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Death on the Installment Plan (ND Paperbook) Kindle Edition
Death on the Installment Plan is a companion volume to Louis-Ferinand Céline's earlier novel Journey to the End of Night.
Death on the Installment Plan is a companion volume to Louis-Ferdinand Céline’s earlier novel, Journey to the End of the Night. Published in rapid succession in the middle 1930s, these two books shocked European literature and world consciousness. Nominally fiction but more rightly called “creative confessions,” they told of the author’s childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Céline’s influence revolutionized the contemporary approach to fiction. Under a cloud for a period, his work is now acknowledged as the forerunner of today’s “black humor.”
- LanguageEnglish
- PublisherNew Directions
- Publication dateJanuary 17, 1971
- File size1168 KB
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― Adelaide Docx, The New Yorker
"It could be said that without Céline there would have been no Henry Miller, no Jack Kerouac, no Charles Bukowski, no Beat poets."
― John Banville
"He writes like a lunging live wire, crackling and wayward, full of hidden danger."
― Alfred Kazin
About the Author
Louis-Ferdinand Céline (1894-1961) was a French writer and doctor whose novels are antiheroic visions of human suffering. Accused of collaboration with the Nazis, Céline fled France in 1944 first to Germany and then to Denmark. Condemned by default (1950) in France to one year of imprisonment and declared a national disgrace, Céline returned to France after his pardon in 1951, where he continued to write until his death. His classic books include Journey to the End of the Night, Death on the Installment Plan, London Bridge, North, Rigadoon, Conversations with Professor Y, Castle to Castle, and Normance.
Product details
- ASIN : B00ID584FC
- Publisher : New Directions; Revised ed. edition (January 17, 1971)
- Publication date : January 17, 1971
- Language : English
- File size : 1168 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 548 pages
- Best Sellers Rank: #408,785 in Kindle Store (See Top 100 in Kindle Store)
- #593 in Humorous Literary Fiction
- #993 in Dark Humor
- #1,098 in Classic Literary Fiction
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Plot (yes, there is one...kinda):
The book begins with a grown Bardamu, practicing medicine in the suburbs of Paris. Soon the action flashes back to his childhood, which is what the rest of the book is about. Like Journey, this book follows the narrator as he moves around to various destinations, including a number of apprenticeships in Paris, boarding school in England, and a farm. There are developed characters besides Bardamu; there are his parents, his uncle, and (best of all) a crazy Inventor who takes young Bardamu under his wing.
It was Bukowski who pointed me towards Celine. He praised Journey, but he said nothing about Death. Death was unavailable to me, and after I was done with Journey I tried to read Guignol's Band. I couldn't read it though due to the frequent incoherent streamofconscious rants (and perhaps because it wasn't a Manheim Translation). But then I moved and found Death on Credit (same...Credit is just the UK title, whereas it's installment plan in US), read it, and liked it even better than Journey. There are one or two short parts of surreal/hallucinatory sequences. Even those are short; 98% of the book I would describe as concrete events written coherently.
Celine has changed his style a little with his second book. Ellipses are used much more often here than they were in Journey. But I found this to work quite well, both in terms of readability, and in terms of emulating actual speech and thoughts. Also, there are no chapters in Death.
Every thing else is what you'd expect from Celine after reading Journey. The bipolar nature of the work--it will make you laugh, then twenty pages later you'll be crying. There's plenty of humor. There's plenty of sexual escapades. Plenty of other little adventures that you'll enjoy reading about.
Oh yeah...also, there is less blatant philosophizing in this book. In Journey he'd go off on a rant about how people are terrible, and how society is evil, and how he believes in nothing. Don't worry! Those themes/ideas are all present here, he just doesn't come out and say it, rather, he shows them.
So...if you've read Journey and liked it, I strongly suggest you read Death.
If you haven't read Journey to the End of the Night, I suggest reading that first. It's not completely necessary. I think that you'll enjoy this book more if you've read Journey. Journey is perhaps the more readable of the two (at least the more traditionally readable). But if you want to read this and then do Journey be my guest, let me know how it goes.
The action often moves into fantasy and the style becomes deliberately rougher. Sentences disintegrate to hook the taste of the crawling world of the Paris slums. The sleazy stories of families whose destiny is ruled by their own stupidity and greed.
I’m sure many people would become frustrated by this novel's bizarre style, dips into fantasy, and otherwise amoral tone, however it offers a profound vision of the nature of human existence for the socio-economically deprived, rooted in suffering and inertia. The book expresses ideas that stretch the limitations of perception while providing almost no structure to assign any meaning to life as a whole.