These promotions will be applied to this item:
Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.
Your Memberships & Subscriptions

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the author
OK
Lying In: Poems Kindle Edition
“All my life all I’ve wanted was to be myself / and someone else,” writes Elizabeth Metzger. From the shadowy perspective of confinement, where the presence of death unsettles all outcomes, these poems examine an expansion and fracturing of the self—into motherhood as well as childhood, into past selves and future unknowns. The child becomes parent, the parent becomes child, the child arrives but in doing so is lost. New loss haunts new life, and life becomes “one or two lives.” The door is more valuable than the prize behind it.
With ambivalence as well as deep feeling, Metzger wonders how a single body can be expected to hold both immense joy and immense mourning, profound longing and creeping numbness, when one so often overtakes the other. She plunges into the darkness inside—of the gloomy room, the inner body, the afterlife and the pre-language mind—and sends back “a searchlight across the underworld,” Eurydice in search of herself.
Aching and contemplative, Lying In is an exquisite portrait of an in-between time—and of the person who emerges on the other side. “Isn’t it obvious how we’ve changed?”
- LanguageEnglish
- PublisherMilkweed Editions
- Publication dateApril 11, 2023
- File size2.8 MB
Customers who bought this item also bought
Editorial Reviews
Review
Praise for Lying In
“In her second full-length collection, Metzger explores pregnancy, motherhood, grief, and bodily transformation. There’s a sparse formality to these poems, with their elegant imagery and philosophical musings, but they are also deeply human and grounded in the body. Blurring the boundaries between past and future, Metzger writes about the strangeness and wonder of creating new life and the contradictions inherent in being a new parent [. . .] This is a moving, vulnerable book and a welcome addition to the growing canon of complicated literature about motherhood.”—Laura Sackton, Buzzfeed News
“These introspective lyrics consider the physical and psychic demands of motherhood and other forms of human relationship. Opening with a meditation on a difficult pregnancy—including a period of forced bed rest—the collection pushes back on the idea that gestation and birth are purely joyful experiences”—Poets & Writers
“Elizabeth Metzger writes a taut, searing line. Compression isn’t the right word, because these are capacious poems, phrases that hold and open up worlds—of feeling, of experience, of memory mixed with a living moment. Efficient might be a more accurate description—or impeccable.”—Jesse Nathan, McSweeney’s
“If the poems in Lying In have any wisdom to impart, it’s that our lives are transitional and contradictory, and that the act of creation depends on asking broad questions instead of providing specific answers.”—David Roderick, Poetry Northwest
“Metzger reimagines bed rest as everything from quarantine to a queenly throne, her tones ranging from uncensored envy [. . .] With word-perfect precision, Metzger gives voice to postpartum paradoxes.”—Christopher Spaide, Poetry Foundation
“This book is profound in the way it portrays love, loss, numbness and longing. … the overall arc of this amazing collection, ranging from poignance to the introspective, this body of work is a thoughtful offering that stays with the reader. I celebrate its unique relationship with language, its fine approach to storytelling, its ageless themes, cohesiveness, and how insightfully it delved into complex emotions and ideas, with sensitivity and depth. Lying In is one book to return to as often as one permits the longing for words that are devastatingly beautiful in their communication of experiences that leaves behind it, pools of light we never know how thirsty we are for.”—Chris Margolin, The Poetry Question
“Elizabeth Metzger’s Lying In is a book orbiting sacrifice, orbiting the way(s) one generation gives life then gives way to the next. She writes, ‘In wildfire ash / I teach our son the alphabet.’ A finger writes letters in the dust of dead trees—what is missing, what is gone, becomes language, literally becomes the shapes from which language is formed. Later, Metzger writes, ‘I brought a weather with me // but it was not expectable / that he would stay this long,’ and I tremble. Really, there is something of Dickinson’s elemental shudder in Metzger’s lyric; I feel it in that deep molten core of me only real art can touch. ‘What vision can be given? / What visible is true?’ Lying In is brilliant, no bullshit. Elizabeth Metzger has become one of my favorite living poets.”—Kaveh Akbar
“Elizabeth Metzger’s Lying In is a brave book about what enormous things you will do for those you love. Told from the perspective of bedrest, the book uncovers and examines the pain and possibility we all hold within us while lying still. Within this book, poetry lies itself on its own spacious bed, telling us all about the very strangeness of being and what great energy it takes to bother to exist at all. Metzger writes, ‘Child I bend around you / like a boat. / If you live / do not blame the wave.’ Within these lines, we are all the children of poetry, left there wondering if someone will save us. This book will save us.”—Dorothea Lasky
“What an intimate, intense book of poems Elizabeth Metzger has written! Fueled by the honest combination of ardor and rage at the heart of motherhood, Lying In is full of arias, sung to the self and others, persistent and daring. These are occasioned by the actual confinement of the title (two difficult pregnancies), but that literal confinement mirrors a (potentially) universal condition—that of any life willing to grieve the real limits of our bewildering world, any reader willing to acknowledge the bewildering intensity of ‘the voluntary nature of staying alive.’ It is the mystery of the human will in continuing resistance that this book explores, as fragile as that sometimes seems. To do this, Metzger must be focused as a sniper, lying in wait to catch in language a truth that lies just past what can be said—and she is.”—Katie Peterson
Praise for Bed
“A bed of roses—or indeed, no bed of roses. Elizabeth Metzger’s poems act as both repositories and engines of mystery, of ‘secrets other secrets / have rubbed away,’ yet their mysteriousness never feels coy. There’s a difference between hiding information and asserting control over how it’s revealed. ‘I stayed off-center,’ she writes, and to me this has always seemed like one of the better places from which to view things, but hers is furthermore a poetry that recognizes, as Gertrude Stein put it, ‘there is no use in a center.’ Among Metzger’s many gifts is her ability to describe complicated positions simply, facing down the conundrums of language and perspective to devastating effect: ‘The children left me. / You say they came.’”—Mark Bibbins, Judge’s Citation
Praise for The Spirit Papers
“The Spirit Papers is a haunted book. Elizabeth Metzger’s striking poems, limber and torqued, conjure phantom presences and palpable absences, in which the dreamed-of imagines the dreamer: ‘You dream of me writing / your name on paper / adding in pencil a live.’ Metzger probes enigmas of kinship, often filial, and navigates a restless sense of estrangement, poignantly fixed on ‘the halo of what’s un-begun.’ The Spirit Papers, finally, and successfully, builds a world—a world built as much out of what’s found, as out of what resists being found.”—James Haug
“‘A kettle whistles for nobody home. / And the wishes you never/and the others you will’ says what’s in the heart of The Spirit Papers. In these intimately naked poems love, and the anticipation of love’s inevitable losses, lets us see into the endless facets our imaginations contrive to if not console us, to keep us going. The book gives us the encouragement we get from feeling we are in this together and from what’s unbegun we’re given some hope, maybe to conjure a kinder us. Precision, quiet daring, a decision to not waste a word, assigns a ceremonial aspect to poems whose lines ask us to take with them the time it takes to let the spirit in.”—Dara Wier
“Elizabeth Metzger’s intelligence and originality are spiritual, earthy, brave. Especially in poems addressing a very ill young friend, Metzger expresses a wild courage that seems instinctive. Her poems are braided with a love for this world that brings to mind Dickinson.”—Jean Valentine
“There is often ravishing verbal abandon in these poems: ‘the halo of what’s un-begun about him.’ They join this to a formidable, discriminating narrative intelligence: ‘If he’s my first to go I will thank nobody for everything.’ Epigrams pierce, new-minted: ‘What light is to the eyeless / we are to the lonesome.’ What unifies these poems? They are carefully composed messages stuffed in a bottle thrown from a plague ship.”—Frank Bidart
“I’ve rarely come across a first book as unconditional, as exquisite, as captivating as this one is.”—Lucie Brock-Briodo
“These poems are unforgettable in their elegant reach past dissolution, their intimation that there is a better heaven to be made than a deity’s, that there is a dream and the dream is this exquisite yet hard-faceted grieving initiatory poetry, first-responding against death.”—Carol Muske-Dukes
“This book is a book about heaven. It’s about the collection of human connections and love that make a heaven. In that case, The Spirit Papers is its own little immaculate heaven.”—Ploughshares
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
LYING IN
On bed rest desire becomes a sheet.
Let it fall over me
without hands. Let it.
Before I knew I was in danger
I did not get up. After,
when I say how long I lay down
how can I make you understand it was an order?
In bed what time has done to me is
what it cannot do
to him. I become the mortal
pregnant with a god, if only he can
be born.
*
Whatever happens don’t blame yourself
the ER nurse says when I am
diagnosed with threatened abortion.
She holds my shoulder with one hand.
With the other, crushes a Vicodin.
Can I take that before it’s over?
Try to gather yourself, the nurse says
so I look for my body everywhere:
The placenta dangles off like fruit about to fall half-mine half-
*
Forget mothers.
The living woman scrapes out the unliving
every month to ferment
and when I bleed I cannot tell the season.
Because California
but not just that.
Because I am careful to forget.
*
I will not stand without a husband.
I will not drink water
without his placing the straw
between my lips.
Watching mobile women round out
is like witnessing the world
have sex
with not-you.
He does love me. I do I do
vows turned tantrum
over something like chewing gum
but gifts are fragile bonds
and nothing sticks
to satisfy my sapling doubt.
*
There are moments I wish he would thrust just once
where the half-dead fetus quickens
but then I blink.
Can’t you just be gracious? Maybe every woman
has a voice that says this often.
*
Beddridden, a riddle:
the bed does not stay the same throughout.
Body-logged, it sinks
gradually. Even now when I sit on the edge
it is in the shape of my old belly. The bed ridden,
my self rewritten.
*
In labor I have to tell my body many times
letting go is now bringing to life.
But is it too much blood? I say.
The doctor jokes Are you a virgin?
I see the head as anticlimactic. Push. Don’t push.
Beyond the numbness, each contraction.
If there is only enough placenta left to keep one of us
keep him.
*
I know women since the beginning
have healed. What I don’t understand
is how the body can hold
a cock again inside it.
I have no choice but to give birth
to everything now, every thought
that comes to mind.
I curse my husband,
sometimes rant against the baby.
I hate most the sound of my own
demanding.
The dead don’t hold a grudge
when they’re not missed
unless they have the fortune
of coming back.
The moment I first grab our son
to my chest I say
goodbye?
*
My milk, even my voice
holds the scent of his blood
mixed with my time.
I make my kisses heard
like tissue paper on his newborn hair.
And when at four I tickle him
his held breath all over again
stitches us skin to ghost to skin.
In some ways I am gone.
In wildfire ash
I teach our son the alphabet
O, spin your little finger in it.
The world says wean your grief
before it outweighs love.
What if mine does,
what if I put a screen in front
of my boy at noon
to hear myself think.
How should I beg.
What mother.
I lost the baby, I did
even though he lived.
***
THE WILLOW BOOK
You were placed like wings are placed
as if they’ll never be needed to leave with
the way the beautiful tuck in their extras
or are tucked into average extraneous light.
Perfect landing the doctor said and said the same
of the needle feeding my vein.
*
I miss hearing the wind from inside
where I can’t feel it.
What part of a tree did I expect you to be?
I put Daphne on the nursery door to remind myself
what I would never let anyone chase you into
but then you were born
and each time I unwrapped
your femaleness from your diaper
I considered every feeling you would hide from me.
Each time I wipe you I am touched
with envy.
*
You made the water you broke.
You made me sicker than I could stand
to live a little longer.
For every night there is another night I’ve missed.
Maybe it is my ambivalence
about being outlasted.
Whenever you are in your crib
my life feels final
or like it has never been.
Never me always mine.
*
Orange growing bitter within its skin,
why would you speak?
Fruit alone in time pretending it can’t rot
because it is held in,
each word you say is still just pulp in your voice.
*
All night your brother’s blacksmith sounds
distract me
while
your long-into-life silence
plays a morse code in my uterus.
Are you there?
Pleasure is the uterus contracting
emptiness. Since you, it asks me
what will ever be as good as holding
a new life?
My own.
*
Sometimes I call you “mama”
so why would you look at me and say “mama”
Why would you speak at all if the Word is you?
You are so brave to ask us nothing.
Ask goddammit.
Make the crib yours,
not just that twinkling lab dish.
You shouldn’t be accountable for what I make.
Or do I want to be praised for
who you are?
*
I wanted a daughter first so I would not ignore her.
Also, I didn’t want to be ignored.
Maybe your brother will not blame you
for being
if I praise him for everything
you do:
See how she looks at you when she stares at the wall.
See how she learned to fly inward after we left her crying out.
*
What will your rage look like when everyone is done saying
you have my eyes?
Here comes the butcher without his meat leaving a knife
like a finger in your fist.
You will be wanted by more than me.
Let them want.
Let your want grow first.
*
If you were my lover I would beg you to speak speak
I practice a voice that will make you adult
but you are not my lover then
you are the mother I was always after
lie back
desire is no longer inside me,
you are my
uncertainties
*
Your skull shut fast to keep me out.
I guess I could say your lack of babbling
is not a drought but the river
taking itself back.
For whom did I open my mouth?
I didn’t for years in public,
braiding my arms as many times as I could
through my mother’s legs.
I was already mourning the land of arrivals.
No matter how early it was always
with the sense of running late.
*
In first grade I used to stare
at babies until they looked away.
It is our secret that you have never reached for my face
or exchanged my nursing gaze.
*
I asked my mother what she loved more
than me:
No one
But who is greater
she said At what
If one day you should want to know what you are
less than,
I will run a faucet and never turn it off.
*
Listen well.
Make sure anything you love will burst
both if you blank blank blank or you don’t.
I will change one mood a day to the word
speechless.
*
What do you need language for to be female
to say “help” to whom
to say “am yours” to say “I do”
Who am I if not your
practice man?
*
Don’t answer.
I feel what the wind feels:
not touch but the difference of direction.
Forget my mouth moving sound out toward you.
Reach for the bars instead, pull
yourself
along my night mind.
All children grow into questions.
You end
but never as I left you.
***
YOU’VE BEEN ON EARTH SO LONG ALREADY
All my life all I’ve wanted was to be myself
and someone else. Not theirs but them.
My shame about this greed made
me hesitant with other children.
I wanted what they wanted, but apart:
I tried to make it, spooned what I could
in shallow mental dishes I stacked
all night and poured through
my neediest hole, which opens only
for medicine or extreme misunderstanding.
My teeth browned from too much
thirst too late.
My eyes bulged from noticing
what I wasn't meant to be.
There was a playground which I went to
—and can’t take you.
The first thing I did daily
was look for a place to hide, or flee.
There were plenty of gates and wide enough trees
but I stayed off-center, just beyond
the sprinkler’s way.
The other children played until they snacked
around me. Sometimes they cried.
Sometimes they looked consoled by what they couldn't have.
No not now
The boundary of things. The boundary of time.
I wish this for you—come soon—to be withheld.
They were so freely asking for more world.
***
MID-SUPPER
I am moving on, where am I?
Between mother and child: let me
pass the plate forever.
They have both sat and
gotten up from the table for the same
solitary meal.
For what I am giving up, help me follow
how I used to get through it:
undressed pretzel style
pull the checkered curtain
behind me
for the window to sing
with the closeness of cold.
When the song is exhausted
let me blow out the
mother left over
let down
the absolute child.
So this way is forward.
***
SO I FINALLY SLEPT
At first I was afraid
of what felt like mutual need
but soon his initial comfort
was just like cornsilk
stripped with the ear
and compelled to the beautiful
dead. He had evolved too,
he said, as any irregularity
in a mammal and had crafted
forever into an answer of milk
from his bodilessness
that no one would drink.
I showed him what still
swayed inside me and
how grueling it was to be
the harbor for someone else’s
thirst rather than the drink itself.
He didn’t mind that I had not
believed him. Like a sleeved arm
into an ocean suddenly full
of another power of movement
and also with all suddenness
taken away he put me to sleep
by a simple asymmetrical gesture
no patting or sweet departures
just the exponential side
of his face on my face and he
never came back for me faithful.
Product details
- ASIN : B0BSFR9Q8S
- Publisher : Milkweed Editions (April 11, 2023)
- Publication date : April 11, 2023
- Language : English
- File size : 2.8 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Print length : 90 pages
- Best Sellers Rank: #1,504,067 in Kindle Store (See Top 100 in Kindle Store)
- #508 in Poetry About Death
- #1,375 in Women's Poetry
- #2,292 in Death, Grief & Loss Poetry (Books)
- Customer Reviews:
About the author

Discover more of the author’s books, see similar authors, read book recommendations and more.
Customer reviews
- 5 star4 star3 star2 star1 star5 star44%27%29%0%0%44%
- 5 star4 star3 star2 star1 star4 star44%27%29%0%0%27%
- 5 star4 star3 star2 star1 star3 star44%27%29%0%0%29%
- 5 star4 star3 star2 star1 star2 star44%27%29%0%0%0%
- 5 star4 star3 star2 star1 star1 star44%27%29%0%0%0%
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon