Learn more
These promotions will be applied to this item:
Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.
Audiobook Price: $21.83$21.83
Save: $8.84$8.84 (40%)
Your Memberships & Subscriptions

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
California: A Novel Kindle Edition
Terrified of the unknown and unsure of their ability to raise a child alone, Cal and Frida set out for the nearest settlement, a guarded and paranoid community with dark secrets. These people can offer them security, but Cal and Frida soon realize this community poses dangers of its own. In this unfamiliar world, where everything and everyone can be perceived as a threat, the couple must quickly decide whom to trust.
A gripping and provocative debut novel by a stunning new talent, California imagines a frighteningly realistic near future, in which clashes between mankind's dark nature and deep-seated resilience force us to question how far we will go to protect the ones we love.
"In her arresting debut novel, Edan Lepucki conjures a lush, intricate, deeply disturbing vision of the future, then masterfully exploits its dramatic possibilities."-Jennifer Egan, author of A Visit from the Goon Squad
Customers who bought this item also bought
Editorial Reviews
Amazon.com Review
An Amazon Best Book of the Month, July 2014: What does a marriage look like after the world ends? Edan Lepucki's terrific first novel California finds itself concerned with the human element when society crumbles. The post-apocalypse is beside the point. It hardly matters how we got here; all that matters is what we do next. For Cal and Frida, that becomes a tougher question when Frida discovers she's pregnant. They've survived on their own in the lush, solitary wilderness, but decide with one more mouth to feed, they may fare better within the safety of a small community. As they integrate into a nearby settlement, the couple realizes that they may have traded the hazards of the outside world for the paranoia and mistrust of other people. California questions the role of family and responsibility, and as a portrait of marriage, is perhaps as incisive as anything set in the real world. And with the conviction with which Lepucki renders the realities of her novel, it might behoove us to think of our world as the pre-apocalypse. --Kevin Nguyen
From Booklist
Review
A New York Times Bestseller
A Los Angeles Times Bestseller
A San Francisco Chronicle Bestseller
An Indiebound Bestseller
"Rewarding....[One of] 30 books you NEED to read in 2014." ---Huffington Post
"Edan Lepucki's first novel comes steeped in Southern California literary tradition....One thinks of Steve Erickson or Cynthia Kadohata, or Carolyn See, whose 1987 novel Golden Days ends with the nuclear holocaust." ---David L. Ulin, Los Angeles Times
"Noteworthy....Lepucki's debut is an inventive take on the post-apocalyptic novel, about a couple who moves from an isolated existence in the wilderness to a guarded community that, they soon realize, harbors terrifying secrets and unforseen dangers." ---Laura Pearson, Time Out Chicago
"In her arresting debut novel, Edan Lepucki conjures a lush, intricate, deeply disturbing vision of the future, then masterfully exploits its dramatic possibilities." ---Jennifer Egan, author of A Visit from the Goon Squad
"An ambitious, powerful, frightening first novel...California shows the moment-by-moment reality of a painful possible future, the price we may have to pay for our passionate devotion to all the wrong things." --Sarah Stone, San Francisco Chronicle
"Lepucki gives readers the most welcome surprise--in a dystopian novel, anyway--of flashes of humor. Many of her witty touches make reference to the familiar details of life in 2014, and what happens to them in the future." --Cleveland Plain Dealer
"An expansive, full-bodied and masterful narrative of humans caught in the most extreme situations, with all of our virtues and failings on full display: courage, cowardice, trust, betrayal, honor and expedience. The final eighty pages of this book gripped me as much as any fictional denouement I've encountered in recent years....I firmly believe that Edan Lepucki is on the cusp of a long, strong career in American letters." ---Ben Fountain, author of Billy Lynn's Long Halftime Walk
"Stunning and brilliant novel, which is a wholly original take on the post-apocalypse genre, an end-of-the-world we've never seen before and yet is uncomfortably believable and recognizable. By turns funny and heartbreaking, scary and tender, beautifully written and compulsively page-turning, this is a book that will haunt me, and that I'll be thankful to return to in the years to come. It left me speechless. Read it, and prepare yourself." ---Dan Chaon, author of Await Your Reply
"This thrilling and thoughtful debut novel by Edan Lepucki follows a young married couple navigating dangers both physical and emotional in a wild, mysterious post-collapse America. It's a vivid, believable picture of a not-so-distant future and the timeless negotiation of young marriage, handled with suspense and psychological acuity." ---Janet Fitch, author of Paint it Black
"Edan Lepucki is the very best kind of writer: simultaneously generous and precise. I am long been an admirer of her prose, but this book---this book, this massive, brilliant book---is a four alarm fire, the ambitious and rich introduction that a writer of her caliber deserves. I can't wait for the world to know what I have known for so many years, that Edan Lepucki is the real thing, and that we will all be bowing at her feet before long." ---Emma Straub, author of Laura Lamont's Life in Pictures
"It's tempting to call this novel post-apocalyptic, but really, it's about an apocalypse in progress, an apocalypse that might already be happening, one that doesn't so much break life into before and after as unravel it bit by bit. Edan Lepucki tells her tale with preternatural clarity and total believability, in large part by focusing on the relationships -- between husband and wife, brother and sister, parent and child -- that are, it turns out, apocalypse-proof. Post-nothing. California is timeless." ---Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore
"California is a wonder: a big, gripping and inventive story built on quiet, precise human moments. Edan Lepucki's eerie near future is vividly and persuasively imagined. She is a fierce new presence in American fiction." ---Dana Spiotta, author of Stone Arabia
"There's been no shortage of apocalyptic scenarios in our recent literature. What makes Edan Lepucki's novel so stunning is that her survivors don't merely resemble us, they are us, in their emotional particularity and dilemmas. The result is a book as terse and terrifying as the best of Shirley Jackson, on the one hand, and as clear-eyed and profound a portrait of a marriage as Evan Connell's Mrs. Bridge, on the other. California is superb." ---Matthew Specktor, author of The American Dream Machine
"In her remarkable debut California, Edan Lepucki has conjured a post-apocalyptic vision that is honest, frightening, and altogether too realistic. At times disturbing and often heartbreaking, California is an original examination of the limitations of family and loyalty in a world on the verge of collapse." ---Ivy Pochoda, author of Visitation Street
"Edan Lepucki's novel California kept me up for five nights. This was a problem. However, I was not just tired, but often worried for the characters, for our world, and then astonished and laughing at her skill with humor and lyricism even in the fearful landscape. It's a ruined place, yes, but the bonds of family, and the betrayal of blood, are as true as every in her surprising imagery and her complicated humans, who could be any of us." ---Susan Straight, author of A Million Nightingales
"Breathtakingly original, fearless and inventive, pitch perfect in its portrayal of the intimacies and tiny betrayals of marriage, so utterly gripping it demands to be read in one sitting: Edan Lepucki's California is the novel you have been waiting for, the novel that perfectly captures the hopes and anxieties of contemporary America. This is a novel that resonates on every level, a novel that stays with you for a lifetime. Read it now." ---Joanna Rakoff, author of A Fortunate Age
"California is carefully drawn and beautifully textured. It's a pleasure to watch love and family transform in this dark, strange forest." ---Ramona Ausubel, author of A Guide to Being Born and No One is Here Except All of Us
"When the world ends, not with a bang, but a whimper, you want a guide whose insight into the subtle revolutions of the heart are as nuanced as her perceptions about the broken world are astute. In prose witty, seductive, and exacting, Lepucki reminds us that, in the after-life of social collapse, it's not only the strongest willed, but the most compassionate among us, who must rebuild. California is an epic of interiors." ---Shya Scanlon, author of Forecast
About the Author
Edan Lepucki is a graduate of Oberlin College and the University of Iowa Writers' Workshop, and her short fiction has been published in Narrative Magazine, the Los Angeles Times Magazine, Meridian, FiveChapters, and McSweeney's, among others. She is a staff writer for The Millions and teaches creative writing at the UCLA Extension Writers' Program and for Writing Workshops Los Angeles, which she founded.
Emma Galvin has won the 2011 Audie Award for best fiction narration, been a finalist for the Audie Award in 2012, and won seven AudioFile Earphones Awards for her narrations. A graduate of the Carnegie Mellon School of Drama, is an actress whose film appearances include My Suicidal Sweetheart, A Perfect Fit, and The Big Bad Swim. She has performed in several regional theater productions, including Love Punky, The Power of Birds, and The Realm.
Product details
- ASIN : B00GG0GJ2Q
- Publisher : Little, Brown and Company (July 8, 2014)
- Publication date : July 8, 2014
- Language : English
- File size : 2.6 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 401 pages
- Best Sellers Rank: #1,048,133 in Kindle Store (See Top 100 in Kindle Store)
- #8,120 in Dystopian Science Fiction (Kindle Store)
- #8,484 in Dystopian Fiction (Books)
- #18,961 in Family Life Fiction (Books)
- Customer Reviews:
About the author

Edan Lepucki lives in Los Angeles, where she was born and raised. She is the New York Times bestselling author of the novels California and Woman No. 17, and her short fiction and nonfiction have been published in Esquire, McSweeney's, the New York Times, and the Los Angeles Times, among other places. She is the creator of the @mothersbefore Instagram, and a contributing editor at The Millions.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the book entertaining and engaging, keeping them engrossed throughout. The writing quality and character development receive mixed reviews - while some find it well-written with finely drawn characters, others note it's excessively detailed and the characters are unlikeable. Moreover, the plot development is mixed, with some finding it interesting while others say it takes away from plot development. Additionally, the pacing receives criticism for being slow.
AI-generated from the text of customer reviews
Select to learn more
Customers find the book readable and captivating, with one mentioning they finished it in one sitting.
"...This book was captivating about 1/2 way through it...." Read more
"...Excellent book! Time for me to read it again, I think...." Read more
"...I thought it was a great books, very interesting characters, and a terrific plot." Read more
"...Then when I got to the end I thought, that's your ending? Cop out! It's not bad; it's just not all that good...." Read more
Customers find the book very entertaining and thoroughly enjoyable, keeping them engrossed throughout. One customer describes it as a thrilling ride, while another appreciates its comedic elements.
"...A new and fun spin on the end of the world trope." Read more
"...The novel also made for a very lively and fun book club discussion, which is a big plus!" Read more
"...There is some comedic value in finishing the novel (especially if you like long pointless sequences on cooking, washing clothes, or turkey basters)..." Read more
"...The book is a quick read, mildly entertaining but not well thought out." Read more
Customers find the book engaging and realistic, with one review noting that the scenes avoid laborious detail.
"...Pros: Good world building and background, interesting design of the class structure in a post-apocalyptic United States; interesting ending...." Read more
"...The causes for the breakdown are very realistic and could easily happen, you can make a lot of connects with things you see going on in the world..." Read more
"...It is a page-turner with a thought-provoking premise, an imperfect heroine, a despicable antagonist, and a promise of more to come in a future book..." Read more
"...is a place for lean prose filled with action; scenes that do not languish in laborious detail...." Read more
Customers have mixed opinions about the plot of the book, with some finding the premise interesting and the story getting more engaging, while others say it takes away from plot development and leaves them disappointed.
"...Pros: Good world building and background, interesting design of the class structure in a post-apocalyptic United States; interesting ending...." Read more
"...Could have been really thought provoking but instead just bleah and dumb, dumb, dumb...." Read more
"...growth as a man, husband and soon-to-be father is the most interesting aspect of the book; the locale could be anywhere in a post-apocalyptic America..." Read more
"...Once explained, then the story bogged down into zero movement and since I didn't empathize or relate to the characters, I had nothing left other..." Read more
Customers have mixed opinions about the writing quality of the book, with some finding it well written and elegant, while others note that it is excessively detailed and lacks good explanations.
"...Very well-written and believably prophetc, reminds me somewhat of Rod Serling's work. Excellent book! Time for me to read it again, I think...." Read more
"...entire group after they had been voted in about her baby, this makes zero sense, since the whole point of them leaving their initial home is to find..." Read more
"...Several other support characters; esp. August, Peter & Anika; are well drawn and intriguing...." Read more
"...portrayed" become code phrases for "boringly and excessively detailed"...." Read more
Customers have mixed opinions about the characters in the book, with some finding them compelling and finely drawn, while others find them unlikeable.
"...What was really unfortunate was a main character with no common sense (Frida) and another (Calvin) I liked less and less the more he put up with..." Read more
"...I found myself very annoyed by the main characters, particularly Frida...." Read more
"...In its favor, it has a strong male lead character in Cal. I would argue the title is a reference to him, not the state in which the novel is set...." Read more
"...The characters are boring and the woman Frida is maddeningly stupid...." Read more
Customers find the pacing of the book slow.
"...Everything sucks. It's a quiet, slow apocalypse. We experience almost none of these interesting things. We are told these things...." Read more
"California is a slow read but it has a few redeeming twists and turns...." Read more
"...skill depicted within the first half of Lepucki's debut - the careful pacing and unfolding of the climate shift and post-petroleum world and the..." Read more
"...this book reads like a condescending young adult piece, didactic and slow paced, there is hardly enough actual story material here for a short story...." Read more
Reviews with images

Terrible Novel
Top reviews from the United States
There was a problem filtering reviews. Please reload the page.
- Reviewed in the United States on July 28, 2014I looked forward to reading California because of the glowing reviews pre-release and wow did it not live up to the hype. I am really tired of Dystopian fiction with lazy endings (Allegiant, anyone?) when authors miss the opportunity to give the reader something to think about. This book was captivating about 1/2 way through it. That said, I was trapped on a plane for 5 hours neglecting to load anything else on my Kindle but I digress. What was really unfortunate was a main character with no common sense (Frida) and another (Calvin) I liked less and less the more he put up with Frida. I thought Calvin was really interesting along with his Plank schooling and his background story. But let's face it- neither of these two were equipped to survive as long as they did on their own (well, Cal maybe) and it's only through a creative writing exercise they did. The predictable "twist" when they headed in search of others and the impact on Cal and Frida's marriage was really unnecessary and who couldn't see that coming?
And then... the end of the story. What a disappointment. Could have been really thought provoking but instead just bleah and dumb, dumb, dumb. It's like some authors these days wonder "now, how can I give it that Hollywood ending?" This book had so many rave reviews before it was available I had my hopes up for a new voice in Dystopian fiction but alas was not meant to be.
Want a thought provoking read set in off kilter future society? Pick up "The Long Walk" by Steven King writing as Richard Bachman. It is a classic. Or try Enclave by Anne Aguirre or Wool by Hugh Howey.
- Reviewed in the United States on January 20, 2015I have mixed feelings on this novel, I don't think it even compares to the The Road, which was a excellent straight forward survival tale about a man and his son in the wilderness. Mrs. Lepucki's novel tries to focus on a.) world building and background via flashbacks b.)the politics and relationships (more specifically the relationship between Cal, Frida and her apparently dead brother Micah)
I think the world building section in the first half of the novel is done well and shows you how bad things have gotten, but the author names things like Devices (why didn't she just use smartphones?) and doesn't explain it. The second half once they arrive in the The Land bogs down, we don't learn as much about the characters there and the author has a tendency to re-describe things more than once (the treehouse as a example when both Cal and Frida visit at different times) and the conversations get bogged down in too much detail, which slows the pace of the story as a whole. I thought the main plot once they are inside compelling (particularly on the idea that both their community and the rich communities outside both restrict births) that shows a cynicism against the idea that they should thrive, that they would rather die off slowly than continue and possibly create a brighter future.
The only illogical part of the novel is near the end when Frida tells the entire group after they had been voted in about her baby, this makes zero sense, since the whole point of them leaving their initial home is to find more people, and to be integrated into a a social community, they were isolated for years, and Frida really thinks it's the time to open her big mouth and jeopardize that putting both herself, Cal and her baby in grave danger (possibly being killed or beaten right there by the mob) That's not only a terrible idea for survival, it's just plain stupid, like horror movie victim stupid. Despite this; the ending is still good where we are treated to some final fill in as Cal and Frida move in to another community undercover.
Overall I liked the novel, but I don't think it's worth paying full price, pick up the Kindle version and read it on your computer.
Scores: 4 out of 5 (it's actually borderline between 3 and 4 but I liked the ending) - A decent first novel.
Pros: Good world building and background, interesting design of the class structure in a post-apocalyptic United States; interesting ending.
Cons: Too heavy on detail in both conversations and descriptions; secondary characters in The Land could have been fleshed out more; Frida's actions near the end make zero logical/rational sense considering her personal history.
- Reviewed in the United States on December 28, 2021I ordered this copy for a friend for Christmas cause I enjoyed it so much...if "enjoyed" is the right word! It's a post-"apocolyptic" tale of what life may become....any time now, actually! Written shortly before the pandemic, it's even more scary, now that the pandemic has brought out all the greed, hate, separation, paranoia, etc.that will be the demise of any decent form of society. Very well-written and believably prophetc, reminds me somewhat of Rod Serling's work. Excellent book! Time for me to read it again, I think. What it was doing at the dollar store when I found it, I'll never know, but I wish i'd gotten all of them!!
- Reviewed in the United States on December 31, 2014The first problem I had with this book is that I didn't care one whit about Cal and Frida. Live, die, succeed, fail - what happened to them didn't matter to me at all. This is because the author spent zero time up-front making me want to care about these two. I didn't have any reason to root for them, to cheer them along, to celebrate or commiserate with these two characters. In fact, the author seemed determined to make Cal a cipher and Friday unlikeable.
The second problem I had is that the story doesn't MOVE at all. It's laboriously detailed to the point where positive descriptions such as "richly drawn" and "vividly portrayed" become code phrases for "boringly and excessively detailed". The bakery scenes with Frida and Anita are particularly stupefying. Some authorize depend on characterization over plotting or storyline, and that's OK, but this author thinks characterization WITHOUT plot movement is acceptable, and it's just NOT.
In summary, I was engaged for the first couple hundred pages just to see the author explain everything in flashback. Once explained, then the story bogged down into zero movement and since I didn't empathize or relate to the characters, I had nothing left other than to plod through to the finish. Zzzzzz...
Top reviews from other countries
-
Hedda JungferReviewed in Germany on July 29, 2014
3.0 out of 5 stars Eine Robinson Crusoe Geschichte in einem "umwelt"zerstörten Kalifornien
Ein junges Paar ist "in den Wald" geflüchtet, aus einer zerstörten Gesellschaft, in der nun an allem Mangel herrscht. Die Idee ist ganz gut, die Geschichte ist auch flott geschrieben. Aber in unserer Zeit globaler Information und Beeinflussung ist es doch ein wenig einfältig, so konzentriert im Umkreis Kalifornien zu bleiben. Auch wenig glaubwürdig, dass unter solchen Bedingungen nicht viele auf so eine Idee kommen.
- J. GrayReviewed in the United Kingdom on December 28, 2014
3.0 out of 5 stars A pretty good book
A pretty good book. I liked the dynamics of the relationship between Frida and Cal that gets explored throughout, but the ending was a bit disappointing insomuch as you're left wondering about so much.
- Heather LeightonReviewed in Canada on August 4, 2014
3.0 out of 5 stars Potentially a better HBO series than a satisfying read
The premise was very current: extreme weather conditions have wiped out a large part of the US population, cutting off communications and the impoverished residents of LA are living without water or electricity (I read this at the same time as they were shutting off the water on many Detroit residents), while the wealthy elite live in gated communities that at times are owned by corporations. The protagonists, Cal and Frida, are living off the land somewhere in California, but struggling to survive. They later discover that there is a commune not far from their homestead, which becomes a safer bet once the couple discovers they are with child. The premise is easy to believe, but the secondary characters are pretty stiff and lack depth. This read more like a pilot script for an HBO series. While it wasn't a satisfying book, as a television series, it could give the Walking Dead a run for its money. There is a lot more plausible material to work with in California: the Novel. Marauders can be scarier than zombies. The author created something good, but she could have had something exceptional if she'd taken her time and fleshed out her story and characters a little more.
One person found this helpfulReport - OTJReviewed in the United Kingdom on September 15, 2019
4.0 out of 5 stars Enjoyable
Not perfect, but an enjoyable look at an apocalyptic life that many will worry is all too possible.
-
Falstaff's friendReviewed in Germany on March 6, 2016
1.0 out of 5 stars Keine Dystopie, was dann aber?
Die Verfasserin stammt laut biografischer Notiz aus dem Bereich der amerikanischen Schreibschulen.
Dystopien verkaufen sich im Moment sehr gut.
Also scheint sich Lepucki dran gemacht zu haben, eine solche zu verfassen.
Wer nun als Leser tatsächlich eine "disturbing vision of the future" erwartet, wird ebenso enttäuscht wie der, der etwas literarisch Gelungenes sucht.
Für eine Dystopie fehlt der Hintergrund: Es bleibt bei einem unscharfen Mischmasch von Andeutungen zu Elitenkritik, Kapitalismus, sozialer Ausgrenzung, Umweltverschmutzung und Naturkatastrophen. Ein Bild entsteht nicht. Deshalb ist der Leser nicht erschreckt, sondern gleichgültig. Das Leben in der Wildnis, in das die Hauptpersonen fliehen, wirkt nicht beängstigend, sondern wirkt mehr wie Pfadfinderromatik. Und was trifft man in der Wildnis? Lauter herzensgute Menschen mit tragischem Schicksal. Natürlich dürfen die in dieser Literatur obligatorischen, dezent und immer gleich dargestellten Beischlafszenen nicht fehlen.
Bei der Charakterzeichnung der Personen versucht Lepucki Schwarz-weiß-Malerei zu vermeiden. Es gelingt ihr aber nicht. Die Charaktere sind in sich nicht schlüssig, ergeben kein konsistentes Bild. Da auch die Handlung sich nicht richtig entwickelt, geht alles unter in der geschwätzigen Wiedergabe von inneren Prozessen, die nicht glaubwürdig sind. Und damit auch kein Leser etwas missversteht, wird alles, aber auch alles an Gefühlen und Gedanken ausformuliert. Es bleibt kein attraktives Geheimnis übrig, das den Leser faszinieren und seiner Imagination Raum geben könnte.
Gegen Ende des Romans macht sich die Schwäche der Handlungskonstruktion so schmerzhaft bemerkbar, dass nichts übrig bleibt, als alle noch geschlagenen Knoten in einem einzigen Gespräch aufzulösen. Der Schluss des Romans soll wohl offen sein, ist es aber nicht wirklich, weil es den Leser schon lange nicht mehr interessiert, wie das weitergehen könnte.
Die Sprache des Romans ist, höflich ausgedrückt, einfach. Der Versuch, einzelnen Personen eine sprachliche Identität zu geben, ist stellenweise erkennbar, aber sie gelingt nicht überzeugend, weil die Sprachregister nicht durchgehalten werden. Die Bildersprache ist sehr simpel und offensichtlich. Auch fehlt jedes "Geheimnis", das die Fantasie anregen könnte. Der Titel des Romans wird im Roman selbst erklärt, aber er bedeutet nichts. Zusammen mit dem Cover des Buches (Ich beziehe mich auf die englische Ausgabe - das Cover der deutschen Ausgabe erscheint mir völlig unmotiviert: soll das der russische Bär mit Stern sein, der Amerika zerstört hat, oder was?) bildet er, wie die Bildersprache, eine arg simple Symbolik: Kalifornien zerstört, kaputte Hütte, invertierte Farben. Hier wird eine Erwartung geweckt, die der Roman nicht erfüllt.