'attends pourtant rien. Ou alors, je suis devenu testeur sans le savoir et on m'envoie 30 paires d'écouteurs, 12 caméras et 20 bracelets'
    J'ouvre.
    "The Art Of Harvey Kurtzman", déjà ?! Je ne l'attendais pas si tôt. Bravo Psbooks !
    Là, je me rends compte que je n'avais pas fait attention au descriptif. C'est un pavé : 29 cm X 2,8 cm X 26,67 cm et 1,6 kg. Ça calme.

    Vingt Dieux le bel ouvrage ! Un beau papier épais, des centaines d'illustrations'
    C'est en anglais, certes, mais c'est le prix à payer (si on peut dire, car le livre coûte la somme incroyablement faible de 13€55 -alors qu'il est vendu 44 USD), pour une somme indispensable à tout amateur du géant.

    Vous saurez tout sur l'un des génies de la BD (là-bas, chez les ricains, ils appellent ça Comics, mais c'est pareil).
    Sans Kurtzman, pas d'Art Speigelman, de Robert Crumb, Wally Wood et chez nous, pas de Goscinny, Morris, Gotlib'

    Avec ce livre, on découvre la vie de celui qui depuis les années 50, avec Mad, Little Annie Fanny, Two Fisted tales ou Trump, a donné ses lettres de noblesse à une certaine BD qui s'enlisait dans le super-héros patriote en collants.

    Le livre est divisé en 5 chapitres illustrant le parcours de ce grand bonhomme mort en 1993.

    1. "Hey Look ! It's the 40's."
    De sa naissance en 1924 dans le Bronx jusqu'à ses débuts dans les années 40, avec les rencontres avec des dessinateurs qui l'accompagneront souvent dans ses aventures ultérieures, la publication de ses premières œuvres et notamment "Hey Look !" dont il écrira 150 épisodes pour les éditions Timely/Marvel de Stan Lee. Le génie est déjà à l'oeuvre, comme quand il s'insère en autoportrait actif dans une planche ou quand il joue sur les couleurs, les cadres...Tout ça, bien avant que la France découvre les audaces de Gotlib et de quelques autres.

    2. "Kurtzman Rewrites History, In Pictures" (And later save E.C. Comics)
    A partir de 1949, Kurtzman travaille avec les E.C; Comics de Max Gaines. Nombreux dessins réalisés pendant les guerres (39-45 et Corée 50-53). Apparition de "Two-Fisted Tales" et "Front Line Combat" (Le livre reproduit l'intégralité du formidable "Corpse On The Imjin" issu du "Two-Fisted Tales" n°22).
    Et puis, en 54, c'est le lancement de MAD.

    3. "Kurtzman's MAD"
    L'œuvre sans qui le monde ne serait qu'une vaste toundra désolée peuplée de Jaques Faizant et de Patrick Sébastien : MAD !
    30 couvertures, une histoire complète ("Superduperman"!")'Que du bonheur. C'est l'apogée du Kurtzman homme orchestre : rédacteur en chef, scénariste, dessinateur souvent. Avec lui, les meilleurs dessinateurs du genre ont embarqué : Jack Davis, Wally Wood, Will Elder'Consécration en 1955 quand MAD devient un magazine.
    MAD, c'est la Pop culture, la parodie, le terreau de Fluide Glacial, des Nuls...Cet état d'esprit qui nous a bercé pour beaucoup, avant que cette veine se tarisse faute de talent parmi les suiveurs.

    4. "Three Magazines and Freelance Hell".
    Comme d'habitude, Kurtzman se fâche (cette fois, c'est en 1956, avec Gaines, le patron d'E.C. D'où ? D'E.C. !) et il lance une flopée de titres : "Trump" et "Humbug" (qui durent peu) et "Help !" qui voit outre les dessinateurs habituels, apparaître des futurs grands comme Crumb, Skip Williamson, John Cleese et Terry Gilliam (pas encore devenus les Monty Python)'.
    Là également, on a droit aux reproductions des couvertures, à une histoire complète (absolument délirante avec une sauterelle beatnik et une fourmi travailleuse. Il y a même une couverture de "Help" qui parodie le style "Playboy".
    La suite montre que cela a du plaire malgré tout à Hefner.

    5. "Satire In technicolor."
    Chapitre axé principalement sur l'indispensable "Little Annie Fanny", sa formidable production de 1962 à 1968, pour Playboy. Il y a même les calques utilisés qui montrent le work in progress !
    C'est le travail de Kurtzman le plus connu (pour ceux qui ne connaissent pas, cette série existe en édition française Playboy's : Little Annie Fanny, tome 1). C'est une imparable satire sociale de l'Amérique et de ses mœurs, habillée de couleurs directes somptueuses, écrin pour une bombe blonde fortement bustée, mais faiblement neuronnée. Annie est surtout une innocente plongée dans un monde en proie au stupre, inconsciente des ravages causés par ses appâts naturels.
    Dessins dus la plupart du temps à Will Elder, fourmillant de détails incongrus et de personnages illustres : Beatles, Presley, Dylan, Sonny & Cher, Hoover, Alice Cooper, Sean Connery, Woody Allen, Piggy la cochonne, Mandrake, Indiana Jones'.

    Vous l'aurez compris, ce livre est extraordinaire. Le texte de Paul Buhle and Dennis Kitchen est ultra documenté (sans parler de l'incroyable iconographie) et fait le tour du personnage.

    Seuls reproches que j'adresserai au livre :
    - il n'a pas été traduit en français et donc, il faut s'accrocher un peu pour comprendre si on n'est pas anglophone. Mais vraiment, ça en vaut la peine.
    - il est lourd pour être tenu à bout de bras. Si vous voulez lire au lit, c'est compliqué.
    Images in this review
    Customer imageCustomer imageCustomer imageCustomer image
  • García
    5.0 out of 5 stars Un libro realmente notable
    Reviewed in Spain on April 20, 2016
    Es un libro grande con ilustraciones en blanco y nego y en color, tapas dura con sobrecubiertas. Una biografía amena de uno de los genios más singulares de comic y del humor norteamericano.
  • wm. maher
    5.0 out of 5 stars Sure he was influential - but a genius? Who knew?
    Reviewed in Canada on February 24, 2020
    This gorgeous book is a testament to the rich relationship between 20th-century humor and one Harvey Kurtzman, lunatic genius and comic visionary. From his beginnings to the invention of MAD magazine, his relationships with EC comics alumni Will Elder, Wally Wood, and Jack Davis, and yes, even "TRUMP" and Kurtzman's "Mad Men"-era ads, Harvey came armed with the will to puncture and parody an America which came out of WWII mistaking conformity for virtue and worship for commerce over common sense. He introduced generations to the fine art of rebellion and how not to take the media landscape, authority figures, or even your own sacred cows (everyone from Brando and Elvis to Howdy Doody) too seriously. Kurtzman's sense of humor and rubbery ink and brush cartooning enabled him to poke an elbow into the ribs of hipsters while selling tons of bulls**t repellant to the generation of kids who would go on to create the 60's, National Lampoon, SNL, even Monty Python (via Terry Gilliam) without ever growing up. Only Kung Tut's tomb has more beautifully presented treasures than those found here - I was stunned (bigly) by what a hefty, handsome volume this is and I've got a few nice books if you don't mind me saying so. Width, depth, and length are all about perfect. Why worry? You can't go wrong.
  • M. Duncan
    4.0 out of 5 stars A beautiful homage
    Reviewed in the United Kingdom on January 16, 2010
    Harvey Kurtzman was undoubtedly one of the greats of comics history. An overview of his life and work is long overdue, and this volume doesn't disappoint. The book is beautifully produced, with amazing colour reproductions of old Kurtzman favourites, from Mad and EC and so forth, as well as containing some previously unpublished illustrations and pictures. One of the highlights is several pages of transparent vellum overlays, one over the other, showing how Kurtzman and his colleague Will Elder created the luxuriant pages of Little Anny Fanny for Playboy. It's a heartbreaking tale how one of the true geniuses of the comics field was underappreciated in his time, for years slogged from freelance job to freelance job, faced rejection time and again, before settling down to produce a plush, extremely well paid, but ultimately creatively retrograde strip for the rest of his working life. There is no doubt that this book is excellent value for money for the pictures alone - especially at the price Amazon is offering. I held back from giving it 5 stars because of the text. Perhaps because Kurtzman was overlooked for so long, the author feels he has some ground to make up, but all the same, the book feels a little like a hagiography. The book also barely dips its toes into Kurtzman's working relationships with other writers and artists, nor does it explore in any detail the development of his artistic or writing technique. Also, being an American book, it's kind of taken for granted here that Mad was Kurtzman's best work. I can't be alone in finding Mad a trifle sophomoric and extremely dated. The strip "Superduperman" (stop, Harvey, you're killing me) included here, only goes to prove my point. For me Kurtzman's best work was on the EC war comics and the Jungle Book (now expensive to get hold of). It's a steal and an essential addition to any comic fan's library.

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