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In the Hands of the Senecas Kindle Edition
Few men were taken as captives—the women and old children plodded the long trail back to the villages of the Senecas. This is their story, told by the author of Drums Along the Mohawk. It is a story out of New York State History, in which the tales of Walter Edmonds are always steeped. It is a story of Indians—real Indians who are impersonally cruel, simple and friendly, wise, brutal, sly, kind, proud, self-effacing, laughter-loving. It is a story of a woman’s steadfastness in the face of not only mortal danger but of the loss of all that had given her pride and confidence in living.
- LanguageEnglish
- PublisherBorodino Books
- Publication dateJanuary 13, 2019
- File size1666 KB
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Product details
- ASIN : B07PCLMY6M
- Publisher : Borodino Books (January 13, 2019)
- Publication date : January 13, 2019
- Language : English
- File size : 1666 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 219 pages
- Best Sellers Rank: #943,303 in Kindle Store (See Top 100 in Kindle Store)
- #391 in Native American Studies
- #1,460 in Biographies of the Rich & Famous
- #1,590 in Biographies & Memoirs of Criminals
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(I'm working from memory and may have misremembered a few details.) In "In the Hands of the Senecas", Edmonds takes what might be seen as a sample selection of these sorts of stories, all involving women or children, and weaves them together out of one event: a raid on Dygartsbush, the settlement where, among others, newly married Delia Borst is acclimatising to life on the very edge of the wilderness.
I believe Edmonds wrote this in the 1940s; and I'm fascinated that he wrote such a story with such universal pathos - the narration treats everyone equally; the native characters are not 'written off' as in so much fiction of the early 20th Century (and of course the 19th) as mere cartoon 'savages' whose motives are pointlessly evil. They have reasons for what they do: these are explained. The subplots are told with great flow; the family lives of both native and white characters are explored; and a wealth of fascinating detail is woven into the story to illustrate (and humanise) both sides. Delia Borst's story is particularly intriguing - showing a 'moral' ambivalence that is very ahead of its time.
I periodically return to this book, for a re-read of a cracking story, fleshed out well by interesting characters, strong women and an unpatronising stance. Recommended for story-lovers everywhere. Those specifically interested in native culture as written by members of its communities, would be well advised to read Ella Cora Deloria's story "Waterlily", a thoroughly researched fictional tale of the Lakota plains indians that is more anthropology than fiction, giving priceless insider details about everyday plains life, dealing with family, sickness, festivals and food, among countless other details. I enjoyed Velma Wallis' "Bird Girl and the Man Who Followed the Sun: An Athabaskan Legend from Alaska"; and Adrian C Louis is surely the authoritative contemporary voice of native culture. For more on the historical side, with some reservations, I'd recommend reading the Penguin Classics book "Women's Indian Captivity Narratives", which contain a series of 'factual' accounts - well annotated to make sure they're read in context.