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Spreading Misandry: The Teaching of Contempt for Men in Popular Culture Paperback – March 22, 2006
Purchase options and add-ons
- Print length392 pages
- LanguageEnglish
- PublisherMcGill-Queen's University Press
- Publication dateMarch 22, 2006
- Dimensions6 x 1.7 x 9 inches
- ISBN-100773530991
- ISBN-13978-0773530997
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About the Author
Katherine K. Young is James McGill Professor, religious studies, McGill University. She has published e
Product details
- Publisher : McGill-Queen's University Press; First Edition (March 22, 2006)
- Language : English
- Paperback : 392 pages
- ISBN-10 : 0773530991
- ISBN-13 : 978-0773530997
- Item Weight : 1.1 pounds
- Dimensions : 6 x 1.7 x 9 inches
- Best Sellers Rank: #650,636 in Books (See Top 100 in Books)
- #459 in Men's Gender Studies
- #1,269 in General Gender Studies
- #2,177 in Discrimination & Racism
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One weak spot I noticed was the tendency to analyze works from the early 90's rather than more recent offerings. I got the impression much of the material had sat on the shelf for a long time and it made me wonder why this was, so it would have been nice to have had some explanation of this, perhaps in the preface. Because of the ephemeral nature of "hits", I wasn't sure that I'd even heard of some of the films they go into great depths on. This was only a minor drawback, but I did wonder why, if they were going back in time some, they ignored, for example, the mid-80's (`85?) Best (sic) Picture "Out of Africa", which seemed a prime example of many of their themes (which also touch on race), while perhaps trying too hard to make their case on one or two other films. No matter, I'm being picky. No book as impassioned as this could be absolutely perfect. They successfully make it impossible for anyone who reads this book -- even someone already somewhat sensitive to the central idea -- to ever look at popular media quite the same way again, which is exactly what they intended. Even if their exact theory as to *why* all this is going on might be subject to some more debate IMO, the overwhelming evidence they present is more than reason enough to read the book. I know I'll be re-reading sections of my copy for a long time to come in order to fully absorb all the important ideas here.
Going into the text, so far it generally just dives into the sometimes more subtle political and social messages in certain 90's movies and television shows. Digging deep and unearthing the unbalanced sexism, the misandry that has overwhelmed the entertainment industry. Its a bit strange, how he writes this book considering he jumps from one piece of film directly into the next, sometimes injecting his own political and social idealogue in the mix. It is a good read, well articulated without being intellectually overwhelming. Again, I am only halfway through so far, but this book is amazing and I only expect marginal enjoyment from this book.
It isn't politically correct to teach contempt for women in popular culture and it shouldn't be politically correct to teach contempt for men. While I think this author goes a little too far in his analysis of what contributes to misandry, his observances and evaluations are worthy of consideration. Teaching contempt for men doesn't translate into teaching respect and acceptance of women as a result. For anyone who is interested in improving our society, this book is worthy of attention.
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Um ponto positivo é que os autores não tentam invalidar ou negar a existência da misoginia na sociedade e na produção popular dos EUA/CAN. Isso facilita uma análise mais equilibrada e, com isso, não há uma tentativa de criar uma "rivalidade" misoginia x misandria. Ao mesmo tempo, obviamente, conseguem expor a misandria como um fenômeno muitas vezes aceito, normalizado e até mesmo incentivado por movimentos sociais e pessoas públicas.
O problema maior do livro é que todas essas análises são referentes aos anos 90 da cultura pop norte-americana. Isso acaba sendo um escopo bem específico (várias produções menores analisadas são pouco conhecidas atualmente) e... bem, não envolve a questão da internet e das redes sociais como propulsoras dessas ideias. Isso não é culpa dos autores, claro; mas é algo que deixa um leitor da década de 2020 se sentindo meio deslocado, como se análise parecesse meio "incompleta"... Mas, enfim, isso também faz parte da leitura.
Eu admito que várias análises me fizeram pensar e, de maneira geral, me convenceram. Contudo, algumas delas pareceram meio "subjetivas" demais, especialmente quando apelam a alguns simbolismos específicos, quase que inconscientes, que supostamente representariam misandria nas obras. Esse tipo de interpretação me pareceu selvagem demais em alguns pontos, especialmente quando outros argumentos são bem mais ponderados (por exemplo, a identificação bem mais objetiva de que todos personagens masculinos de um filme/série/programa são inadequados, loucos, perigosos ou caricaturas patéticas, extremamente diferentes das contrapartes femininas).
Por fim, é uma leitura interessante, mas, e acho que isso nem deveria ser necessário de dizer, é importante ter alguma cautela sobre o que está sendo lido. Não porque as ideias apresentadas são "perigosas" ou algo do tipo; mas sim porque é importante ter uma postura equilibrada para identificar precisamente e discutir racionalmente o assunto, sem dicotomia ou birra.