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Manuel Puig and the Spider Woman: His Life and Fiction Kindle Edition
Manuel Puig & The Spider Woman tells the life story of the innovative and flamboyant novelist and playwright himself. Suzanne Jill Levine, his principal English translator, draws upon years of friendship as well as copious research and interviews in her remarkable book, the first biography of the inimitable writer.
Manuel Puig (1932-1990), Argentinian author of Kiss of the Spider Woman and pioneer of high camp, stands alone in the pantheon of contemporary Latin American literature. Strongly influenced by Hollywood films of the thirties and forties, his many-layered novels and plays integrate serious fiction and popular culture, mixing political and sexual themes with B-movie scenarios. When his first two novels were published in the late 1960s, they delighted the public but were dismissed as frivolous by the leftist intellectuals of the Boom; his third novel was banned by the Peronist government for irreverence. His influence was already felt, though-even by writers who had dismissed him-and by the time the film version of Kiss of the Spider Woman became a worldwide hit, he was a renowned literary figure.
Puig's way of life was as unconventional as his fiction: he spoke of himself in the female form in Spanish, renamed his friends for his favorite movie stars, referred to his young male devotees as "daughters," and, as a perennial expatriate, lived (often with his mother) everywhere from Rome to Rio de Janeiro.
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From Publishers Weekly
Copyright 2000 Reed Business Information, Inc.
From Library Journal
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From Booklist
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Review
"Puig was a man of the movies, or perhaps of visual images and fantasy, who found himself shipwrecked in literature almost by default."—Mario Vargas Llosa, New York Times Book Review
"A splendid job of delineating Puig’s cultural influences—from novelist Julian Green to Freud and Hitchcock—and his political revulsion against Hitler and Juan Perón."—Publishers Weekly
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Product details
- ASIN : B0B863XNKS
- Publisher : Farrar, Straus and Giroux (August 23, 2022)
- Publication date : August 23, 2022
- Language : English
- File size : 16.8 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 659 pages
- Best Sellers Rank: #1,777,367 in Kindle Store (See Top 100 in Kindle Store)
- #4,092 in Biographies & Memoirs of Authors
- #13,387 in Author Biographies
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- Reviewed in the United States on August 17, 2022Came as advertised am reading it now and am very happy
- Reviewed in the United States on June 4, 2005Suzanne Jill Levine was an intimate colleague, friend, devotee, and scholar of the late and much lamented brilliant Argentinean author Manuel Puig. So tied to his childhood history and obsessions with the movies of the 30s and 40s and so in tune with his idiosyncratic, peripatetic life style, Levine seems the perfect embodiment of Puig's hallowed 'spider woman', making her the perfect foil for committing his biography to public books.
Some would say the close proximity between Levine and Puig might not result in an accurately critical analysis of the artist's life and work, but Levine avoids that pious hagiography by showing us a three dimensional character more than other writers have been able to produce.
Puig was born in a poor sector of Argentina, the child of a tattered family, his only escape from the tragedy of everyday life was in his beloved movies - the art form that influenced his life and his creative output more than any other stimulus. Though he enjoyed rather early success as a writer after moving to Buenos Aires (and subsequently to Rome, Paris, London, New York, Sweden, etc), he eventually lived in Hollywood splendor in Rio de Janeiro where his most famous works were published and his reputation as Latin America's first Pop novelist was firmly established.
Puig lived in a cinematic world finding that the real world never really equaled the promise of the movie world. His sexual proclivities included his penchant for essentially unavailable straight men and though surrounded by devoted admirers, he could not escape the obsession that time was eroding and deteriorating his life in a way only explained by such delusions as that of, say, Oscar Wilde's 'Dorian Gray'.
But Levine has the sensitivity and intelligence to include detailed accounts of each of Puig's literary works, giving very valuable insights to his compulsion of writing 'The Kiss of the Spider Woman' first as a novel, then play, then movie, and ultimately as a Broadway musical. Such thorough knowledge and elegant writing style that Levine uses in dissecting the impact of this one work is indicative of the fullness of this fine biography. This is a book rich in color and flavor AND scholarship and for this reader it is the finest biography of the fascinating Manuel Puig yet published. Grady Harp, June 05
- Reviewed in the United States on November 27, 2000As a complete chronology of the life and work of Manuel Puig, this biography by one of his premiere English translators cannot be beaten and will be the definitive text for everybody to start with. Puig traveled widely, knew everybody (it seems) and was ready to move on whenever things got too hot. His tempestuousness and his literary ambitions come through here loud and clear. All fans of Puig's fabulous (in all senses) work will want to read this book to see what his work required of the man (or la woman as he referred to himself after his fateful meeting with Greta Garbo who spoke of herself in the third person as The Woman). Despite all that, and there is no doubt that this is a major achievement, I still yearned for more analysis of how Puig became the writer he was (his mastery of technique, his conscious choice of the self-reflective and collagist commentary of his best work). And although Levine rightly emphasizes Puig's sexual voracity for "straight" men, his self-image as "the woman" and his obsession with his mother, the repetition of those same explanations for many of the actions of this clearly complex man began to seem reductive and easy and to call for a fresh look below that received wisdom, if only to say, at last, that that was all there was.