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The Return Kindle Edition

3.9 3.9 out of 5 stars 1,439 ratings

A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut.

Julie is missing, and no one believes she will ever return—except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. 

Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?
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Editorial Reviews

Review

"Marvelous. The storytelling is quick, well plotted and engrossing." - The New York Times

"Hair-raising horror and pure entertainment...The tension and nuance of Harrison’s complicated female friendships add depth to an already delicious, chilling debut."--
Publishers Weekly (starred review) 

“The Return is supernatural horror at its very best! Sharp dialogue, complex relationships and mind-bending action will have readers locking their doors and checking under their beds. Rachel Harrison has reinvented this genre and will surely be hailed as a pioneer among her peers.”—Wendy Walker, National Bestselling Author of The Night Before
 
“Combining suspense and horror with razor-sharp insights into the nature of female friendships, Rachel Harrison’s
The Return is a creepy, nerve-wracking, page-turning addition to the emerging field of horror thrillers.”—Alma Katsu, Author of The Deep and The Hunger

"By turns scary and funny, horrifying and real,
The Return is impossible to put down. It takes an honest, scathing look at female friendship while at the same time pulling the reader into a perfect nightmare of a story."--Simone St. James, USA Today bestselling author of The Sun Down Motel
 
The Return is moving and terrifying in equal measure. A brilliant rumination on friendship, pain, and the myriad of unsuccessful ways we all try to run from our past and fill the holes in our hearts. Harrison’s keen prose won’t let you go. Be warned, you’ll double check the locks on your doors before you try to sleep.”—Mallory O’Meara, National bestselling author of The Lady from the Black Lagoon
 
“A sharp, refreshing book about the mortifying ordeal of being known. This is a book that understands how terrifying a lasting friendship can truly be; Harrison brilliantly highlights the way friendships can tether a person to their worst memories, their worst selves, and their worst nightmares.”—
Sarah Gailey, National bestselling author of Magic for Liars 

"Harrison’s The Return expertly treads the fine line between thriller and horror. It’s as deliciously creepy as opening up a box of candy-coated spiders—and eating them all in one sitting."--Christina Dalcher, author of Vox

About the Author

Rachel Harrison was born and raised in the weird state of New Jersey. She received her bachelor's in Writing for Film & Television from Emerson College. After graduating, she worked on TV game shows, in publishing, and for a big bank. She lives in Rochester, NY with her husband and their cat/overlord. This is her first novel.

Product details

  • ASIN ‏ : ‎ B07TRYJJQC
  • Publisher ‏ : ‎ Berkley (March 24, 2020)
  • Publication date ‏ : ‎ March 24, 2020
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1971 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 303 pages
  • Customer Reviews:
    3.9 3.9 out of 5 stars 1,439 ratings

About the author

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Rachel Harrison
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Rachel Harrison is the national bestselling author of BLACK SHEEP, SUCH SHARP TEETH, CACKLE and THE RETURN, which was nominated for a Bram Stoker Award for Superior Achievement in a First Novel. Her short fiction has appeared in Guernica, Electric Literature's Recommended Reading, as an Audible Original, and in her debut story collection BAD DOLLS. She lives in western New York with her husband and their cat/overlord.

Customer reviews

3.9 out of 5 stars
3.9 out of 5
1,439 global ratings
Great for fans of Yellowjackets and other horror with female friendships
5 Stars
Great for fans of Yellowjackets and other horror with female friendships
I mostly read fantasy, but after I bingewatched the first season of Yellowjackets, I was craving more horror/thriller stories. And Tor.com gave me a list of books recommended that were similar to Yellowjackets. I’d already read two of them (Wylding Hall and Brand New Cherry Flavor), so I was eager to try the others. I didn’t like Picnic at Hanging Rock, but The Return delivered in the thrills I was looking for.This was a compelling story that built a strong feeling of dread with a great payoff at the end. I couldn’t read it after dark because it was so creepy, but it was like a horror movie that I couldn’t look away from.The hotel reminded me of the Brookdale Lodge with its sordid history, age, and even architectural style. All it was missing was the underwater window between the indoor pool and the bar. A great setting.But the real treat was the complicated friendships between all the women. They felt very realistic in the way that they wanted to stay close even after their lives had grown apart. All the layers that had built up over the years were obvious in the ways that they interacted and avoided talking about certain subjects.I was surprised that the main character escaped with her life, but it wasn’t a happy ending because the monster was still out there and she might always get caught again. So she had to live with the guilt and fear for the rest of her life. Spooky!
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Top reviews from the United States

Reviewed in the United States on April 1, 2020
The problem with diving into Rachel Harrison's "The Return" and expecting a good ol' bloodfest of a horror novel...is that you won't get one. And then you might be disappointed.

But "The Return" isn't "'Salem's Lot", and it isn't meant to be. Horror nowadays can be a state of mind, and it can encompass a slow build-up to an uncomfortable realization that something isn't quite RIGHT, and with "The Return", steep us in a terrific amount of dramatic irony, waiting for the hopeful (hapless?) heroines to look into the terrible abyss they skirt around on a minute by minute basis.

Julie, Elise, Mae, and Molly are best friends from college. Two years ago, Julie abruptly vanished during a walk in the woods, disappearing off the face of the earth. Just as abruptly, she reappears on her front porch, nearly two years to the day she left, with no memory of her two vanished years.

Elise, Julie's best friend, never gave up hope that Julie would return. Despite the odds, despite the hopeless searches, Elise just KNEW that Julie would come back someday. When she does, the four best friends decide to celebrate with a few days in a remote inn located in the mountains of New York State. The inn itself is odd, fantastic, and not just a bit macabre. But when they all see Julie, they are shocked. Something is wrong. She looks desperately ill. Her appearance is strange, despite her assurances. Elise notices an almost pathological revulsion that Molly and Mae have toward Julie. Neither one wants to be alone with Julie, despite having no reason to feel that way.

Julie is...odd. Clearly something happened. The reader may grasp the answer quickly, but the true meaning of Julie's change and the friends' feelings has more to do with the nature of friendship, the quality of hope, and kernel of longing that Elise kept alive inside her. The other two moved on...perhaps. What does the refusal to grow and change mean within a friendship? How do we place ourselves within a group of friends? How do we define ourselves and the nature of friendship? All of these questions have more to do with the innate questions in the novel than any horror elements, which sometimes seem secondary to the fundamental ember of the narrative. What is a friend, and what passes for friendship in a give-and-take?

This seems like heady stuff for what should be a fun thriller. But this is a well-structured narrative, with decent characters, and decently competent writing. What Julie is might not be as important as how the other three react. The women are thoughtfully written; the setting is unique. "The Return" isn't a difficult read. The dialogue is quick and smooth. Just don't expect jump scares and gore.
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Reviewed in the United States on October 9, 2020
Dear lord, I have such mixed feelings about this book. So buckle up.

Generally speaking, I liked this book.

What did I like about it? I liked how original the plot was. I really like how the author didn't come out and really spell things out for you, she left a lot up to your imagination. I like the characters and the conflict between them. And I absolutely loved the hotel. The setting for this book was amazing.

A lot of my love for this novel is because of the hotel. It sounds so fancy and so tacky all at the same time. It sounds like what you might find in a Hilton if you did a ton of acid. It's terrible in the way that it's wonderful.

I think I also had a lot of love for the author's love of Stephen King. I don't want to give too much away, but it is very clear, that she was heavily inspired by at least one Stephen King novel. If you're a Constant Reader, you'll see it. She's kind of subtle about it too, you really have to know your Stephen King books to know exactly what's going on. Assuming I'm right, I could be wrong, but I knew exactly what was going on once I figure it out what her influence was. That's not a complaint, I almost felt like it was a secret the author and I shared. Like an "ah ha" moment.

But you don't have to read or even like King to like this book, it actually might work more for you if you didn't. For me personally, it added to the experience.

Now, why does it only have 4 stars? This is really hard for me because I love the author for what she's accomplished in this book. But, the book is flawed. Ironically, much like Stephen King, the ending is not good. That's my only real complaint. It goes on too long, and it becomes a little bit ridiculous.

I originally rated the book 3 stars, but I can't leave it like that, even with the ending. It's probably a 3.75 star book, but I rounded it up because of the setting and because how she doesn't spoon feed us an explanation.

I really hope this author is working on another book, because I will buy it on release day.
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Reviewed in the United States on December 23, 2023
This was a quick interesting read. Rachel Harrison’s characters are always so relatable and written with all of the thoughts and anxieties I have but can’t quite articulate. The story was fun, a good palate cleanser between books.
Reviewed in the United States on August 10, 2021
First off: I read a lot of horror A LOT. so, I think I can safely say I know good when I see it. This is better than good. There's usually a lot going on in narrators' minds in this genre, but in this it's really intense, expansive and exploratory.
The storyline is that one of a group of BFFs suddenly vanishes while on a hike, is then missing without a trace for two years, then just as suddenly reappears, seemingly none the worse for wear, but with no recollection of what transpired during all that time. Her friends arrange a getaway weekend with her to try to reconnect, and it swiftly becomes evident that SOMETHING came back from those woods that's not her.
Dread mounts from the first pages and never lets up; the hotel they stay at is every bit as creepy as the Overlook, in highly creative ways, and the gruesome ending is by rapid turns horrifying, sad and deeply beautiful. It's really about all the mistakes, regrets and triumphs of the end of youth and beginning of real life with your dearest friends, and what it takes and means to come to terms with that.
There are a few loose ends, of course, but you'll lose them in the beauty of the writing. This is a tour de force, and the best of it is, it' s a debut novel! I think we can hope for many years of great material from MS Harrison, if she will so indulge us. A major player in the field, this one could be.
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Top reviews from other countries

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Froschkönigin
5.0 out of 5 stars Unglaublich gut und creepy as hell
Reviewed in Germany on October 13, 2023
Wie immer, wenn ich bei einem Buch kurz vor den letzten zwanzig, dreißig Seiten stehe (was bei meinem Lesetempo in der Regel bedeutet, dass ich noch mindestens eine Stunde Lesezeit vor mir habe) begann ich auch hier, mir schon einmal Gedanken über das zu machen, was unbedingt in die Rezension hinein muss.
Zu diesem Zeitpunkt stand das Wort CREEPY ganz oben af der Liste, und zwar genau so, in Großbuchstaben. Und ich muss das englische Wort benutzen, weil Wörter wie "unheimlich", "schaurig", "beängstigend" usw. es irgendwie nicht treffen, klingt alles zu sehr nach Spukgeschichte mit Lichterketten und Decke über den Knien. Was dieses Buch definitv nicht ist. Für diejenigen, die von der gleichen Autorin "Cackle" gelesen haben, was wohl eher in die Richtung "cosy" geht (?) daher gleich eine Warnung: nichts an "The Return" ist auch nur annähernd "cosy." CREEPY bleibt eins der ersten Wörter, das mir in den Sinn kommt. Tatsächlich ist dieses Buch eins der creepiesten Bücher, das ich je gelesen habe. Aber eben nicht nur.
Es ist außerdem ein Buch, das mir für immer im Gedächtnis bleiben wird, was mit dem vorher gesagten nur bedingt etwas zu tun hat. Das erste, was ich nach der letzten Seite im Kopf hatte war, dass ich emotional völlig ausgepowert war und die letzten, in diesem Fall tatsächlich nur zwanzig, Seiten anstrengend und beglückend und tieftraurig und alles auf einmal waren. Als ich die Danksagung der Autorin am Schluss las (mach ich immer), tat ich das hier auch, um wenigstens ein bissschen runterzukommen und merkte, dass meine Emotionen sich Luft machten, indem ich einfach dasaß und geheult habe. Das passiert mir nicht oft mit Büchern, schon gar nicht mit solchen, die ich einfach nur für den spukigen Oktober lesen wollte.

Ich bin mir sicher, dass Rachel Harrison ein großer, großer Fan von Stephen King ist, und dass sie (wie wohl auch viele Leser), als sie ihr setting für "The Return", ein Hotel in the Middle of Nowhere, auswählte, natürlich an "The Shining" gedacht hat. Auf Kings Klassiker verweist auch der Werbetext ganz explizit, deshalb gehe ich da mal etwas näher drauf ein. Harrisons Buch hat nämlich, vom setting her, gar nicht so viel mit dem berühmten Kingschen Hotel zu tun. Ihr Hotel ist auf eine ganz andere Art einzigartig, als Gebäude selbst gar nicht unheimlich. Die Einrichtung der Räume ist, sagen wir mal, grenzwertig geschmacklos, aber themenbasiert (schon für die genussvolle Beschreibung dieses Dekor-Apltraums fünf Sterne!), und die vier Freundinnen sind hier auch nicht die einzigen Gäste (wenn es auch die meiste Zeit über so scheint), es gibt Aktivitäten wie Kochen und Weinprobe und einen Pool sowie ein gutes Restaurant. Warum der Hodder Verlag für seine billige Taschenbuchausgabe, auf die ich unten nochmal zu sprechen komme,für das Cover ausgerechnet einen weiblichen Körper in einer Badewanne aussuchen muste, kann ich mir nur damit erklären, dass hier eben versucht wurde, Shining-Vibes zu assoziieren. Ansonsten hat dieses Hotel aber durchaus etwas mit Kings Geschichte zu tun, und zwar mit der psychologischen Dimension. Auch in "The Return" werden die Personen Zeugen einer sich allmählich vollziehenden Verwandlung eines Menschen, die sie gut kennen. Und ebenso wenig wie "The Shining" ein reiner Horror-Roman ist, sondern ein Roman, in dem es unter vielen anderen Schichten auch das Horror-Element gibt, ist Rachel Harrisons Buch in erster Linie, so sehe ich das, ein Horror-Roman. Obwohl es Szenen gibt, die mich auch heute Nacht nicht gut werden schlafen lassen und mich nach dem Lichtschalter der Nachttischlampe fummeln lassen werden, wenn ich mal aufstehen muss. Nur war es naürlich nicht das, was mich dann hat in Tränen ausbrechen lassen.
Es ist auch und in überwiegenden Teilen ein Buch über Freundschaft, das ware Wesen von lebenslangen Freundschaften, auch wenn nicht alle Beteiligten ein langes Leben haben, über die Ehrlichkeit, den Mut, sich auch unbequeme Wahrheiten zu sagen, und schließlich über das Loslassen-Können und über die Trauer.
Eine der bewegensten Szenen in "The Shining" war für mich die, in der Jack Torrance, schon fast vollständig zum Monster geworden und kaum noch mit eigenem Willen, seinem kleinen Sohn befiehlt, wegzulaufen, bevor es zu spät ist. Und wie der Sohn seinem Vater dann im letzten vertrauten Moment über die Wange streicht. Ich verweise nochmals darauf, dass Rachel Harrison wahrscheinlich Kings Buch sehr genau kennt. Mehr wird nicht gesagt.
Leute, lest "The Return", aber nicht unbedingt als Halloween-Treat, da gibt es Leichtfüßigeres mit mehr Kürbis und mehr Fairy-Lights. Aber bitte lest es! Und bitte, wenn ihr es auf Englisch lest, gönnt euch die bessere Ausgabe von Berkley und nicht die von Hodder (die mit der Badwannen-Frau), denn die ist so klein gedruckt, dass man einen Scheinwerfer braucht (leider kein so seltenes Phänomen bei amerikanischen Taschenbüchern).

So. Ich kann auch emotional werden, wenn ich positive Rezensionen schreibe, stelle ich fest.
Danke, Rachel Harrison, für dieses Buch. Wir lesen uns wieder in "Such Sharp Teeth."
Rachel Bridgeman
5.0 out of 5 stars Totally and indecently wonderful for a debut novel, it will give you chills!
Reviewed in the United Kingdom on December 30, 2022
This is a book which has lingered for far too long on my TBR, until a relatively recent discovery, the Talk Scared Podcast became a lifeline out of  a huge reading slump, rocketed 'The Return' to the top of the pile with talk of comparisons between it and The Shining.

Host Neil McRoberts unabashed and genuine enthusiasm for this modern gothic which uses the setting of the fictional Red Honey Inn for a reunion amongst 4 college friends was what got me stumbling through my bookstacks to find it. It sounds dick-ish calling them that, but basically we navigate our way around the house very carefully as there are piles of books in every room. We have an ongoing shelf space to book issue which I am not at all sad about and a long suffering and tolerating husband and children.Once located, I could not put this book down. I am not saying there is a link between me reading it on my break on the night shift at work the other night and my constant sense of wariness towards lights, shadows and sounds that had me on pins...but I am not usually one for jumping at noises that no one else can hear either...

It came with me to the museum today, I read page after frantic page as the miles went by between Bridgend and Cardiff because I was nearing the end and my nerves were in pieces wanting to know just what happens next. How can you not when Rachel nails people again and again with lines like this-

''Molly signals the bartender,a guy with a beard that acts as his only defining characteristic''

Tell me you haven't met someone like this?

Or how about-

''You can't erase the past when there are pieces of it scattered inside other people.''

Tell me that doesn't hit you right in the soft parts?

You take 4 women-Mae,Molly,Julie and narrator Elise- who all have a shared history but have been trauma bonded by both Julie's disappearance and return, 2 years later, with no memory of how she went missing, or what happened to her. Drop them into a boutique hotel, with themed rooms, suggested by Molly from one of her fashion shoot locations, mix them up and let them loose with years of misunderstandings, fermenting worries and the kind of intense inner life that only comes from going through a shared trauma, then add in a menace from an uncertain source and you too will be peering more closely into the shadows.

The setting is so vividly described that as a reader I had a visceral, very physical reaction to the jarring colours and schemes which from the get-go are wrong-Elise, meant to have the Gothic room is erroneously placed in the prophetic Cassandra room. The food they are served, the jarring dissonance between opulence of the decorations and lack of style or taste are diametrically opposed to Elise's relative poverty -she is the only one of the 4 with limited finances-and the reason for this getaway. As a setting for a retreat, this is not a great one, showing the roles each woman takes in the group straight away-Molly is the one who controls the narrative, Mae is a loner whose life has been defnied by childhood tragedy, Julie, the one Elise wants most to be like and who she is closest to, and then Elise, our narrator herself.

The first person narration brings the reader in like you are one of the group, as she shares her anxiety, the inner secrets of their bonds, their nicknames, partners and shared stories. And this creates an intimacy that as soon as they are flung into danger then your fear for these women becomes a very palpable, breathing, lurking thing behind your ribs.

Elise tells you she has anxiety, She tells you she has issues with security both within and without the friendship group. Her perception of things is your guide but she is not a traditional unreliable narrator, she is the beating, wounded heart of the tale. And whether the setting has activated some kind of supernatural something, whether the women bought it with them, or accelerated the monstrous is irrelevant, what is happening is happening and once it does, you cannot imagine a more prescient setting than the Red Honey Inn.

Corridors don't quite seem the same the second time you go down them. There are very few other guests. The staff appear to be unravelling. People are missing. The thermostat has a mind of its own. The colours jar and disconnect from the theme of each woman's room. The keys , kitsch and unique, don't do what they are supposed to-they do not keep these women safe.

In the midst of this, these four women want to give a platform to Julie, their friend, who now belongs to the world who want to deep dive into the how's, the wherefore's and why's of her 2 year abscence.

Why was their friendship not enough to keep her happy? How can they reconcile the woman who has returned with the friend who left. Is she the same person, and if not, can they get her back or is she forever changed?

I am absolutely not here to give spoilers, just to massively recommended this incredible book which places these four very real women, in the spiritual hotel sibling of The Overlook, and does something quite extraordinary.

It takes a lot to scare me, but this book hit each and every nerve and set them to jangling over and over again.

Unexpectedly tender, brutally real about the way women are with each other and pulsing with horror, this is a book which belongs on the shelf of anyone who considers themselves a horror fan.
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MountainWitch88
5.0 out of 5 stars Fantastic
Reviewed in Australia on December 27, 2023
Currently, I am power reading through all of this authors books. I love her writing style.
Her characters are dryly funny which is in stark contrast to the creeping dread of what's happening to them. Can't decide which is my favourite!
Amazon Customer
4.0 out of 5 stars Enthralling
Reviewed in Canada on February 28, 2024
Great read
misscraigie
4.0 out of 5 stars A weird one
Reviewed in the United Kingdom on March 26, 2024
I did like this one. I liked the characters and how they were described. I liked their friendship and how they interacted.
The story, an excellent idea and well written. I had a creepy feeling while reading it. An impending dread type of feeling that builds throughout.
I have a slight issue with the ending, it felt hurried and not as well thought out as the rest of the story.
Great descriptive imagery throughout though.
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