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California: A Novel Kindle Edition

3.4 out of 5 stars 1,300 ratings

The world Cal and Frida have always known is gone, and they've left the crumbling city of Los Angeles far behind them. They now live in a shack in the wilderness, working side-by-side to make their days tolerable in the face of hardship and isolation. Mourning a past they can't reclaim, they seek solace in each other. But the tentative existence they've built for themselves is thrown into doubt when Frida finds out she's pregnant.

Terrified of the unknown and unsure of their ability to raise a child alone, Cal and Frida set out for the nearest settlement, a guarded and paranoid community with dark secrets. These people can offer them security, but Cal and Frida soon realize this community poses dangers of its own. In this unfamiliar world, where everything and everyone can be perceived as a threat, the couple must quickly decide whom to trust.

A gripping and provocative debut novel by a stunning new talent,
California imagines a frighteningly realistic near future, in which clashes between mankind's dark nature and deep-seated resilience force us to question how far we will go to protect the ones we love.

"In her arresting debut novel, Edan Lepucki conjures a lush, intricate, deeply disturbing vision of the future, then masterfully exploits its dramatic possibilities."-Jennifer Egan, author of
A Visit from the Goon Squad
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Editorial Reviews

Amazon.com Review

An Amazon Best Book of the Month, July 2014: What does a marriage look like after the world ends? Edan Lepucki's terrific first novel California finds itself concerned with the human element when society crumbles. The post-apocalypse is beside the point. It hardly matters how we got here; all that matters is what we do next. For Cal and Frida, that becomes a tougher question when Frida discovers she's pregnant. They've survived on their own in the lush, solitary wilderness, but decide with one more mouth to feed, they may fare better within the safety of a small community. As they integrate into a nearby settlement, the couple realizes that they may have traded the hazards of the outside world for the paranoia and mistrust of other people. California questions the role of family and responsibility, and as a portrait of marriage, is perhaps as incisive as anything set in the real world. And with the conviction with which Lepucki renders the realities of her novel, it might behoove us to think of our world as the pre-apocalypse. --Kevin Nguyen

From Booklist

The catalysts for the current wave of postapocalyptic novels are many, from financial collapse to climate change, yet the bludgeoned, class-stratified, post-tech worlds writers envision are eerily similar. Still, from this blasted landscape, imaginative stories of survival by writers such as Margaret Atwood and James Howard Kunstler flower. First-time novelist Lepucki steps gamely into this arena to tell the tale of Frida and Cal, an ardent couple who have fled decimated Los Angeles to try to live off the land. Their only human contact is with a mysterious itinerant trader until they eventually discover a family homesteading nearby and learn of a strange, labyrinthine border of towering spikes. What is this structure protecting? The perils are many, everyone is vulnerable, and there is no reliable information beyond that of the senses, emotions, and intellect. Lepucki’s characters, therefore, must weigh every word, expression, and gesture. This results in too much disquisition through conversations, and the plot falters, but the settings are haunting and Lepucki’s inquiry into the psychology of trust, both intimate and communal, is keen and compelling. --Donna Seaman

Product details

  • ASIN ‏ : ‎ B00GG0GJ2Q
  • Publisher ‏ : ‎ Little, Brown and Company (July 8, 2014)
  • Publication date ‏ : ‎ July 8, 2014
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2.6 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 401 pages
  • Customer Reviews:
    3.4 out of 5 stars 1,300 ratings

About the author

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Edan Lepucki
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Edan Lepucki lives in Los Angeles, where she was born and raised. She is the New York Times bestselling author of the novels California and Woman No. 17, and her short fiction and nonfiction have been published in Esquire, McSweeney's, the New York Times, and the Los Angeles Times, among other places. She is the creator of the @mothersbefore Instagram, and a contributing editor at The Millions.

Customer reviews

3.4 out of 5 stars
1,300 global ratings

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Customers say

Customers find the book entertaining and engaging, keeping them engrossed throughout. The writing quality and character development receive mixed reviews - while some find it well-written with finely drawn characters, others note it's excessively detailed and the characters are unlikeable. Moreover, the plot development is mixed, with some finding it interesting while others say it takes away from plot development. Additionally, the pacing receives criticism for being slow.

AI-generated from the text of customer reviews

61 customers mention "Readability"61 positive0 negative

Customers find the book readable and captivating, with one mentioning they finished it in one sitting.

"...This book was captivating about 1/2 way through it...." Read more

"...Excellent book! Time for me to read it again, I think...." Read more

"...I thought it was a great books, very interesting characters, and a terrific plot." Read more

"...Then when I got to the end I thought, that's your ending? Cop out! It's not bad; it's just not all that good...." Read more

16 customers mention "Enjoyment"16 positive0 negative

Customers find the book very entertaining and thoroughly enjoyable, keeping them engrossed throughout. One customer describes it as a thrilling ride, while another appreciates its comedic elements.

"...A new and fun spin on the end of the world trope." Read more

"...The novel also made for a very lively and fun book club discussion, which is a big plus!" Read more

"...There is some comedic value in finishing the novel (especially if you like long pointless sequences on cooking, washing clothes, or turkey basters)..." Read more

"...The book is a quick read, mildly entertaining but not well thought out." Read more

11 customers mention "Page turner"11 positive0 negative

Customers find the book engaging and realistic, with one review noting that the scenes avoid laborious detail.

"...Pros: Good world building and background, interesting design of the class structure in a post-apocalyptic United States; interesting ending...." Read more

"...The causes for the breakdown are very realistic and could easily happen, you can make a lot of connects with things you see going on in the world..." Read more

"...It is a page-turner with a thought-provoking premise, an imperfect heroine, a despicable antagonist, and a promise of more to come in a future book..." Read more

"...is a place for lean prose filled with action; scenes that do not languish in laborious detail...." Read more

186 customers mention "Plot"84 positive102 negative

Customers have mixed opinions about the plot of the book, with some finding the premise interesting and the story getting more engaging, while others say it takes away from plot development and leaves them disappointed.

"...Pros: Good world building and background, interesting design of the class structure in a post-apocalyptic United States; interesting ending...." Read more

"...Could have been really thought provoking but instead just bleah and dumb, dumb, dumb...." Read more

"...growth as a man, husband and soon-to-be father is the most interesting aspect of the book; the locale could be anywhere in a post-apocalyptic America..." Read more

"...Once explained, then the story bogged down into zero movement and since I didn't empathize or relate to the characters, I had nothing left other..." Read more

71 customers mention "Writing quality"35 positive36 negative

Customers have mixed opinions about the writing quality of the book, with some finding it well written and elegant, while others note that it is excessively detailed and lacks good explanations.

"...Very well-written and believably prophetc, reminds me somewhat of Rod Serling's work. Excellent book! Time for me to read it again, I think...." Read more

"...entire group after they had been voted in about her baby, this makes zero sense, since the whole point of them leaving their initial home is to find..." Read more

"...Several other support characters; esp. August, Peter & Anika; are well drawn and intriguing...." Read more

"...portrayed" become code phrases for "boringly and excessively detailed"...." Read more

53 customers mention "Character development"17 positive36 negative

Customers have mixed opinions about the characters in the book, with some finding them compelling and finely drawn, while others find them unlikeable.

"...What was really unfortunate was a main character with no common sense (Frida) and another (Calvin) I liked less and less the more he put up with..." Read more

"...I found myself very annoyed by the main characters, particularly Frida...." Read more

"...In its favor, it has a strong male lead character in Cal. I would argue the title is a reference to him, not the state in which the novel is set...." Read more

"...The characters are boring and the woman Frida is maddeningly stupid...." Read more

22 customers mention "Pacing"6 positive16 negative

Customers find the pacing of the book slow.

"...Everything sucks. It's a quiet, slow apocalypse. We experience almost none of these interesting things. We are told these things...." Read more

"California is a slow read but it has a few redeeming twists and turns...." Read more

"...skill depicted within the first half of Lepucki's debut - the careful pacing and unfolding of the climate shift and post-petroleum world and the..." Read more

"...this book reads like a condescending young adult piece, didactic and slow paced, there is hardly enough actual story material here for a short story...." Read more

Terrible Novel
1 out of 5 stars
Terrible Novel
Thinly disguised feminist diatribe! All the world's problems are due to "toxic masculinity". Shallow characterization: Cal, Micah , Frida easily confused, seemingly the same person. This novel is at one and the same time silly, absurd, and insulting. Save your money and your time! Read Theodore Dreiser's "The Financier" to appreciate what a novel can be.
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Top reviews from the United States

  • Reviewed in the United States on July 28, 2014
    I looked forward to reading California because of the glowing reviews pre-release and wow did it not live up to the hype. I am really tired of Dystopian fiction with lazy endings (Allegiant, anyone?) when authors miss the opportunity to give the reader something to think about. This book was captivating about 1/2 way through it. That said, I was trapped on a plane for 5 hours neglecting to load anything else on my Kindle but I digress. What was really unfortunate was a main character with no common sense (Frida) and another (Calvin) I liked less and less the more he put up with Frida. I thought Calvin was really interesting along with his Plank schooling and his background story. But let's face it- neither of these two were equipped to survive as long as they did on their own (well, Cal maybe) and it's only through a creative writing exercise they did. The predictable "twist" when they headed in search of others and the impact on Cal and Frida's marriage was really unnecessary and who couldn't see that coming?

    And then... the end of the story. What a disappointment. Could have been really thought provoking but instead just bleah and dumb, dumb, dumb. It's like some authors these days wonder "now, how can I give it that Hollywood ending?" This book had so many rave reviews before it was available I had my hopes up for a new voice in Dystopian fiction but alas was not meant to be.

    Want a thought provoking read set in off kilter future society? Pick up "The Long Walk" by Steven King writing as Richard Bachman. It is a classic. Or try Enclave by Anne Aguirre or Wool by Hugh Howey.
    7 people found this helpful
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  • Reviewed in the United States on January 20, 2015
    I have mixed feelings on this novel, I don't think it even compares to the The Road, which was a excellent straight forward survival tale about a man and his son in the wilderness. Mrs. Lepucki's novel tries to focus on a.) world building and background via flashbacks b.)the politics and relationships (more specifically the relationship between Cal, Frida and her apparently dead brother Micah)

    I think the world building section in the first half of the novel is done well and shows you how bad things have gotten, but the author names things like Devices (why didn't she just use smartphones?) and doesn't explain it. The second half once they arrive in the The Land bogs down, we don't learn as much about the characters there and the author has a tendency to re-describe things more than once (the treehouse as a example when both Cal and Frida visit at different times) and the conversations get bogged down in too much detail, which slows the pace of the story as a whole. I thought the main plot once they are inside compelling (particularly on the idea that both their community and the rich communities outside both restrict births) that shows a cynicism against the idea that they should thrive, that they would rather die off slowly than continue and possibly create a brighter future.

    The only illogical part of the novel is near the end when Frida tells the entire group after they had been voted in about her baby, this makes zero sense, since the whole point of them leaving their initial home is to find more people, and to be integrated into a a social community, they were isolated for years, and Frida really thinks it's the time to open her big mouth and jeopardize that putting both herself, Cal and her baby in grave danger (possibly being killed or beaten right there by the mob) That's not only a terrible idea for survival, it's just plain stupid, like horror movie victim stupid. Despite this; the ending is still good where we are treated to some final fill in as Cal and Frida move in to another community undercover.

    Overall I liked the novel, but I don't think it's worth paying full price, pick up the Kindle version and read it on your computer.

    Scores: 4 out of 5 (it's actually borderline between 3 and 4 but I liked the ending) - A decent first novel.
    Pros: Good world building and background, interesting design of the class structure in a post-apocalyptic United States; interesting ending.
    Cons: Too heavy on detail in both conversations and descriptions; secondary characters in The Land could have been fleshed out more; Frida's actions near the end make zero logical/rational sense considering her personal history.
    5 people found this helpful
    Report
  • Reviewed in the United States on December 28, 2021
    I ordered this copy for a friend for Christmas cause I enjoyed it so much...if "enjoyed" is the right word! It's a post-"apocolyptic" tale of what life may become....any time now, actually! Written shortly before the pandemic, it's even more scary, now that the pandemic has brought out all the greed, hate, separation, paranoia, etc.that will be the demise of any decent form of society. Very well-written and believably prophetc, reminds me somewhat of Rod Serling's work. Excellent book! Time for me to read it again, I think. What it was doing at the dollar store when I found it, I'll never know, but I wish i'd gotten all of them!!
    One person found this helpful
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  • Reviewed in the United States on December 31, 2014
    The first problem I had with this book is that I didn't care one whit about Cal and Frida. Live, die, succeed, fail - what happened to them didn't matter to me at all. This is because the author spent zero time up-front making me want to care about these two. I didn't have any reason to root for them, to cheer them along, to celebrate or commiserate with these two characters. In fact, the author seemed determined to make Cal a cipher and Friday unlikeable.

    The second problem I had is that the story doesn't MOVE at all. It's laboriously detailed to the point where positive descriptions such as "richly drawn" and "vividly portrayed" become code phrases for "boringly and excessively detailed". The bakery scenes with Frida and Anita are particularly stupefying. Some authorize depend on characterization over plotting or storyline, and that's OK, but this author thinks characterization WITHOUT plot movement is acceptable, and it's just NOT.

    In summary, I was engaged for the first couple hundred pages just to see the author explain everything in flashback. Once explained, then the story bogged down into zero movement and since I didn't empathize or relate to the characters, I had nothing left other than to plod through to the finish. Zzzzzz...
    6 people found this helpful
    Report

Top reviews from other countries

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  • Hedda Jungfer
    3.0 out of 5 stars Eine Robinson Crusoe Geschichte in einem "umwelt"zerstörten Kalifornien
    Reviewed in Germany on July 29, 2014
    Ein junges Paar ist "in den Wald" geflüchtet, aus einer zerstörten Gesellschaft, in der nun an allem Mangel herrscht. Die Idee ist ganz gut, die Geschichte ist auch flott geschrieben. Aber in unserer Zeit globaler Information und Beeinflussung ist es doch ein wenig einfältig, so konzentriert im Umkreis Kalifornien zu bleiben. Auch wenig glaubwürdig, dass unter solchen Bedingungen nicht viele auf so eine Idee kommen.
    Report
  • J. Gray
    3.0 out of 5 stars A pretty good book
    Reviewed in the United Kingdom on December 28, 2014
    A pretty good book. I liked the dynamics of the relationship between Frida and Cal that gets explored throughout, but the ending was a bit disappointing insomuch as you're left wondering about so much.
  • Heather Leighton
    3.0 out of 5 stars Potentially a better HBO series than a satisfying read
    Reviewed in Canada on August 4, 2014
    The premise was very current: extreme weather conditions have wiped out a large part of the US population, cutting off communications and the impoverished residents of LA are living without water or electricity (I read this at the same time as they were shutting off the water on many Detroit residents), while the wealthy elite live in gated communities that at times are owned by corporations. The protagonists, Cal and Frida, are living off the land somewhere in California, but struggling to survive. They later discover that there is a commune not far from their homestead, which becomes a safer bet once the couple discovers they are with child. The premise is easy to believe, but the secondary characters are pretty stiff and lack depth. This read more like a pilot script for an HBO series. While it wasn't a satisfying book, as a television series, it could give the Walking Dead a run for its money. There is a lot more plausible material to work with in California: the Novel. Marauders can be scarier than zombies. The author created something good, but she could have had something exceptional if she'd taken her time and fleshed out her story and characters a little more.
    One person found this helpful
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  • OTJ
    4.0 out of 5 stars Enjoyable
    Reviewed in the United Kingdom on September 15, 2019
    Not perfect, but an enjoyable look at an apocalyptic life that many will worry is all too possible.
  • Falstaff's friend
    1.0 out of 5 stars Keine Dystopie, was dann aber?
    Reviewed in Germany on March 6, 2016
    Die Verfasserin stammt laut biografischer Notiz aus dem Bereich der amerikanischen Schreibschulen.
    Dystopien verkaufen sich im Moment sehr gut.
    Also scheint sich Lepucki dran gemacht zu haben, eine solche zu verfassen.
    Wer nun als Leser tatsächlich eine "disturbing vision of the future" erwartet, wird ebenso enttäuscht wie der, der etwas literarisch Gelungenes sucht.
    Für eine Dystopie fehlt der Hintergrund: Es bleibt bei einem unscharfen Mischmasch von Andeutungen zu Elitenkritik, Kapitalismus, sozialer Ausgrenzung, Umweltverschmutzung und Naturkatastrophen. Ein Bild entsteht nicht. Deshalb ist der Leser nicht erschreckt, sondern gleichgültig. Das Leben in der Wildnis, in das die Hauptpersonen fliehen, wirkt nicht beängstigend, sondern wirkt mehr wie Pfadfinderromatik. Und was trifft man in der Wildnis? Lauter herzensgute Menschen mit tragischem Schicksal. Natürlich dürfen die in dieser Literatur obligatorischen, dezent und immer gleich dargestellten Beischlafszenen nicht fehlen.

    Bei der Charakterzeichnung der Personen versucht Lepucki Schwarz-weiß-Malerei zu vermeiden. Es gelingt ihr aber nicht. Die Charaktere sind in sich nicht schlüssig, ergeben kein konsistentes Bild. Da auch die Handlung sich nicht richtig entwickelt, geht alles unter in der geschwätzigen Wiedergabe von inneren Prozessen, die nicht glaubwürdig sind. Und damit auch kein Leser etwas missversteht, wird alles, aber auch alles an Gefühlen und Gedanken ausformuliert. Es bleibt kein attraktives Geheimnis übrig, das den Leser faszinieren und seiner Imagination Raum geben könnte.

    Gegen Ende des Romans macht sich die Schwäche der Handlungskonstruktion so schmerzhaft bemerkbar, dass nichts übrig bleibt, als alle noch geschlagenen Knoten in einem einzigen Gespräch aufzulösen. Der Schluss des Romans soll wohl offen sein, ist es aber nicht wirklich, weil es den Leser schon lange nicht mehr interessiert, wie das weitergehen könnte.

    Die Sprache des Romans ist, höflich ausgedrückt, einfach. Der Versuch, einzelnen Personen eine sprachliche Identität zu geben, ist stellenweise erkennbar, aber sie gelingt nicht überzeugend, weil die Sprachregister nicht durchgehalten werden. Die Bildersprache ist sehr simpel und offensichtlich. Auch fehlt jedes "Geheimnis", das die Fantasie anregen könnte. Der Titel des Romans wird im Roman selbst erklärt, aber er bedeutet nichts. Zusammen mit dem Cover des Buches (Ich beziehe mich auf die englische Ausgabe - das Cover der deutschen Ausgabe erscheint mir völlig unmotiviert: soll das der russische Bär mit Stern sein, der Amerika zerstört hat, oder was?) bildet er, wie die Bildersprache, eine arg simple Symbolik: Kalifornien zerstört, kaputte Hütte, invertierte Farben. Hier wird eine Erwartung geweckt, die der Roman nicht erfüllt.

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