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In the Shadow of the Banyan: A Novel Kindle Edition
For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia’s capital. Soon the family’s world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus.
Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labor, Raami clings to the only remaining vestige of childhood—the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author’s extraordinary gift for language, In the Shadow of the Banyan is testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience.
- LanguageEnglish
- PublisherSimon & Schuster
- Publication dateAugust 7, 2012
- File size7163 KB
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Editorial Reviews
Review
"Ratner's lyrical first novel finds love and surprising humanity in a horrifying setting... The book's 7-year old heroine is a tenacious dreamer... It's Raami's mother, though, who will stay in your heart... Somehow she retains the will to survive... fiercely telling her daughter, "Remember who you are."--People Magazine (People's Pick)
"Lyrical . . . It's Raami'smother who will stay in your heart . . . Somehow she retains the will to survive and the strength to help others, fiercely telling her daughter, 'Remember who you are.'"--People, four stars
"How is it that so much of this bleak novel is full of beauty, even joy? . . . What is remarkable, and honorable, here is the absence of anger, and the capacity--seemingly infinite--for empathy."--New York Times Book Review
"The horrors committed by Cambodia's Khmer Rouge, as experienced by one extremely resilient girl. A brutal novel, lyrically told."--O, The Oprah Magazine
"Unputdownable."--Better Homes and Gardens
"For all the atrocities witnessed and hardships experienced, Ratner's story is filled to an even larger extent with opportunism and beauty. Ratner's gift is her exquisite descriptions of the careful details of daily life . . . Ratner describes her desire to memorialize the loved ones she lost with an enduring work of art. She has done just that; hers is a beautiful tale with considerable poetry and restraint. In the Shadow of the Banyan is an important novel, written by a survivor with unexpected grace and eloquence."--Audrey
"The powerful story of how even the most brutal regime lacked the power of a father's love for his daughter."--The Daily Beast
"Gorgeous . . . Ratner bears witness to the unyielding human spirit."--Washingtonian
"This stunning memorial expresses not just the terrors ofthe Khmer Rouge but also the beauty of what was lost. A hauntingly powerfulnovel imbued with the richness of old Cambodian lore, the devastation ofmonumental loss, and the spirit of survival."--Publishers Weekly (starred review)
"An emotionally moving story . . . This tale of physical and emotional adversity grips readers without delving into the graphic nature of the violence that occurred at the time . . . Ratner's contemplative treatment of her protagonist and the love shared among the family stands in stark contrast to the severe reality they faced each day to survive. Knowing that the story was culled from Ratner's experiences as a child brings a sense of immediacy to this heartrending novel likely to be appreciated by many readers."--Library Journal
“How is it that so much of this bleak novel is full of beauty, even joy? . . . What is remarkable, and honorable, here is the absence of anger, and the capacity—seemingly infinite—for empathy.” (New York Times Book Review)
“The horrors committed by Cambodia's Khmer Rouge, as experienced by one extremely resilient girl. A brutal novel, lyrically told.” (O, the Oprah Magazine)
“Lyrical . . . It’s Raami’s mother who will stay in your heart. . . . Somehow she retains the will to survive and the strength to help others, fiercely telling her daughter, ‘Remember who you are.’” (People, four stars)
“Unputdownable.” (Better Homes and Gardens)
“A love story to her homeland and an unflinching account of innocents caught in the crossfire of fanaticism.” (Parade)
“What a life. And now, what a book.” (USA Today)
“Humanity . . . shines through in her storytelling.” (The Wall Street Journal)
“A tale of perseverance, hope and the drive toward life . . . piercing, lyrical.” (The Washington Post)
“One of those brave novels of resilience and the power of love that surface once or twice in a generation, like Khaled Hosseini’s The Kite Runner.” (Buffalo News)
“The powerful story of how even the most brutal regime lacked the power of a father’s love for his daughter.” (The Daily Beast)
"A road map for the resiliency of the human spirit." (San Antonio Express-News)
“A gracefully rendered story . . . rich with history, mythology, folklore, language, and emotion. . . . A novel that will surely be read and valued by future generations.” (Hemingway Foundation/PEN Award for Fiction Finalist Citation)
“Vaddey Ratner's debut novel bears witness to the atrocities of Cambodia's Khmer Rouge and is not an easy read, but it captures the beauty and resilience of the human spirit.” (Yahoo! Shine)
“Evocative, lyrical. . . . Accessible and profoundly moving, In the Shadow of the Banyan is destined to become a classic.” (School Library Journal)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Product details
- ASIN : B0064CMKNS
- Publisher : Simon & Schuster (August 7, 2012)
- Publication date : August 7, 2012
- Language : English
- File size : 7163 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 338 pages
- Best Sellers Rank: #204,448 in Kindle Store (See Top 100 in Kindle Store)
- #140 in Asian American Literature (Kindle Store)
- #478 in Asian American Literature & Fiction
- #921 in Cultural Heritage Fiction
- Customer Reviews:
About the author
Vaddey Ratner was five years old when the Khmer Rouge came to power in 1975. Having endured four years under the brutal regime, she arrived in the United States in 1981 as a refugee not knowing English and eventually went on to graduate summa cum laude from Cornell University, where she specialized in Southeast Asian history and literature. She lives in Potomac, Maryland.
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Sure, there should be more to the Khmer story than Pol Pot, the Khmer Rouge, the Killing Fields, and the nation of Democratic Kampuchea. Certain Cambodians—especially young ones—have expressed their fatigue of anything relating to this period of our history. Though Vaddey Ratner’s In the Shadow of the Banyan touches on the communist era, her story is more than that; it’s about, in her words, “the human experience—our struggle to hang onto life, our desire to live, even in the most awful circumstances. In telling this story, it isn’t my own life I wished others to take note of. I have survived, and the gift of survival, I feel, is honor enough already. My purpose is to honor the lives lost, and I wanted to do so by endeavoring to transform suffering into art.” And how! Ratner’s superior artistic merit has done great justice to what the Khmer people went through. No other literature of this dark period has shown such great depth and captured the history, the mood, the Khmer essence like In the Shadow of the Banyan. No! As much as she had lost and endured, you will not find inaccuracies, manipulative narrative, vindictiveness, salaciousness, rage, or bitterness here. Instead, you will find a calm voice—a divine voice—recounting the causes of human suffering with grace, dignity, and empathy.
The cloud passed and the moon seemed bigger and brighter, more like a full-lip pout now. Tousana, Papa had called it, I remembered now, from the Pali word dassana, meaning “insight.” When something seemed both familiar and new all in the same moment. We’d been talking about storytelling, how there could be many versions of the same story, many ways of telling it, and how each version was a kind of manifestation, as if the story itself was a living, evolving entity, a god capable of many guises (103).
Ratner has a way with words. Her well-paced, lyrical prose mellifluously moves through the pages. Granted, In the Shadow of the Banyan is fictionalized, telling a heartbreaking story of a seven-year-old princess, Raami, who suffers polio, whose father gives up his life to the dark force of the Angkar (Organization), so that she and her extended family could live; but with any period piece, inaccurate historical background can turn off readers who lived during that time, or other knowledgeable readers. Writing from a child’s perspective is hard, but Ratner does a great job by telling the story in the past tense, almost like an adult recounting the story of her younger self with the wisdom and knowledge of a learned adult. As a Khmer princess, knowledgeable of her own history and with a major in Southeast Asian studies, Ratner has the authority to tell the story and is a trustworthy storyteller at that. People write what they know, and Ratner knows a lot about Khmer people, our language, our history, our religion, our folklore, and our way of life.
Examples of Ratner’s compassion and empathy can be shown in the characters of Raami (the seven-year-old protagonist), Ayuravann (Raami’s father), and Aana (Raami’s mother). Raami is of royalty. She lives a sheltered and a luxurious life with a nanny, maids, cooks, and servants; yet, when she is thrown into the mix of the Revolutionary soldiers, the Kamaphibal (top official), the Moulithan (old or base people), and other ordinary Cambodians, she doesn’t cringe or curl her mouth in disgust at the raggedy clothes they wear, their oily hair, the dirt under their fingernails, or their destitute nature. As a Khmer daughter, she understands the formal and informal way of speaking. She knows the difference between the peasant vernacular and that of royalty and religious figures. Like the river, Raami bends with the people and environment. She questions her parents and other adults about why things are as they seem, but she does not judge. She takes in the answers. She analyzes. This is the nature of her parents, too. They raise her with love and understanding. She receives extra love and attention due to her polio. Also, it is through poetry and folklore instilled by her parents that Raami finds her connection with other people and nature.
It’s so refreshing to read an entire novel without having to cringe at the misinterpretation of Khmer words, history, religion and folklore. Without feeling incensed at the manipulation of the meanings of words and events by the author to paint others as dark, evil, and bad people, while boasting of oneself and one’s own family as the light and goodness in the vortex of darkness. Put your trust in Princess Vaddey Sisowath Ratner. If writing gives you wings, then her novel In the Shadow of the Banyan soars high, and all you have to do is sit, read and enjoy her storytelling talent. It’s art in its highest form. How wonderful it is to admire a princess once again.
Reviewed in the United States on February 27, 2018
Sure, there should be more to the Khmer story than Pol Pot, the Khmer Rouge, the Killing Fields, and the nation of Democratic Kampuchea. Certain Cambodians—especially young ones—have expressed their fatigue of anything relating to this period of our history. Though Vaddey Ratner’s In the Shadow of the Banyan touches on the communist era, her story is more than that; it’s about, in her words, “the human experience—our struggle to hang onto life, our desire to live, even in the most awful circumstances. In telling this story, it isn’t my own life I wished others to take note of. I have survived, and the gift of survival, I feel, is honor enough already. My purpose is to honor the lives lost, and I wanted to do so by endeavoring to transform suffering into art.” And how! Ratner’s superior artistic merit has done great justice to what the Khmer people went through. No other literature of this dark period has shown such great depth and captured the history, the mood, the Khmer essence like In the Shadow of the Banyan. No! As much as she had lost and endured, you will not find inaccuracies, manipulative narrative, vindictiveness, salaciousness, rage, or bitterness here. Instead, you will find a calm voice—a divine voice—recounting the causes of human suffering with grace, dignity, and empathy.
The cloud passed and the moon seemed bigger and brighter, more like a full-lip pout now. Tousana, Papa had called it, I remembered now, from the Pali word dassana, meaning “insight.” When something seemed both familiar and new all in the same moment. We’d been talking about storytelling, how there could be many versions of the same story, many ways of telling it, and how each version was a kind of manifestation, as if the story itself was a living, evolving entity, a god capable of many guises (103).
Ratner has a way with words. Her well-paced, lyrical prose mellifluously moves through the pages. Granted, In the Shadow of the Banyan is fictionalized, telling a heartbreaking story of a seven-year-old princess, Raami, who suffers polio, whose father gives up his life to the dark force of the Angkar (Organization), so that she and her extended family could live; but with any period piece, inaccurate historical background can turn off readers who lived during that time, or other knowledgeable readers. Writing from a child’s perspective is hard, but Ratner does a great job by telling the story in the past tense, almost like an adult recounting the story of her younger self with the wisdom and knowledge of a learned adult. As a Khmer princess, knowledgeable of her own history and with a major in Southeast Asian studies, Ratner has the authority to tell the story and is a trustworthy storyteller at that. People write what they know, and Ratner knows a lot about Khmer people, our language, our history, our religion, our folklore, and our way of life.
Examples of Ratner’s compassion and empathy can be shown in the characters of Raami (the seven-year-old protagonist), Ayuravann (Raami’s father), and Aana (Raami’s mother). Raami is of royalty. She lives a sheltered and a luxurious life with a nanny, maids, cooks, and servants; yet, when she is thrown into the mix of the Revolutionary soldiers, the Kamaphibal (top official), the Moulithan (old or base people), and other ordinary Cambodians, she doesn’t cringe or curl her mouth in disgust at the raggedy clothes they wear, their oily hair, the dirt under their fingernails, or their destitute nature. As a Khmer daughter, she understands the formal and informal way of speaking. She knows the difference between the peasant vernacular and that of royalty and religious figures. Like the river, Raami bends with the people and environment. She questions her parents and other adults about why things are as they seem, but she does not judge. She takes in the answers. She analyzes. This is the nature of her parents, too. They raise her with love and understanding. She receives extra love and attention due to her polio. Also, it is through poetry and folklore instilled by her parents that Raami finds her connection with other people and nature.
It’s so refreshing to read an entire novel without having to cringe at the misinterpretation of Khmer words, history, religion and folklore. Without feeling incensed at the manipulation of the meanings of words and events by the author to paint others as dark, evil, and bad people, while boasting of oneself and one’s own family as the light and goodness in the vortex of darkness. Put your trust in Princess Vaddey Sisowath Ratner. If writing gives you wings, then her novel In the Shadow of the Banyan soars high, and all you have to do is sit, read and enjoy her storytelling talent. It’s art in its highest form. How wonderful it is to admire a princess once again.
In the Shadow of the Banyan, by Vaddey Ratner, is set during the Cambodian civil war of the 1970s. We first meet our narrator, Raami, living a charmed life as a royal princess on an idyllic estate in Phnon Penh. But very quickly, revolution comes and Raami's family must leave their home to go become workers in the country. This is especially difficult for Raami as she suffered from polio as a baby and has difficulty walking. It's also difficult for her royal father, who believes in the ideals of the revolution but must hide his identity for his family's safety. He makes a sacrifice that most can't understand and that his family finds it difficult to forget. As Raami is shuffled from one place to another, connecting with some people and completely dissociating herself from others, working long, hard hours and slowly starving, we see the Cambodian civil war in all its terrible reality, and learn the power that stories can have to lift us away from our lives.
I cannot believe that this is Ratner's first novel, and in her second language, no less. The writing was absolutely stunning. Imagery fills every page, imagery of flight and heroes and sacrifice and love. There are beautiful poems to break through the drudgery and pain of everyday living. And so many amazing characters. There is Raami herself, of course, introspective and lonely for most of the book as she sees society fall apart around her. And her mother, one of the strongest and most resourceful women I've read about in some time, who works tirelessly for her daughter. And Raami's father, the poet prince, who stands for everything that is lost in the revolution - culture and beauty and happy times. And so many others who exemplify generosity and kindness of spirit, or hopelessness and despair.
Obviously, any book about civil war and revolution and genocide is not easy to read. And this book is about all those things. But it's also about the bonds that can grow and strengthen between people, about the different kinds of sacrifice that parents and lovers choose to make for the people who matter most to them, and about all of the ways that humans have of surviving hardship and making the most of what they have, all of the stories we tell ourselves about the heroes that came before and the beauty that they saw in our flawed, imperfect world. Absolutely beautiful - I hope you give it a try.
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