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Black Observatory: Poems Kindle Edition
With speakers set adrift in mysterious settings—a motel in the middle of a white-sand desert, a house haunted by the ghost of a dead writer, an abandoned settlement high in the mountains, a city that might give way to riotous forest—Black Observatory upends the world we think we know. Here, an accident with a squirrel proves the least bizarre moment of a day that is ordinary in outline only. The future is revealed in a list of odd crimes-to-be. And in a field of grasses, a narrator loses himself in a past and present “human conflagration / of desire and doubt,” the “path to a field of unraveling.”
Unraveling lies at the heart of these poems. Murray picks at the frayed edges of everyday life, spinning new threads and weaving an uncanny and at times unnerving tapestry in its place. He arranges and rearranges images until the mundane becomes distorted: a cloud “stretches and coils and becomes an intestine / embracing the anxious protagonist,” thoughts “leap from sagebrush / like jackrabbits into your high beams,” a hot black coffee tastes “like runoff from a glacier.” In the process, our world emerges in surprising, disquieting relief.
Simultaneously comic and tragic, playful and deeply serious, Black Observatory is a singular debut collection, a portrait of reality in penumbra.
- LanguageEnglish
- PublisherMilkweed Editions
- Publication dateFebruary 14, 2023
- File size12.0 MB
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Editorial Reviews
Review
A New York Public Library 2023 Best Book for Adults
“In this playful and haunting debut, Murray turns his gaze toward the ordinariness and expansiveness of human life…The observational and sympathetic power of these searching poems makes them hard to forget.”—Publishers Weekly, starred review
“[Black Observatory’s] strikingly surreal imagery fashions situations that are by turns ridiculous and terrifying. [. . .]This collection is edgy fun for fans of such surrealist poets as Edward Lear and Caroline Bird.”—Shelf Awareness, starred review
“With these fantastical scenes, streams-of-consciousness, and absurdist associations, these poems encourage readers to process the complexity of emotion, experience, and the human condition. [Black Observatory showcases] Murray’s ability to seamlessly move into worlds where readers may find themselves unable to unravel the real from the imagined.”—The West Review
“This collection contains revelations, warnings, reflections, and, of course, observations that make the reader feel a little less alone in uncertainty and less afraid while still being afraid.”—Eric Aldrich, FullStop
“Just as myths work to explain why things work the way they do, Murray’s numinous work shows us that poems offer us the same power: a path to follow that becomes a cosmological roadmap for any to investigate the mysteries of human traditions, cultural traits, and religious or supernatural beliefs. Black Observatory is a tremendous reflection of the world and of us, in all our complexity.” —Mikal Wix, West Trade Review
“Its very strangeness, its eccentric lenses on cis masculinity, and its simple, formal elegance called me to Black Observatory. Reading these poems is like embarking on a Twilight Zone episode where Franz Kafka bumps into Salvador Dalí in a hardware store, and dark, absurdist adventures ensue; where ‘Crimes of the Future’ involve ‘Quitting a job everyone agrees you should keep’ and ‘Kissing a foreigner in a time of war.’ There’s sweetness here, too, and deep thought and feeling—this is a singular debut by a singular sensibility: no one else sounds like Murray.”—Dana Levin
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
POEM FOR X
After scouring forests and fields,
After scanning the hollows of trees,
The back seats of burned-out sedans
Abandoned to the streets of New Jersey,
After ranting into a snaking gutter
Until echoes from the depths mocked
My useless complaints, after reviewing
My choices and revising my defense,
After compulsory apologies to myself and others,
After evicting the squatters and confronting
My oppressor, who was myself, after letting go
The thing I had, the lovely thing that shined,
The thing that danced with a spontaneous verve
Coursing from the root of life,
The thing that foundered and was broken
But which I gripped desperately in the rain
At oblivion’s cusp, rivulets loading my pockets with silt,
Which might have fostered growth
Had I not cast handfuls to the wind
And spit anguish into ditches. After all of this,
I stepped forward and found you. The past has collapsed
Like a fortress of earth. I don’t know the future.
A WELSH SCYTHE
is better than a Swiss lathe
or a Scotch spade. I wouldn’t think
of using a Norwegian adz
or an Austrian sledge unless
it was clear that a Welsh scythe
was not available. Once I employed
a Belgian T square, which was enlightening,
though the results were less than impressive.
The Greek panel saw loaned to me
by a neighbor was hardly worth my time,
but in his garage I spotted a Slovenian radius trowel,
and that helped me in ways I could not have predicted.
Avoid Polish jackhammers and Finnish gimlets.
These items are not only dangerous,
they’re addictive. And rude. The French chisel
is a charming device. If the Welsh scythe did not exist,
this tool would be worth considering.
But it does exist. Therefore, I advise you
to fling the French chisel into the Seine
next chance you get. Yesterday
a man was bludgeoned with a Serbian mallet.
But that is not so surprising.
A famous sonnet was once written
about the Portuguese linoleum knife.
Still, the poet was third-rate, and he hanged himself
with the garter of his former mistress.
Spanish forceps: I acknowledge their originality and verve.
They could easily seduce a naive journeyman.
I, however, remain unconvinced
by the Italian whipsaw, the Hungarian bench plane,
the Danish spike bit, and the Russian boilermaker’s hammer.
In the 17th century, a brief skirmish
was fought over the Swedish putty knife.
But that is, at best, a footnote in a forgotten history book
glazed with dust in a blind machinist’s basement.
Much more significant was the appearance
of the Bulgarian ploughshare. Few now recall
the scandal prompted by this apparatus,
but I assure you: in its day it was radical.
As for the English, what have they given us but the grease gun?
And so, I, an Irishman, straddle this lonely heath,
gripping my grub ax, dreaming of a scythe from Wales.
FIELD
I came to a field
of grasses I couldn’t name.
A puddle reflected
an overcast sky. By a stone wall
I glimpsed a wiry bush
with sharp, crimson flowers.
I sat down and inhaled, though
the air was polluted. All air
is polluted now. My head
was filled with chatter, memories
of people I’d hurt, hours spent
roaming a bookstore
only to depart empty-handed.
I was hoping to find the volume
that would reignite the flames
that engulfed the house
I grew up in, the barn
behind it, the acres of woods
I roamed with my dogs.
Let it burn, it’s already
gone. Let flames take
the books I loved
and lived in for years
as I walked the streets of Missoula,
human conflagration
of desire and doubt,
anxiety’s plaything
in a Soul Asylum T-shirt—
he didn’t know he’d chosen
a path to a field of unraveling.
Product details
- ASIN : B0BR1CQRGX
- Publisher : Milkweed Editions (February 14, 2023)
- Publication date : February 14, 2023
- Language : English
- File size : 12.0 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Print length : 75 pages
- Best Sellers Rank: #1,477,242 in Kindle Store (See Top 100 in Kindle Store)
- #238 in Poetry About Specific Places
- #496 in Poetry About Death
- #1,108 in Poetry About Places (Books)
- Customer Reviews:
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- Reviewed in the United States on March 4, 2023Black Observatory is a disquieting bouquet of tension. There’s a continued focus on interpersonal relationships; poems often center on an “I”-as-narrator, a human consciousness continually confronted with oddities and scraps of a natural world that he is at once both home in and yet, an invader of (“The Invisible Forest”).
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The speaker(s) witnesses a vast, strange world filled with secrets (“An Encounter”). As the title would suggest, the “I” of Murray’s poems is so often positioned as an Observer; in “The White Sands Motel,” he lifts binoculars; in “Abandoned Settlement,” four monitors command his attention with their unsettling images. Sometimes he is both Observer and Observed, as in “The Ghostwriter,” but it seems that always, his questions are answered by silence.
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The motif of absence and abandoned places repeats throughout the poems; erasure pervades, and fragments of the past, like the artifacts in “Remnant Showroom” or the spear in “Hallucinated Landscapes,” remain like fingerprints left behind, hints of others come and gone. In multiple poems, the speaker questions the absence of someone he knew; they leave behind both a curious emptiness and an indelible curiosity.
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My favorite line comes “Jaunt to Vermillion”: “Arrived on time/for the execution of a bad idea.”
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The exploration of the conscious self, its capacity for observation, memory, and construction, its experience of itself within the context of a larger “firmament” puts me in mind of Thomas Ligotti’s work. Big recommend for this one for any poetry lovers.
- Reviewed in the United States on March 25, 2023Honestly, I'm more of a prose guy. I say: give it to me straight. But when I do find a collection of poetry that strikes just the right tone, I read one poem at a sitting, giving each the space it deserves.
So I don't normally devour volumes of poetry. And yet, I mowed through this book--had trouble putting it down.
Teachers and professors drilled into me the importance of poetry and worked to help me understand it. But none of them showed me how to enjoy it. Christopher Brean Murray did just that.
In the same way none of us could presume to understand this world, this life, I do not fully understand this volume of poetry. Who could? But I do know how it feels. Black Observatory feels big, far bigger than me. It's as dark and unsettling as it is hopeful and reassuring, as simple and clean as it is rich and murky, as frightening and heavy as it is humorous and light.
I'm hungry for more. Highly recommend.