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The Art of Harvey Kurtzman: The Mad Genius of Comics Kindle & comiXology
It's difficult to overstate Harvey Kurtzman's influence on pop culture. He discovered Robert Crumb and gave Gloria Steinem her first job in publishing. Terry Gilliam also started at his side, where he met John Cleese, and the genesis of Monty Python was formed. And Art Spiegelman has stated on record that he owes his career to him.
Harvey Kurtzman was an astonishingly talented and influential artist, writer, editor, and satirist. The creator of MAD and Playboy's "Little Annie Fanny" was called, "One of the most important figures in postwar America" by the New York Times. Kurtzman's groundbreaking "realistic" war comics of the early '50s and various satirical publications (MAD, Trump, Humbug, and Help!) had an immense impact on popular culture, inspiring a generation of underground cartoonists and comedians.
The Art of Harvey Kurtzman includes hundreds of never-before-seen illustrations, paintings, pencil sketches, newly discovered lost E.C. Comics layouts, color compositions, illustrated correspondence, and vintage photos from the rich Kurtzman archives. Winner of the 2010 Eisner Award for Best Comics-related Book Award!
- Print length256 pages
- LanguageEnglish
- PublisherABRAMS Comic Arts
- Publication dateJuly 25, 2012
- Reading age13 years and up
- Grade level8 and up
- File size938.9 MB
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About the Author
Product details
- ASIN : B089QWGC6P
- Publisher : ABRAMS Comic Arts (July 25, 2012)
- Publication date : July 25, 2012
- Language : English
- File size : 938.9 MB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Print length : 256 pages
- Best Sellers Rank: #753,111 in Kindle Store (See Top 100 in Kindle Store)
- #430 in Comic Strips (Kindle Store)
- #444 in Cartoons
- #740 in Art Book Graphic Novels
- Customer Reviews:
About the authors
Discover more of the author’s books, see similar authors, read book recommendations and more.
Award-winning book editor, designer, and creative director specializing in publishing. Possesses a unique set of skills, including a keen eye for talent and creative problem solving, developed over a 25-year career in the publishing industry.
Cartoonist and writer Denis Kitchen, a member of the 1960s/70s "underground comix" movement, founded Kitchen Sink Press (1969-99), a pioneering house that published early and new graphic works by R. Crumb, Will Eisner, Harvey Kurtzman, Al Capp, Scott McCloud, Alan Moore, Art Spiegelman, Charles Burns, Mark Schultz, Dave McKean, Neil Gaiman, Howard Cruse and countless others. In 1986 Kitchen founded and for 18 years chaired the Comic Book Legal Defense Fund, a 501 (c) 3 non-profit organization dedicated to First Amendment Rights in the comics industry.
Kitchen co-authored three books: THE ART of HARVEY KURTZMAN (Abrams, 2009) with Paul Buhle; UNDERGROUND CLASSICS (Abrams, 2009) with James Danky; and a biography, AL CAPP: A Life to the Contrary (Bloomsbury, 2013) with Michael Schumacher. In addition, Kitchen has written dozens of essays, introductions and annotations for books with numerous publishers including Abrams, W. W. Norton, Dark Horse, DC Comics, NBM. IDW, Kitchen Sink Press, and Kitchen Sink Books.
As a cartoonist he has contributed to many books and anthologies, most recently Blabworld Volume 2 (Last Gasp) and Masterful Marks: Cartoonists Who Changed the World (Simon & Schuster, 2014). He curates exhibits of comic art for both American and international institutions. Kitchen received a Lifetime Achievement Award in 2012 from the Wisconsin Academy of Sciences, Arts and Letters.
A monograph of his own work, THE ODDLY COMPELLING ART of DENIS KITCHEN, was published in 2010, and a year later DENIS KITCHEN's CHIPBOARD SKETCHBOOK (DKP/Boomtown). In 2013 he revived Kitchen Sink Books as an independent imprint of Dark Horse Books with partner John Lind.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers appreciate the book's artistic content, with one noting it presents characteristic samples of Kurtzman's work and another highlighting never-before-seen illustrations. Moreover, the book receives praise for its humor, particularly its reinvention of satire of pop culture, and customers find the visual presentation terrific.
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Customers appreciate the book's art history, with one customer noting it presents characteristic samples of Kurtzman's work, while another mentions it includes never-before-seen illustrations.
"Big bright book packed with interesting information and lots of fascinating images. I will really enjoy reading this. Carefully boxed and shipped...." Read more
"...This book tells of the accomplishments and turning points of his career and presents characteristic samples of his work, including several that have..." Read more
"...besides being HUGE its packed full of full color art, concept art and history and it is like a classroom in a book and the book is not even a &#..." Read more
"The art process examples and writing make this a great book that doesn’t waste your time but just documenting the wide scope of his career and..." Read more
Customers appreciate the humor in the book, praising Kurtzman as a great cartoonist who reinvented satire of pop culture.
"This book is a must for any fan or professional cartoonist. I was not expecting such a well made book...." Read more
"...MAN IS MENTOR AND LIKE A SAINT TO ROBERT CRUMB AND MANY OTHER GREAT CARTOONISTS AND COMEDIANS. HE IS THE SPIRIT OF AMERICAN HUMOR AT ITS BEST...." Read more
"Harvey Kurtzman was one of the greatest comic book creators of the 20th Century...." Read more
"...was unique, this book gives a glimpse into the mind of one of the best at satire of the 20th century" Read more
Customers appreciate the visual quality of the book, with one customer highlighting the fascinating images and another noting the concept art.
"Big bright book packed with interesting information and lots of fascinating images. I will really enjoy reading this. Carefully boxed and shipped...." Read more
"...besides being HUGE its packed full of full color art, concept art and history and it is like a classroom in a book and the book is not even a &#..." Read more
"...the text info and the art samples are intelligent, informative and very cool. I learned a lot about this important artist." Read more
"In great shape, looks terrific. One label that wouldn't come off easily and left some slight residue. But in terrific shape. Thank you." Read more
Reviews with images

Always chasing the rainbow
Top reviews from the United States
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- Reviewed in the United States on December 4, 2024Big bright book packed with interesting information and lots of fascinating images. I will really enjoy reading this. Carefully boxed and shipped. Five stars.
- Reviewed in the United States on October 3, 2012Kurtzman, Elder and others of MAD were the major inspiration to the underground comics artists who inspired the graphic novels that take up a rack at my nearest public library. What made him an artist and not just a media person was his habit of and talent for telling and drawing the truth, not the popular belief.
This book tells of the accomplishments and turning points of his career and presents characteristic samples of his work, including several that have not before been published. The text would be worth reading without the cartoons, and the cartoons without the text. The book argues that Kurtzman had a big impact on American culture, by setting the example for criticising commercial attempts to define pop culture.
- Reviewed in the United States on June 19, 2013This book is a must for any fan or professional cartoonist. I was not expecting such a well made book. besides being HUGE its packed full of full color art, concept art and history and it is like a classroom in a book and the book is not even a "how to book"
I'll be honest I knew of Harvey Kurtzman but I always pushed him to the side for those like Jack Davis, but Wow Kurtzman truly is a genius a true Cartoonist Genius and opened my eyes to a true Historical Cartooning Icon.
- Reviewed in the United States on September 3, 2021The art process examples and writing make this a great book that doesn’t waste your time but just documenting the wide scope of his career and influence is pretty mind blowing , especially if you’re not that familiar.
- Reviewed in the United States on July 1, 2021Both the text info and the art samples are intelligent, informative and very cool. I learned a lot about this important artist.
- Reviewed in the United States on August 31, 2015GREAT TRIBUTE TO A GREAT MASTER OF HUMOR AND COMICS. THIS MAN IS MENTOR AND LIKE A SAINT TO ROBERT CRUMB AND MANY OTHER GREAT CARTOONISTS AND COMEDIANS. HE IS THE SPIRIT OF AMERICAN HUMOR AT ITS BEST. WONDERFUL EXAMPLES OF HIS ART AND WRITINGS...
- Reviewed in the United States on November 5, 2009Harvey Kurtzman was one of the greatest comic book creators of the 20th Century. His first big success was creating war comics and Mad for EC Comics. Kurtzman quit Mad Magazine just when it was starting to take off, and his career never recovered. He still produced some excellent work, but he never made as much money as he deserved to make. This book tells his life story and prints tons of his excellent artwork. A great overview of the career of one of the great cartoonists.
- Reviewed in the United States on April 4, 2014I didn't realize what a powerful force Harvey Kurtzman was in the development of the comics and especially Mad magazine.
Engrossing background reading populated generously with examples of Kurtzman's drawings along with work done by Will Elder and many of the other crazy Mad cartoonists that I recognized from my younger days as an avid fan.
Highly recommend.
Top reviews from other countries
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EstragonReviewed in Germany on February 18, 2013
5.0 out of 5 stars Anlass für Freudentränen
In der sehr sehenswerten Wanderausstellung "CO-MIX. Art Spiegelman: A Retrospective of Comics, Graphics and Scraps", die im vergangenen Jahr unter anderem vom Museum Ludwig in Köln gezeigt wurde, konnte man zwei Blätter entdecken, die Spiegelman dem von ihm verehrten Harvey Kurtzman gewidmet hat. Spiegelman schildert auf den beiden Seiten, wie er zu Beginn der 1980er Jahre von Kurtzman für einen Vortrag an die New Yorker School of Visual Arts eingeladen wurde, wo dieser lehrte. Da er sein Thema frei wählen konnte, entschloss Spiegelman sich, über das Werk von Kurtzman zu sprechen, um es zu analysieren und zu rühmen. Während seines engagierten Vortrags merkt Spiegelman allerdings, dass die Studenten, vor denen er spricht, überhaupt keine Ahnung haben, wer ihr Lehrer Kurtzman eigentlich ist, und auch an dem Vortrag nicht sonderlich interessiert sind. Doch am Ende seines Vortrags kann er wenigstens registrieren, dass Kurtzman selbst tief gerührt ist und seine Assistentin in Tränen ausbricht.
In Deutschland ist Harvey Kurtzman so gut wie unbekannt. Am ehesten dürfte vielleicht noch seine zusammen mit Will Elder für den ‚Playboy’ konzipierte Satire „Little Annie Fanny“ sein, von der es immerhin zwei Sammelbände auf Deutsch gibt. Aber auch das ist sehr lange her. Kurtzmans EC-Comics aus den frühen 1950er Jahren sind ebenso unbekannt wie seine späteren genialen Schöpfungen für das ‚Mad’ der Anfangsjahre. Sein Einfluss auf die US-amerikanische Populärkultur ist kaum zu überschätzen. Zu Kurtzmans bedingungslosen Verehrern zählen neben Art Spiegelman zum Beispiel auch Terry Gilliam und Robert Crumb.
Der Text des vorliegenden Buchs hält sich chronologisch an Leben und Werk Kurtzmans und bettet das Ganze in die Geschichte der US-amerikanischen Populärkultur ein. Die Darstellung zeugt von immenser Sachkenntnis und ist überaus lesbar. Zum Niederknien sind die Illustrationen, für die die Autoren und der Verlag offensichtlich weder Kosten noch Mühe gescheut haben.
Eine uneingeschränkte Empfehlung!
-
ecce.omReviewed in France on March 9, 2016
5.0 out of 5 stars Kurt The Man
1ère surprise.
Mais quel est ce gros colis que m'apporte Mr Postman? Je n'attends pourtant rien. Ou alors, je suis devenu testeur sans le savoir et on m'envoie 30 paires d'écouteurs, 12 caméras et 20 bracelets'
J'ouvre.
"The Art Of Harvey Kurtzman", déjà ?! Je ne l'attendais pas si tôt. Bravo Psbooks !
Là, je me rends compte que je n'avais pas fait attention au descriptif. C'est un pavé : 29 cm X 2,8 cm X 26,67 cm et 1,6 kg. Ça calme.
Vingt Dieux le bel ouvrage ! Un beau papier épais, des centaines d'illustrations'
C'est en anglais, certes, mais c'est le prix à payer (si on peut dire, car le livre coûte la somme incroyablement faible de 13€55 -alors qu'il est vendu 44 USD), pour une somme indispensable à tout amateur du géant.
Vous saurez tout sur l'un des génies de la BD (là-bas, chez les ricains, ils appellent ça Comics, mais c'est pareil).
Sans Kurtzman, pas d'Art Speigelman, de Robert Crumb, Wally Wood et chez nous, pas de Goscinny, Morris, Gotlib'
Avec ce livre, on découvre la vie de celui qui depuis les années 50, avec Mad, Little Annie Fanny, Two Fisted tales ou Trump, a donné ses lettres de noblesse à une certaine BD qui s'enlisait dans le super-héros patriote en collants.
Le livre est divisé en 5 chapitres illustrant le parcours de ce grand bonhomme mort en 1993.
1. "Hey Look ! It's the 40's."
De sa naissance en 1924 dans le Bronx jusqu'à ses débuts dans les années 40, avec les rencontres avec des dessinateurs qui l'accompagneront souvent dans ses aventures ultérieures, la publication de ses premières œuvres et notamment "Hey Look !" dont il écrira 150 épisodes pour les éditions Timely/Marvel de Stan Lee. Le génie est déjà à l'oeuvre, comme quand il s'insère en autoportrait actif dans une planche ou quand il joue sur les couleurs, les cadres...Tout ça, bien avant que la France découvre les audaces de Gotlib et de quelques autres.
2. "Kurtzman Rewrites History, In Pictures" (And later save E.C. Comics)
A partir de 1949, Kurtzman travaille avec les E.C; Comics de Max Gaines. Nombreux dessins réalisés pendant les guerres (39-45 et Corée 50-53). Apparition de "Two-Fisted Tales" et "Front Line Combat" (Le livre reproduit l'intégralité du formidable "Corpse On The Imjin" issu du "Two-Fisted Tales" n°22).
Et puis, en 54, c'est le lancement de MAD.
3. "Kurtzman's MAD"
L'œuvre sans qui le monde ne serait qu'une vaste toundra désolée peuplée de Jaques Faizant et de Patrick Sébastien : MAD !
30 couvertures, une histoire complète ("Superduperman"!")'Que du bonheur. C'est l'apogée du Kurtzman homme orchestre : rédacteur en chef, scénariste, dessinateur souvent. Avec lui, les meilleurs dessinateurs du genre ont embarqué : Jack Davis, Wally Wood, Will Elder'Consécration en 1955 quand MAD devient un magazine.
MAD, c'est la Pop culture, la parodie, le terreau de Fluide Glacial, des Nuls...Cet état d'esprit qui nous a bercé pour beaucoup, avant que cette veine se tarisse faute de talent parmi les suiveurs.
4. "Three Magazines and Freelance Hell".
Comme d'habitude, Kurtzman se fâche (cette fois, c'est en 1956, avec Gaines, le patron d'E.C. D'où ? D'E.C. !) et il lance une flopée de titres : "Trump" et "Humbug" (qui durent peu) et "Help !" qui voit outre les dessinateurs habituels, apparaître des futurs grands comme Crumb, Skip Williamson, John Cleese et Terry Gilliam (pas encore devenus les Monty Python)'.
Là également, on a droit aux reproductions des couvertures, à une histoire complète (absolument délirante avec une sauterelle beatnik et une fourmi travailleuse. Il y a même une couverture de "Help" qui parodie le style "Playboy".
La suite montre que cela a du plaire malgré tout à Hefner.
5. "Satire In technicolor."
Chapitre axé principalement sur l'indispensable "Little Annie Fanny", sa formidable production de 1962 à 1968, pour Playboy. Il y a même les calques utilisés qui montrent le work in progress !
C'est le travail de Kurtzman le plus connu (pour ceux qui ne connaissent pas, cette série existe en édition française Playboy's : Little Annie Fanny, tome 1). C'est une imparable satire sociale de l'Amérique et de ses mœurs, habillée de couleurs directes somptueuses, écrin pour une bombe blonde fortement bustée, mais faiblement neuronnée. Annie est surtout une innocente plongée dans un monde en proie au stupre, inconsciente des ravages causés par ses appâts naturels.
Dessins dus la plupart du temps à Will Elder, fourmillant de détails incongrus et de personnages illustres : Beatles, Presley, Dylan, Sonny & Cher, Hoover, Alice Cooper, Sean Connery, Woody Allen, Piggy la cochonne, Mandrake, Indiana Jones'.
Vous l'aurez compris, ce livre est extraordinaire. Le texte de Paul Buhle and Dennis Kitchen est ultra documenté (sans parler de l'incroyable iconographie) et fait le tour du personnage.
Seuls reproches que j'adresserai au livre :
- il n'a pas été traduit en français et donc, il faut s'accrocher un peu pour comprendre si on n'est pas anglophone. Mais vraiment, ça en vaut la peine.
- il est lourd pour être tenu à bout de bras. Si vous voulez lire au lit, c'est compliqué.
ecce.omKurt The Man
Reviewed in France on March 9, 2016
Mais quel est ce gros colis que m'apporte Mr Postman? Je n'attends pourtant rien. Ou alors, je suis devenu testeur sans le savoir et on m'envoie 30 paires d'écouteurs, 12 caméras et 20 bracelets'
J'ouvre.
"The Art Of Harvey Kurtzman", déjà ?! Je ne l'attendais pas si tôt. Bravo Psbooks !
Là, je me rends compte que je n'avais pas fait attention au descriptif. C'est un pavé : 29 cm X 2,8 cm X 26,67 cm et 1,6 kg. Ça calme.
Vingt Dieux le bel ouvrage ! Un beau papier épais, des centaines d'illustrations'
C'est en anglais, certes, mais c'est le prix à payer (si on peut dire, car le livre coûte la somme incroyablement faible de 13€55 -alors qu'il est vendu 44 USD), pour une somme indispensable à tout amateur du géant.
Vous saurez tout sur l'un des génies de la BD (là-bas, chez les ricains, ils appellent ça Comics, mais c'est pareil).
Sans Kurtzman, pas d'Art Speigelman, de Robert Crumb, Wally Wood et chez nous, pas de Goscinny, Morris, Gotlib'
Avec ce livre, on découvre la vie de celui qui depuis les années 50, avec Mad, Little Annie Fanny, Two Fisted tales ou Trump, a donné ses lettres de noblesse à une certaine BD qui s'enlisait dans le super-héros patriote en collants.
Le livre est divisé en 5 chapitres illustrant le parcours de ce grand bonhomme mort en 1993.
1. "Hey Look ! It's the 40's."
De sa naissance en 1924 dans le Bronx jusqu'à ses débuts dans les années 40, avec les rencontres avec des dessinateurs qui l'accompagneront souvent dans ses aventures ultérieures, la publication de ses premières œuvres et notamment "Hey Look !" dont il écrira 150 épisodes pour les éditions Timely/Marvel de Stan Lee. Le génie est déjà à l'oeuvre, comme quand il s'insère en autoportrait actif dans une planche ou quand il joue sur les couleurs, les cadres...Tout ça, bien avant que la France découvre les audaces de Gotlib et de quelques autres.
2. "Kurtzman Rewrites History, In Pictures" (And later save E.C. Comics)
A partir de 1949, Kurtzman travaille avec les E.C; Comics de Max Gaines. Nombreux dessins réalisés pendant les guerres (39-45 et Corée 50-53). Apparition de "Two-Fisted Tales" et "Front Line Combat" (Le livre reproduit l'intégralité du formidable "Corpse On The Imjin" issu du "Two-Fisted Tales" n°22).
Et puis, en 54, c'est le lancement de MAD.
3. "Kurtzman's MAD"
L'œuvre sans qui le monde ne serait qu'une vaste toundra désolée peuplée de Jaques Faizant et de Patrick Sébastien : MAD !
30 couvertures, une histoire complète ("Superduperman"!")'Que du bonheur. C'est l'apogée du Kurtzman homme orchestre : rédacteur en chef, scénariste, dessinateur souvent. Avec lui, les meilleurs dessinateurs du genre ont embarqué : Jack Davis, Wally Wood, Will Elder'Consécration en 1955 quand MAD devient un magazine.
MAD, c'est la Pop culture, la parodie, le terreau de Fluide Glacial, des Nuls...Cet état d'esprit qui nous a bercé pour beaucoup, avant que cette veine se tarisse faute de talent parmi les suiveurs.
4. "Three Magazines and Freelance Hell".
Comme d'habitude, Kurtzman se fâche (cette fois, c'est en 1956, avec Gaines, le patron d'E.C. D'où ? D'E.C. !) et il lance une flopée de titres : "Trump" et "Humbug" (qui durent peu) et "Help !" qui voit outre les dessinateurs habituels, apparaître des futurs grands comme Crumb, Skip Williamson, John Cleese et Terry Gilliam (pas encore devenus les Monty Python)'.
Là également, on a droit aux reproductions des couvertures, à une histoire complète (absolument délirante avec une sauterelle beatnik et une fourmi travailleuse. Il y a même une couverture de "Help" qui parodie le style "Playboy".
La suite montre que cela a du plaire malgré tout à Hefner.
5. "Satire In technicolor."
Chapitre axé principalement sur l'indispensable "Little Annie Fanny", sa formidable production de 1962 à 1968, pour Playboy. Il y a même les calques utilisés qui montrent le work in progress !
C'est le travail de Kurtzman le plus connu (pour ceux qui ne connaissent pas, cette série existe en édition française Playboy's : Little Annie Fanny, tome 1). C'est une imparable satire sociale de l'Amérique et de ses mœurs, habillée de couleurs directes somptueuses, écrin pour une bombe blonde fortement bustée, mais faiblement neuronnée. Annie est surtout une innocente plongée dans un monde en proie au stupre, inconsciente des ravages causés par ses appâts naturels.
Dessins dus la plupart du temps à Will Elder, fourmillant de détails incongrus et de personnages illustres : Beatles, Presley, Dylan, Sonny & Cher, Hoover, Alice Cooper, Sean Connery, Woody Allen, Piggy la cochonne, Mandrake, Indiana Jones'.
Vous l'aurez compris, ce livre est extraordinaire. Le texte de Paul Buhle and Dennis Kitchen est ultra documenté (sans parler de l'incroyable iconographie) et fait le tour du personnage.
Seuls reproches que j'adresserai au livre :
- il n'a pas été traduit en français et donc, il faut s'accrocher un peu pour comprendre si on n'est pas anglophone. Mais vraiment, ça en vaut la peine.
- il est lourd pour être tenu à bout de bras. Si vous voulez lire au lit, c'est compliqué.
Images in this review
-
GarcíaReviewed in Spain on April 20, 2016
5.0 out of 5 stars Un libro realmente notable
Es un libro grande con ilustraciones en blanco y nego y en color, tapas dura con sobrecubiertas. Una biografía amena de uno de los genios más singulares de comic y del humor norteamericano.
- wm. maherReviewed in Canada on February 24, 2020
5.0 out of 5 stars Sure he was influential - but a genius? Who knew?
This gorgeous book is a testament to the rich relationship between 20th-century humor and one Harvey Kurtzman, lunatic genius and comic visionary. From his beginnings to the invention of MAD magazine, his relationships with EC comics alumni Will Elder, Wally Wood, and Jack Davis, and yes, even "TRUMP" and Kurtzman's "Mad Men"-era ads, Harvey came armed with the will to puncture and parody an America which came out of WWII mistaking conformity for virtue and worship for commerce over common sense. He introduced generations to the fine art of rebellion and how not to take the media landscape, authority figures, or even your own sacred cows (everyone from Brando and Elvis to Howdy Doody) too seriously. Kurtzman's sense of humor and rubbery ink and brush cartooning enabled him to poke an elbow into the ribs of hipsters while selling tons of bulls**t repellant to the generation of kids who would go on to create the 60's, National Lampoon, SNL, even Monty Python (via Terry Gilliam) without ever growing up. Only Kung Tut's tomb has more beautifully presented treasures than those found here - I was stunned (bigly) by what a hefty, handsome volume this is and I've got a few nice books if you don't mind me saying so. Width, depth, and length are all about perfect. Why worry? You can't go wrong.
- M. DuncanReviewed in the United Kingdom on January 16, 2010
4.0 out of 5 stars A beautiful homage
Harvey Kurtzman was undoubtedly one of the greats of comics history. An overview of his life and work is long overdue, and this volume doesn't disappoint. The book is beautifully produced, with amazing colour reproductions of old Kurtzman favourites, from Mad and EC and so forth, as well as containing some previously unpublished illustrations and pictures. One of the highlights is several pages of transparent vellum overlays, one over the other, showing how Kurtzman and his colleague Will Elder created the luxuriant pages of Little Anny Fanny for Playboy. It's a heartbreaking tale how one of the true geniuses of the comics field was underappreciated in his time, for years slogged from freelance job to freelance job, faced rejection time and again, before settling down to produce a plush, extremely well paid, but ultimately creatively retrograde strip for the rest of his working life. There is no doubt that this book is excellent value for money for the pictures alone - especially at the price Amazon is offering. I held back from giving it 5 stars because of the text. Perhaps because Kurtzman was overlooked for so long, the author feels he has some ground to make up, but all the same, the book feels a little like a hagiography. The book also barely dips its toes into Kurtzman's working relationships with other writers and artists, nor does it explore in any detail the development of his artistic or writing technique. Also, being an American book, it's kind of taken for granted here that Mad was Kurtzman's best work. I can't be alone in finding Mad a trifle sophomoric and extremely dated. The strip "Superduperman" (stop, Harvey, you're killing me) included here, only goes to prove my point. For me Kurtzman's best work was on the EC war comics and the Jungle Book (now expensive to get hold of). It's a steal and an essential addition to any comic fan's library.