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Death on the Installment Plan (ND Paperbook) Kindle Edition

4.5 4.5 out of 5 stars 139 ratings

Death on the Installment Plan is a companion volume to Louis-Ferinand Céline's earlier novel Journey to the End of Night.


Death on the Installment Plan is a companion volume to Louis-Ferdinand Céline’s earlier novel, Journey to the End of the Night. Published in rapid succession in the middle 1930s, these two books shocked European literature and world consciousness. Nominally fiction but more rightly called “creative confessions,” they told of the author’s childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Céline’s influence revolutionized the contemporary approach to fiction. Under a cloud for a period, his work is now acknowledged as the forerunner of today’s “black humor.”
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Editorial Reviews

Amazon.com Review

Louis-Ferdinand Celine's second novel continues the style of black humor and the delirious but immediate prose that made the author instantly famous in his native France in the aftermath of World War I. Celine's goal was to create a kind of literature that described people in honest terms, unembellished by the conventions of fiction, no matter how mean and crummy they were, and to portray them in the real language of everyday life and thought. He succeeds darkly and brilliantly in Death on the Installment Plan, yet it is also a sweet kind of book, a young boy's coming-of-age tale, struggling with his parents and looking for his own kind of personal freedom.

Review

"[A] loosely biographical work teeming with disease, misanthropy, and dark comedy."
Adelaide Docx, The New Yorker

"It could be said that without Céline there would have been no Henry Miller, no Jack Kerouac, no Charles Bukowski, no Beat poets."
John Banville

"He writes like a lunging live wire, crackling and wayward, full of hidden danger."
Alfred Kazin

Product details

  • ASIN ‏ : ‎ B00ID584FC
  • Publisher ‏ : ‎ New Directions; Revised ed. edition (January 17, 1971)
  • Publication date ‏ : ‎ January 17, 1971
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1168 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 548 pages
  • Customer Reviews:
    4.5 4.5 out of 5 stars 139 ratings

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Louis-Ferdinand Céline
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Customer reviews

4.5 out of 5 stars
4.5 out of 5
139 global ratings

Top reviews from the United States

Reviewed in the United States on July 3, 2008
First, let me ask you: have you read 'Journey to the End of the Night'? If the answer is yes (and if you liked it) then my response to you is go ahead and read Death. Death is very similar to Journey, only Death takes place earlier in the life of Celine/Bardamu.

Plot (yes, there is one...kinda):
The book begins with a grown Bardamu, practicing medicine in the suburbs of Paris. Soon the action flashes back to his childhood, which is what the rest of the book is about. Like Journey, this book follows the narrator as he moves around to various destinations, including a number of apprenticeships in Paris, boarding school in England, and a farm. There are developed characters besides Bardamu; there are his parents, his uncle, and (best of all) a crazy Inventor who takes young Bardamu under his wing.

It was Bukowski who pointed me towards Celine. He praised Journey, but he said nothing about Death. Death was unavailable to me, and after I was done with Journey I tried to read Guignol's Band. I couldn't read it though due to the frequent incoherent streamofconscious rants (and perhaps because it wasn't a Manheim Translation). But then I moved and found Death on Credit (same...Credit is just the UK title, whereas it's installment plan in US), read it, and liked it even better than Journey. There are one or two short parts of surreal/hallucinatory sequences. Even those are short; 98% of the book I would describe as concrete events written coherently.

Celine has changed his style a little with his second book. Ellipses are used much more often here than they were in Journey. But I found this to work quite well, both in terms of readability, and in terms of emulating actual speech and thoughts. Also, there are no chapters in Death.

Every thing else is what you'd expect from Celine after reading Journey. The bipolar nature of the work--it will make you laugh, then twenty pages later you'll be crying. There's plenty of humor. There's plenty of sexual escapades. Plenty of other little adventures that you'll enjoy reading about.

Oh yeah...also, there is less blatant philosophizing in this book. In Journey he'd go off on a rant about how people are terrible, and how society is evil, and how he believes in nothing. Don't worry! Those themes/ideas are all present here, he just doesn't come out and say it, rather, he shows them.

So...if you've read Journey and liked it, I strongly suggest you read Death.

If you haven't read Journey to the End of the Night, I suggest reading that first. It's not completely necessary. I think that you'll enjoy this book more if you've read Journey. Journey is perhaps the more readable of the two (at least the more traditionally readable). But if you want to read this and then do Journey be my guest, let me know how it goes.
48 people found this helpful
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Reviewed in the United States on February 12, 2021
This is the sequel to Louis-Ferdinand Céline’s autobiography Journey to the End of Night. This is not meant to be a complete blow-by-blow truthful account of his childhood. It’s too precise with long bouts of dialogue and wild abuse of ellipsis to fully make this a comprehensive chronological book. Say that it is emotionally accurate to the author’s growing up and trying to succeed in the slums of Paris around the turn of the previous century.

The action often moves into fantasy and the style becomes deliberately rougher. Sentences disintegrate to hook the taste of the crawling world of the Paris slums. The sleazy stories of families whose destiny is ruled by their own stupidity and greed.

I’m sure many people would become frustrated by this novel's bizarre style, dips into fantasy, and otherwise amoral tone, however it offers a profound vision of the nature of human existence for the socio-economically deprived, rooted in suffering and inertia. The book expresses ideas that stretch the limitations of perception while providing almost no structure to assign any meaning to life as a whole.
3 people found this helpful
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Reviewed in the United States on September 14, 2017
I enjoyed this ... but still it felt like it took a long time to get going... didn't really feel like I got in to it until about half way through... definitely had some great bits though... peculiar writing style too!
Reviewed in the United States on July 12, 2014
Read Celine in my youth and still re-reading. "Mort a Credit" is not as conceptually bright as "Journey," 1934, but it is still, despite being a bit dated, (1936), a hell of a roller coaster ride. Young readers should know where a lot of modernist energy sprung in the middle of the century - I talk mostly of Americans like Mailer, Miller, even Roth - each has ironically acknowledged indebtedness to Celine who is now discredited justifiably as an Anti-Semite. The book now reviewed has none of that. Every group and class takes a beating. He expressed a stern and unrelenting pessimism in the bleak period between the wars. His characters are largely from the Nineteenth Century Western Canon and are kind of memorialized as are those of Dickens and others. A recommended read if one is trying to understand France during the Great Depression and also an inimitable style feeding subsequent contributions.
7 people found this helpful
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Reviewed in the United States on August 18, 2015
This book covers his early life. I suggest, reading Journey first, as I believe he wrote it first. His spirit comes through despite the struggles of the times. I have read everything of his I can find and am looking for more. I think he may be France's greatest writer! This is quite a read, the last thing of his I have read. I plan to start over! His writing style is unique and powerful! Enjoy!
4 people found this helpful
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Top reviews from other countries

Bill P.
5.0 out of 5 stars Favourite book
Reviewed in Canada on July 7, 2018
My all time favourite book. Lost my paperback. Even better it a second time in English. Struggled with the original French but always a great book. No matter bardemu deals with he gets through.
Bookworm
5.0 out of 5 stars Perfect Book
Reviewed in India on September 27, 2016
I received the book in a good condition. And of course, Celine can never go wrong in expressing the misanthropic's existential dilemma.
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