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The Crown Ain't Worth Much (Button Poetry) Kindle Edition
- LanguageEnglish
- PublisherButton Poetry
- Publication dateMay 15, 2020
- File size4617 KB
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Editorial Reviews
Review
"Hanif Willis-Abdurraqib's THE CROWN AIN'T WORTH MUCH leaves me contemplating the meanings of soul: communal soul (peep the breadth of cultural shout outs), rhythmic soul (peep the breadth of sound and syntax), and spiritual soul (peep the breadth of compassion). As titles like 'Ode to Drake, Ending with Blood in a Field' and 'At the House Party Where We Found Out Whitney Houston Was Dead' suggest, Willis-Abdurraqib bridges the bravado and bling of praise with the blood and tears of elegy. The soul of this magnificent book is dynamic, distinguished, and when called for, down and dirty. What a fresh, remarkable debut."―Terrance Hayes
"Willis-Abdurraqib possesses a striking gift for merging pop culture with personal narrative."―Publishers Weekly
"Willis-Abdurraqib writes an ode to living, to the making of and the rediscovering of the self, and of home."―Emmanuel Oppong-Yeboah, Winter Tangerine
"THE CROWN AIN'T WORTH MUCH is not so much a book you read, but one you survive―with Willis-Abdurraqib's compassionate, elegiac lyric gently pushing you forward through heartbreak and violence."―Indiana Review
"To pinpoint a highlight of the book is impossible. Every poem is honed, polished, and presented with utter rawness and defiance."―Portland Book Review
About the Author
Product details
- ASIN : B071KMVCLT
- Publisher : Button Poetry (May 15, 2020)
- Publication date : May 15, 2020
- Language : English
- File size : 4617 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 134 pages
- Best Sellers Rank: #293,717 in Kindle Store (See Top 100 in Kindle Store)
- #32 in Black & African American Poetry (Kindle Store)
- #91 in Poetry About Love
- #116 in Love & Erotic Poetry
- Customer Reviews:
About the author
Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. His first full length poetry collection, The Crown Ain't Worth Much, was released in June 2016 from Button Poetry. It was named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. With Big Lucks, he released a limited edition chapbook, Vintage Sadness, in summer 2017 (you cannot get it anymore and he is very sorry.) His first collection of essays, They Can't Kill Us Until They Kill Us, was released in winter 2017 by Two Dollar Radio and was named a book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others. He released Go Ahead In The Rain: Notes To A Tribe Called Quest with University of Texas press in February 2019. The book became a New York Times Bestseller, was a finalist for the Kirkus Prize, and was longlisted for the National Book Award. His second collection of poems, A Fortune For Your Disaster, was released in 2019 by Tin House, and won the 2020 Lenore Marshall Prize. In 2021, he released the book A Little Devil In America with Random House. He is a graduate of Beechcroft High School.
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Simultaneously, these same poems set out for all, the experience of being a young black man in America. I like to think that I think things like, "Oh, it must be crazy to be a black driver or a black kid or do anything, really, as a black person in this country." Like, that thinking that thought makes me a maybe "woke" white guy. Reading these poems made me realize there's so much I don't understand and I don't even know if understanding *that* lack of understanding is helpful. Yet, this work (this book of poetry) is so good and so open, it makes us return to the pain that is here, trying to find an answer.
To paraphrase Rumi: Outside, beyond ideas of right-doing and wrong-doing, there is a club, they're playing Tribe. I will meet you there.
"AT THE HOUSE PARTY WHERE WE FOUND OUT WHITNEY HOUSTON WAS DEAD," has stirred up more emotions than any poem I've encountered save , "The Gate," by Marie Howe. You know a poem is good, when you can cry over it through every reading, and just upon thinking about it. You know a poem is great when it moves you to tears, but you can't name why immediately, and a month later you're still sorting out just what this poem is trying to surface, and that work may take a while, but you know there will be life found in the uprooting.
Hanif weaves pop culture effortlessly with the lived in city of Columbus, and his own family life, as if the three can be separated. Perhaps thats the beauty of this collection. It feels universal, contextual, and personal all at one, offering multiple entry points into any given poem.