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Notes from the Underground (Dover Thrift Editions: Classic Novels) Kindle Edition

4.4 4.4 out of 5 stars 526 ratings

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.
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Notes from the Underground by Dyodor Dostoyevsky Dover Thrift Editions Classic Novels

Fyodor Dostoyevsky (1821–1881) Author
With his sympathetic portrayals of the downtrodden of 19th-century Russian society, Dostoyevsky (1821–1881) exercised immense influence on modern writers.

“I say let the world go to hell, but I should always have my tea.”

“To love is to suffer and there can be no love otherwise.”

“How can a man of consciousnesshave the slightest respect for himself”

In 1864, just prior to the years in which he wrote his greatest novels - Fyodor Dostoyevsky penned the darkly fascinating Notes from the Underground

Moreover, the novel introduces themes—moral, religious, political and social—that dominated Dostoyevsky's later works

A fascinating short novel depicting the struggles of a doubting, supremely alienated protagonist in a world of relative values. Seminal work introduced moral, religious, political and social themes that dominated Dostoyevsky's later masterworks.

  • Constance Garnett's authoritative translation is reprinted here, with a new introduction.
Dovers Thrift Edition Library of classic literature - a long standing mission of exceptional value

Editorial Reviews

About the Author

With his sympathetic portrayals of the downtrodden of 19th-century Russian society, Fyodor Dostoyevsky (1821–1881) exercised immense influence on modern writers. His novels featured profound philosophical and psychological insights that anticipated the development of psychoanalysis and existentialism.

Excerpt. © Reprinted by permission. All rights reserved.

Notes from the Underground

By Fyodor M. Dostoevsky

Dover Publications

Copyright © 1992 Fyodor M. Dostoevsky
All right reserved.

ISBN: 9780486270531

Chapter One

PART ONE

UNDERGROUND*

I

I AM a sick man. . . . I am a spiteful man. An unattractive man. I
think that my liver hurts. But actually, I don't know a damn thing
about my illness. I am not even sure what it is that hurts. I am not
in treatment and never have been, although I respect both medicine
and doctors. Besides, I am superstitious in the extreme; well, at
least to the extent of respecting medicine. (I am sufficiently
educated not to be superstitious, but I am.) No, sir, I refuse to see
a doctor simply out of spite. Now, that is something that you
probably will fail to understand. Well, I understand it. Naturally, I
will not be able to explain to you precisely whom I will injure in
this instance by my spite. I know perfectly well that I am certainly
not giving the doctors a "dirty deal" by not seeking treatment. I
know better than anyone that I will only harm myself by this, and no
one else. And yet, if I don't seek a cure, it is out of spite. My
liver hurts? Good, let it hurt still more!

I have been living like this for a long time-about twenty years. Now
I am forty. I used to be in the civil service; today I am not. I was
a mean official. I was rude, and found pleasure in it. After all, I
took no bribes, and so I had to recompense myself at least by this.
(A poor joke, but I will not cross it out. I wrote it, thinking it
would be extremely witty; but now I see that it was only a vile
little attempt at showing off, and just for that I'll let it stand!)

When petitioners came to my desk seeking information, I gnashed my
teeth at them, and gloated insatiably whenever I succeeded in
distressing them. I almost always succeeded. Most of them were timid
folk: naturally-petitioners. But there were also some fops, and among
these I particularly detested a certain officer. He absolutely
refused to submit and clattered revoltingly with his sword. I battled
him over that sword for a year and a half. And finally I got the best
of him. He stopped clattering. This, however, happened long ago, when
I was still a young man. But do you know, gentlemen, what was the
main thing about my spite? Why, the whole point, the vilest part of
it, was that I was constantly and shamefully aware, even at moments
of the most violent spleen, that I was not at all a spiteful, no, not
even an embittered, man. That I was merely frightening sparrows to no
purpose, diverting myself. I might be foaming at the mouth, but bring
me a doll, give me some tea, with a bit of sugar, and I'd most likely
calm down. Indeed, I would be deeply touched, my very heart would
melt, though later I'd surely gnash my teeth at myself and suffer
from insomnia for months. That's how it is with me.

I lied just now when I said that I had been a mean official. I lied
out of sheer spite. I was merely fooling around, both with the
petitioners and with the officer, but in reality I could never have
become malicious. I was aware at every moment of many, many
altogether contrary elements. I felt them swarming inside me, those
contrary elements. I knew that they had swarmed inside me all my
life, begging to be let out, but I never, never allowed them to come
out, just for spite. They tormented me to the point of shame, they
drove me to convulsions-I was so sick and tired of them in the end.
Sick and tired! But perhaps you think, dear sirs, that I am now
repenting of something before you, asking your forgiveness for
something? . . . Indeed, I am quite certain that you think so. But
then, I assure you it doesn't make the slightest difference to me if
you do. . . .

I could not become malicious. In fact, I could not become anything:
neither bad nor good, neither a scoundrel nor an honest man, neither
a hero nor an insect. And now I am eking out my days in my corner,
taunting myself with the bitter and entirely useless consolation that
an intelligent man cannot seriously become anything; that only a fool
can become something. Yes, sir, an intelligent nineteenth-century man
must be, is morally bound to be, an essentially characterless
creature; and a man of character, a man of action-an essentially
limited creature. This is my conviction at the age of forty. I am
forty now, and forty years-why, it is all of a lifetime, it is the
deepest old age. Living past forty is indecent, vulgar, immoral! Now
answer me, sincerely, honestly, who lives past forty? I'll tell you
who does: fools and scoundrels. I will say this right to the face of
all those venerable old men, all those silver-haired, sweet-smelling
old men! I have a right to say it, because I will live to sixty
myself. To seventy! To eighty! . . . Wait, let me catch my breath. .
. .

You might be imagining, gentlemen, that I am trying to amuse you, to
make you laugh? Wrong again. I am not at all the jolly character you
think I am, or may perhaps think I am. But then, if, irritated by all
this prattle (and I feel it already, I feel you are irritated),
you'll take it into your heads to ask me what I am, I'll answer you:
I am a certain collegiate assessor. I worked in order to eat (but
solely for that reason), and when a distant relation left me six
thousand rubles in his will last year, I immediately retired and
settled down in my corner. I had lived here previously as well, but
now I've settled down in this corner. My room is dismal, squalid, at
the very edge of town. My servant is a peasant woman, old, stupid,
vicious out of stupidity, and she always has a foul smell about her
besides.

I am told that the Petersburg climate is becoming bad for me, that
with my niggling means it's too expensive to live in Petersburg. I
know all that, I know it better than all those wise, experienced
counselors and head-shakers. But I stay on in Petersburg; I shall not
leave Petersburg! I shall not leave because. . . . Ah, but what
difference does it make whether I leave or don't leave.

To go on, however-what can a decent man talk about with the greatest pleasure?

Answer: about himself.

Well, then, I too shall talk about myself.

-



Continues...
Excerpted from Notes from the Undergroundby Fyodor M. Dostoevsky Copyright © 1992 by Fyodor M. Dostoevsky. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Product details

  • ASIN ‏ : ‎ B00A3IKMNO
  • Publisher ‏ : ‎ Dover Publications; Dover ed edition (March 5, 2012)
  • Publication date ‏ : ‎ March 5, 2012
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 590 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 99 pages
  • Customer Reviews:
    4.4 4.4 out of 5 stars 526 ratings

Customer reviews

4.4 out of 5 stars
4.4 out of 5
526 global ratings

Top reviews from the United States

Reviewed in the United States on April 9, 2024
a fascinating look into the early work of a great
Reviewed in the United States on April 18, 2017
Dostoevsky treats on madness, mental illness, and the pains of social isolation in this brief, semi-philosophical narrative about a disillusioned, lonely young man with serious bipolar issues. Combining frenzied mania with grand, sweeping emotional revelations, Dostoevsky chronicles the mental turmoil of a character that, in this case, particularly resembles Dimitri from The Brothers Karamozov. Not his most grand work but brief and powerful. Plot picks up about halfway, and concerns the narrator's maladjusted behavior in various social settings. The style of language, the high-minded narcissism, the bitterness towards society, and the vicious pride in the his own intelligence portray a character whose psychological profile could be said to bear an eerie resemblance to those of the Columbine Killers and other mass shooters. Good read for a psychological trip to the underground.
2 people found this helpful
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Reviewed in the United States on February 5, 2013
This is a philosophical masterpiece! But, don't expect action, excitement, adventure, or humor. What we have been given is angst, confusion, loneliness, and boredom. This is Dostoyevsky's idea of modern man's modern-day dilemma. A character is portrayed whose sense of detachment is all pervasive and simultaneously, exhausting for the reader. Who are this man's 'notes" written for? They appear to be written for someone 'out there', but, who? Are they in fact written by our man to himself? Is this a pretend dialogue or a lonely monologue? Is it both? His truth seems minimally coherent, while his correspondence with reality, profoundly elusive. The author is asking us to ask ourselves, "Is it better to do nothing? Is conscious inertia beneficial?" Does our man really envy "normal" men? First he says, "Though I have said that I envy normal men, yet, I shall not care to be in his place, though I shall not stop envying him". "It is absolutely no matter whether I am going away or not going away". What is our man's plight really about? Does he know, do we know? Does Dostoyevsky know? Why the creation of such a "characterless" man? Throughout this novel we have the suggestion of rationality. But do we have a real context? Apart from himself, can we say that anything else exists? Meaning has been drained of vitality. Our man appears to be alienated as well as fragmented, self absorbed, and detestable. Things in themselves appear insubstantial, mere fragments of subjectivity. There are echos of other, more recent, books which appear to mirror the characteristics of this modern man's psychosocial dilemma. I'm referring to "The Minimal Self", "The Culture of Narcissism", and "The Master and His Emissary". I'm also reminded of Kekes' concept, "the dissolution of the evaluative dimension of personality" (Kekes, "The Human Condition") and Kernberg's concept of "identity diffusion" (Kernberg, "Borderline Conditions and Pathological Narcissism").
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Reviewed in the United States on June 29, 2013
On a first glance, Notes From the Underground seems to be a short/small book, but even after reading a few pages, I was already blown away by its greatness!

Incredibly modern for its time: I could see how inspiring this book might have been to Kafka and to many important existentialist thinkers of the 20th century, such as Sartre and Camus.

I especially loved the first part: Dostoyevsky knows how to penetrate deep into the human soul (even though I don't believe in souls) and, in words, describes the human condition. He opens the eyes of his readers to a world where its darkness can blind one's sight forever, and still...You keep reading, even if you can't keep reading. This is not an easy read and yet, you can't escape from temptation.

There are books that change you, maybe because of a particular character, or even just a single sentence. The books you'd never forget; books that make up your nostalgia; they are a piece of your youth; something unforgettable. And then...there are books that not only touch their readers, but they become part of history; an important milestone; they change every writer who comes after them and change the whole path of literature. The irony is that most of their writers had no clue about the importance of their work!

Notes From Underground, for sure, is one of these books. Dostoyevsky, for sure, is one of those writers.

I would definitely recommend this book to any literature-obsessed-mind!
3 people found this helpful
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Reviewed in the United States on August 23, 2023
Not my favourite by him but still enjoyed it. Quality is worth it for the price.
Reviewed in the United States on May 14, 2017
I'm very glad that this was not the first Dostoyevsky I read. It might have been my last. I loved "The Brothers Karamazov". I suspect this character he developes and never names is adapted to Rodion Romanovich Raskolnikov (the main character in "Crime And Punishment") That book I would never have finished if it had not been for "The Brothers Karamazov". "Crime And Punishment" was, for me, very worth while. I hope to read "The Brothers Karamazov" and "Crime And Punishment" one more time. "Notes from the underground" I will not read again. From a literary standpoint it shows Dostoyevsky's brilliance. It is just too dark for me.
3 people found this helpful
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Reviewed in the United States on May 3, 2018
I haven't read anything quite like this before. It was an easy read, but something I could relate to, being painfully aware of my own inner wickedness and the shame that comes with it. I would recommend this.
Reviewed in the United States on April 27, 2023
This is a fast read but slow down. It’s like chewing a great steak. I hope this is helpful
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Top reviews from other countries

Translate all reviews to English
someone credible
4.0 out of 5 stars constee garnnet translation
Reviewed in India on May 4, 2023
Its fine it does the job but I prefer ronald wilks since other translations are not available or are expensive
Marco 74
4.0 out of 5 stars Un buon libro
Reviewed in Italy on December 3, 2017
Potrebbe sembrare il classico mattone ma io l'ho trovato veramente interessante.
La prima parte mi è piaciuta di piu ,la seconda forse un po piu noiosetta , nel complesso bello.
D Glover
5.0 out of 5 stars Study on human nature
Reviewed in Canada on November 1, 2011
"I AM A SICK MAN...I am a spiteful (some translations - wicked) man." The first sentence of this book summarizes well the truth about human nature that Dostoyevsky wants to teach us, namely that humans are sick and wickedness is the disease. This is not primarily a story about a man struggling with alienation and isolation, as many critics have interpreted, but rather about a man struggling with that oldest of all ailments - sin (recall, Dostoyevsky self-identified as a Christian). Isolation and alienation are only symptoms of the disease which the underground man sometimes fights against, sometimes wallows in, alternatively desiring the society of others and then wanting to dominate or spurn them. Underground man wants to be his own master and wants to elevate himself over others, making them either respect him or cower before him, yet he ends up rendering these very things to others and then hates himself for it. Ultimately it is underground man's perceptions of God he is railing against as he attempts to exercise his will randomly and illogically just to prove his free will, as if shaking his fist at the heavens. This is an excellent study of the human heart and the human condition and I believe Dostoyevsky never intended his character to be some kind of unique and anomalous social misfit nor a helpless victim of overwhelming societal forces and philosophical trends but rather for us all to see part of ourselves in underground man and to recognize that this part of us will rise to the surface (or that we will raise it to the surface) if not consciously and intentionally kept at bay by our conscience and what we know to be right, something which no one can do apart from the power of grace.

Very well crafted. I recommend reading part 1, then part 2, and then part 1 again. Reading "Notes" this way will add to your initial impression as a reader the historical order and point of view of underground man himself and part 1 the second time around will have whole new layers of pertinence.
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Gobbo Nicola
3.0 out of 5 stars For Dostoyevsky supporters
Reviewed in France on February 11, 2013
Very dark book but still enjoyable: may not be loved by everyone but it is rather short so worth spending the time to read it anyway
Dan Crawford
5.0 out of 5 stars A brilliant curiosity
Reviewed in the United Kingdom on July 10, 2012
Notes from the Underground is quite unlike any other Dostoyevsky novel that I've read, and this put me off a little at first.

It starts with 40 pages of what can only be described as a psychological summary of the first person narrator: 'The Underground'. This section reads like a work of philosophy, and if you're familiar with philosophical works, then this will seem like comfortable ground. Except here there are traces of an unreliable voice. Through the pen of our narrator we are examining his own creation / destruction paradox and his penchant for a kind of cowardice - which he eloquently excuses by virtue of his being a higher being.

From here we are brought to the plot: 'Apropos of Wet Snow'. Suddenly we are cast on a timeline through a sequence of five vignettes - there are characters, dialogue and narrative, but this is most assuredly Dostoyevsky, and if you have read any of his other novels, you will be back on comfortable territory. The five vignettes work like the five acts of a play. Once again, Petersberg is vivid (if only sparingly described). Each vignette (or act) serves to show us the various traits of the principal character described in the first part.

The narrator (perhaps literature's most deluded autobiographer) seeks to atone for his flaws or to cast them on the world as a kind of punishment. He sees himself, he hates what he sees and punishes the world for it, thereby also punishing himself. He can't face what he sees in himself, and so hides behind a superiority complex which is really only the strength of tissue paper. The very worst thing for him is that he believes that he can't change.

At its heart this book is a complex psychological study. As is always the case with good characters, there is altogether too much of him to discuss in a review of any length, but the brilliance of Dostoyevsky makes him vivid and real so that we share in his humiliations and are frustrated by his frequent errors of judgement. We end up viewing him with a kind of anger proportionate with the hatred he feels for his remembered self.

This is a truly brilliant book.

Dan Crawford
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